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Student Artwork Guide

Martha Wentworth

Name Class Date

Samuel Hawksett, Martha Wentworth (1846). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Samuel Hawksett originaluniqueart.com/en/artists/samuel-hawksett/
Artist’s dates
1801 – 1859
Painted
1846
Original size
126 x 98 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Martha Wentworth — Samuel Hawksett

How big is it?

The original measures 126 × 98 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Painted when the artist was 45. The artist lived to 58. 4 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Samuel Hawksett (1801–1859) ▲ this work, 1846 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/samuel-hawksett-martha-wentworth-AS829R-en/

Colours

Measured from the image

    Main colour

    Driftwood #bf8b5d

    Catalogued palette

    • #BF8B5D
    • #2B221E
    • #121111
    • #7A593E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Samuel Hawksett over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.0%300 visits
    2. 2 Canada 40.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Samuel Hawksett

    1. 1 John Dunn (1793–1874), 1850 60.0%300 visits
    2. 2 Martha Wentworth, 1846 this painting 20.0%100 visits
    3. 3 Professor James Seaton Reid (1798–1851), Professor of Ecclesiastical and Civil History, 1841 20.0%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 3 were looked at at least once. This painting ranks 2 of them, with 20.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Martha Wentworth — Samuel Hawksett

    The Martha Wentworth painting by Samuel Hawksett is a stunning example of 19th-century portraiture. Created in 1846, this oil on canvas piece measures 126 x 98 cm and is currently housed at the Armagh County Museum in Ireland. The painting depicts a woman wearing a bonnet and sitting in a chair, with a stern expression on her face.

    Artistic Style and Technique

    The level of detail in the painting is impressive, showcasing the artist's skill in capturing the subject's clothing and facial features. The background of the painting includes a couch and a book, which adds context to the scene and provides insight into the subject's personality. The overall atmosphere of the painting suggests that it could be an old portrait or a historical piece. Key Features of the painting include:

    The use of oil on canvas, which allows for rich and vibrant colors

    The attention to detail in the subject's clothing and facial features

    The inclusion of background elements that add context to the scene

    The painting is a great example of portraiture from the 19th century, and its style is reminiscent of other artists from the same period. For more information on similar paintings, visit Samuel Hawksett: Martha Wentworth or explore the collection at the Galería Municipal Hugh Lane de Arte Moderno in Ireland, which features an impressive array of modern and contemporary art.

    Other notable paintings from the same museum include A Connemara Lake by Charles Lamb and John Hoadly, Archbishop of Armagh and Primate of All Ireland by Stephen Slaughter. These paintings showcase the diversity of artistic styles and techniques on display at the museum. For more information on these artists and their works, visit Charles Lamb: A Connemara Lake or Edward Taylor Dartnell.

    Artist and museum

    Artist

    Samuel Hawksett

    Samuel Hawksett (1801–1859): A Lichfield Guildhall Legacy

    Samuel Hawksett, born in Lichfield, Staffordshire, England, was a prolific portrait painter active during the Victorian era, leaving behind a notable collection of canvases that capture the spirit of his time. While biographical details remain somewhat sparse—records indicate he died in 1859—his artistic output speaks volumes about his skill and dedication to documenting prominent figures within British society. Hawksett’s work primarily focused on commissioned portraits, reflecting the social conventions of the period where commissioning artwork was a symbol of status and prestige.

    Early Life & Training: Precise information regarding Hawksett's formative years is elusive. However, he apprenticed under William Birch, a respected Lichfield artist known for his landscapes and portraits, establishing a foundation in classical artistic principles.

    Notable Commissions & Subjects: Hawksett gained recognition for his meticulous depictions of individuals from diverse professions—scholars, clergymen, businessmen—and nobility. Among his most celebrated commissions were portraits of Thomas Corbett, a barrister and Member of Parliament, and Robert Langtry, a theatrical performer who achieved fame as Lord Lansdowne’s mistress.

    Technique & Style: Hawksett employed a refined technique characterized by careful observation and meticulous detail. His portraits often utilized chiaroscuro—the dramatic interplay of light and shadow—to convey depth and emotion, reflecting the influence of Rembrandt and Caravaggio. He skillfully rendered fabrics and textures with remarkable accuracy, demonstrating an understanding of anatomy and perspective.

    Influence & Legacy: Hawksett’s artistic legacy resides in his contribution to Lichfield Guildhall Art and Dr Johnson's House Art collections. His portraits serve as invaluable records of Victorian social life and offer insights into the personalities and aspirations of influential figures. Although overshadowed by more flamboyant contemporaries, Hawksett remains a testament to the enduring power of classical portraiture and its ability to preserve visual representations of history.

    Exploring Lichfield Guildhall & Dr Johnson's House Art Collections

    Hawksett’s paintings found their home in prestigious institutions like Lichfield Guildhall and Dr Johnson's House, showcasing his artistic prowess alongside other celebrated artists of the era. These collections provide invaluable context for understanding Hawksett’s work within a broader cultural landscape—a testament to Lichfield’s commitment to preserving artistic heritage. The Guildhall houses an impressive assemblage of paintings reflecting various artistic movements, while Dr Johnson's House celebrates the literary achievements of Samuel Johnson and his contemporaries. Examining these artworks alongside Hawksett’s portraits illuminates the interconnectedness of art and intellectual life during Victorian England.

    Key Achievements & Artistic Recognition

    Despite limited biographical documentation, Hawksett achieved considerable acclaim for his artistic skill and dedication to portraying prominent individuals. His meticulous attention to detail and masterful use of chiaroscuro established him as a respected portraitist within Lichfield’s artistic community. Furthermore, the inclusion of his canvases in notable art collections—Lichfield Guildhall and Dr Johnson's House—solidified his place in British art history. Hawksett’s enduring legacy lies not only in his individual artworks but also in their contribution to documenting a pivotal period in Victorian culture.

    Further Research & Resources

    For deeper exploration of Samuel Hawksett’s life and artistic endeavors, consult Art UK () for comprehensive biographical information and detailed analyses of his oeuvre. WahooArt.com () offers valuable insights into his artistic style and showcases reproductions of his paintings.

    Where to read more

    Find this online

    QR code linking to the download page for Martha Wentworth

    originaluniqueart.com/en/art/download/samuel-hawksett-martha-wentworth-AS829R-en/

    Cite this artwork

    MLA
    Hawksett, Samuel. Martha Wentworth. 1846, https://originaluniqueart.com/en/art/samuel-hawksett-martha-wentworth-AS829R-en/
    APA
    Hawksett, Samuel (1846). Martha Wentworth [Painting]. https://originaluniqueart.com/en/art/samuel-hawksett-martha-wentworth-AS829R-en/
    Chicago
    Samuel Hawksett. Martha Wentworth. 1846. https://originaluniqueart.com/en/art/samuel-hawksett-martha-wentworth-AS829R-en/
    Harvard
    Hawksett, Samuel (1846) Martha Wentworth. Available at: https://originaluniqueart.com/en/art/samuel-hawksett-martha-wentworth-AS829R-en/

    Look closely

    Martha Wentworth — Samuel Hawksett

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, victorian era, elderly woman. Do you agree? What would you add, or take away?
    5. Look back at Robert Langtry (d.1859) (1843), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What stage of Samuel Hawksett's career does "Martha Wentworth" (1846) belong to?

    "Martha Wentworth", created in 1846, belongs to the Mature Period of Samuel Hawksett's career.

    What orientation does "Martha Wentworth" by Samuel Hawksett have?

    The format of "Martha Wentworth" is portrait. This is useful when planning where a reproduction will be placed.

    In which movement and which era is "Martha Wentworth" by Samuel Hawksett placed?

    "Martha Wentworth" by Samuel Hawksett is placed in the Contemporary Realism movement, within the 19th-Century era of its creator.