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Student Artwork Guide

Revolving

Name Class Date

kurt schwitters, Revolving (1919), MOMA - Museum of Modern Art. Public domain.

The facts

Artist
kurt schwitters originaluniqueart.com/en/artists/kurt-schwitters/
Artist’s dates
1887 – 1948
Painted
1919
Medium
Acrylic On Canvas
Original size
123 x 89 cm
Movement
Dada Merz Collage
Held at
MOMA - Museum of Modern Art originaluniqueart.com/en/museums/moma-museum-of-modern-art-new-york-city/
Artistic style
Abstract Expressionism
Influences
Merz Pictures
Notable elements
Collage, assemblage
Subject or theme
Circular motion

In context

Revolving — kurt schwitters

How big is it?

The original measures 123 × 89 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Shaded: the lifetime of kurt schwitters (1887–1948) ▲ this work, 1919

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/kurt-schwitters-revolving-D2Q7UZ-en/

Colours

Measured from the image

    Main colour

    Espresso #4d4a22

    Catalogued palette

    • #4D4A22
    • #F4EDDB
    • #686635
    • #27321B
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Revolving — kurt schwitters

    A Dance with Chaos: Kurt Schwitters’ “Revolving”

    Kurt Schwitters' "Revolving," painted in 1919, isn’t merely a painting; it’s an embodiment of the tumultuous spirit of the post-World War I era. Emerging from the wreckage of established order and grappling with the profound anxieties of a rapidly changing world, Schwitters created a visual language that rejects traditional representation in favor of raw emotion and fragmented experience. This work, executed in oil and mixed media on canvas within a wooden frame, is a cornerstone of his “Merz” project – a lifelong exploration into the possibilities of assemblage and abstraction, born from the debris of war and the desire to forge something new from the remnants of the old.

    The painting immediately assaults the senses with its vibrant, almost frenetic energy. Bold circles dominate the composition, swirling and intersecting in a dynamic dance that suggests perpetual motion – hence the title. These aren’t serene, idealized forms; they are rough-hewn, imperfect, and imbued with an unsettling sense of instability. Scattered amongst these central motifs are smaller, more fragmented shapes: triangles, squares, and irregular patches of color—blues, greens, yellows, and oranges—that seem to be caught in a perpetual state of flux. Schwitters deliberately avoids precise lines or defined edges, opting instead for a technique that blends brushstrokes with the application of found materials – cord, wire mesh, cardboard, and even small objects – creating a textured surface that invites tactile exploration.

    The Genesis of Merz: A Response to Rupture

    To understand “Revolving,” one must delve into the context of Schwitters’ artistic development. Prior to 1918, he worked primarily in an expressionist style, influenced by artists like Kandinsky and Munch. However, the devastation of World War I irrevocably shattered his previous aesthetic sensibilities. He felt that traditional academic training was utterly inadequate for confronting the societal collapse and psychological trauma of the time. As Schwitters himself described it, “Everything had broken down and new things had to be made out of the fragments; and this is Merz.”

    The term "Merz" – derived from a fragment of text in the phrase “Commerz und Privatbank” (commerce and private bank) – represents Schwitters’ innovative approach to art-making. He began collecting discarded materials—odds and ends, scraps of paper, broken objects—and incorporating them into his paintings, sculptures, and installations. This process wasn't about creating beautiful objects; it was a deliberate act of dismantling and reassembling the world around him, reflecting the fractured state of society and the artist’s own internal turmoil. “Revolving” exemplifies this perfectly – a chaotic yet strangely compelling composition built from the discarded fragments of modern life.

    Symbolism in Motion: Circles and the Wheel

    The recurring motif of circles within "Revolving" is particularly significant. Schwitters himself described his fascination with the “wheel,” viewing it as a metaphor for human activity, progress, and even destruction. The large central circle can be interpreted as representing the cyclical nature of time, the relentless turning of events, or perhaps the dizzying speed of modern life. The smaller circles orbiting this dominant form suggest a sense of contained energy, hinting at potential movement and transformation.

    Furthermore, the painting’s title – “Revolving” – is not merely descriptive; it carries a profound symbolic weight. It speaks to the constant state of flux, the perpetual motion of ideas and emotions, and the inescapable feeling that everything is in a state of becoming. The work invites us to contemplate our own place within this dynamic system, questioning notions of stability and permanence.

    A Legacy of Fragmentation: Schwitters and Modernism

    "Revolving" stands as a pivotal work in Kurt Schwitters’ oeuvre and a crucial document in the development of modern art. It foreshadows the principles of Dadaism and Surrealism, emphasizing abstraction, chance, and the exploration of subconscious imagery. Schwitters' embrace of found objects and his rejection of traditional artistic conventions paved the way for later artists working with assemblage and collage, including Max Ernst and Joseph Cornell.

    Today, “Revolving” continues to resonate with viewers, offering a powerful meditation on themes of chaos, transformation, and the enduring human need to find meaning in a world perpetually in motion. Its vibrant colors, dynamic composition, and evocative symbolism make it a captivating work of art that invites repeated contemplation and offers a glimpse into the mind of one of the 20th century’s most innovative artists.

    Artist and museum

    Artist

    kurt schwitters

    Kurt Schwitters: A Life in Merz

    Early Life and Education

    Born: June 20, 1887, in Hanover, Germany.

    Schwitters was the only child of Eduard and Henriette Schwitters. His father co-owned a ladies' clothing shop.

    The family’s financial situation improved after selling the business in 1898, allowing them to live off rental income from properties they acquired.

    He studied art at the Dresden Academy from 1909-1915 alongside artists like Otto Dix and George Grosz, though he seemingly remained unaware of their work at the time.

    Schwitters suffered his first epileptic seizure in 1901, which later exempted him from military service for a period during World War I.

    Artistic Development and the Birth of Merz

    Initially, Schwitters worked in a post-impressionist style. His early work reflected this influence.

    The devastation of World War I profoundly impacted his artistic direction. He felt traditional academic training was irrelevant in the face of societal collapse.

    “In the war, things were in terrible turmoil…everything had broken down and new things had to be made out of the fragments; and this is Merz.”

    Around 1918, he began creating abstract collages using found objects – scraps of paper, tickets, and other discarded materials.

    The term “Merz” itself came from a fragment of text (“Commerz und Privatbank”) cut from an advertisement and incorporated into one of his early works, Das Merzbild (1918-19).

    Key Works and Artistic Styles

    Merz Pictures: These collages are arguably Schwitters’ most famous contribution. They represent a radical departure from traditional art, embracing chance and the aesthetics of everyday life.

    Merzbau: A monumental architectural construction within his home in Hanover, continuously evolving over decades. It was a three-dimensional embodiment of Merz principles – a labyrinthine space filled with niches, grottoes, and found objects.

    Assemblage & Installation Art: Schwitters pioneered these forms, blurring the boundaries between painting, sculpture, and architecture.

    He also worked in poetry, sound, graphic design, and typography, exploring a wide range of artistic media.

    Influences and Connections

    Early influences included post-impressionism, but he quickly moved beyond these conventions.

    He came into contact with members of the Berlin avant-garde – Raoul Hausmann, Hannah Höch, and Hans Arp – through Herwarth Walden’s Der Sturm gallery.

    While associated with Dadaism, Schwitters maintained a distinct artistic identity. He was initially rejected by some Dadaists for his ties to expressionism.

    Later Life and Legacy

    Facing increasing persecution under the Nazi regime due to his “degenerate art,” Schwitters fled Germany in 1937.

    He spent time in Norway and England, continuing to create Merz works despite challenging circumstances. He was briefly interned as an enemy alien during World War II.

    Died: January 8, 1948, in Ambleside, England.

    Kurt Schwitters’ work profoundly influenced subsequent generations of artists, particularly those involved in Pop Art, Minimalism, and Conceptual Art.

    His innovative use of found objects and his exploration of the relationship between art and everyday life continue to resonate with contemporary audiences.

    Historical Significance

    Schwitters’ Merz aesthetic challenged traditional notions of artistic beauty and authorship.

    He expanded the definition of art by incorporating non-art materials and blurring the lines between different disciplines.

    His work remains a powerful testament to the creative potential of fragmentation, reconstruction, and the embrace of chance.

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Revolving

    originaluniqueart.com/en/art/download/kurt-schwitters-revolving-D2Q7UZ-en/

    Cite this artwork

    MLA
    schwitters, kurt. Revolving. 1919, MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/kurt-schwitters-revolving-D2Q7UZ-en/
    APA
    schwitters, kurt (1919). Revolving [Painting]. MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/kurt-schwitters-revolving-D2Q7UZ-en/
    Chicago
    kurt schwitters. Revolving. 1919. MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/kurt-schwitters-revolving-D2Q7UZ-en/
    Harvard
    schwitters, kurt (1919) Revolving. MOMA - Museum of Modern Art. Available at: https://originaluniqueart.com/en/art/kurt-schwitters-revolving-D2Q7UZ-en/

    Look closely

    Revolving — kurt schwitters

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: collage, merz, schwitters. Do you agree? What would you add, or take away?
    4. Look back at (Elikan) (1925), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. kurt schwitters was about 32 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Revolving — kurt schwitters

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Kurt Schwitters most closely associated with?

      • A Cubism
      • B Dadaism
      • C Surrealism
    2. 2. The painting 'Revolving' primarily utilizes which of the following techniques?

      • A Oil paint and detailed realism
      • B Collage with found objects and mixed media
      • C Sculptural relief using traditional carving methods
    3. 3. What is the significance of the 'Revolving' title in relation to the artwork?

      • A It refers to a literal depiction of a rotating mechanism.
      • B It symbolizes the chaotic and fragmented nature of post-war society.
      • C It represents Schwitters’s fascination with circular forms.
    4. 4. In what year was Kurt Schwitters' 'Revolving' created?

      • A 1915
      • B 1919
      • C 1928
    5. 5. The artwork ‘Revolving’ is an example of Schwitters's 'Merz' project. What does the term 'Merz' refer to?

      • A A specific type of found object used in his collages.
      • B A system for organizing his artistic output.
      • C A combination of German and English words representing a new form of art.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3B · 4B · 5C