Paper

Student Artwork Guide

Qajar #9

Name Class Date

Shadi Ghadirian, Qajar #9 (1998), Pergamon Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Shadi Ghadirian originaluniqueart.com/en/artists/shadi-ghadirian/
Artist’s dates
1974 –
Painted
1998
Original size
30 x 40 cm
Held at
Pergamon Museum originaluniqueart.com/en/museums/pergamon-museum-berlin/
Artistic style
Feminist Art
Influences
Qajar era
Notable elements
Modern props & dress
Subject or theme
Iranian women's life

In context

Qajar #9 — Shadi Ghadirian

How big is it?

The original measures 30 × 40 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 24. 0 of the 6 dated works by this artist in our catalogue came earlier.

▲ this work, 1998 every dated painting, decade by decade

Compare with

  • Qajar #2, 1998 originaluniqueart.com/en/art/shadi-ghadirian-qajar-2-D4EELB-en/
  • Qajar #18, 1998 originaluniqueart.com/en/art/shadi-ghadirian-qajar-18-D4EEL7-en/
  • Qajar #19, 1998 originaluniqueart.com/en/art/shadi-ghadirian-qajar-19-D4EEL9-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/shadi-ghadirian-qajar-9-D4EELF-en/

Colours

Measured from the image

    Main colour

    Espresso #534a3f

    Catalogued palette

    • #534A3F
    • #16140F
    • #CBC6BE
    • #7F7569

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Shadi Ghadirian over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 100.0%300 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Shadi Ghadirian

    1. 1 Qajar #18, 1998 66.7%200 visits
    2. 2 Qajar #2, 1998 33.3%100 visits
    3. — Qajar #9, 1998 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Qajar #9 — Shadi Ghadirian

    A Window on Tradition: Shadi Ghadirian’s ‘Qajar #9’

    Shadi Ghadirian's “Qajar #9,” created in 1998, isn’t merely a photograph; it’s a carefully constructed dialogue between the past and present, tradition and modernity. Emerging from the vibrant cultural landscape of contemporary Iran, this image transcends simple portraiture, offering a poignant meditation on identity, gender roles, and the enduring pull of heritage. Ghadirian masterfully employs a technique reminiscent of 19th-century Qajar studio photography – a style characterized by formal poses, elaborate costumes, and carefully chosen props – yet subverts its conventions with subtle, contemporary intrusions that immediately draw the viewer’s eye.

    The photograph depicts a young woman seated before a window draped in richly patterned, crimson curtains. Her attire is a deliberate homage to the Qajar era, featuring a traditional headscarf and a flowing gown echoing the fashions of the period. However, these elements are juxtaposed with decidedly modern accessories: a sleek, black sunglasses frame, a portable stereo system resting on a nearby table, and a vibrant Pepsi can strategically placed within the composition. This deliberate pairing creates an arresting tension – a visual shorthand for the complexities of Iranian society navigating rapid modernization while grappling with deeply rooted traditions.

    The Qajar Legacy and Ghadirian’s Vision

    To fully appreciate “Qajar #9,” it's crucial to understand the historical context of the Qajar dynasty (1789-1925). This period witnessed a flourishing of art, architecture, and fashion in Persia, with portraiture becoming a highly formalized tradition. Qajar portraits were often commissioned by royalty and nobility, intended to project an image of wealth, power, and cultural refinement. Ghadirian consciously echoes this aesthetic, meticulously recreating the visual language of the era – the elaborate costumes, the formal poses, and the carefully arranged props – but then introduces elements that speak to a vastly different reality.

    Ghadirian’s work is deeply rooted in her own experiences as an Iranian Muslim woman. Her photographs frequently explore themes of censorship, religious identity, and the challenges faced by women in a society where traditional roles often clash with modern aspirations. “Qajar #9” can be interpreted as a subtle critique of these tensions, highlighting the ways in which women are expected to reconcile their personal desires with societal expectations.

    Deconstructing Tradition: Symbolism and Technique

    The choice of props within the composition is particularly significant. The sunglasses, for instance, represent a contemporary symbol of Western influence and modernity – a visual marker of the woman’s engagement with global culture. The portable stereo system, a ubiquitous object in modern Iran, further underscores this shift. By placing these seemingly incongruous elements within the framework of a Qajar portrait, Ghadirian forces us to question the very notion of tradition and its relationship to progress.

    Technically, “Qajar #9” is executed with remarkable precision. The photograph is printed in black and white, creating a stark, timeless aesthetic that emphasizes texture and form. The lighting is soft and diffused, casting gentle shadows that highlight the contours of the woman’s face and clothing. Ghadirian's use of composition—centering the subject within the window frame—draws the viewer into the scene, inviting us to contemplate the story behind this seemingly simple portrait.

    A Timeless Reflection

    “Qajar #9” is more than just a beautiful photograph; it’s a powerful statement about identity, culture, and the complexities of modern life. It invites viewers to consider the ways in which tradition continues to shape our world, even as we embrace new technologies and global influences. Ghadirian's masterful use of symbolism and technique creates an image that is both visually arresting and emotionally resonant – a timeless reflection on the enduring spirit of Iran.

    Artist and museum

    Artist

    Shadi Ghadirian

    Born in Tehran, Iran

    A Vision Between Eras

    Shadi Ghadirian stands as a profound voice in contemporary photography, capturing the intricate textures of life in Tehran. Born in 1974, her artistic journey is deeply intertwined with her experiences as a Muslim woman navigating the complexities of post-revolutionary Iran. Her work serves as a poignant meditation on the delicate balance between tradition and modernity, exploring the silent tensions that exist within the domestic and public spheres. Through her lens, the contradictions of everyday life are made visible, revealing the subtle pushes and pulls of cultural identity and the evolving status of women in a rapidly changing society.

    Ghadirian’s academic foundation was laid at the Islamic Azad University, Central Tehran Branch, where she studied under the esteemed Bahman Jalali. This period of formal training provided her with the technical mastery required to execute her highly constructed and symbolic compositions. Her photographic practice is not merely about documentation; it is a deliberate act of subverting traditional portraiture to comment on censorship, religion, and the persistence of heritage amidst globalized influences.

    The Dialogue of Tradition and Modernity

    The artist gained significant international recognition through her groundbreaking series, most notably Qajar and Like Every Day. In the Qajar series, created in 1998, Ghadirian masterfully employs a technique that evokes the formal studio photography of the 19th-century Qajar dynasty. By arranging portraits of women—often friends and family—in elaborate costumes and poses reminiscent of that era, she establishes an immediate historical connection to Iran's past. However, she brilliantly disrupts this sense of antiquity by introducing contemporary Western props such as boom boxes, Pepsi cans, and sunglasses.

    This deliberate juxtaposition creates an arresting visual tension, acting as a shorthand for the complexities of a nation navigating rapid modernization while grappling with deeply rooted traditions. Her subsequent works continue to explore these themes of identity and contradiction:

    Miss Butterfly: A series that delves into the layers of female identity.

    Nil, Nil: Works that offer quiet observations on everyday reality and societal nuances.

    Ctrl+Alt+Delete: An exploration of the digital and modern shifts in culture.

    West by East: A reflection on the intersection of Eastern and Western influences.

    Symbolism and Social Commentary

    Beyond the striking aesthetics, Ghadirian’s work is deeply symbolic, often using minimalist elements to convey profound messages about the constraints placed upon women's lives. In pieces such as Nil Nil #5, a simple scene of a vacuum cleaner and handbags becomes a masterful distillation of domesticity and the quiet realities of female existence. Her ability to find meaning in the mundane allows her to critique social norms and the complexities of negative stereotypes without relying on overt political rhetoric.

    Through her various photographic series—including Be Colourful, My Press Photo, and Out of Focus—she has built a body of work that transcends borders. While her subject matter is rooted in the specificities of Iranian life, her exploration of gender roles, religion, and the struggle for autonomy resonates with women across the globe. Ghadirian remains a vital figure in contemporary art, using the camera to illuminate the beautiful, often difficult, intersections of history and the present moment.

    Museum

    Pergamon Museum

    On show in Berlin, Germany

    A Journey Through Time: Unveiling the Grandeur of the Pergamon Museum

    Stepping into the Pergamon Museum in Berlin is not merely entering a building; it’s embarking on an extraordinary temporal voyage, a profound immersion into civilizations long past. More than just a repository for ancient artifacts, this monumental structure—a masterpiece conceived by Alfred Messel and Ludwig Hoffmann—stands as a testament to the ambition of 19th-century archaeology and the enduring power of human creativity. Originally envisioned as a showcase for colossal finds from Mesopotamia, Anatolia, and beyond, the museum’s story is inextricably linked to the fervent spirit of excavation that defined an era. The sheer scale of the building itself—a bold example of Stripped Classicism—mirrors the grandeur of the treasures it houses, creating an immersive experience that transcends traditional museum boundaries. It's a space designed not just to display history, but to evoke it, transporting visitors back millennia through monumental architecture and breathtaking artistry.

    The heart of the Pergamon Museum, and arguably its most iconic exhibit, is the magnificent Pergamon Altar. This colossal sculpture from 2nd-century BC Pergamon isn’t simply a decorative element; it's a vibrant narrative rendered in breathtaking detail, depicting the epic battle between gods and giants – Zeus locked in combat with the monstrous Gigantes. The sheer scale is humbling, forcing visitors to contemplate the artistry and power of its creators. The frieze, meticulously carved from a single block of marble, tells a complex story of divine intervention and cosmic struggle, offering a window into the religious beliefs and artistic sensibilities of Pergamon. The altar’s origins are shrouded in some mystery, with scholars debating whether it was commissioned as a memorial to a specific victory or as a more general expression of devotion. Its intricate details—the muscular figures, the dramatic poses, the symbolic imagery—reveal a sophisticated understanding of storytelling and a mastery of sculptural technique. Adjacent to the Altar stands the remarkably preserved Roman gate, offering a vivid glimpse into the bustling commercial life of an ancient port city. Its soaring columns, ornate decorations, and immense size speak volumes about the importance of trade and urban development in the Mediterranean world – a tangible reminder of the energy that once pulsed through these streets.

    The Ishtar Gate & Processional Way (Babylon):

    Stepping through the towering gates is an almost visceral experience, transporting visitors directly to the heart of ancient Babylon. The vibrant blue bricks depicting mythical creatures – lions, dragons, and bulls – symbols of Babylonian authority and artistic prowess, create a dazzling spectacle. This isn’t merely a static display; it's a recreation of a bustling procession, allowing visitors to imagine the sounds and sights of this magnificent city.

    The Market Gate of Miletus:

    A testament to Roman architectural ingenuity, this gate stands as a powerful reminder of the dynamism of ancient trade routes. The intricate Corinthian capitals exemplify Roman elegance, inviting contemplation on the values reflected within its design – prosperity, order, and civic pride.

    Treasures from Mesopotamia & Beyond:

    The museum’s collection extends far beyond these iconic pieces, encompassing Babylonian treasures—including fragments of royal palaces and elaborate cylinder seals—and artifacts from ancient Egypt, Persia, and Anatolia. These objects offer a glimpse into the diverse cultures that flourished in this region for millennia.

    A Tapestry of Civilizations: Babylonian Treasures

    Further enriching the museum’s narrative are the treasures from Babylon, a collection that truly transports visitors to one of history's earliest empires. The centerpiece is undoubtedly the Ishtar Gate and Processional Way, a dazzling spectacle of glazed blue bricks depicting mythical creatures – lions, dragons, and bulls – symbols of Babylonian authority and artistic prowess. Stepping through the towering gates is an almost visceral experience, transporting visitors directly to the heart of ancient Babylon. The vibrant blue glaze—a technique perfected by Mesopotamian artisans—creates a striking visual impact, underscoring the sophistication of Babylonian craftsmanship. Adjacent to this lies the Mshatta Facade, originating from an 8th-century Umayyad palace in Jordan. This piece offers a dramatic departure from the classical styles that preceded it, embodying harmony, balance, and vegetal motifs—a testament to the refined artistry and intricate detail characteristic of Islamic art. The delicate stucco work, adorned with floral patterns and geometric designs, reveals a sophisticated understanding of Islamic principles.

    Architectural Grandeur: A Testament to Vision

    The Pergamon Museum’s architecture is as captivating as its collection. Completed between 1910 and 1930, the building itself is a remarkable achievement of Stripped Classicism. Alfred Messel and Ludwig Hoffmann sought to create a space that was both imposing and respectful of the artifacts within. The vast halls were conceived not merely as exhibition spaces but as stages for presenting history on a monumental scale. The deliberate use of light, shadow, and spatial arrangement contributes significantly to the overall experience, enhancing the impact of each object. The building’s design reflects a deep understanding of archaeological principles – creating an environment that allows visitors to fully appreciate the grandeur and significance of these ancient treasures. It's more than just a container; it’s an integral part of the narrative, shaping our perception of history itself. The museum’s layout deliberately mimics the scale of the artifacts it houses, fostering a sense of awe and wonder.

    A Legacy in Progress: Renovations and Innovation

    Currently undergoing extensive renovations—a project slated to continue until 2037-2043, with the North Wing expected to reopen in 2027—the Pergamon Museum remains a vital cultural institution. The museum’s commitment to accessibility is particularly noteworthy, exemplified by “Pergamonmuseum. Das Panorama,” an ambitious initiative that recreates the atmosphere of the Pergamon Altar and its surroundings using a breathtaking 360-degree panorama. This immersive experience offers visitors a compelling glimpse into the monumental altar even amidst the ongoing construction, demonstrating the museum’s dedication to engaging with the public and preserving its legacy. The return of artifacts from Russia is an ongoing process, highlighting the complexities of international cultural heritage. The museum continues to adapt and innovate, ensuring that future generations will continue to be inspired by its remarkable collection and architectural grandeur.

    Where to read more

    Find this online

    QR code linking to the download page for Qajar #9

    originaluniqueart.com/en/art/download/shadi-ghadirian-qajar-9-D4EELF-en/

    Cite this artwork

    MLA
    Ghadirian, Shadi. Qajar #9. 1998, Pergamon Museum. https://originaluniqueart.com/en/art/shadi-ghadirian-qajar-9-D4EELF-en/
    APA
    Ghadirian, Shadi (1998). Qajar #9 [Painting]. Pergamon Museum. https://originaluniqueart.com/en/art/shadi-ghadirian-qajar-9-D4EELF-en/
    Chicago
    Shadi Ghadirian. Qajar #9. 1998. Pergamon Museum. https://originaluniqueart.com/en/art/shadi-ghadirian-qajar-9-D4EELF-en/
    Harvard
    Ghadirian, Shadi (1998) Qajar #9. Pergamon Museum. Available at: https://originaluniqueart.com/en/art/shadi-ghadirian-qajar-9-D4EELF-en/

    Look closely

    Qajar #9 — Shadi Ghadirian

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: iranian women, traditional dress, window view. Do you agree? What would you add, or take away?
    5. Look back at Qajar #2 (1998), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Qajar #9 — Shadi Ghadirian

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of Shadi Ghadirian’s ‘Qajar #9’?

      • A A portrait of a European woman in traditional Iranian attire.
      • B A depiction of a historical Qajar court scene.
      • C A contemporary Iranian woman blending Western and traditional elements.
    2. 2. The series ‘Qajar’ by Shadi Ghadirian draws inspiration from what historical period?

      • A The Safavid Dynasty.
      • B The Qajar Dynasty.
      • C The Pahlavi Dynasty.
    3. 3. What is a key element that distinguishes ‘Qajar #9’ from traditional Qajar portraits?

      • A The use of exclusively natural light.
      • B The inclusion of contemporary Western accessories and objects.
      • C The depiction of a formal, indoor setting.
    4. 4. Shadi Ghadirian’s work often explores themes related to which aspect of Iranian society?

      • A Ancient Persian mythology.
      • B The intersection of tradition and modernity, particularly for women.
      • C The history of the Qajar Dynasty's military campaigns.
    5. 5. In ‘Qajar #9’, what does the woman’s sunglasses symbolize?

      • A A rejection of traditional Iranian customs.
      • B The blending of Eastern and Western cultures.
      • C A commentary on the gaze and perception in contemporary Iran.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Did "Qajar #9" stay in its artist's homeland?

    No - the artwork is kept abroad. Shadi Ghadirian was born in Iran, and the original "Qajar #9" is held in a museum in Germany.

    At what size is "Qajar #9" recommended to be printed?

    "Qajar #9" is recommended at a medium print size. Other sizes are available with the same proportions.

    Where is the portrait format of "Qajar #9" recommended to be displayed?

    Format (portrait) and recommended space (living room) are the two placement facts recorded for "Qajar #9" by Shadi Ghadirian.