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Student Artwork Guide

Cadel Evans

Name Class Date

Matthÿs Gerber, Cadel Evans (2008), National Portrait Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Matthÿs Gerber originaluniqueart.com/en/artists/matthys-gerber/
Artist’s dates
1956 –
Painted
2008
Original size
136 x 137 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Modern
Held at
National Portrait Gallery originaluniqueart.com/en/museums/national-portrait-gallery-canberra/
Artistic style
Representational/Abstract
Influences
European painting
Notable elements
Helmet, bikes, clock
Subject or theme
Road cycling

In context

Cadel Evans — Matthÿs Gerber

How big is it?

The original measures 136 × 137 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 52. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 2008 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Aquamarine #6fc0d5

    Catalogued palette

    • #6FC0D5
    • #9E9537
    • #8D5D95
    • #F2B706

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Aquamarine
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Cadel Evans — Matthÿs Gerber

    Cadel Evans: A Portrait of Grit and Triumph

    Subject: This compelling artwork captures Cadel Evans, the celebrated Australian professional road cyclist, in a moment of focused intensity. The painting isn’t merely a portrait; it's an embodiment of his dedication, resilience, and ultimately, his monumental victory – becoming the first Australian to win the Tour de France.

    Artist: Matthys Gerber, a Dutch-born artist residing in Australia since 1972, masterfully employs techniques rooted in European painting traditions while injecting a distinctly contemporary sensibility. Gerber’s background as a senior lecturer at the Sydney College of the Arts informs his approach to representation and abstraction, resulting in a work that is both technically accomplished and conceptually rich.

    Style and Technique – A Dialogue with History

    Representation: Gerber’s style leans heavily on representational landscape traditions, drawing inspiration from the historical modes of European painting. This is evident in the careful rendering of Evans' form, particularly the prominent helmet—a crucial element signifying safety and performance within the demanding world of professional cycling.

    Composition & Detail: The composition is thoughtfully constructed, utilizing elements like the two bicycles in the background and the clock on the wall to create depth and narrative context. These additions aren’t mere decorative flourishes; they subtly reinforce the themes of competition, time, and meticulous preparation that define Evans' career. The downward gaze of the subject adds a layer of introspection, suggesting the mental fortitude required for such an arduous sport.

    Brushwork: Gerber’s brushwork is characterized by controlled precision and subtle gradations of tone, indicative of his training within established artistic traditions. This meticulous approach elevates the painting beyond a simple likeness, imbuing it with a sense of dignity and respect for the subject's achievements.

    Symbolism – Beyond the Rider

    The Helmet: The helmet itself is a potent symbol—representing not just protection but also discipline, strategy, and the willingness to push one’s limits. It's a visual shorthand for the risks inherent in Evans’ profession and his unwavering commitment to overcoming them.

    The Bicycles: The presence of two bicycles speaks to the cyclical nature of competition, the constant striving for improvement, and the legacy of cycling itself. They are reminders of the sport's rich history and its enduring appeal.

    The Clock: The clock hanging above Evans’ head adds a layer of temporal significance, emphasizing the relentless passage of time and the pressure to perform under scrutiny. It subtly underscores the immense dedication required to achieve such sustained success.

    Historical Context & Emotional Impact – A Moment Frozen in Time

    2008 Significance: Created in 2008, this artwork captures a pivotal moment in cycling history—Evans’ historic second-place finish in the Tour de France. It's a testament to his tenacity and determination, marking a significant milestone for Australian sport.

    Emotional Resonance: The painting evokes feelings of admiration, respect, and perhaps even awe. It invites viewers to contemplate the dedication, sacrifice, and mental strength required to excel at the highest levels of competition. The image resonates with themes of perseverance, ambition, and ultimately, triumph.

    Size: 136 x 137 cm

    Date: 2008

    Artist and museum

    Artist

    Matthÿs Gerber

    Born in Delft, Netherlands

    A Bridge Between Traditions

    Matthys Gerber, a Dutch-born artist who has resided in Australia since 1972, possesses a creative vision that masterfully bridges the gap between abstraction and portraiture. His artistic identity is deeply rooted in European painting traditions, yet he infuses his work with a distinctly contemporary sensibility. This unique duality allows him to engage with historical modes of representation while simultaneously exploring modern conceptual depths. Gerber’s approach is further enriched by his academic background as a senior lecturer at the Sydney College of the Arts, an experience that informs his sophisticated understanding of both representation and abstraction.

    Technique and Narrative Depth

    The artistry of Gerber is characterized by a meticulous dialogue with history, particularly through his use of controlled precision and subtle gradations of tone. His brushwork reflects rigorous training within established artistic traditions, elevating his subjects beyond mere likenesses into realms of dignity and profound respect. In his portraiture, such as his compelling depiction of the cyclist Cadel Evans, Gerber utilizes a thoughtful composition to weave narrative context into the frame. By incorporating elements like background details and carefully rendered forms, he creates a sense of depth that reinforces themes of competition, time, and meticulous preparation.

    His stylistic repertoire often leans toward representational landscape traditions, where he employs careful rendering to signify importance and character. Whether capturing the focused intensity of an athlete or exploring more abstract territories, Gerber’s work remains technically accomplished and conceptually rich. Through his ability to blend the precision of classical techniques with a modern perspective, he creates works that are both visually captivating and emotionally resonant, inviting viewers to contemplate the layers of grit, triumph, and introspection embedded within his subjects.

    Museum

    National Portrait Gallery

    On show in Canberra, Australia

    A Window into Australian Identity

    In the heart of Canberra’s cultural precinct, where the light of the Australian capital dances across geometric glass and steel, lies a sanctuary dedicated to the human spirit: the National Portrait Gallery. More than a mere repository for painted faces, this institution serves as a profound chronicle of a nation’s soul, capturing the essence of those who have shaped Australia’s narrative. To step inside is to embark on a journey through time, where every gaze meets yours, and every silhouette tells a story of resilience, innovation, and cultural evolution. The gallery does not merely display subjects; it preserves the very heartbeat of Australian identity, offering an intimate encounter with the pioneers, poets, and icons who have defined the landscape of the Australian experience.

    The history of this magnificent institution is as much a portrait of ambition as the artworks it houses. While the visionary painter Tom Roberts first proposed the idea of a national portrait gallery in the early twentieth century, it was not until the transformative 1992 exhibition,

    Uncommon Australians

    , that the dream began to crystallize into reality. From its humble beginnings within the venerable halls of Old Parliament House, the gallery has evolved into a world-class destination. The transition to its current, striking edifice on King Edward Terrace in 2008 marked a new era of architectural and artistic brilliance. Designed by Johnson Pilton Walker, the building itself is a masterpiece of contemporary design, utilizing geometric forms that mirror the surrounding Canberra vistas, ensuring that the dialogue between the interior art and the exterior landscape remains eternally unbroken.

    A Tapestry of Artistic Expression

    What truly distinguishes the National Portrait Gallery is its breathtaking refusal to be confined by tradition. While the mastery of oil on canvas remains a cornerstone—with works by legends such as Dobell and Quinn capturing subjects with exquisite sensitivity—the collection breathes through a diverse spectrum of mediums. Photography reigns supreme here, documenting Australians from every stratum of society with a raw, unyielding truth. The gallery’s curation extends into the avant-garde, featuring innovative textile portraits that weave narratives through thread and fiber, offering an unconventional yet deeply moving approach to likeness. For the collector or the interior designer, this diversity offers an endless palette of inspiration, ranging from the classical weight of traditional portraiture to the modern, textural allure of contemporary photographic and mixed-media works.

    The gallery’s prestige is further cemented by its role as a stage for global artistic dialogue. Through hosting esteemed accolades such as the National Photographic Portrait Prize and the Darling Portrait Prize, the institution attracts the finest talents from across continents, fostering a critical conversation about representation and the evolving nature of identity. Each exhibition acts as a catalyst for reflection, inviting visitors to look beyond the surface of a face to find the historical and social currents beneath. It is this unique ability to blend the monumental with the intimate that makes the National Portrait Gallery an essential pilgrimage for anyone seeking to understand the multifaceted character of Australia.

    Where to read more

    Find this online

    QR code linking to the download page for Cadel Evans

    originaluniqueart.com/en/art/download/matthys-gerber-cadel-evans-D66BKZ-en/

    Cite this artwork

    MLA
    Gerber, Matthÿs. Cadel Evans. 2008, National Portrait Gallery. https://originaluniqueart.com/en/art/matthys-gerber-cadel-evans-D66BKZ-en/
    APA
    Gerber, Matthÿs (2008). Cadel Evans [Painting]. National Portrait Gallery. https://originaluniqueart.com/en/art/matthys-gerber-cadel-evans-D66BKZ-en/
    Chicago
    Matthÿs Gerber. Cadel Evans. 2008. National Portrait Gallery. https://originaluniqueart.com/en/art/matthys-gerber-cadel-evans-D66BKZ-en/
    Harvard
    Gerber, Matthÿs (2008) Cadel Evans. National Portrait Gallery. Available at: https://originaluniqueart.com/en/art/matthys-gerber-cadel-evans-D66BKZ-en/

    Look closely

    Cadel Evans — Matthÿs Gerber

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: cycling race, cadel evans, mountain bike. Do you agree? What would you add, or take away?
    4. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?
    5. Matthÿs Gerber was about 52 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Cadel Evans" by Matthÿs Gerber connect Contemporary Realism to the artist's home country?

    "Cadel Evans" was created by Matthÿs Gerber, born in Netherlands, within the Contemporary Realism movement. The artist's origin links the work to Contemporary Realism as practiced by artists from Netherlands.

    What is the perceived brightness of "Cadel Evans" by Matthÿs Gerber?

    In terms of perceived brightness, "Cadel Evans" by Matthÿs Gerber is brilliant.

    What are the author and date of "Cadel Evans"?

    The author of "Cadel Evans" is Matthÿs Gerber, and the work is dated 2008.