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Student Artwork Guide

A red horse

Name Class Date

Marc Chagall, A red horse (1938). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall originaluniqueart.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1938
Original size
114 x 103 cm
Movement
Surrealist Art

In context

A red horse — Marc Chagall

How big is it?

The original measures 114 × 103 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 51. The artist lived to 98. 277 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1938 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/marc-chagall-a-red-horse-8XYH78-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b5acae

    Catalogued palette

    • #B5ACAE
    • #221F23
    • #8C6C69
    • #514444

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 10.4%
    2. 2 The Birthday, 1915 8.9%
    3. 3 Over the town, 1918 4.5%
    4. 4 The Green Violinist, 1924 3.2%
    5. 5 Adam and Eve expelled from Paradise, 1961 1.3%
    6. 6 The Concert, 1957 1.3%
    7. 7 The Fall of Icarus, 1975 1.1%
    8. 8 Midsummer Night's Dream, 1939 1.1%
    9. 9 Liberation, 1952 1.0%
    10. 10 Song of Songs III (8), 1960 0.9%
    11. 11 Dans mon pays 0.9%
    12. 12 Paris through the Window, 1913 0.8%
    13. 13 The return of the prodigal son, 1975 0.8%
    14. 14 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    15. 15 Abraham and three Angels, 1966 0.7%
    16. 16 The Lovers, 1929 0.7%
    17. 17 Moses with the Burning Bush, 1966 0.6%
    18. 18 Red Roofs, 1954 0.6%
    19. 19 Birthday, Moma NY, 1915 0.6%
    20. 28 A red horse, 1938 this painting 0.5%

    Together these works take 40.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 570 were looked at at least once. This painting ranks 28 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A red horse — Marc Chagall

    Marc Chagall, a renowned Russian-French artist, is celebrated for his captivating and dreamlike paintings that blend elements of surrealism with deep emotional resonance. One of his most intriguing works is A Red Horse, created in 1938. This painting is not only a testament to Chagall's artistic genius but also a window into the world of surrealist art.

    Composition and Symbolism

    A Red Horse features a woman riding on the back of a red horse, which appears to be flying through the air. The scene is set against a backdrop that includes other figures and objects, such as a person standing near the bottom left corner and another towards the top right side of the painting. Notably, there is an object resembling a guitar on the ground in the lower part of the image. The composition of the painting creates a sense of movement and dreamlike atmosphere, characteristic of surrealist art. The red horse, a recurring motif in Chagall's work, symbolizes freedom and joy. The woman riding it may represent the artist's own longing for liberty and happiness.

    Artistic Style

    Chagall's style in A Red Horse is quintessentially surrealist, with vivid colors and fantastical elements. The use of oil on canvas adds depth and texture to the painting, enhancing its emotional impact. Chagall's ability to blend reality and fantasy creates a unique visual experience for the viewer.

    Historical Context

    A Red Horse was painted in 1938, a tumultuous period in European history. The rise of fascism and the impending war influenced many artists, including Chagall, who sought to express their hopes and fears through art. This painting can be seen as a reflection of Chagall's own experiences and emotions during that time.

    Relevance Today

    Today, A Red Horse remains a significant piece in the surrealist movement. It continues to inspire artists and captivate audiences with its timeless themes of freedom and joy. For those interested in exploring Chagall's work further, AllPaintingsStore offers high-quality reproductions of his paintings, including Un cheval rouge.

    Conclusion

    Marc Chagall's A Red Horse is a masterpiece that embodies the essence of surrealist art. Its blend of symbolism, vivid colors, and dreamlike atmosphere makes it a captivating piece for art enthusiasts. As we continue to appreciate Chagall's work, we are reminded of the enduring power of art to express our deepest hopes and desires.

    Marc Chagall: A red horse

    Marc Chagall on AllPaintingsStore: Marc Zakharovich Chagall

    A Red Horse on Wikipedia: A red horse, 1938 - Marc Chagall - WikiArt.org

    AllPaintingsStore offers a wide range of handmade oil painting reproductions, including works by Marc Chagall. Visit our website to explore more surrealist masterpieces and discover the beauty of art.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for A red horse

    originaluniqueart.com/en/art/download/marc-chagall-a-red-horse-8XYH78-en/

    Cite this artwork

    MLA
    Chagall, Marc. A red horse. 1938, https://originaluniqueart.com/en/art/marc-chagall-a-red-horse-8XYH78-en/
    APA
    Chagall, Marc (1938). A red horse [Painting]. https://originaluniqueart.com/en/art/marc-chagall-a-red-horse-8XYH78-en/
    Chicago
    Marc Chagall. A red horse. 1938. https://originaluniqueart.com/en/art/marc-chagall-a-red-horse-8XYH78-en/
    Harvard
    Chagall, Marc (1938) A red horse. Available at: https://originaluniqueart.com/en/art/marc-chagall-a-red-horse-8XYH78-en/

    Look closely

    A red horse — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 5 — do you agree?)
    4. Our catalogue files this work under: flying, horse, woman. Do you agree? What would you add, or take away?
    5. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How strong are the colors of "A red horse"?

    "A red horse" by Marc Chagall is recorded with a muted saturation and a monochromatic intensity.

    At what age did Marc Chagall make "A red horse"?

    Marc Chagall was 51 years old when creating "A red horse" in 1938. The age is computed from the artist's birth year, 1887.

    What use and space are recommended for "A red horse" by Marc Chagall?

    "A red horse" is suggested for accent, and the recommended space is a living room.