Paper

Student Artwork Guide

Menorah

Name Class Date

Roger Wagner, Menorah (1993), The Ashmolean Museum of Art And Archaeology. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Roger Wagner originaluniqueart.com/en/artists/roger-wagner/
Artist’s dates
1914 – 1992
Painted
1993
Original size
154 x 196 cm
Movement
Other
Held at
The Ashmolean Museum of Art And Archaeology originaluniqueart.com/en/museums/the-ashmolean-museum-of-art-and-archaeology-oxford/

In context

Menorah — Roger Wagner

How big is it?

The original measures 154 × 196 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 79. The artist lived to 78. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Roger Wagner (1914–1992) ▲ this work, 1993 every dated painting, decade by decade

Compare with

  • Black Poplar originaluniqueart.com/en/art/roger-wagner-black-poplar-ARD6UV-en/
  • Trees originaluniqueart.com/en/art/roger-wagner-trees-ARD6UT-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/roger-wagner-menorah-ARD6UR-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a9aba0

    Catalogued palette

    • #A9ABA0
    • #364241
    • #74756C
    • #5F74BE

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Roger Wagner over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Roger Wagner

    1. 1 Black Poplar 100.0%
    2. Menorah, 1993 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Roger Wagner

    Museum

    The Ashmolean Museum of Art And Archaeology

    On show in Oxford, United Kingdom

    A Chronicle of Wonders: Unveiling the Ashmolean Museum’s Enduring Legacy

    Nestled within the venerable walls of Oxford University, the Ashmolean Museum isn't merely a collection of artifacts; it’s a vibrant testament to human curiosity and artistic expression spanning nearly six million years. Founded in 1678 by the eccentric antiquarian Elias Ashmole – a man driven by an insatiable thirst for the world’s treasures – the museum began as his personal cabinet of curiosities, a dazzling assemblage of Roman coins, Egyptian mummies, and medieval armor. This initial impulse to gather the extraordinary has blossomed into one of Britain's oldest and most distinguished public museums, a place where the echoes of ancient civilizations mingle with the brilliance of Renaissance masters and the provocative energy of contemporary art. The Ashmolean’s story is inextricably linked to Oxford itself, evolving from a modest room on Broad Street to its magnificent current form – a harmonious blend of Victorian grandeur and modern innovation.

    A Journey Through Time:

    From its earliest days as a private collection, the museum has meticulously curated an astonishingly diverse range of objects. The heart of the Ashmolean lies in its unparalleled Egyptian collection, dominated by breathtaking sarcophagi adorned with intricate hieroglyphs, vibrant tomb paintings that offer glimpses into daily life and elaborate funerary rituals, and everyday artifacts – tools, jewelry, and pottery – revealing the profound beliefs and practices of this ancient civilization. The museum’s holdings in Near Eastern art are equally captivating, showcasing monumental Assyrian reliefs depicting royal processions and epic battles alongside delicate Babylonian cylinder seals bearing intricate narratives of mythology and administration. These objects transport visitors to the heart of empires that shaped the course of human history.

    Renaissance Reforged:

    Beyond antiquity, the Ashmolean boasts a remarkable collection of European art spanning the Middle Ages through the present day. The 17th-century Dutch and Flemish paintings are particularly celebrated, with masterpieces by Frans Hals and Jan van Eyck illuminating the meticulous detail and vibrant colors characteristic of the Renaissance. The Daisy Linda Ward Collection of still life paintings stands as a testament to this artistic movement’s scientific observation blended with humanist aesthetics – a captivating exploration of light, shadow, and texture. The Pre-Raphaelite Gallery is another highlight, showcasing the revolutionary vision of artists like Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais who sought to recapture the beauty and spiritual depth of earlier artistic traditions.

    Architectural Harmony: A Dialogue Between Eras

    The Ashmolean’s physical space is as compelling as its collection, a testament to thoughtful design and historical preservation. The original structure, completed between 1841 and 1845 under the direction of Charles Cockerell, embodies the architectural sensibilities of the Victorian era – a grand Neo-Classical façade with imposing columns and symmetrical proportions that immediately evokes a sense of scholarly tradition. This deliberate choice reflected the museum’s mission to foster intellectual pursuits. However, the building's story takes an even more remarkable turn with the addition of the contemporary extension, designed by Rick Mather Architects. This striking structure, seamlessly integrated into the historic fabric, introduces a lightness and transparency that contrasts beautifully with the solidity of the original – a masterful demonstration of how modern design can honor architectural heritage. The Taylor Institution, housed within a wing of the building, adds another layer of architectural interest, showcasing Oxford’s commitment to scholarship and learning. The careful juxtaposition of these elements—ancient stone meeting modern design—creates an atmosphere of intellectual curiosity and artistic delight, making a visit to the Ashmolean a truly immersive experience.

    A Living Museum: Innovation and Community Engagement

    Charles Drury Edward Fortnum played a pivotal role in shaping the museum’s identity in the late 19th century, transforming it from a somewhat haphazard collection into a carefully curated institution. His dedication to acquiring significant works and establishing clear organizational principles laid the groundwork for the Ashmolean's success – a visionary undertaking that cemented its place as Britain’s premier art museum. More recently, the museum has embraced contemporary art, hosting exhibitions by renowned artists such as Rachel Whiteread and showcasing innovative installations that challenge traditional notions of what a museum can be—demonstrating an unwavering commitment to engaging audiences with cutting-edge artistic perspectives. The recent University Engagement Programme has further strengthened ties between the museum and the university, fostering collaboration and enriching the learning experience for students and scholars alike – a partnership reflecting Oxford’s enduring tradition of intellectual exchange.

    Treasures in Focus: Recent Highlights & Ongoing Exploration

    Currently, “Stanley Donwood | Radiohead | Thom Yorke” offers a unique perspective on visual art through the lens of iconic music imagery—a thought-provoking exploration that underscores the universality of artistic expression. The museum’s collection continues to evolve, with ongoing research and acquisitions ensuring its relevance for generations to come. Works like Robert Braithwaite Martineau's "Girl with a Hoop" (1868), a charming Pre-Raphaelite portrait capturing Victorian innocence, and Adrian Maurice Daintrey’s “Portrait of a Woman” (1927) exemplify the museum’s commitment to showcasing both established masterpieces and emerging talent. Robert Collinson's "Ordered on Foreign Service" (1863), depicting an abduction at sea, offers a dramatic glimpse into Romantic painting. The Ashmolean Museum remains a vibrant hub of discovery, inviting visitors to embark on a journey through time and across cultures – a place where the past comes alive and the future of art unfolds.

    Useful Links:

    The Ashmolean Museum of Art And Archaeology:

    https://www.ashmolean.org/

    Where to read more

    Find this online

    QR code linking to the download page for Menorah

    originaluniqueart.com/en/art/download/roger-wagner-menorah-ARD6UR-en/

    Cite this artwork

    MLA
    Wagner, Roger. Menorah. 1993, The Ashmolean Museum of Art And Archaeology. https://originaluniqueart.com/en/art/roger-wagner-menorah-ARD6UR-en/
    APA
    Wagner, Roger (1993). Menorah [Painting]. The Ashmolean Museum of Art And Archaeology. https://originaluniqueart.com/en/art/roger-wagner-menorah-ARD6UR-en/
    Chicago
    Roger Wagner. Menorah. 1993. The Ashmolean Museum of Art And Archaeology. https://originaluniqueart.com/en/art/roger-wagner-menorah-ARD6UR-en/
    Harvard
    Wagner, Roger (1993) Menorah. The Ashmolean Museum of Art And Archaeology. Available at: https://originaluniqueart.com/en/art/roger-wagner-menorah-ARD6UR-en/

    Look closely

    Menorah — Roger Wagner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: menorah, power plants, nuclear energy. Do you agree? What would you add, or take away?
    4. Look back at Black Poplar, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Roger Wagner: de chirico influence, metaphysical symbolism, religious iconography. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does the copyright of "Menorah" by Roger Wagner allow reproductions?

    "Menorah" by Roger Wagner, held at The Ashmolean Museum of Art And Archaeology, is still protected by copyright. This status determines whether reproductions of the image may be made.

    At what age did Roger Wagner make "Menorah"?

    Roger Wagner was 79 years old when creating "Menorah" in 1993. The age is computed from the artist's birth year, 1914.

    Which museum holds the original "Menorah"?

    The original "Menorah" by Roger Wagner is held at The Ashmolean Museum of Art And Archaeology, Oxford, United Kingdom. A reproduction allows the work to be displayed at home.