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Student Artwork Guide

Etching No. 2

Name Class Date

Pierre Soulages, Etching No. 2 (1952), Tate Modern. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pierre Soulages originaluniqueart.com/en/artists/pierre-soulages/
Artist’s dates
1919 –
Painted
1952
Movement
Tachisme
Held at
Tate Modern originaluniqueart.com/en/museums/tate-modern-london/

In context

Etching No. 2 — Pierre Soulages

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 33. 1 of the 23 dated works by this artist in our catalogue came earlier.

▲ this work, 1952 every dated painting, decade by decade

First works: up to 1957 Main working years: 1957–2008 Late works: from 2008

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/pierre-soulages-etching-no-2-D2Q4Y4-en/

Colours

Measured from the image

    Main colour

    Espresso #54413f

    Catalogued palette

    • #54413F
    • #F6F2EA
    • #898177
    • #231E1D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pierre Soulages over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.0%
    2. 2 Netherlands 20.0%
    3. 3 North Macedonia 10.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Pierre Soulages

    1. 1 Etching No. 2, 1952 this painting 25.0%
    2. 2 Lithographie No. 5, 1957 16.7%
    3. 3 Peinture 11 Juillet 1987, 1987 8.3%
    4. 4 Peinture 130 x 89 cm, 6 mars 1955, 1955 8.3%
    5. 5 Peinture 195 x 130 cm, 1955, 1955 8.3%
    6. 6 Peinture 97 x 130 cm, 29 Mai 1965 8.3%
    7. 7 Painting January 7,1983, 1983 8.3%
    8. 8 B-Walnut Stain, 1998 8.3%
    9. 9 Peinture 222 x 314 cm, 24 février 2008, 2008 8.3%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 26 works by this artist, of which 9 were looked at at least once. This painting ranks 1 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Pierre Soulages

    Pierre Soulages: A Life in Black and Light

    Pierre Soulages (1919-2022) was a French abstract painter, engraver, and sculptor. Celebrated as “the world’s greatest living artist” by François Hollande in 2014, Soulages dedicated his life to exploring the depths of black – not as an absence of color, but as a presence brimming with light and texture.

    Early Life and Education

    Born in Rodez, Aveyron, France, in 1919, Soulages’ artistic journey began with explorations of museums in Paris before World War II. He sought his vocation amidst the masterpieces of the past. Following military service during the war, he established a studio in Paris and debuted his work at the Salon des Indépendants in 1947. He also briefly worked as a stage set designer.

    Artistic Development & The ‘Outrenoir’ Style

    Soulages' artistic development was marked by a relentless pursuit of expressing light through the medium of black. He wasn’t interested in black for its somber connotations, but rather for its capacity to reflect and absorb light, creating an interplay of shadow and illumination. This led him to develop his signature style, which he termed ‘Outrenoir’ – literally “beyond black.”

    He explained that Outrenoir isn't simply about the color black; it represents a different realm altogether, akin to saying "beyond the Channel" for England or "beyond the Rhine" for Germany. It signifies a space beyond conventional understanding of the color itself.

    Technique and Materials

    Soulages’ technique involved applying paint in thick layers, often manipulating it with tools like spoons, rakes, and rubber implements to create textured surfaces. These textures were crucial for capturing and reflecting light. He employed scraping, digging, and etching movements to achieve smooth or rough effects, disrupting the uniformity of the black surface.

    In his later work, he began experimenting with varying pigment densities – mixing matte and glossy blacks – further enhancing the interplay of light and shadow. He often preferred suspending his paintings like walls in the middle of a room, believing they should “look inside of us” rather than acting as windows to another world.

    Major Achievements & Recognition

    1979: Elected as a foreign honorary member of the American Academy of Arts and Letters.

    1987-1994: Created 104 stained glass windows for the Romanesque Abbey Church Sainte-Foy in Conques, Aveyron – a monumental achievement.

    2001: First living artist invited to exhibit at the State Hermitage Museum of St. Petersburg and the Tretyakov Gallery of Moscow.

    2007: Musée Fabre in Montpellier dedicated an entire room to his work, showcasing a significant donation from the artist.

    2009-2010: A major retrospective held at the Centre National d'Art et de Culture Georges Pompidou in Paris.

    2014: Musée Soulages opened in Rodez, France – a museum dedicated to permanently displaying his works and hosting contemporary exhibitions. He donated 500 pieces to the museum.

    Influences & Legacy

    Soulages’ fascination with black stemmed from an early interest in prehistoric art and a desire for purity and primal expression. He saw parallels between his work and the cave paintings of our ancestors, created using charcoal on dark rock surfaces.

    His influence extends to numerous contemporary artists who explore abstraction, texture, and the expressive potential of limited color palettes. He left behind a legacy that challenges conventional perceptions of color and light, demonstrating that even in darkness, profound beauty and luminosity can be found. He is considered a pivotal figure in Tachism, an informal style of abstract expressionism.

    Historical Significance

    Pierre Soulages’ work represents a significant contribution to post-war abstract art. His unwavering dedication to exploring the nuances of black and light established him as a unique and influential voice in the artistic landscape, captivating audiences worldwide for over seven decades.

    Museum

    Tate Modern

    On show in London, United Kingdom

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern stands as more than just a gallery; it’s a testament to London's relentless reinvention and a vibrant hub for contemporary art. Completed in 2000 after a painstaking fifteen-year transformation, the building itself is an immediate draw – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it’s a structure that doesn't simply house art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past. The power station’s original industrial heart – the Turbine Hall, now a cavernous space capable of hosting monumental installations – remains a powerful reminder of London’s manufacturing heritage, while the surrounding exhibits celebrate the evolution of artistic expression in the 20th and 21st centuries.

    Key Architectural Features:

    The iconic sawtooth roof, a deliberate nod to the power station's original design, is perhaps Tate Modern’s most recognizable element. Its vast expanse provides ample space for large-scale exhibitions and offers breathtaking views of the city.

    The Turbine Hall:

    This immense space serves as a dynamic stage for immersive installations, often pushing the boundaries of artistic convention and challenging viewers' perceptions.

    The Boiler House:

    Originally housing the power station’s boilers, this area now hosts more intimate exhibitions and offers a fascinating glimpse into the building’s transformation.

    A Collection Rooted in Modernism

    Tate Modern’s collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have shaped our world. It's not simply a chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and social commentary. You’ll find iconic pieces by Picasso, Matisse, Warhol, Rothko, and countless others – artists whose work continues to resonate with audiences today. The collection isn’t limited to painting and sculpture; it encompasses photography, film, performance art, and digital media, reflecting the evolving nature of artistic practice.

    Picasso's "Les Demoiselles d'Avignon":

    A pivotal work in the development of Cubism, this painting exemplifies Picasso’s radical experimentation with form and perspective.

    Warhol’s “Campbell’s Soup Cans”:

    This seminal Pop Art piece challenged traditional notions of art and elevated everyday objects to the status of high culture.

    Rothko's Color Field Paintings:

    These large-scale canvases evoke a sense of contemplation and spirituality through their immersive use of color.

    Exhibitions That Spark Dialogue

    Tate Modern’s strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives, thematic group shows, and site-specific installations that engage with current social and political issues. These exhibitions often invite dialogue and debate, prompting visitors to consider their own perspectives on the world around them. Recent highlights have included explorations of identity, climate change, and the role of art in society. The gallery’s commitment to showcasing diverse voices and perspectives ensures that there's always something new and exciting to discover.

    Notable Past Exhibitions:**

    Marina Abramović: Artist as Activist

    Ai Weiwei: Made in China

    Jeff Koons: Balloon Dog

    A Space for the Future of Art

    Tate Modern isn’t merely a repository of art; it's an active participant in shaping its future. The gallery invests heavily in research, education, and community engagement, fostering a vibrant ecosystem of artistic creativity. Its ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a commitment to providing ever-evolving spaces for artists and audiences alike. More than just a museum, Tate Modern is a dynamic cultural landmark that embodies London’s spirit of innovation, resilience, and its unwavering belief in the power of art to transform our understanding of ourselves and the world.

    Where to read more

    Find this online

    QR code linking to the download page for Etching No. 2

    originaluniqueart.com/en/art/download/pierre-soulages-etching-no-2-D2Q4Y4-en/

    Cite this artwork

    MLA
    Soulages, Pierre. Etching No. 2. 1952, Tate Modern. https://originaluniqueart.com/en/art/pierre-soulages-etching-no-2-D2Q4Y4-en/
    APA
    Soulages, Pierre (1952). Etching No. 2 [Painting]. Tate Modern. https://originaluniqueart.com/en/art/pierre-soulages-etching-no-2-D2Q4Y4-en/
    Chicago
    Pierre Soulages. Etching No. 2. 1952. Tate Modern. https://originaluniqueart.com/en/art/pierre-soulages-etching-no-2-D2Q4Y4-en/
    Harvard
    Soulages, Pierre (1952) Etching No. 2. Tate Modern. Available at: https://originaluniqueart.com/en/art/pierre-soulages-etching-no-2-D2Q4Y4-en/

    Look closely

    Etching No. 2 — Pierre Soulages

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Composition, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Pierre Soulages was about 33 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Etching No. 2"?

    Statistics about "Etching No. 2" by Pierre Soulages are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    Who created "Etching No. 2"?

    The artist behind "Etching No. 2" is Pierre Soulages. The work is catalogued under Pierre Soulages's name.

    What is the dominant color of "Etching No. 2" by Pierre Soulages?

    The dominant color of "Etching No. 2" by Pierre Soulages is espresso (#54413f).