Paper

Student Artwork Guide

Selfportrait

Name Class Date

Max Liebermann, Selfportrait (1914), Lentos Kunstmuseum Linz. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Max Liebermann originaluniqueart.com/en/artists/max-liebermann/
Artist’s dates
1847 – 1935
Painted
1914
Medium
Oil On Canvas
Original size
68 x 50 cm
Held at
Lentos Kunstmuseum Linz originaluniqueart.com/en/museums/lentos-kunstmuseum-linz-linz/
Artistic style
Realistic portraiture
Influences
French Impressionism
Notable elements or techniques
Detailed observation of light and color
Subject or theme
Self-reflection

In context

Selfportrait — Max Liebermann

How big is it?

The original measures 68 × 50 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.

Painted when the artist was 67. The artist lived to 88. 86 of the 137 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Max Liebermann (1847–1935) ▲ this work, 1914 every dated painting, decade by decade

First works: up to 1895 Main working years: 1895–1921 Late works: from 1921

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/max-liebermann-selfportrait-D4QTBM-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b38e71

    Catalogued palette

    • #B38E71
    • #DECBB3
    • #6B534B
    • #CCAC8E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Max Liebermann over the last twelve months — 15 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 67.7%
    2. 2 United States of America 8.7%
    3. 3 Singapore 5.6%
    4. 4 Germany 5.0%
    5. 5 Hong Kong 2.5%
    6. 6 Canada 1.9%
    7. 7 Finland 1.9%
    8. 8 Netherlands 1.9%
    9. 9 United Kingdom 1.2%
    10. 10 Ecuador 0.6%
    11. · 5 other countries 3.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Max Liebermann

    1. 1 Munich Beer Garden: The Augustine Brewery, 1884 4.5%
    2. 2 Garden Bench beneath the Chestnut Tree in the Wannsee Garden, 1925 4.5%
    3. 3 Free hour at Amsterdam orphanage, 1876 2.8%
    4. 4 Hospital Garden in Edam, 1904 2.8%
    5. 5 Self Portrait with Brush and Palette, 1913 2.8%
    6. 6 Flower Terrace in the Wannsee Garden, Facing East, 1924 2.2%
    7. 7 Old Men's Home in Amsterdam, Study, 1880 2.2%
    8. 8 KIRCHGANG IN Laren 2.2%
    9. 9 Restaurant Garden (also known as Beer Garden in Leiden (Zelten.)), 1900 1.7%
    10. 10 Digging for Potatoes in the Dunes at Zandvoort, 1895 1.7%
    11. 11 View from the Birch Avenue toward the Northwest, 1929 1.7%
    12. 12 Country House in Hilversum (also known as Villa in Hilversum), 1901 1.7%
    13. 13 View over the Tall Linden Hedge into the Cutting Garden toward the West, 1929 1.7%
    14. 14 Parrot Avenue, 1902 1.7%
    15. 15 Horse races 1.7%
    16. 16 Judengasse in amsterdam 1.7%
    17. 17 Albert einstein 1.7%
    18. 18 Sewing school 1.7%
    19. 19 Flowers at the Gardener's House toward the Northwest (sketch), 1921 1.1%
    20. 21 Selfportrait, 1914 this painting 1.1%

    Together these works take 43.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 211 works by this artist, of which 101 were looked at at least once. This painting ranks 21 of them, with 1.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Selfportrait — Max Liebermann

    Selfportrait - Max Liebermann: A Window Into Impressionistic Reflection

    Max Liebermann’s “Selfportrait” (1914) stands as a cornerstone of German Impressionism, capturing not merely an image of the artist himself but also a profound meditation on identity and artistic vision. Painted during Liebermann's prolific period—a time marked by both critical acclaim and personal struggles—the canvas offers a glimpse into the inner landscape of one of Germany’s most celebrated painters.

    Subject Matter: The portrait depicts Liebermann seated at his easel, bathed in soft natural light. His gaze is directed outwards, seemingly contemplating the world beyond the confines of his studio—a deliberate choice that speaks to Liebermann's fascination with capturing fleeting moments and conveying emotional nuance.

    Style & Technique: Liebermann adhered rigorously to Impressionistic principles, prioritizing optical perception over meticulous detail. He employed loose brushstrokes and vibrant color palettes – predominantly blues and greens – to depict the atmosphere of his lakeside garden. The artist’s masterful handling of light is particularly noteworthy; he skillfully renders reflections on water surfaces and captures the subtle gradations of shade and tone.

    Historical Context: Created in 1914, just before the outbreak of World War I, “Selfportrait” embodies the spirit of a generation grappling with uncertainty and change. Liebermann’s artistic endeavors coincided with a broader movement toward experimentation and innovation within German art—a reaction against academic conventions and a desire to embrace new aesthetic sensibilities.

    Symbolism: The easel itself serves as a potent symbol – representing not only Liebermann's profession but also his creative process. His contemplative gaze suggests an inward turn, inviting viewers to consider themes of introspection and artistic contemplation. Furthermore, the garden setting symbolizes tranquility and beauty—elements that Liebermann consistently sought to portray in his paintings.

    Emotional Impact: “Selfportrait” transcends mere representation; it communicates a palpable sense of serenity and thoughtfulness. The artist’s gaze conveys both confidence and vulnerability, capturing the complexities of human experience. It is a portrait not just of a man but of an artist wrestling with questions of selfhood and artistic purpose—a timeless image that continues to resonate with audiences today.

    The painting's enduring appeal lies in its ability to convey a deeply personal vision while simultaneously embodying the broader ideals of Impressionism. Liebermann’s meticulous attention to light and color, combined with his psychological insight, cements “Selfportrait” as an exemplar of artistic excellence—a testament to the transformative power of observation and creative expression.

    Artist and museum

    Artist

    Max Liebermann

    Born in Berlin, Germany

    A Life Immersed in Light: The World of Max Liebermann

    Born into a prosperous Jewish family in 1847 Berlin, Max Liebermann’s path to becoming one of Germany's foremost Impressionist painters wasn’t preordained. Initially steered towards the respectable professions of law and philosophy at the University of Berlin, his true calling resonated far more powerfully from the canvas than the courtroom. This early period of intellectual exploration, however, undoubtedly shaped his observant eye and thoughtful approach to depicting the world around him. It was a deliberate shift – studies in Weimar, Paris, and the Netherlands – that truly ignited his artistic passion, exposing him to diverse styles and laying the foundation for a career defined by capturing fleeting moments with an exquisite sensitivity to light and color. He wasn’t merely painting what he saw; he was translating the very essence of experience onto the canvas. Liebermann's early works often depicted scenes of everyday life, particularly those of the working class, rendered with a naturalism that challenged the prevailing romanticized aesthetic of the time. These paintings weren’t intended as social commentary, but rather as honest portrayals of human existence, imbued with dignity and respect.

    Embracing Impressionism in a German Context

    Liebermann's artistic development was profoundly influenced by his exposure to French Realism and, crucially, the burgeoning Impressionist movement. The spirit of Édouard Manet – his boldness, his rejection of academic convention, his focus on contemporary life – resonated deeply with Liebermann. However, he didn’t simply replicate what he saw in Paris; instead, he adapted these principles to a German sensibility, creating an Impressionism uniquely his own. His palette became brighter, his brushstrokes looser and more spontaneous, and his subjects shifted towards scenes of bourgeois leisure and the tranquil beauty of his garden near Lake Wannsee. This garden, in particular, became a recurring motif throughout his career, offering a sanctuary from the rapidly changing world outside and providing endless inspiration for his explorations of light and atmosphere. He wasn’t just painting flowers and foliage; he was capturing the very feeling of summer, the warmth of the sun, the gentle breeze rustling through the leaves. Beyond landscapes, Liebermann established himself as a highly sought-after portraitist, completing over 200 commissioned works, including iconic depictions of figures like Albert Einstein and Paul von Hindenburg. These portraits weren’t merely likenesses; they were insightful studies of character, revealing the inner lives of his subjects through subtle gestures and expressions.

    A Champion of Artistic Freedom

    Liebermann wasn't content to simply paint; he actively championed artistic innovation and independence. Recognizing the stifling constraints imposed by the traditional art establishment, he became a driving force behind the Berlin Secession in 1898, leading this avant-garde group for over a decade. The Secession challenged conventional norms, providing a platform for artists working outside the confines of academic tradition. This commitment to artistic freedom extended beyond his own work; Liebermann believed passionately that artists should be free to explore their vision without interference from political or ideological pressures. His election to the Prussian Academy of Arts in 1909 and subsequent presidency in 1920 were testaments to his growing influence within the German art world, but these positions also brought him face-to-face with the rising tide of anti-Semitism and nationalism that would ultimately threaten his life’s work.

    Shadows of a Changing World: Legacy and Resilience

    The rise of Nazism cast a dark shadow over Liebermann's later years. His principled stance against discrimination led to his resignation from the Prussian Academy in 1933, a courageous act that signaled his refusal to compromise his values. Despite facing increasing persecution, he continued to paint, finding solace and purpose in his art. He passed away in Berlin in 1935, leaving behind a rich legacy of paintings, prints, and a profound commitment to artistic freedom. His wife, Martha, tragically took her own life in 1943 to avoid deportation, a heartbreaking testament to the horrors of the Holocaust. For years after the war, Liebermann’s work was somewhat overlooked, but in recent decades there has been a renewed appreciation for his contributions to German Impressionism and modern art history. Today, he is remembered not only as a brilliant painter but also as a courageous advocate for artistic expression and a symbol of resistance against tyranny. His paintings continue to captivate viewers with their luminous beauty, insightful observations, and enduring humanity.

    Key Achievements & Lasting Influence

    "The Twelve-Year-Old Jesus in the Temple": This early work sparked considerable debate due to its unconventional depiction of a Semitic-looking Jesus, challenging traditional religious iconography.

    Leadership of the Berlin Secession: His pivotal role in leading this avant-garde movement challenged artistic norms and paved the way for modern art in Germany.

    Presidency of the Prussian Academy of Arts: A significant recognition of his artistic merit, though ultimately compromised by the rise of Nazism.

    Masterful Portraiture: His ability to capture the essence of his subjects in over 200 commissioned portraits cemented his reputation as a leading portrait painter.

    Influence on German Impressionism: Liebermann successfully translated the principles of Impressionism into a uniquely German context, inspiring generations of artists.

    Museum

    Lentos Kunstmuseum Linz

    On show in Linz, Austria

    A Danube Jewel: Exploring the Lentos Kunstmuseum Linz

    Nestled along the graceful curves of the Danube in Linz, Austria, the Lentos Kunstmuseum stands as a vibrant testament to modern and contemporary art’s evolution. More than simply a repository for masterpieces, it's an immersive experience—a building that seems to breathe with artistic contemplation, its expansive glass façade shimmering like captured sunlight, transforming into a radiant landmark as dusk descends. Opened in 2003, the museum’s story is inextricably linked to the legacy of Wolfgang Gurlitt, a Berlin art dealer whose remarkable collection formed the bedrock of the institution, and subsequently, a complex chapter in the museum's history that it now addresses with profound ethical rigor.

    The Lentos’ narrative begins with the echoes of Expressionism, a period of intense emotionality and social upheaval. Here, the bold visions of Gustav Klimt—his shimmering gold leaf captivating the eye—stand alongside the emotionally charged portraits of Egon Schiele and Oskar Kokoschka, offering a poignant glimpse into the anxieties and aspirations that defined a rapidly changing world. The museum doesn’t shy away from the raw intensity of German and Austrian Expressionism, showcasing works that capture the turbulent spirit of the interwar years. Yet, it swiftly pivots to embrace the present, curating an international collection spanning post-1945 art, a period brimming with innovation and diverse voices. From the playful pop art brilliance of Andy Warhol to the energetic figures of Keith Haring, and the introspective self-portraits of Maria Lassnig—a pioneering Austrian painter whose ‘body awareness’ theory continues to resonate—the Lentos showcases an astonishing breadth of artistic styles and approaches.

    Architecture as Art: Weber & Hofer's Vision

    The museum building itself is not merely a container for art; it is art, a bold statement in architectural design. Conceived by the Zurich-based firm Weber & Hofer, the structure stretches along the Danube for an impressive 130 meters, its expansive glass façade offering breathtaking views of the river and city. This transparency isn’t simply aesthetic; it symbolizes the museum's openness to new ideas and its commitment to engaging with the surrounding urban landscape. The approximately 8,000 square meters of floor space are thoughtfully arranged to guide visitors through a seamless journey across artistic movements and styles, creating an intuitive flow that enhances the overall experience. The building’s design cleverly incorporates natural light, flooding the interior spaces with a warm glow—a deliberate choice that elevates the artwork and fosters a sense of connection between the viewer and the piece.

    A Legacy of Research and Remembrance

    What truly distinguishes the Lentos Kunstmuseum Linz is its unwavering dedication to ethical responsibility and historical accuracy. Recognizing the complex origins of its collection, stemming from the Gurlitt estate, the museum has undertaken extensive provenance research, meticulously investigating the origins and ownership history of each artwork. This painstaking work has led to the identification of thirteen paintings with tainted provenance, which were then rightfully returned to their original owners or heirs—a testament to the museum’s commitment to transparency and justice. Beyond this crucial undertaking, the Lentos actively supports contemporary artistic dialogue through a dynamic program of changing exhibitions that showcase emerging artists and explore cutting-edge themes. The museum's active acquisition policy ensures a growing international sculpture collection, featuring works by renowned sculptors like Eduardo Chillida, Tony Cragg, and Anthony Caro, enriching both the indoor galleries and the outdoor spaces surrounding the building.

    Notable Exhibitions and Artistic Highlights

    The Lentos consistently presents exhibitions that illuminate key moments in art history and spotlight innovative contemporary artists. Recent highlights include a compelling retrospective of Maria Lassnig’s work, exploring her unique ‘body awareness’ theory through a captivating selection of self-portraits. The museum also regularly hosts temporary exhibitions featuring works by internationally renowned artists, offering visitors the opportunity to engage with diverse artistic perspectives. Don't miss the chance to experience the museum’s impressive collection of works by Klimt and Schiele—masterpieces that exemplify the spirit of Austrian modernism. And for a deeper understanding of the museum’s history and its commitment to ethical practices, be sure to visit the Wolfgang-Gurlitt Museum, located nearby, which delves into the fascinating story behind the Gurlitt collection.

    Further Exploration

    For more information about upcoming exhibitions, events, and visiting hours, please visit the Lentos Kunstmuseum’s website:

    https://www.lentos.at/en/

    . You can also explore related resources such as Maria Lassnig's artist profile (

    /en/artists/maria-lassnig/

    ), the museum’s website (

    https://www.lentos.at/en/

    ), and a Wikipedia entry on the museum (

    https://en.wikipedia.org/wiki/Lentos_Art_Museum

    ).

    Where to read more

    Find this online

    QR code linking to the download page for Selfportrait

    originaluniqueart.com/en/art/download/max-liebermann-selfportrait-D4QTBM-en/

    Cite this artwork

    MLA
    Liebermann, Max. Selfportrait. 1914, Lentos Kunstmuseum Linz. https://originaluniqueart.com/en/art/max-liebermann-selfportrait-D4QTBM-en/
    APA
    Liebermann, Max (1914). Selfportrait [Painting]. Lentos Kunstmuseum Linz. https://originaluniqueart.com/en/art/max-liebermann-selfportrait-D4QTBM-en/
    Chicago
    Max Liebermann. Selfportrait. 1914. Lentos Kunstmuseum Linz. https://originaluniqueart.com/en/art/max-liebermann-selfportrait-D4QTBM-en/
    Harvard
    Liebermann, Max (1914) Selfportrait. Lentos Kunstmuseum Linz. Available at: https://originaluniqueart.com/en/art/max-liebermann-selfportrait-D4QTBM-en/

    Look closely

    Selfportrait — Max Liebermann

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, formal attire, german art. Do you agree? What would you add, or take away?
    4. Look back at Free hour at Amsterdam orphanage (1876), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Max Liebermann was about 67 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Selfportrait — Max Liebermann

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the artist of "Selfportrait"?

      • A Pablo Picasso
      • B Vincent van Gogh
      • C Max Liebermann
    2. 2. In what year was "Selfportrait" created?

      • A 1890
      • B 1914
      • C 1950
    3. 3. What medium was used to create "Selfportrait"

      • A Watercolor
      • B Sculpture
      • C Oil on Canvas
    4. 4. The painting depicts a man with what distinctive feature?

      • A A large hat
      • B A prominent mustache
      • C Bright red clothing
    5. 5. What artistic movement is "Selfportrait" associated with?

      • A Cubism
      • B Renaissance
      • C Impressionism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Selfportrait" free of copyright?

    The copyright answer for "Selfportrait" by Max Liebermann: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

    Are the colors of "Selfportrait" by Max Liebermann saturated or muted?

    The palette of "Selfportrait" is balanced soft in saturation.

    Do the colors of "Selfportrait" appear strong or soft?

    "Selfportrait" by Max Liebermann shows a balanced color intensity.