Paper

Student Artwork Guide

The Creation of Animals

Name Class Date

Paul Nash, The Creation of Animals (1924). Public domain.

The facts

Artist
Paul Nash originaluniqueart.com/en/artists/paul-nash/
Artist’s dates
1889 – 1946
Painted
1924
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

The Creation of Animals — Paul Nash

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Shaded: the lifetime of Paul Nash (1889–1946) ▲ this work, 1924

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-nash-the-creation-of-animals-D3GV2R-en/

Colours

Measured from the image

    Main colour

    Black #050505

    Catalogued palette

    • #050505
    • #F8F8F8
    • #858585
    • #383838
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Paul Nash

    Born in Kensington, United Kingdom

    Early Life and Influences

    Born: Kensington, United Kingdom (1889)

    Died: 1946

    Paul Nash was born on May 11, 1889, in London. His father, William Harry Nash, was a barrister, and his mother, Caroline Maude, displayed signs of mental illness from an early age. The family moved to Iver Heath, Buckinghamshire, when Paul was young, a move intended to benefit his mother's health.

    Education: He attended the Parsons School of Art and later the Slade School of Fine Art. While proficient in landscape painting, he struggled with figure drawing.

    Early Influences: Nash was heavily influenced by William Blake and J.M.W. Turner, evident in his early works. He also drew inspiration from landscapes featuring ancient historical elements like burial mounds and Iron Age hill forts.

    Artistic Style and Development

    Style: Paul Nash's style blended modernism with traditional techniques. He utilized bold colors, geometric shapes, and abstract forms, distinguishing him from contemporaries.

    Surrealist Leanings: While not strictly a Surrealist, Nash was influenced by the movement, particularly after seeing a Giorgio de Chirico exhibition in 1928. His work incorporated symbolic landscapes with everyday objects.

    War Art: During World War I and II, Nash served as an official war artist. His depictions of battlefields were notable for their haunting beauty and exploration of the impact of conflict on the landscape. Notable works include "The Menin Road."

    "Aerial Creatures": A series produced during WWII featuring anthropomorphic depictions of aircraft crashed in landscapes, demonstrating his evolving style and symbolism.

    Major Achievements and Recognition

    Pioneer of British Modernism: Nash played a crucial role in shaping British modern art, bridging traditional landscape painting with modernist aesthetics.

    War Art Legacy: His wartime paintings are considered iconic representations of the conflict's impact on both soldiers and the environment.

    Unit One Group: He co-founded Unit One in 1933 alongside Ben Nicholson and Barbara Hepworth, a significant group within the British art scene.

    Writer and Designer: Beyond painting, Nash was also a respected writer on art and designed applied arts such as stage scenery, fabrics, and posters.

    Influences and Legacy

    Influence on Subsequent Artists: Nash's unique style and use of color influenced generations of artists who followed.

    Connection to Romanticism: His work is often linked to the English Romantic tradition, particularly through his connection to William Blake and J.M.W. Turner.

    Exploration of Man vs. Nature: A recurring theme in Nash's later works was the relationship between humanity and nature, explored through symbolic imagery.

    Continued Relevance: His paintings continue to be celebrated for their beauty, symbolism, and historical significance, remaining relevant to contemporary audiences.

    Exhibitions and Collections

    Ruskin Gallery: Nash's work has been exhibited at the Ruskin Gallery in the United Kingdom.

    Tate Britain: His pieces can be found within the Tate Britain’s collection.

    Imperial War Museum: Several of his war art pieces are housed in the Imperial War Museum.

    York Art Gallery: His work is also part of the York Art Gallery's collection.

    Government Art Collection: A selection of Nash’s artworks are displayed within the Government Art Collection.

    Where to read more

    • The artist Paul Nash originaluniqueart.com/en/artists/paul-nash/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/paul-nash-the-creation-of-animals-D3GV2R-en/

    Find this online

    QR code linking to the download page for The Creation of Animals

    originaluniqueart.com/en/art/download/paul-nash-the-creation-of-animals-D3GV2R-en/

    Cite this artwork

    MLA
    Nash, Paul. The Creation of Animals. 1924, https://originaluniqueart.com/en/art/paul-nash-the-creation-of-animals-D3GV2R-en/
    APA
    Nash, Paul (1924). The Creation of Animals [Painting]. https://originaluniqueart.com/en/art/paul-nash-the-creation-of-animals-D3GV2R-en/
    Chicago
    Paul Nash. The Creation of Animals. 1924. https://originaluniqueart.com/en/art/paul-nash-the-creation-of-animals-D3GV2R-en/
    Harvard
    Nash, Paul (1924) The Creation of Animals. Available at: https://originaluniqueart.com/en/art/paul-nash-the-creation-of-animals-D3GV2R-en/

    Look closely

    The Creation of Animals — Paul Nash

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Eclipse of the Sunflower (1945), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?
    5. Paul Nash was about 35 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.