Paper
Name Class Date

Solomon Lewitt, Irregular Arcs, Bands and Loops, Borusan Contemporary. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Solomon Lewitt originaluniqueart.com/en/artists/solomon-lewitt/
Artist’s dates
1928 – 2007
Movement
Op Art Patterns designed to make a flat, still surface appear to vibrate, bulge or move.
Held at
Borusan Contemporary originaluniqueart.com/en/museums/borusan-contemporary-istanbul/

In context

Irregular Arcs, Bands and Loops — Solomon Lewitt

When might this have been painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Shaded: the lifetime of Solomon Lewitt (1928–2007) every dated painting, decade by decade

First works: up to 1974 Main working years: 1974–2001 Late works: from 2001

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/solomon-lewitt-irregular-arcs-bands-and-loops-D4NFAR-en/

Colours

Measured from the image

    Main colour

    Espresso #412039

    Catalogued palette

    • #412039
    • #EEEDE2
    • #D9412F
    • #397E90

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Solomon Lewitt over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Brazil 76.7%
    2. 2 China 16.7%
    3. 3 Germany 3.3%
    4. 4 United Kingdom 3.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Solomon Lewitt

    1. 1 Blue Vertical, 2000 53.5%
    2. 2 Wall Drawing #391, 1983 9.3%
    3. 3 Distorted Cubes Bozuk Küpler 7.0%
    4. 4 Wall drawing #1091: arcs, circles and bands (room), 2003 4.7%
    5. 5 Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four dir...., 1971 4.7%
    6. 6 Vertical Lines, Not Touching, 1970 4.7%
    7. 7 Wall Drawing #340, 1980 2.3%
    8. 8 Four Color Woodcuts-Curvy Bands I-IV, 1996 2.3%
    9. 9 Wal Drawing #999, 2001 2.3%
    10. 10 Irregular tower 2.3%
    11. 11 Serial Project #1 ABCD, 1966 2.3%
    12. 12 Untitled from Squares with a Different Line Direction in Each Half Square 2.3%
    13. 13 Untitled 2.3%
    14. — Irregular Arcs, Bands and Loops this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 13 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Solomon Lewitt

    Born in Hartford, United States of America

    The Architect of Ideas: The Life and Legacy of Sol LeWitt

    In the vast landscape of twentieth-century modernism, few figures cast as long or as intellectually profound a shadow as Solomon LeWitt. Born on September 9, 1928, in Hartford, Connecticut, to a family of Jewish immigrants from Russia, LeWitt’s journey was one defined by the pursuit of pure thought over mere physical execution. His early years were shaped by a rigorous analytical curiosity, a trait nurtured by his studies at Syracuse University between 1945 and 1949. This academic foundation in mathematics and geometry would later become the very heartbeat of his artistic language, allowing him to strip away the decorative excesses of traditional art to reveal the skeletal beauty of logic and structure.

    LeWitt’s evolution as an artist was not a sudden rupture but a deliberate migration from the tangible to the conceptual. While his early explorations involved the tactile nature of painting and drawing, he soon found himself increasingly drawn to the idea behind the mark rather than the mark itself. This shift marked the birth of a pioneer who would bridge the gap between Minimalism and Conceptual Art. He began to view the artist not as a craftsman bound by the hand, but as an architect of instructions. By prioritizing the mental blueprint over the finished object, LeWitt challenged the very definition of authorship, suggesting that once an idea is conceived, its physical manifestation is merely a secondary consequence.

    The Revolution of the Wall Drawing

    The late 1960s witnessed one of the most radical transformations in contemporary art with the emergence of LeWitt’s iconic wall drawings. Rejecting the permanence and preciousness of traditional sculpture, he introduced "structures"—a term he preferred over "sculptures" to emphasize their mathematical essence—and a series of instructions that could be executed by anyone trained to follow them. These works were not merely decorations but lived experiences, often composed of precise geometric patterns, arcs, and interlocking shapes that breathed life into the architectural spaces they inhabited.

    To witness a LeWitt wall drawing is to see logic transformed into poetry. Whether it was the stark, rhythmic repetition found in Black with White Lines, Vertical Not Touching or the vibrant, exuberant energy of Wall Drawing #1091: arcs, circles and bands, his work utilized the power of the line to command space. These pieces often relied on a system of logical, often mathematical instructions that guided assistants or museum installers in their production. This method democratized the act of creation while simultaneously elevating the importance of the concept, ensuring that the artwork existed fundamentally as an intellectual spark before it ever touched a wall.

    A Lasting Impression on Modernity

    Throughout his prolific career, which spanned decades and included mastery in printmaking, photography, and installation, LeWitt remained steadfast in his commitment to clarity and precision. His ability to find profound beauty in the simplest of forms—such as the striking white Pyramid or the complex, colorful rhythms of his crayon-based wall works—redefined the aesthetic boundaries of the late 20th century. He proved that art could be stripped of its ego and its ornament, yet still retain a soul that resonates deeply with the human desire for order and discovery.

    The historical significance of Sol LeWitt cannot be overstated. He provided the vocabulary for generations of artists to explore the boundaries between thought and matter. His legacy lives on in every museum and gallery where the line between the creator and the executor is blurred, and where the strength of an idea is recognized as the ultimate medium. As we look back upon his life, from his beginnings in Hartford to his final days in New York City in 2007, we see a man who did not just make art, but who taught us how to see the profound architecture of thought itself.

    Museum

    Borusan Contemporary

    On show in Istanbul, Turkey

    A Hauntingly Beautiful Fusion: Discovering Borusan Contemporary

    Nestled within the enigmatic Perili Köşk – literally “Haunted House” – in Istanbul’s historic Rumelihisarı district, Borusan Contemporary isn't merely a museum; it’s an immersive journey through time and artistic expression. This unique space, straddling the continents of Europe and Asia, offers a captivating dialogue between Turkey’s rich past and its vibrant contemporary art scene. The building itself – a meticulously preserved blend of Ottoman and European architectural styles – whispers tales of opulent residences and local lore, immediately establishing an atmosphere of intriguing mystery that sets the stage for the dynamic works housed within. Borusan Contemporary stands as a testament to Turkey's commitment to fostering cultural dialogue on both a national and international scale, showcasing a collection that boldly embraces innovation while honoring tradition.

    The Perili Köşk’s history is inextricably linked to the museum’s very existence. Originally constructed as a private residence overlooking the breathtaking Bosphorus Strait, this architectural gem carried an aura of intrigue from its inception. Its layered past – evolving from a symbol of lavish living to a landmark imbued with local legends and tales of spectral sightings – provides a profoundly resonant backdrop for the art on display. The juxtaposition of the mansion’s ornate façade with the often-challenging and avant-garde works within is deliberate, a key element in Borusan Contemporary's ethos. It invites visitors to contemplate the enduring interplay between past and present, tradition and innovation, creating an experience far richer than simply viewing art.

    A Dynamic Collection: Exploring Contemporary Visions

    Borusan Contemporary distinguishes itself from traditional museum models through its perpetually evolving program of exhibitions. Rather than adhering to a static collection, the museum thrives on showcasing diverse mediums – from thought-provoking sculptures and immersive installations to vibrant paintings and cutting-edge digital art forms. Visitors can anticipate encountering works by both established Turkish artists and rising international stars, each offering unique perspectives within the contemporary landscape. A particular strength lies in its embrace of new media: video art that challenges perceptions, neon installations that transform space, and interactive pieces that invite active engagement. The collection’s evolution reflects a forward-looking vision, continually incorporating experimental and digital artworks – a deliberate choice mirroring the museum's commitment to pushing artistic boundaries.

    The foundation of Borusan Contemporary’s collection began with a focus on Turkish Modern and Contemporary Art, but it has dramatically expanded over the decades. In the 2000s, the museum embraced international artists like Donald Judd and Sol LeWitt, demonstrating a willingness to engage with global artistic trends. This expansion culminated in a deliberate commitment to experimental and digital artworks, solidifying Borusan Contemporary’s position as a leading voice in showcasing innovative approaches to art-making. The collection now boasts over 730 works, representing a diverse range of styles and mediums, all united by their exploration of contemporary themes and ideas.

    The Legacy of Support: The Borusan Kocabıyık Foundation

    The existence of Borusan Contemporary is deeply rooted in the unwavering commitment of the Borusan Kocabıyık Foundation. Supported by the substantial resources of Borusan Holding A.Ş., a diversified industrial group, the museum operates as more than just an exhibition space; it functions as a vital educational hub dedicated to engaging visitors with modern art concepts and practices. This dedication extends beyond simply displaying artwork – Borusan Contemporary actively commissions new works, provides crucial support for emerging artists, and fosters cultural exchange through international collaborations. The foundation’s investment ensures that the museum remains a dynamic force in promoting contemporary art within Turkey and connecting it to the global artistic community.

    More Than Just a Museum: An Istanbul Destination

    What truly sets Borusan Contemporary apart is its seamless blend of cutting-edge artistry with the captivating charm of its historical setting. It’s a place where you can lose yourself in immersive installations, contemplate challenging ideas, and connect with art on a deeply emotional level – all while surrounded by the echoes of centuries past. Whether you are an avid collector seeking inspiration, an interior designer searching for innovative aesthetics, or simply an art enthusiast eager to explore Istanbul's cultural landscape, Borusan Contemporary offers an unforgettable experience that will linger long after you leave its hauntingly beautiful halls. The museum’s location within the Perili Köşk adds a layer of mystique and intrigue, transforming a visit into something truly special – a journey through both artistic innovation and historical resonance.

    Where to read more

    Find this online

    QR code linking to the download page for Irregular Arcs, Bands and Loops

    originaluniqueart.com/en/art/download/solomon-lewitt-irregular-arcs-bands-and-loops-D4NFAR-en/

    Cite this artwork

    MLA
    Lewitt, Solomon. Irregular Arcs, Bands and Loops. n.d., Borusan Contemporary. https://originaluniqueart.com/en/art/solomon-lewitt-irregular-arcs-bands-and-loops-D4NFAR-en/
    APA
    Lewitt, Solomon (n.d.). Irregular Arcs, Bands and Loops [Painting]. Borusan Contemporary. https://originaluniqueart.com/en/art/solomon-lewitt-irregular-arcs-bands-and-loops-D4NFAR-en/
    Chicago
    Solomon Lewitt. Irregular Arcs, Bands and Loops. n.d. Borusan Contemporary. https://originaluniqueart.com/en/art/solomon-lewitt-irregular-arcs-bands-and-loops-D4NFAR-en/
    Harvard
    Lewitt, Solomon (n.d.) Irregular Arcs, Bands and Loops. Borusan Contemporary. Available at: https://originaluniqueart.com/en/art/solomon-lewitt-irregular-arcs-bands-and-loops-D4NFAR-en/

    Look closely

    Irregular Arcs, Bands and Loops — Solomon Lewitt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract art, geometric design, color bands. Do you agree? What would you add, or take away?
    4. Look back at Wall drawing #1091: arcs, circles and bands (room) (2003), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Op Art: Patterns designed to make a flat, still surface appear to vibrate, bulge or move. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What stage of Solomon Lewitt's development does "Irregular Arcs, Bands and Loops" represent?

    Within Solomon Lewitt's career, "Irregular Arcs, Bands and Loops" falls in the Mature Period. The phase helps compare it with the artist's other works.

    Can the image of "Irregular Arcs, Bands and Loops" by Solomon Lewitt be freely reproduced?

    "Irregular Arcs, Bands and Loops" by Solomon Lewitt is still protected by copyright. This status governs how the image of the work may be reproduced.

    Is "Irregular Arcs, Bands and Loops" more bright or more dark overall?

    "Irregular Arcs, Bands and Loops" is brilliant overall, and its luminance is luminous.