Paper
Name Class Date

Matthew Mullican, Untitled (Learning from that person (2009), Rede Portuguesa de Arte Contemporânea a Norte. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Matthew Mullican originaluniqueart.com/en/artists/matthew-mullican/
Artist’s dates
1951 –
Painted
2009
Original size
102 x 89 cm
Held at
Rede Portuguesa de Arte Contemporânea a Norte originaluniqueart.com/en/museums/rede-portuguesa-de-arte-contemporanea-a-norte-porto/

In context

Untitled (Learning from that person — Matthew Mullican

How big is it?

The original measures 102 × 89 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 58. 1 of the 2 dated works by this artist in our catalogue came earlier.

▲ this work, 2009 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/matthew-mullican-untitled-learning-from-that-person-D7TCR3-en/

Colours

Measured from the image

    Main colour

    Gray #978e8b

    Catalogued palette

    • #978E8B
    • #DAD8D5
    • #5D2C2E
    • #BE2831

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Matthew Mullican

    Born in Santa Monica, United States of America

    A Private Universe of Symbols

    The work of Matthew Mullican invites the viewer into a profound and rhythmic simplicity, acting as a window into a private universe. Born in Santa Monica, United States of America, Mullican has developed a practice that transcends traditional language, constructing what he calls his Mullican World. This complex, personal lexicon of symbols is designed to communicate ideas that exist beyond the boundaries of conventional speech, creating a self-contained mythology through a unique visual vocabulary.

    His compositions often utilize a striking chromatic intensity to arrest the eye. In notable works such as Untitled (Mullican World), one encounters a vibrant red square that serves as a stage for an arrangement of black geometric forms. This stark contrast between crimson fields and dark, internal squares creates a sense of both depth and mystery, where the fundamental elements of geometry begin to pulse with a life of their own. The artist’s hand is visible not merely through brushstrokes, but through the meticulous creation of this symbolic system.

    The Architecture of Meaning

    Mullican's artistic development is characterized by an exploration of the boundaries between shape, color, and meaning. His work functions as a visual threshold, pulling the observer into a space where mathematical precision meets emotional weight. Through his use of expressive abstraction, he often employs grids of prints interwoven with black linework and fragmented text to create a sense of claustrophobic density and ambiguous themes.

    The significance of his practice lies in how he assigns meaning to the simplest of marks. By building the blocks of a private reality, Mullican engages with the following elements:

    Symbolic Lexicon: The creation of a personal language that functions as an alternative to traditional communication.

    Geometric Gravity: The use of stark, geometric forms to establish a sense of structural permanence and mystery.

    Chromatic Intensity: Utilizing powerful color palettes to anchor contemporary spaces and evoke immediate emotional responses.

    In his most profound compositions, the artist integrates himself into the very fabric of his constructed reality, sometimes using his own name as a structural element within the work. This integration blurs the line between the creator and the creation, making his body of work a vital study in how we perceive and interpret the symbols that define our existence.

    Museum

    Rede Portuguesa de Arte Contemporânea a Norte

    On show in Porto, Portugal

    Rede Portuguesa de Arte Contemporânea a Norte: A Tapestry of Northern Portuguese Creativity

    The Rede Portuguesa de Arte Contemporânea a Norte (RPAC Norte) stands as a beacon of artistic innovation nestled in the vibrant cultural landscape of Porto and Northern Portugal. More than just a collection of museums, it’s an ambitious project designed to elevate contemporary art appreciation and foster collaboration amongst institutions—a testament to Portugal's commitment to fostering intellectual curiosity and aesthetic excellence.

    A Networked Vision:

    Established in 2008, RPAC Norte recognized the transformative potential of uniting disparate artistic endeavors under a single banner. Its core mission is to strengthen Northern Portugal’s position as a global hub for contemporary art, ensuring accessibility and sparking dialogue both locally and internationally.

    Diverse Artistic Expressions:

    Unlike traditional museums focused on singular narratives, RPAC Norte champions a multiplicity of voices and mediums. Visitors embark on an exploration encompassing painting, sculpture, photography, video art, installations—each offering a distinct perspective on the evolving artistic landscape. Rotating exhibitions guarantee fresh discoveries for seasoned connoisseurs and inspire newcomers alike.

    Architectural Marvels: Buildings That Breathe Art

    What distinguishes RPAC Norte isn’t merely its collection but also its architectural pedigree. Each museum within the network embodies a carefully considered aesthetic, reflecting Portugal's rich artistic heritage and embracing modern design principles. From repurposed historic spaces—such as Vila Nova de Gaia’s Museu Serralves, which reimagines an industrial complex into a serene oasis of art and gardens—to strikingly contemporary structures like Centro Internacional das Artes António Vieira in Porto, these buildings serve as canvases themselves.

    Historic Integration:

    Museums like Museu Júlio Xavier Aragão skillfully blend architectural grandeur with the charm of Vila Nova de Gaia’s historic Ribeira district.

    Modern Innovation:

    Conversely, Centro Internacional das Artes António Vieira pushes boundaries with its innovative design—a bold statement against conventional museum architecture and a celebration of artistic vision.

    Celebrating Artistic Legacy: Artists and Exhibitions

    RPAC Norte’s curators prioritize showcasing both established masters and emerging talents, fostering an environment where creativity flourishes. Gerardo Burmester de Almeida's minimalist paintings—characterized by their contemplative stillness and subtle color palettes—offer a profound reflection on artistic form and conceptual depth. Alongside him, Mário Cesariny de Vasconcelos’ poetic verses and surrealist imagery capture the spirit of Portugal under Salazar’s regime, challenging societal norms with audacious brilliance.

    Notable Exhibitions:

    RPAC Norte regularly hosts exhibitions that delve into pressing social issues, explore artistic experimentation, and champion diverse cultural perspectives.

    A Singular Approach to Artistic Engagement

    Ultimately, RPAC Norte’s success lies in its holistic approach—combining captivating architecture, stimulating exhibitions, and a supportive ecosystem for artists. It's an institution that invites visitors not just to observe art but to actively engage with it, fostering intellectual curiosity and nurturing appreciation for Portugal’s contribution to the global artistic dialogue.

    Discover More

    For detailed information about RPAC Norte and its member museums, please visit:

    https://artsandculture.google.com/partner/rede-portuguesa-de-arte-contemporanea-a-norte-rpac-norte

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (Learning from that person

    originaluniqueart.com/en/art/download/matthew-mullican-untitled-learning-from-that-person-D7TCR3-en/

    Cite this artwork

    MLA
    Mullican, Matthew. Untitled (Learning from that person. 2009, Rede Portuguesa de Arte Contemporânea a Norte. https://originaluniqueart.com/en/art/matthew-mullican-untitled-learning-from-that-person-D7TCR3-en/
    APA
    Mullican, Matthew (2009). Untitled (Learning from that person [Painting]. Rede Portuguesa de Arte Contemporânea a Norte. https://originaluniqueart.com/en/art/matthew-mullican-untitled-learning-from-that-person-D7TCR3-en/
    Chicago
    Matthew Mullican. Untitled (Learning from that person. 2009. Rede Portuguesa de Arte Contemporânea a Norte. https://originaluniqueart.com/en/art/matthew-mullican-untitled-learning-from-that-person-D7TCR3-en/
    Harvard
    Mullican, Matthew (2009) Untitled (Learning from that person. Rede Portuguesa de Arte Contemporânea a Norte. Available at: https://originaluniqueart.com/en/art/matthew-mullican-untitled-learning-from-that-person-D7TCR3-en/

    Look closely

    Untitled (Learning from that person — Matthew Mullican

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract linework, dense text patterns, red color dominance. Do you agree? What would you add, or take away?
    4. Look back at Untitled (Mullican World) (1980), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Matthew Mullican was about 58 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Untitled (Learning from that person" more bright or more dark overall?

    "Untitled (Learning from that person" by Matthew Mullican is recorded as bright, with a gentle luminance luminance.

    Is "Untitled (Learning from that person" by Matthew Mullican a bright or a dark artwork?

    Overall, "Untitled (Learning from that person" is recorded as bright. Perceived brightness describes how light or dark the work appears.

    Can I examine "Untitled (Learning from that person" in more detail?

    The X-Ray view of "Untitled (Learning from that person" by Matthew Mullican is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.