Paper

Student Artwork Guide

Chrysanthemms and Calla

Name Class Date

Lovis Corinth, Chrysanthemms and Calla (1920), Niedersächsisches Landesmuseum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lovis Corinth originaluniqueart.com/en/artists/lovis-corinth/
Artist’s dates
1858 – 1925
Painted
1920
Medium
Oil On Canvas
Original size
70 x 60 cm
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Period
19th Century
Held at
Niedersächsisches Landesmuseum originaluniqueart.com/en/museums/niedersachsisches-landesmuseum-hanover/
Subject or theme
Flowers, birds, outdoor scene

In context

Chrysanthemms and Calla — Lovis Corinth

How big is it?

The original measures 70 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 62. The artist lived to 67. 142 of the 219 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lovis Corinth (1858–1925) ▲ this work, 1920 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1922 Late works: from 1922

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/lovis-corinth-chrysanthemms-and-calla-8LJA6J-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #69605b

    Catalogued palette

    • #69605B
    • #2F2B2D
    • #D9D2BF
    • #ADA387

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lovis Corinth over the last twelve months — 23 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.0%
    2. 2 United States of America 6.7%
    3. 3 Singapore 6.1%
    4. 4 Japan 5.1%
    5. 5 Hong Kong 3.7%
    6. 6 Brazil 2.0%
    7. 7 Mexico 2.0%
    8. 8 Romania 1.3%
    9. 9 Austria 1.0%
    10. 10 Bulgaria 0.7%
    11. · 13 other countries 5.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Lovis Corinth

    1. 1 Self Portrait with a Glass, 1907 2.5%
    2. 2 The Temptation of Saint Anthony, 1897 2.2%
    3. 3 In the Slaughter House, 1893 1.6%
    4. 4 Wood near Dachau, 1893 1.6%
    5. 5 Portrait of the Poet Herbert Eulenberg, 1924 1.4%
    6. 6 Homeric Laughter, First Version, 1909 1.4%
    7. 7 Wilhelmine with a Ball, 1915 1.4%
    8. 8 Female Nude, 1897 1.4%
    9. 9 Woman with Lilies in a Greenhouse, 1911 1.4%
    10. 10 Portrait of Dr. Arthur Rosin in a Chair, 1924 1.4%
    11. 11 untitled (1115) 1.4%
    12. 12 Larkspur, 1924 1.1%
    13. 13 Lake Lucerne, Afternoon, 1924 1.1%
    14. 14 Large Self Portrait at the Walchensee, 1924 1.1%
    15. 15 Self Portrait with Model, 1903 1.1%
    16. 16 Reclining Female Nude, 1907 1.1%
    17. 17 Slaughtered Calves, 1896 1.1%
    18. 18 Diogenes, 1891 1.1%
    19. 19 Tyrolean Landscape with Bridge, 1913 1.1%
    20. 63 Chrysanthemms and Calla, 1920 this painting 0.5%

    Together these works take 27.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 358 works by this artist, of which 178 were looked at at least once. This painting ranks 63 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Chrysanthemms and Calla — Lovis Corinth

    A Symphony of Blooms and Wings: Exploring Corinth's "Chrysanthemums and Calla"

    To stand before Lovis Corinth’s Chrysanthemums and Calla is to step into a moment suspended between vibrant life and quiet contemplation. This large oil on canvas, painted in 1920, is far more than a mere arrangement of flowers; it is a richly textured narrative woven from natural forms, avian grace, and the subtle melancholy characteristic of early 20th-century European art. The composition immediately draws the eye into a lush, almost overabundant gathering of blooms—the deep tones of chrysanthemums mingling with the elegant curves of calla lilies. Corinth masterfully captures the ephemeral beauty of nature at its peak, inviting the viewer to breathe in the imagined scent and hear the gentle rustle of wings.

    Compositional Harmony: Elements in Dialogue

    The scene is a carefully orchestrated tableau vivant set outdoors, yet imbued with an intimate sense of enclosure. Notice how Corinth balances the wild energy of the flora against the more structured elements of human presence—the suggestion of a boat resting on the left, the sturdy form of a chair anchoring the bottom right corner, and the implied surface of a dining table beneath the water's edge. These objects ground the otherwise ethereal display. Dominating the upper register are two birds, their wings spread in magnificent arcs. They act as living exclamation points against the backdrop of blossoms. This interplay between the wild, untamed life represented by the flowers and the poised, watchful energy of the birds creates a dynamic tension that is both exhilarating and deeply peaceful.

    The Brushwork and Technique: A Master's Hand

    Corinth’s technique in this piece speaks to his journey through various artistic currents. While rooted in the expressive power of late 19th-century painting, the execution here possesses a certain modern clarity. The oil paint is applied with visible energy; one can almost trace the artist's passionate strokes as they build up the velvety texture of the petals and the sheen on the bird feathers. This palpable brushwork prevents the scene from feeling overly polished or academic. Instead, it retains a vital, immediate quality—as if the painting itself was captured in the very moment the light shifted across the garden.

    Symbolism and Emotional Resonance

    The symbolism within Chrysanthemums and Calla is layered, inviting deep personal reflection. Flowers themselves have long been conduits for emotion; chrysanthemums often speak of remembrance and enduring affection, while calla lilies frequently symbolize purity and rebirth. The presence of the birds adds a layer of freedom and spirit. Collectively, the painting seems to meditate on the passage of time—the vibrant life captured against the backdrop of inevitable change. For the collector or designer, this piece offers more than just decoration; it offers an emotional anchor, a visual poem that speaks to beauty found amidst complexity.

    Bringing the Garden Home

    For those seeking to infuse a space with the sophisticated romance of early 20th-century European art, a reproduction of this work is a profound choice. Its scale (70 x 60 cm) allows it to command attention without overwhelming a room, making it perfect above a console table or within an elegant dining area. Owning this piece means curating not just artwork, but a mood—a sophisticated blend of natural exuberance and quiet, enduring beauty that echoes the passionate spirit of Lovis Corinth himself.

    Artist and museum

    Artist

    Lovis Corinth

    Born in Tauwade, Netherlands

    A Life Forged in Paint: The World of Lovis Corinth

    Lovis Corinth, born Franz Heinrich Louis on July 21, 1858, in the Prussian province of East Prussia, was a figure who embodied the tumultuous transition from the 19th to the early 20th-century art world. His journey wasn’t one of immediate acclaim but rather a gradual evolution fueled by relentless study, diverse influences, and ultimately, personal tragedy. Corinth's beginnings were rooted in the rural landscapes of his birthplace, Tapiau, where his father worked as a tanner. This early exposure to the physicality of labor and the raw beauty of nature would subtly permeate his later work, even amidst more sophisticated stylistic explorations. He initially pursued studies at the Academy of Königsberg in 1876, but quickly realized that academic tradition alone wouldn’t satisfy his artistic ambitions. A period of travel followed, taking him to Munich, Antwerp, and finally Paris – each city serving as a crucial stepping stone in his development. In Munich, he absorbed the meticulous realism championed by Ludwig von Löfftz, honing his observational skills and mastering technique. Antwerp introduced him to the dramatic Baroque intensity of Rubens, while Paris exposed him to the burgeoning Impressionist movement, though his initial response was one of cautious observation rather than immediate embrace.

    From Naturalism to a Synthesis of Styles

    Corinth’s artistic development wasn't marked by swift revolutions but by a gradual assimilation and synthesis of diverse influences. His early work leaned heavily towards naturalism, reflecting the prevailing academic standards of the time. Paintings like “In the Slaughterhouse” (1878), with its unflinching depiction of animal carcasses, demonstrate this commitment to realistic representation, yet even here, a nascent emotional intensity begins to surface. The subject matter itself—gruesome and visceral—hints at a willingness to confront uncomfortable truths, a characteristic that would become increasingly prominent in his later work. His time spent studying the Old Masters, particularly Rubens, instilled in him a love of dynamic composition and expressive brushwork. However, it was his exposure to Impressionism – initially viewed with skepticism – that ultimately proved transformative. He didn’t simply adopt the broken color and fleeting light effects of Monet or Renoir; instead, he integrated these elements into his own unique vision, creating a style that blended impressionistic vibrancy with a distinctly German sensibility. This synthesis would eventually position him as a bridge between Impressionism and Expressionism, two movements that defined the artistic landscape of the early 20th century.

    A Master of Portraiture and Landscape

    While Corinth explored various genres throughout his career – including biblical scenes and mythological subjects – he is perhaps best remembered for his portraits and landscapes. His portraiture wasn’t merely about capturing physical likeness; it was an attempt to penetrate the psychological depths of his sitters, revealing their inner lives through subtle gestures, expressive eyes, and carefully considered compositions. He possessed a remarkable ability to convey character and emotion with astonishing economy of means. Similarly, his landscapes weren't simply depictions of scenic views but rather emotional responses to nature. The Walchensee region in the Bavarian Alps became a particular source of inspiration, providing him with a wealth of motifs that he explored repeatedly throughout his later years. These paintings are characterized by their bold colors, dynamic brushwork, and a sense of raw energy that reflects Corinth’s own passionate engagement with the natural world. He wasn't interested in idyllic representations; instead, he sought to capture the untamed power and inherent drama of the landscape.

    Tragedy, Resilience, and Lasting Legacy

    A pivotal moment in Corinth’s life – and arguably in his artistic development – was a stroke he suffered in December 1911. The paralysis it caused on his left side threatened to end his career altogether. However, with unwavering determination and the support of his wife, Charlotte Berend-Corinth, he relearned to paint, adapting to his physical limitations and developing an even more expressive style. This period marked a turning point in his work, as his paintings became increasingly bold, gestural, and emotionally charged. The experience of confronting mortality and physical vulnerability infused his art with a new sense of urgency and authenticity. He embraced a looser brushstroke and intensified color palette, anticipating many of the stylistic innovations that would define Expressionism. Corinth’s influence extended beyond his own painting; he was also a respected teacher and writer on art, publishing essays such as “On Learning to Paint” in 1908, offering insights into his artistic philosophy and technical approach. He served as president of the Berlin Secession from 1915 until his death in 1925, championing progressive artistic ideas and fostering a vibrant creative community. Lovis Corinth’s legacy lies not only in his remarkable body of work but also in his unwavering commitment to artistic integrity and his ability to transform personal tragedy into profound artistic expression. He remains a pivotal figure in the history of German art, a master who bridged two eras and left an indelible mark on generations of artists to come.

    Key Works & Their Significance

    In the Slaughterhouse (1878): A starkly realistic depiction of animal carcasses, showcasing Corinth’s early mastery of technique and his willingness to confront unsettling subjects.

    Self-Portrait (various years): A series of self-portraits created annually on his birthday, offering a fascinating chronicle of the artist's evolving self-perception and artistic style. These works reveal a profound introspection and a fearless exploration of identity.

    Female Semi-Nude with Hat (1906): Demonstrates Corinth’s ability to blend classical motifs with impressionistic techniques, creating a sensuous and psychologically compelling portrait.

    Walchensee Series (various years): A collection of landscapes depicting the Walchensee region in Bavaria, characterized by their vibrant colors, dynamic brushwork, and emotional intensity. These paintings represent Corinth’s mature style at its most powerful and expressive.

    The Last Self-Portrait (1924): Painted shortly before his death, this work is a poignant testament to the artist's resilience and unwavering spirit in the face of physical adversity. It embodies the culmination of his artistic journey and serves as a powerful symbol of human endurance.

    Museum

    Niedersächsisches Landesmuseum

    On show in Hanover, Germany

    A Tapestry of Time: Unveiling the Niedersächsisches Landesmuseum Hannover

    Nestled within the heart of Hanover, Germany, the Niedersächsisches Landesmuseum – Lower Saxony State Museum – stands as more than just a repository of artifacts; it’s a vibrant nexus where history, art, natural science, and cultural heritage converge in a breathtakingly unified experience. Designed by Hubert Stier and completed in 1902, its Neo-Renaissance architecture immediately commands attention, the striking relief frieze – “Key Moments in the Evolution of Humanity” – hinting at the profound journey awaiting within. This monumental artwork, created by Georg Herting and Karl Gundelach, serves as a powerful visual metaphor for the museum’s core mission: to illuminate our shared human story through a remarkably diverse collection spanning millennia.

    Stepping inside is akin to embarking on a chronological odyssey. The State Gallery forms the museum's artistic heart, boasting an exceptional array of works that transport visitors from the medieval period right up to the dawn of modern art. Here, one can lose themselves in the luminous canvases of Rembrandt and Rubens, marveling at the meticulous detail of Dürer’s engravings, and encountering the evocative landscapes of Max Liebermann and Lovis Corinth. The museum's dedication to German artistic movements is particularly noteworthy, with a significant representation of works by artists associated with the Worpswede colony – pioneers of early Expressionism who sought inspiration in the rural beauty surrounding Hanover. These artists, like Bernhard Hoetger and Paula Modersohn-Becker, captured the essence of their time with raw emotion and unparalleled skill, offering poignant glimpses into the lives and landscapes of early 20th-century Germany.

    Beyond the realm of fine art, the Niedersächsisches Landesmuseum unveils a captivating narrative of human history. The archaeology department houses an astonishing collection exceeding one million artifacts, charting nearly 500,000 years of human settlement – from the earliest Stone Age tools to remnants of medieval life. Each object whispers stories of our ancestors and their evolving world, offering tangible connections to those who came before us. Equally compelling is the ethnology collection – one of Europe’s oldest – presenting around 20,000 artworks representing a stunning diversity of cultures from across the globe. This isn't merely about displaying objects; it’s about fostering cross-cultural understanding and appreciating the myriad ways in which humanity has expressed itself throughout history—from intricate textiles to ceremonial masks, each piece offers a window into a unique worldview.

    A Holistic Vision: Natural History and Architectural Grandeur

    What truly distinguishes the Niedersächsisches Landesmuseum is its remarkably holistic approach. It seamlessly integrates natural history alongside art and archaeology, creating an environment where these disciplines inform and enrich one another. Prepare to be awestruck by life-sized dinosaur models, including a meticulously reconstructed Iguanodon that transports you back to the prehistoric era – a testament to the museum’s commitment to engaging visitors of all ages. The vivarium, teeming with over 2,000 fish, amphibians, and reptiles, offers a vibrant glimpse into the biodiversity of our planet, while exhibits dedicated to regional geology and zoology further illuminate the natural environment surrounding Hanover.

    The museum’s architecture itself is a work of art. The building's exterior, with its imposing Neo-Renaissance façade and the dramatic “Key Moments in the Evolution of Humanity” frieze, reflects the museum’s ambition to present a comprehensive narrative of human progress. Restored after the devastation of World War II, the building stands as a powerful symbol of resilience and cultural preservation – a beacon ready to embrace both the past and the future.

    Notable Exhibitions and Artistic Highlights

    Throughout its history, the Niedersächsisches Landesmuseum has hosted numerous significant exhibitions that have captivated audiences. The museum’s permanent collection includes masterpieces such as Caspar David Friedrich's “Tageszeitenzyklus” (Times of Day), a complete series offering a unique insight into the artist’s creative process. Current and upcoming exhibitions frequently delve into specific themes, from the works of Lovis Corinth – currently highlighted in a major retrospective – to explorations of German Expressionism and the evolution of archaeological techniques. The museum regularly hosts temporary exhibits showcasing both established and emerging artists, ensuring that there is always something new and exciting to discover.

    A Cultural Hub for Inspiration

    The Niedersächsisches Landesmuseum Hannover isn’t simply a collection of disparate departments; it's an integrated ecosystem of knowledge. It’s a place where art informs archaeology, natural history provides context for cultural expression, and the very architecture inspires contemplation. Whether you are an avid art collector seeking inspiration, an interior designer searching for historical context, or simply a curious traveler eager to explore the cultural heart of Hanover, the Niedersächsisches Landesmuseum promises an enriching and unforgettable experience. A visit here is not just a museum trip; it’s a journey through time, a celebration of human creativity, and a profound exploration of our shared heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Chrysanthemms and Calla

    originaluniqueart.com/en/art/download/lovis-corinth-chrysanthemms-and-calla-8LJA6J-en/

    Cite this artwork

    MLA
    Corinth, Lovis. Chrysanthemms and Calla. 1920, Niedersächsisches Landesmuseum. https://originaluniqueart.com/en/art/lovis-corinth-chrysanthemms-and-calla-8LJA6J-en/
    APA
    Corinth, Lovis (1920). Chrysanthemms and Calla [Painting]. Niedersächsisches Landesmuseum. https://originaluniqueart.com/en/art/lovis-corinth-chrysanthemms-and-calla-8LJA6J-en/
    Chicago
    Lovis Corinth. Chrysanthemms and Calla. 1920. Niedersächsisches Landesmuseum. https://originaluniqueart.com/en/art/lovis-corinth-chrysanthemms-and-calla-8LJA6J-en/
    Harvard
    Corinth, Lovis (1920) Chrysanthemms and Calla. Niedersächsisches Landesmuseum. Available at: https://originaluniqueart.com/en/art/lovis-corinth-chrysanthemms-and-calla-8LJA6J-en/

    Look closely

    Chrysanthemms and Calla — Lovis Corinth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: flowers, birds, still life. Do you agree? What would you add, or take away?
    4. Look back at In the Slaughter House (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Chrysanthemms and Calla — Lovis Corinth

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Who is the artist of the painting titled "Chrysanthemms and Calla"?

      • A Vincent van Gogh
      • B Lovis Corinth
      • C Pierre-Auguste Renoir
    2. 2. Approximately what year was "Chrysanthemms and Calla" painted?

      • A 1890
      • B 1920
      • C 1905
    3. 3. What primary medium was used for "Chrysanthemms and Calla"?

      • A Watercolor on paper
      • B Oil on canvas
      • C Encaustic wax
    4. 4. Which of the following elements is NOT explicitly mentioned as being in the scene's backdrop?

      • A A boat
      • B A bird with spread wings
      • C A portrait bust
    5. 5. Lovis Corinth's early artistic influences included studies in which major European art centers?

      • A Rome and Florence
      • B Munich, Antwerp, and Paris
      • C London and Dublin

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4B · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    At what age did Lovis Corinth make "Chrysanthemms and Calla"?

    When "Chrysanthemms and Calla" was created in 1920, Lovis Corinth - born in 1858 - was 62 years old.

    How do medium and movement combine in "Chrysanthemms and Calla"?

    In "Chrysanthemms and Calla", the oil on canvas technique meets the Symbolism movement.

    Who created "Chrysanthemms and Calla" and what style is it in?

    Behind "Chrysanthemms and Calla" stand Lovis Corinth and the Symbolism movement.