Paper

Student Artwork Guide

Super-Chess

Name Class Date

Paul Klee, Super-Chess (1937), Kunsthaus Zürich. Public domain.

The facts

Artist
Paul Klee originaluniqueart.com/en/artists/paul-klee/
Artist’s dates
1879 – 1940
Painted
1937
Medium
Acrylic On Canvas
Original size
121 x 110 cm
Movement
Abstract
Period
Modern
Held at
Kunsthaus Zürich originaluniqueart.com/en/museums/kunsthaus-zurich-zurich/
Artistic style
Square Pictures
Influences
Expressionism, Cubism
Notable elements or techniques
Geometric abstraction; Bold color palette
Subject or theme
Chess; Dominance & Conflict

In context

Super-Chess — Paul Klee

How big is it?

The original measures 121 × 110 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: the lifetime of Paul Klee (1879–1940) ▲ this work, 1937

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-klee-super-chess-D8ZEA3-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #925c7c

    Catalogued palette

    • #925C7C
    • #2D2C33
    • #DFDCDB
    • #1238A9
    Main colour name
    Cobalt Violet
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Super-Chess — Paul Klee

    Paul Klee’s ‘Super-Chess’: A Geometric Dance of Power and Victory

    Paul Klee’s first ‘square pictures’ emerged during his formative years as an instructor at the Bauhaus in Weimar and Dessau—a pivotal moment that irrevocably shaped his artistic trajectory. Among his most striking compositions, ‘Super-Chess,’ created in 1937, stands out as a monumental testament to abstract geometric exploration and imbued with subtle layers of symbolic meaning. This large square painting isn’t merely a depiction of chess; it's an ambitious meditation on dominance, conflict, and the triumph of intellect over instinct—themes that resonate powerfully within its deceptively simple visual language.

    Composition and Structure: Order Amidst Chaos

    The artwork utilizes a masterful square format as its foundational element, establishing a rigid grid structure that governs the arrangement of its constituent parts. This deliberate choice reflects Klee’s fascination with order and precision, yet simultaneously juxtaposes it against the inherent dynamism of abstract art. Vertical columns punctuate the grid, drawing the eye upwards towards the central focal point—the scarlet ‘super-king,’ positioned prominently on the right side of the canvas. The careful positioning of these columns contributes to a sense of visual tension, mirroring the strategic maneuvering inherent in the game it represents.

    Color Palette and Texture: Monochrome Harmony with Vibrant Contrast

    The color palette is remarkably restrained, primarily consisting of black, white, grey, red, blue, and pink—a deliberate selection that underscores Klee’s commitment to tonal exploration. The dominant monochrome checkerboard provides a neutral backdrop against which the bolder hues – particularly the crimson ‘super-king’ and the azure columns – erupt with arresting vibrancy. Subtle variations in color intensity within the grid squares introduce a delicate textural element, hinting at depth without abandoning the overall flatness characteristic of Klee's aesthetic. This understated texture adds to the artwork’s visual richness and invites contemplation.

    Style and Technique: Bauhaus Influence and Geometric Abstraction

    Super-Chess’ exemplifies Klee’s signature abstract style—a hallmark of his Bauhaus period—characterized by geometric forms, simplified shapes, and a playful manipulation of color. Executed on burlap canvas using oil paint, visible brushstrokes contribute to the artwork's tactile quality, conveying a sense of spontaneity and immediacy despite its meticulously planned composition. The influence of Bauhaus principles is palpable in the artwork’s emphasis on functional design and reductive visual language—a stylistic decision that aligns perfectly with Klee’s broader artistic vision.

    Historical Context and Symbolism: Fascist Echoes and Triumph Over Adversity

    Created during a period fraught with political upheaval – namely, the ascendancy of Nazi Germany – ‘Super-Chess’ has been interpreted as bearing subtle references to the totalitarian ferment of the late 1930s. The artwork's depiction of a king defeating his opponent’s pieces can be seen as an allegory for overcoming obstacles and asserting control—a motif that resonates deeply within Klee’s personal worldview. As early as 1933, the regime forced Klee to abandon his teaching post, prompting him to relocate to Bern, marking a significant turning point in his artistic life. The confiscation of over one hundred works by German museums solidified the Nazi’s disdain for Klee's art—a testament to its uncompromising intellectual integrity and refusal to conform to prevailing aesthetic conventions.

    Conclusion: An Enduring Legacy of Geometric Elegance

    Super-Chess,’ therefore, transcends mere visual representation; it embodies a profound exploration of artistic principles and philosophical ideas. Its enduring appeal lies in its ability to convey complex concepts—power dynamics, conflict resolution, and ultimately, the triumph of intellect—through deceptively simple geometric forms and harmonious color combinations. It remains a captivating exemplar of Paul Klee’s groundbreaking contribution to abstract art, securing his place as one of the most influential figures of the twentieth century.

    Artist and museum

    Artist

    Paul Klee

    Born in Münchenbuchsee, Switzerland

    A Life Immersed in Color and Form

    Paul Klee, a name synonymous with playful abstraction and profound emotional depth, occupies a unique position in the landscape of 20th-century art. Born on December 18, 1879, in Münchenbuchsee, Switzerland, his artistic journey was one of constant exploration, defying easy categorization and forging a path that blended influences from Expressionism, Cubism, and Surrealism into a distinctly personal visual language. Klee’s upbringing fostered an early appreciation for the arts; his father, a German music teacher, and his mother, a Swiss singer, instilled in him a sensitivity to both auditory and visual harmony. This foundational connection between music and painting would become a defining characteristic of his oeuvre, shaping not only his compositional approach but also his theoretical understanding of art as a form of abstract expression akin to musical arrangement. Initially drawn to drawing, Klee soon abandoned the pursuit of realistic representation, recognizing its limitations in conveying the inner world of emotions and ideas that he sought to express. He enrolled at the Academy of Fine Arts in Munich between 1898 and 1901, a period marked by experimentation and the development of his unique artistic voice.

    The Shaping of an Artistic Vision

    Klee’s early work reveals the influence of Art Nouveau and Symbolism, yet even within these frameworks, hints of his future style began to emerge. A pivotal moment in his artistic development was a journey to Tunisia in 1914. The intense light and vibrant atmosphere of North Africa profoundly impacted his use of color, inspiring him to move beyond muted tones towards bolder, more expressive palettes. This experience marked a turning point, solidifying his commitment to abstraction as a means of capturing the essence of perception rather than merely replicating its surface appearance. He wasn’t simply seeing Tunisia; he was translating its emotional resonance into visual form. Throughout this period, Klee engaged with various artistic movements, absorbing their principles while simultaneously resisting complete adherence to any single ideology. His interest in music remained paramount, and he often spoke of painting as a process analogous to composing musical pieces – a careful arrangement of elements to create a harmonious whole. This synesthetic approach is evident in the rhythmic quality of his lines, the delicate balance of colors, and the overall sense of movement that permeates many of his works.

    Bauhaus and Beyond: A Period of Flourishing

    From 1931 to 1933, Klee accepted a teaching position at the influential Bauhaus school of art, design, and architecture, alongside Wassily Kandinsky. This period proved remarkably fruitful for his artistic development. Surrounded by innovative thinkers and fellow artists, he flourished in an environment that encouraged experimentation and theoretical inquiry. His work during these years delved deeper into color theory and formal relationships, exploring the interplay between abstract forms and emotional expression. However, this creative haven was shattered with the rise of Nazism in Germany. In 1933, Klee was dismissed from the Bauhaus due to his art being deemed “degenerate” by the Nazi regime – a chilling testament to the dangers of political ideology suppressing artistic freedom. Forced to return to Switzerland, he continued painting, but his health deteriorated under the shadow of increasing political turmoil and personal hardship. Despite these challenges, Klee remained committed to his artistic vision, producing works that reflected both the anxieties of the era and his enduring belief in the power of art to transcend adversity.

    Themes, Style, and Lasting Legacy

    Paul Klee’s work is characterized by a captivating blend of playfulness and profound contemplation. He often employed childlike imagery and whimsical compositions, imbuing them with layers of symbolic meaning. Recurring themes in his art include gardens, landscapes, portraits, and abstract arrangements – each serving as a vehicle for exploring the complexities of human experience. His “Paul Klee Notebooks,” published posthumously, offer invaluable insight into his extensive theoretical investigations into color and design, revealing a meticulous and intellectual approach to artistic creation. He wasn’t merely painting; he was constructing a visual language based on principles of harmony, balance, and emotional resonance. Hamamet, Siblings, and En la corriente seis umbrales are just a few examples showcasing his mastery of color and form. Paul Klee died on June 29, 1940, in Muralto, Switzerland, leaving behind a legacy that continues to inspire artists and captivate audiences worldwide. He is rightfully regarded as one of the most important figures of 20th-century art, bridging the gap between figurative and abstract expression and solidifying his place as an iconic innovator whose work remains eternally relevant.

    Museums & Further Exploration

    Zentrum Paul Klee (Bern): Home to the world’s largest collection of Klee's works, offering a comprehensive overview of his artistic journey.

    Museum of Fine Arts Bern: Features significant pieces by Klee alongside masterpieces by Picasso and Hodler.

    Kunstmuseum Bern: Switzerland’s oldest art museum, showcasing a diverse collection including works by Klee and other modern masters.

    His influence extends beyond the realm of painting, impacting fields such as design, architecture, and music. The enduring appeal of Paul Klee's work lies in its ability to evoke a sense of wonder and invite viewers to engage with art on an emotional and intellectual level – a testament to his genius and lasting contribution to the world of visual culture.

    Museum

    Kunsthaus Zürich

    On show in Zurich, Switzerland

    A Sanctuary of Artistic Echoes: Exploring the Kunsthaus Zürich

    Nestled within the vibrant heart of Zurich, Switzerland, the Kunsthaus Zürich isn’t merely a repository of art; it's an immersive experience, a dialogue across centuries and movements. From its humble beginnings as a society dedicated to fostering appreciation for artistic expression, the museum has evolved into Switzerland’s largest cultural institution—a space where history breathes alongside innovation, inviting visitors on a profound journey through time. The very air within seems imbued with creativity, beckoning exploration and contemplation, promising an encounter that transcends simple observation. More than just displaying masterpieces, the Kunsthaus strives to illuminate their context, their impact, and their enduring relevance to our world.

    The museum’s narrative is inextricably linked to its architectural evolution. Initially conceived by Karl Moser and Robert Curjel in 1910, the original building stands as a testament to the Secession movement—a bold declaration of independence from academic constraints. Its Neo-Grec façade, adorned with intricate sculptural reliefs inspired by classical antiquity, immediately establishes the museum’s identity as a champion of avant-garde thought. However, recognizing the exponential growth of its collection, expansion became inevitable. Throughout the 20th century, additions were thoughtfully integrated, culminating in the breathtaking 2020 extension by David Chipperfield Architects—a harmonious conversation between old and new that dramatically enhances spatial capacity while preserving the museum’s core aesthetic principles. This isn't simply an addition; it’s a masterful integration of history and modernity, creating a space of surprising intimacy and grandeur.

    The Secession Legacy: Moser’s Vision

    At the heart of the Kunsthaus’s story lies Karl Moser’s vision for the original building. Embracing the tenets of the Secession movement—a revolutionary artistic current that prioritized freedom, experimentation, and a rejection of traditional academic styles—Moser sought to create a space that mirrored Zurich's burgeoning artistic spirit. The Neo-Grec façade, with its deliberate references to classical forms, was not an imitation but a reimagining, imbued with a distinctly modern sensibility. The building’s interior spaces were designed to be both grand and intimate, fostering a sense of discovery and encouraging visitors to engage deeply with the artwork on display. This initial design established a legacy of bold artistic expression that continues to inform the museum's approach today.

    Expansion Through Time: Integrating History & Innovation

    The Kunsthaus’s growth demanded adaptation, leading to a series of carefully considered architectural expansions throughout the 20th century. Each addition was conceived as a respectful response to the existing structure, ensuring that new spaces harmonized with the museum's historical identity. The most significant transformation arrived in 2020 with the ambitious extension by David Chipperfield Architects. This striking, freestanding building—a testament to modern design principles—houses the museum’s collection of classic modernism, Bührle Collection, temporary exhibitions and art from 1960 onwards. The integration of this new space doesn't disrupt the original; instead, it creates a dynamic dialogue between past and present, offering visitors an unparalleled breadth of artistic experience.

    A Celebration of Artistic Diversity: From Monet to Giacometti

    Within its walls, the Kunsthaus Zürich boasts an extraordinary collection spanning centuries and continents. Visitors can lose themselves in the luminous landscapes of Claude Monet—capturing fleeting moments of light and atmosphere with his signature Impressionistic brushstrokes. The museum’s devotion to Alberto Giacometti’s sculptures – often imbued with a haunting fragility and existential weight – reveals an artist's profound engagement with human form and the complexities of the modern condition. Beyond these iconic works, the collection encompasses masterpieces by Edvard Munch, Pablo Picasso, Chagall, Kokoschka, Beckmann, and countless others—a testament to the museum’s commitment to showcasing artistic diversity across eras and movements. The Kunsthaus also houses a significant collection of Swiss art, including works by Füssli, Segantini, Hodler, Vallotton, and Zurich concrete artists like Bill, Glarner and Loewensberg.

    Contemporary Currents: Engaging Ideas & Voices

    The Kunsthaus Zürich isn’t simply a museum of the past; it actively cultivates dialogue with contemporary art. It provides a vital platform for innovative installations, thought-provoking exhibitions, and engaging programs that challenge conventions and provoke reflection. From multimedia explorations to interactive experiences, the museum invites visitors to grapple with pressing societal issues through the lens of artistic creativity—affirming its role as a beacon of intellectual curiosity and cultural dynamism. Currently, the museum is dedicated to showcasing works by artists such as Pipilotti Rist and Peter Fischli/David Weiss, reflecting a commitment to embracing new voices and perspectives within the art world.

    Useful Links:

    Kunsthaus Zürich Tickets

    Google Arts & Culture - Kunsthaus Zürich

    David Chipperfield Architects - Kunsthaus Zürich

    Where to read more

    Find this online

    QR code linking to the download page for Super-Chess

    originaluniqueart.com/en/art/download/paul-klee-super-chess-D8ZEA3-en/

    Cite this artwork

    MLA
    Klee, Paul. Super-Chess. 1937, Kunsthaus Zürich. https://originaluniqueart.com/en/art/paul-klee-super-chess-D8ZEA3-en/
    APA
    Klee, Paul (1937). Super-Chess [Painting]. Kunsthaus Zürich. https://originaluniqueart.com/en/art/paul-klee-super-chess-D8ZEA3-en/
    Chicago
    Paul Klee. Super-Chess. 1937. Kunsthaus Zürich. https://originaluniqueart.com/en/art/paul-klee-super-chess-D8ZEA3-en/
    Harvard
    Klee, Paul (1937) Super-Chess. Kunsthaus Zürich. Available at: https://originaluniqueart.com/en/art/paul-klee-super-chess-D8ZEA3-en/

    Look closely

    Super-Chess — Paul Klee

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: geometric abstraction, chess game, color theory. Do you agree? What would you add, or take away?
    4. Look back at Twittering machine 1, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Paul Klee was about 58 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Super-Chess — Paul Klee

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement heavily influenced Paul Klee’s style and approach to composition?

      • A Impressionism
      • B Cubism
      • C Renaissance
    2. 2. The dominant color palette of ‘Super-Chess’ is characterized by:

      • A Bright reds and yellows
      • B Pastel shades of pink and lavender
      • C Monochromatic tones of black, white, grey
    3. 3. What is the primary geometric element that defines the structure of ‘Super-Chess’?

      • A Spiral shapes
      • B Triangular forms
      • C Square format
    4. 4. The scarlet 'super-king' in ‘Super-Chess’ symbolizes:

      • A A depiction of chess strategy
      • B Represents the triumph of intellect over instinct
      • C Symbolizes a specific historical event
    5. 5. What technique is evident in the artwork's execution, contributing to its textural quality?

      • A Oil painting with glazing
      • B Watercolor wash
      • C Dry brush

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4B · 5C