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Student Artwork Guide

Michaelmas Landscape

Name Class Date

Paul Nash, Michaelmas Landscape (1943), Ferens Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Nash originaluniqueart.com/en/artists/paul-nash/
Artist’s dates
1889 – 1946
Painted
1943
Original size
63 x 76 cm
Held at
Ferens Art Gallery originaluniqueart.com/en/museums/ferens-art-gallery-hull/

In context

Michaelmas Landscape — Paul Nash

How big is it?

The original measures 63 × 76 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 57 at death.

Painted when the artist was 54. The artist lived to 57. 81 of the 92 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Nash (1889–1946) ▲ this work, 1943 every dated painting, decade by decade

First works: up to 1924 Main working years: 1924–1938 Late works: from 1938

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-nash-michaelmas-landscape-AQRJV2-en/

Colours

Measured from the image

    Main colour

    Celadon #c3c3ab

    Catalogued palette

    • #C3C3AB
    • #A09F8F
    • #93815C
    • #5D452B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Nash over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 Singapore 11.1%
    3. 3 United States of America 11.1%
    4. 4 Italy 8.3%
    5. 5 United Kingdom 5.6%
    6. 6 Hong Kong 5.6%
    7. 7 Germany 2.8%
    8. 8 Japan 2.8%
    9. 9 Venezuela 2.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Nash

    1. 1 Landscape of the Moon's Last Phase, 1944 7.7%
    2. 2 Nest of the Siren, 1930 5.1%
    3. 3 Telecommunications, 1934 5.1%
    4. 4 Landscape (verso), 1939 5.1%
    5. 5 Landscape of the Megaliths, 1934 5.1%
    6. 6 Harbour and Room, 1932 5.1%
    7. 7 Landscape from a Dream, 1936 5.1%
    8. 8 Landscape of the Bagley Woods, 1943 5.1%
    9. 9 Whiteleaf Cross, 1931 2.6%
    10. 10 Michaelmas Landscape, 1943 this painting 2.6%
    11. 11 A Howitzer Firing, 1918 2.6%
    12. 12 Dead Spring, 1929 2.6%
    13. 13 The Pond at Souldern, 1926 2.6%
    14. 14 Oxford During the War, 1942 2.6%
    15. 15 Event on the Downs, 1934 2.6%
    16. 16 Landscape at Iden, 1929 2.6%
    17. 17 We Are Making a New World, 1918 2.6%
    18. 18 Composition (Design for Today), 1934 2.6%
    19. 19 March Landscape, 1944 2.6%
    20. 20 Northern Adventure, 1929 2.6%

    Together these works take 74.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 99 works by this artist, of which 30 were looked at at least once. This painting ranks 10 of them, with 2.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Paul Nash

    Born in Kensington, United Kingdom

    Early Life and Influences

    Born: Kensington, United Kingdom (1889)

    Died: 1946

    Paul Nash was born on May 11, 1889, in London. His father, William Harry Nash, was a barrister, and his mother, Caroline Maude, displayed signs of mental illness from an early age. The family moved to Iver Heath, Buckinghamshire, when Paul was young, a move intended to benefit his mother's health.

    Education: He attended the Parsons School of Art and later the Slade School of Fine Art. While proficient in landscape painting, he struggled with figure drawing.

    Early Influences: Nash was heavily influenced by William Blake and J.M.W. Turner, evident in his early works. He also drew inspiration from landscapes featuring ancient historical elements like burial mounds and Iron Age hill forts.

    Artistic Style and Development

    Style: Paul Nash's style blended modernism with traditional techniques. He utilized bold colors, geometric shapes, and abstract forms, distinguishing him from contemporaries.

    Surrealist Leanings: While not strictly a Surrealist, Nash was influenced by the movement, particularly after seeing a Giorgio de Chirico exhibition in 1928. His work incorporated symbolic landscapes with everyday objects.

    War Art: During World War I and II, Nash served as an official war artist. His depictions of battlefields were notable for their haunting beauty and exploration of the impact of conflict on the landscape. Notable works include "The Menin Road."

    "Aerial Creatures": A series produced during WWII featuring anthropomorphic depictions of aircraft crashed in landscapes, demonstrating his evolving style and symbolism.

    Major Achievements and Recognition

    Pioneer of British Modernism: Nash played a crucial role in shaping British modern art, bridging traditional landscape painting with modernist aesthetics.

    War Art Legacy: His wartime paintings are considered iconic representations of the conflict's impact on both soldiers and the environment.

    Unit One Group: He co-founded Unit One in 1933 alongside Ben Nicholson and Barbara Hepworth, a significant group within the British art scene.

    Writer and Designer: Beyond painting, Nash was also a respected writer on art and designed applied arts such as stage scenery, fabrics, and posters.

    Influences and Legacy

    Influence on Subsequent Artists: Nash's unique style and use of color influenced generations of artists who followed.

    Connection to Romanticism: His work is often linked to the English Romantic tradition, particularly through his connection to William Blake and J.M.W. Turner.

    Exploration of Man vs. Nature: A recurring theme in Nash's later works was the relationship between humanity and nature, explored through symbolic imagery.

    Continued Relevance: His paintings continue to be celebrated for their beauty, symbolism, and historical significance, remaining relevant to contemporary audiences.

    Exhibitions and Collections

    Ruskin Gallery: Nash's work has been exhibited at the Ruskin Gallery in the United Kingdom.

    Tate Britain: His pieces can be found within the Tate Britain’s collection.

    Imperial War Museum: Several of his war art pieces are housed in the Imperial War Museum.

    York Art Gallery: His work is also part of the York Art Gallery's collection.

    Government Art Collection: A selection of Nash’s artworks are displayed within the Government Art Collection.

    Museum

    Ferens Art Gallery

    On show in Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Where to read more

    • The artist Paul Nash originaluniqueart.com/en/artists/paul-nash/
    • The museum Ferens Art Gallery originaluniqueart.com/en/museums/ferens-art-gallery-hull/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/paul-nash-michaelmas-landscape-AQRJV2-en/

    Find this online

    QR code linking to the download page for Michaelmas Landscape

    originaluniqueart.com/en/art/download/paul-nash-michaelmas-landscape-AQRJV2-en/

    Cite this artwork

    MLA
    Nash, Paul. Michaelmas Landscape. 1943, Ferens Art Gallery. https://originaluniqueart.com/en/art/paul-nash-michaelmas-landscape-AQRJV2-en/
    APA
    Nash, Paul (1943). Michaelmas Landscape [Painting]. Ferens Art Gallery. https://originaluniqueart.com/en/art/paul-nash-michaelmas-landscape-AQRJV2-en/
    Chicago
    Paul Nash. Michaelmas Landscape. 1943. Ferens Art Gallery. https://originaluniqueart.com/en/art/paul-nash-michaelmas-landscape-AQRJV2-en/
    Harvard
    Nash, Paul (1943) Michaelmas Landscape. Ferens Art Gallery. Available at: https://originaluniqueart.com/en/art/paul-nash-michaelmas-landscape-AQRJV2-en/

    Look closely

    Michaelmas Landscape — Paul Nash

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape. Do you agree? What would you add, or take away?
    4. Look back at Eclipse of the Sunflower (1945), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Paul Nash was about 54 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant color of "Michaelmas Landscape" by Paul Nash?

    celadon (#c3c3ab) is the leading color of "Michaelmas Landscape" by Paul Nash.

    What are the dimensions of the original "Michaelmas Landscape" by Paul Nash?

    The recorded dimensions of "Michaelmas Landscape" by Paul Nash are 63 x 76 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

    Why is the copyright status of "Michaelmas Landscape" what it is?

    The copyright status of "Michaelmas Landscape" - in the public domain - its copyright has expired - follows from the artist's death in 1946.