Paper

Student Artwork Guide

Profile and Red Child

Name Class Date

Marc Chagall, Profile and Red Child (1960). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall originaluniqueart.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1960
Original size
32 x 24 cm
Movement
Surrealist Expressionism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Artistic style
Expressionist
Influences
Cubism
Notable elements or techniques
Flying figures, Symbolism
Subject or theme
Biblical Narrative

In context

Profile and Red Child — Marc Chagall

How big is it?

The original measures 32 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 73. The artist lived to 98. 466 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1960 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/marc-chagall-profile-and-red-child-8XYGSJ-en/

Colours

Measured from the image

    Main colour

    Espresso #2e2c3e

    Catalogued palette

    • #2E2C3E
    • #D3CB9C
    • #4E5075
    • #968D74

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 9.4%
    2. 2 The Birthday, 1915 9.1%
    3. 3 Over the town, 1918 4.6%
    4. 4 The Green Violinist, 1924 3.5%
    5. 5 The Concert, 1957 1.5%
    6. 6 Adam and Eve expelled from Paradise, 1961 1.4%
    7. 7 The Fall of Icarus, 1975 1.1%
    8. 8 Midsummer Night's Dream, 1939 1.1%
    9. 9 Liberation, 1952 1.0%
    10. 10 The Lovers, 1929 0.8%
    11. 11 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    12. 12 The return of the prodigal son, 1975 0.8%
    13. 13 Abraham and three Angels, 1966 0.8%
    14. 14 Dans mon pays 0.8%
    15. 15 Red Roofs, 1954 0.7%
    16. 16 The Betrothed and Eiffel Tower, 1913 0.7%
    17. 17 Easter, 1968 0.6%
    18. 18 Birthday, Moma NY, 1915 0.6%
    19. 19 The blue fiddler, 1947 0.6%
    20. 102 Profile and Red Child, 1960 this painting 0.2%

    Together these works take 40.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 544 were looked at at least once. This painting ranks 102 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Profile and Red Child — Marc Chagall

    Profile and Red Child: A Dance Between Reality and Reverie

    Marc Chagall’s “Profile and Red Child” (1960) isn't merely a depiction of figures; it’s an invitation into a realm where memory intertwines with imagination, mirroring the artist’s lifelong preoccupation with capturing the essence of experience. Painted during his prolific period in Vétheuil, France—a location that served as both solace and muse—this canvas embodies Chagall’s signature style: a blend of Cubism's geometric precision tempered by Expressionist fervor and infused with elements of Surrealism. The painting portrays a man walking alongside a child, bathed in the diffused light of an autumnal forest. Their postures convey a quiet intimacy, suggesting a bond forged through shared movement and observation—a motif recurrent throughout Chagall’s oeuvre.

    Style: Chagall's distinctive style is characterized by flattened perspectives, distorted figures, and vibrant color palettes that prioritize emotional resonance over strict realism.

    Technique: Executed in oil on canvas, the painting utilizes thick impasto—a technique where paint is applied thickly—creating textural surfaces that heighten visual impact and contribute to the dreamlike atmosphere.

    Color Palette: Dominant hues of ochre, crimson, and muted greens evoke the melancholic beauty of autumn, reflecting Chagall’s personal reflections on time and mortality.

    The historical context surrounding “Profile and Red Child” is significant. Created in the aftermath of World War II, Chagall's work reflects a profound engagement with Jewish identity and spirituality—themes that had been central to his artistic vision since his formative years in Vitebsk. The child figure, often interpreted as representing innocence and vulnerability, stands in stark contrast to the man’s solemn gaze, symbolizing perhaps the preservation of memory against the ravages of time. The red clothing worn by the man is a deliberate choice—a bold splash of color that draws attention to the central subject and reinforces the painting's emotional intensity.

    Symbolism: Beyond its visual elements, “Profile and Red Child” resonates with deeper symbolic meanings. The forest itself represents both refuge and uncertainty, mirroring the complexities of human existence. Chagall’s recurring use of fantastical imagery—flying figures, animals imbued with anthropomorphic qualities—underscores his belief in the transformative power of dreams and imagination. The painting speaks to a universal yearning for connection and remembrance, capturing a fleeting moment of shared experience amidst the grandeur of nature.

    Emotional Impact & Artistic Legacy

    “Profile and Red Child” transcends mere representation; it aspires to evoke emotion—a palpable sense of nostalgia and contemplation. Chagall’s masterful manipulation of color and texture invites viewers into his inner world, fostering a feeling of wonder and prompting reflection on themes of family, memory, and the passage of time. Its enduring appeal lies in its ability to capture the elusive beauty of everyday life while simultaneously hinting at something deeper—a profound understanding of the human condition. As a testament to Chagall’s artistic genius, “Profile and Red Child” continues to inspire artists and collectors alike, securing its place as one of his most poignant and unforgettable creations.

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    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Profile and Red Child

    originaluniqueart.com/en/art/download/marc-chagall-profile-and-red-child-8XYGSJ-en/

    Cite this artwork

    MLA
    Chagall, Marc. Profile and Red Child. 1960, https://originaluniqueart.com/en/art/marc-chagall-profile-and-red-child-8XYGSJ-en/
    APA
    Chagall, Marc (1960). Profile and Red Child [Painting]. https://originaluniqueart.com/en/art/marc-chagall-profile-and-red-child-8XYGSJ-en/
    Chicago
    Marc Chagall. Profile and Red Child. 1960. https://originaluniqueart.com/en/art/marc-chagall-profile-and-red-child-8XYGSJ-en/
    Harvard
    Chagall, Marc (1960) Profile and Red Child. Available at: https://originaluniqueart.com/en/art/marc-chagall-profile-and-red-child-8XYGSJ-en/

    Look closely

    Profile and Red Child — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: forest landscape, running figure, childhood memory. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Surrealist Expressionism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the medium and date of "Profile and Red Child" by Marc Chagall?

    "Profile and Red Child" was made in 1960, in acrylic on canvas.

    Is "Profile and Red Child" available as a fine art print?

    To get a print of "Profile and Red Child" by Marc Chagall, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    When was "Profile and Red Child" made?

    The creation of "Profile and Red Child" by Marc Chagall is dated 1960.