Paper

Student Artwork Guide

Hanuman

Name Class Date

Raja Ravi Varma, Hanuman (1870), The Raja Ravi Varma Heritage Foundation. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Raja Ravi Varma originaluniqueart.com/en/artists/raja-ravi-varma/
Artist’s dates
1848 – 1906
Painted
1870
Period
19th Century
Held at
The Raja Ravi Varma Heritage Foundation originaluniqueart.com/en/museums/the-raja-ravi-varma-heritage-foundation-bangalore/
Artistic style
Tanjore influence and European realism
Influences
Tanjore school of painting
Notable elements or techniques
Teaching mudra, ornate parabolic crowns
Subject or theme
Hanuman's Discourse, Rama, and Lakshmana

In context

Hanuman — Raja Ravi Varma

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Painted when the artist was 22. The artist lived to 58. 0 of the 63 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Raja Ravi Varma (1848–1906) ▲ this work, 1870 every dated painting, decade by decade

First works: up to 1889 Main working years: 1889–1897 Late works: from 1897

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/raja-ravi-varma-hanuman-D4AL3P-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #875f4b

    Catalogued palette

    • #875F4B
    • #B9906C
    • #733925
    • #302425

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Raja Ravi Varma over the last twelve months — 11 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 52.9%
    2. 2 India 15.4%
    3. 3 United States of America 10.6%
    4. 4 Singapore 6.7%
    5. 5 Japan 4.8%
    6. 6 Hong Kong 3.8%
    7. 7 Canada 1.9%
    8. 8 Australia 1.0%
    9. 9 Spain 1.0%
    10. 10 United Kingdom 1.0%
    11. · 1 other countries 0.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Raja Ravi Varma

    1. 1 Nair Lady With A Mirror, 1894 4.2%
    2. 2 Music Hath Charms (Kadambari), 1890 3.4%
    3. 3 Ravana Carrying Off Sita and Opposed by Jatayu, 1906 3.4%
    4. 4 Bombay Singer (Bombay Songstress), 1893 3.4%
    5. 5 A Tamil Lady, 1900 2.5%
    6. 6 Lady Making A Garland, 1895 2.5%
    7. 7 An Adaptation of the poem, 1898 2.5%
    8. 8 A Sketch of an Elephant carrying the Travancore State Emblem 2.5%
    9. 9 The Maharani of Travancore, 1887 2.5%
    10. 10 Keechaka and Sairandhri, 1891 2.5%
    11. 11 Yashoda and Krishna 2.5%
    12. 12 Bandi Balaiah Naidu, 1904 2.5%
    13. 13 Judith, 1889 2.5%
    14. 14 Malabar Lady with Veena - Raja Ravi Varma, 2026 2.5%
    15. 15 Woman Holding a Fruit, 1800 1.7%
    16. 16 Draupadi at the Court of Virat, 1897 1.7%
    17. 17 There Comes Papa, 1893 1.7%
    18. 18 Radha in the Moonlight, 1890 1.7%
    19. 19 Reclining Nair Lady, 1897 1.7%
    20. — Hanuman, 1870 this painting 0.0%

    Together these works take 47.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 127 works by this artist, of which 67 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Hanuman — Raja Ravi Varma

    A Divine Discourse: The Early Mastery of Raja Ravi Varma

    In the quiet, focused atmosphere of 1870, a young Raja Ravi Varma captured a moment of profound spiritual instruction that would resonate through the annals of Indian art history. His painting, Hanuman—often referred to as Hanuman’s Discourse—serves as a breathtaking window into a transitional period of his creative evolution. At this stage in his career, the artist was still deeply enamored with the Tanjore style, a vibrant and ornate school of painting he encountered during his time at the Travancore court. This influence is palpably present in the meticulous detail of the characters' attire, particularly in the parabolic-shaped crowns that adorn the divine figures. These regal ornaments, reminiscent of the heavy gold work found in Tanjore traditions, lend a sense of sacred weight and majesty to the composition, signaling the artist's ability to marry regional decorative splendor with an emerging realism.

    The painting presents a tightly structured narrative within a small frame, where every figure plays a vital role in the unfolding drama. At the heart of the scene sits Rama, occupying the central position as the source of wisdom. His posture is one of calm authority, his hands performing the teaching mudra, a symbolic gesture that directs the viewer's eye to the instructional flow of the moment. Beside him, the characters are gathered in an intimate circle of learning. As Hanuman reads intently from ancient palm leaves, the tension between the physical act of reading and the spiritual act of receiving knowledge becomes palpable. The artist’s burgeoning maturity is evident in the way he renders the faces; there is a delicate balance of beauty and profound expression that breathes life into these mythological icons, transforming them from mere deities into relatable, emotive beings.

    A Fusion of Traditions and Techniques

    For the discerning collector or interior designer, this work represents more than just a religious depiction; it is a masterclass in the fusion of European academic techniques and traditional Indian iconography. Ravi Varma was a pioneer who bridged the gap between the East and the West, utilizing the subtle shading and anatomical precision learned from Western masters to enhance the storytelling of the Puranas. In Hanuman, one can observe how light and shadow are used to create depth within the small frame, giving the figures a sculptural presence that feels almost tangible. The repetition of intricate jewels and ornate patterns across the characters creates a rhythmic visual harmony, a technique that would later become a hallmark of his more famous works, such as Sita Bhumipravesh.

    The emotional impact of the piece lies in its sense of togetherness and sacred stillness. The composition draws the observer into a private moment of devotion and intellect. For those looking to adorn a space with art that evokes both cultural heritage and sophisticated elegance, a high-quality reproduction of this masterpiece offers an unparalleled opportunity. It brings into a modern interior a sense of historical continuity and a profound peace. Whether placed in a curated gallery setting or as a focal point in a luxurious living space, the painting serves as a testament to the power of art to preserve the sacred narratives of the past while maintaining a timeless, aesthetic allure that transcends generations.

    Artist and museum

    Artist

    Raja Ravi Varma

    Born in Kilimanjaro, India

    The Princely Brush: Raja Ravi Varma and the Dawn of Modern Indian Painting

    Raja Ravi Varma, a name that resonates with artistic innovation in India, emerged from the royal lineage of Kilimanoor Palace in Kerala during the mid-19th century. Born on April 29, 1848, his life was steeped in both aristocratic tradition and an innate creative spirit. He wasn’t merely a painter; he was a cultural bridge, skillfully blending European academic techniques with the rich tapestry of Indian mythology and aesthetics. His family's long-standing connection to the Travancore royal house – indeed, two of his daughters were later adopted into that very family – provided both privilege and a deep understanding of Indian courtly life, which would profoundly influence his artistic vision. From an early age, Ravi Varma displayed a remarkable aptitude for art, nurtured by his uncle Raja Raja Varma, who initiated him into the world of drawing and painting, primarily within the Tanjore School tradition. However, young Ravi’s ambition extended beyond imitation; he sought to master techniques that would allow him to capture not just likeness but also emotion and narrative depth.

    A Fusion of Worlds: Technique and Inspiration

    Varma's artistic journey took a pivotal turn when he encountered the works of European masters, particularly during his travels and through interactions with British officials stationed in India. He was captivated by the realism and technical precision of academic painting, diligently studying its principles – perspective, anatomy, light, and shadow. Yet, unlike many of his contemporaries who simply mimicked Western styles, Varma ingeniously adapted these techniques to serve distinctly Indian subjects. His canvases became vibrant stages for scenes from the Ramayana, the Mahabharata, and the Puranas, populated by gods and goddesses rendered with a newfound naturalism. He didn’t merely illustrate religious stories; he imbued them with human emotion and psychological complexity. This was revolutionary. Before Varma, depictions of deities often adhered to rigid iconographic conventions. He dared to portray them as relatable figures, beautiful and powerful yet accessible to the common viewer. His mastery of oil painting – a relatively new medium in India at the time – allowed him to achieve an unprecedented level of detail and luminosity, further enhancing the emotional impact of his work. Consider, for example, his iconic portrayal of Shakuntala, where the heroine’s longing gaze and delicate posture convey a depth of feeling rarely seen in Indian art before. The Maharani of Travancore, with its regal composure and intricate detailing, exemplifies Varma's ability to capture both outward appearance and inner character.

    Democratizing Art: Lithographs and Public Appeal

    Raja Ravi Varma’s influence extended far beyond the elite circles of royalty and art connoisseurs. Recognizing that original paintings were inaccessible to most Indians, he established the Raja Ravi Varma Fine Arts Lithographic Press in 1894. This groundbreaking venture allowed for the mass production of affordable lithographs based on his paintings. Suddenly, images of Hindu deities and mythological scenes were no longer confined to temples or palaces; they adorned homes across India, becoming objects of worship and cultural pride. The lithographs weren’t simply reproductions; they were carefully crafted interpretations that captured the essence of Varma's originals. This act of “democratizing art” had a profound impact on Indian society, fostering a wider appreciation for visual culture and shaping popular perceptions of religious iconography. It also established Varma as a true public figure, his images becoming ubiquitous symbols of Indian identity. Hansa Damayanthi, perhaps one of his most beloved works, found its way into countless homes through these lithographs, transforming the aesthetic landscape of India.

    Legacy and Enduring Influence

    Raja Ravi Varma passed away in 1906, leaving behind a legacy that continues to resonate today. His work not only transformed the landscape of Indian painting but also laid the foundation for modern Indian art. He challenged conventional norms, embraced innovation, and skillfully blended tradition with modernity. His influence can be seen in the works of subsequent generations of Indian artists who sought to create a distinctly national artistic identity. Museums like The Raja Ravi Varma Heritage Foundation in Bangalore and The Ganesh Shivaswamy Foundation continue to preserve and celebrate his art, ensuring that his vision endures for future generations. His paintings remain powerful testaments to his genius – masterpieces that capture the beauty, spirituality, and cultural richness of India. His ability to connect with audiences on both an aesthetic and emotional level cemented his place as a true pioneer, forever changing the way Indians perceived art and their own cultural heritage.

    Exploring Varma’s World Today

    For those seeking to delve deeper into the world of Raja Ravi Varma, numerous resources are available. The Kiran Nadar Museum of Art in New Delhi houses a selection of his works alongside other modern and contemporary Indian artists. Online platforms like AllPaintingsStore offer high-quality reproductions of his iconic paintings, allowing art enthusiasts worldwide to experience his artistry firsthand. Furthermore, scholarly articles and books continue to shed light on his life, techniques, and lasting impact. The Wikipedia page dedicated to Raja Ravi Varma provides a comprehensive overview of his biography and artistic achievements, while Google Arts & Culture offers insightful stories about his life and work, including contributions from his great-great granddaughter.

    Explore artworks: Discover masterpieces like "Portrait of a Gentleman," "Hansa Damayanthi," and "The Maharani of Travancore" through online databases.

    Visit museums: Immerse yourself in Varma’s legacy at The Raja Ravi Varma Heritage Foundation, The Ganesh Shivaswamy Foundation, and the Kiran Nadar Museum of Art.

    Further research: Consult Wikipedia and Google Arts & Culture for detailed biographical information and scholarly insights.

    Raja Ravi Varma’s story is a testament to the power of art to transcend cultural boundaries, inspire generations, and shape national identity.

    Museum

    The Raja Ravi Varma Heritage Foundation

    On show in Bangalore, India

    A Living Bridge Between East and West

    In the vibrant heart of Bangalore, where the rapid pulse of modern India intersects with the profound echoes of a majestic past, lies a sanctuary dedicated to one of the most transformative figures in the history of Indian art. The

    Raja Ravi Varma Heritage Foundation

    serves far more than a mere repository for canvases; it is a living bridge connecting the classical traditions of the East with the burgeoning realism of the West. To step into the world curated by this foundation is to enter a realm where the divine and the earthly coalesce, mirroring the very brushstrokes of the legendary Raja himself. For the discerning collector or the lover of fine aesthetics, the foundation offers an intimate encounter with a visual language that redefined Indian identity during the late nineteenth century, offering a window into a period of immense cultural metamorphosis.

    The collection highlights are nothing short of breathtaking, characterized by a profound mastery of light, shadow, and human emotion. The works housed within this heritage framework celebrate a seamless fusion of European academic realism with deeply rooted Indian mythological themes. One cannot help but be captivated by the way the textures of heavy silk, the shimmer of intricate gold ornaments, and the soft, luminous glow of skin are rendered with such startling precision that they seem to breathe upon the canvas. These paintings do not merely depict gods and goddesses in a distant, ethereal sense; rather, they humanize them, bringing the epic, sweeping tales of the

    Mahabharata

    and

    Ramayana

    into a tangible, relatable reality.

    A Legacy of Preservation and Cultural Identity

    What makes this foundation truly unique is its unwavering commitment to both preservation and the democratization of art. While many institutions focus solely on the static display of artifacts, the Raja Ravi Varma Heritage Foundation breathes life into the legacy through scholarly pursuits and the promotion of the artist's multifaceted impact on Indian print culture. The foundation acts as a guardian of a visual revolution, ensuring that the techniques and stories that once flowed through lithographic presses are understood in their full historical context. It is a place where history is not merely studied but felt, making it an essential destination for those who seek to understand the very soul of Indian modernism.

    As visitors navigate the curated narratives presented by the foundation, they encounter a seamless blend of historical significance and aesthetic splendor. The exhibitions often delve into the nuances of the artist's life, exploring how his royal lineage and exposure to global art movements shaped his unique perspective. This dedication to storytelling ensures that every visitor leaves with a profound appreciation for the delicate balance between tradition and innovation. Whether one is an academic researcher, a passionate art enthusiast, or a connoisseur of fine decor, the foundation offers a transformative journey through a golden age of Indian creativity, where every frame tells a story of a nation finding its modern image.

    Where to read more

    Find this online

    QR code linking to the download page for Hanuman

    originaluniqueart.com/en/art/download/raja-ravi-varma-hanuman-D4AL3P-en/

    Cite this artwork

    MLA
    Varma, Raja Ravi. Hanuman. 1870, The Raja Ravi Varma Heritage Foundation. https://originaluniqueart.com/en/art/raja-ravi-varma-hanuman-D4AL3P-en/
    APA
    Varma, Raja Ravi (1870). Hanuman [Painting]. The Raja Ravi Varma Heritage Foundation. https://originaluniqueart.com/en/art/raja-ravi-varma-hanuman-D4AL3P-en/
    Chicago
    Raja Ravi Varma. Hanuman. 1870. The Raja Ravi Varma Heritage Foundation. https://originaluniqueart.com/en/art/raja-ravi-varma-hanuman-D4AL3P-en/
    Harvard
    Varma, Raja Ravi (1870) Hanuman. The Raja Ravi Varma Heritage Foundation. Available at: https://originaluniqueart.com/en/art/raja-ravi-varma-hanuman-D4AL3P-en/

    Look closely

    Hanuman — Raja Ravi Varma

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: hanuman, ravi varma, indian mythology. Do you agree? What would you add, or take away?
    4. Look back at Bombay Singer (Bombay Songstress) (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Raja Ravi Varma was about 22 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is "Hanuman" about?

    The themes present in "Hanuman" by Raja Ravi Varma include hanuman, ravi varma, indian mythology, tanjore style, rama, palm leaves, court painting. Together they summarize the artwork's subject matter.

    How does the subject of "Hanuman" relate to Raja Ravi Varma's usual themes?

    Among Raja Ravi Varma's recorded themes - tanjore school, indian mythology, royal patronage, hindu narrative, rama’s teachings, devotional art, early ravi varma’s style, blending east - "Hanuman" brings its own focus on hanuman, ravi varma, indian mythology, tanjore style, rama, palm leaves, court painting.

    What historical period is "Hanuman" by Raja Ravi Varma from?

    The historical period of "Hanuman" by Raja Ravi Varma is 19th-Century. This classification situates the work in art history.