Paper

Student Artwork Guide

Reaper

Name Class Date

Kazimir Malevich, Reaper (1912). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Kazimir Malevich originaluniqueart.com/en/artists/kazimir-malevich/
Artist’s dates
1878 – 1935
Painted
1912
Movement
Kazimir Malevich
Period
Modern
Artistic style
Cubism
Notable elements or techniques
Geometric forms
Subject or theme
Rural labor, peasantry

In context

Reaper — Kazimir Malevich

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 57 at death.

Painted when the artist was 34. The artist lived to 57. 36 of the 280 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Kazimir Malevich (1878–1935) ▲ this work, 1912 every dated painting, decade by decade

First works: up to 1913 Main working years: 1913–1927 Late works: from 1927

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/kazimir-malevich-reaper-8XYDF2-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #232021

    Catalogued palette

    • #232021
    • #C2A170
    • #9F5C36
    • #4C4034

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Kazimir Malevich over the last twelve months — 59 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 53.4%69,800 visits
    2. 2 United States of America 8.3%10,800 visits
    3. 3 Hong Kong 6.7%8,700 visits
    4. 4 Singapore 6.1%8,000 visits
    5. 5 Mexico 2.1%2,800 visits
    6. 6 France 2.0%2,600 visits
    7. 7 Italy 1.8%2,400 visits
    8. 8 Germany 1.7%2,200 visits
    9. 9 Spain 1.7%2,200 visits
    10. 10 United Kingdom 1.7%2,200 visits
    11. · 49 other countries 14.5%18,900 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Kazimir Malevich

    1. 1 Suprematist Composition, 1916 10.7%19,400 visits
    2. 2 Black Square, 1915 4.6%8,300 visits
    3. 3 An Englishman in Moscow 2.3%4,100 visits
    4. 4 Woman with Pails Dynamic Arrangement 2.3%4,100 visits
    5. 5 Suprematism, 1916 1.3%2,400 visits
    6. 6 Self-Portrait, 1910 1.3%2,300 visits
    7. 7 Suprematism. Nonobjective Composition 1.2%2,200 visits
    8. 8 Taking in the Rye 1.2%2,200 visits
    9. 9 Stroyuschiysya dom [House under construction], 1915 1.1%2,000 visits
    10. 10 Four Square, 1915 1.0%1,900 visits
    11. 11 Suprematist Composition: White on White, 1918 0.9%1,700 visits
    12. 12 Black circle 0.9%1,700 visits
    13. 13 Black Cross, 1923 0.9%1,700 visits
    14. 14 Black circle [1913] State Russian Museum,, 1929 0.9%1,600 visits
    15. 15 suprematism fine arts museum, krasnodar, 1917 0.8%1,500 visits
    16. 16 Sin titulo 0.8%1,500 visits
    17. 17 Composition with the Mona Lisa, 1914 0.8%1,400 visits
    18. 18 Taking in the Harvest, 1911 0.8%1,400 visits
    19. 19 Self-Portrait, 1907 0.8%1,400 visits
    20. 73 Reaper, 1912 this painting 0.3%600 visits

    Together these works take 34.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 508 works by this artist, of which 385 were looked at at least once. This painting ranks 73 of them, with 0.3% of that attention (600 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Reaper — Kazimir Malevich

    A Glimpse into Modernity: Decoding Kazimir Malevich’s ‘Reaper’

    Kazimir Malevich's 1912 painting, ‘Reaper,’ is not merely an image of agricultural labor; it’s a pivotal moment in the seismic shift occurring within early 20th-century art. Emerging from a period of intense experimentation and artistic ferment, this work stands as a compelling bridge between the representational world and the burgeoning realm of abstraction. The scene depicts a woman, bent in the act of tying her shoes – or perhaps tending to the earth itself – rendered not with realistic detail but through the fractured planes and bold color choices characteristic of Cubism. A red hat punctuates the composition, drawing the eye amidst the geometric deconstruction of form. Hints of other figures linger in the background, suggesting a communal existence yet remaining deliberately indistinct, almost spectral. The inclusion of an umbrella adds a curious element, perhaps symbolizing protection or simply another facet of everyday life caught within Malevich’s innovative vision.

    The Ukrainian Roots and Parisian Influences

    Born in Kyiv Oblast, Ukraine, to a Polish family, Kazimir Malevich carried the weight of his cultural heritage throughout his artistic journey. His early exposure to Ukrainian folk art instilled in him an appreciation for simplified forms and vibrant colors – elements that would subtly resurface even as he ventured into radical abstraction. However, it was a transformative trip to Paris in 1912 that truly ignited his artistic evolution. Immersed in the heart of the European avant-garde, Malevich encountered the groundbreaking work of Cubists like Picasso and Braque. He absorbed their techniques of fragmentation and multiple perspectives, but rather than simply imitating them, he began to synthesize these influences with his own unique sensibility. ‘Reaper’ is a testament to this synthesis – a painting that demonstrates a clear understanding of Cubist principles while simultaneously hinting at the distinct path Malevich would soon forge.

    Beyond Representation: The Dawn of Suprematism

    ‘Reaper’ occupies a crucial position in Malevich's artistic development, preceding his most famous and revolutionary creation – the ‘Black Square.’ While still rooted in recognizable subject matter, the painting demonstrates Malevich’s growing desire to move beyond mere representation. He wasn’t interested in depicting what he saw, but rather in conveying how he felt about what he saw. This pursuit of pure feeling would ultimately lead him to Suprematism, an artistic movement centered on basic geometric forms and a limited color palette. In ‘Reaper,’ we see the seeds of this philosophy being sown – the simplification of form, the emphasis on underlying structure, and the rejection of traditional perspective all point towards the radical abstraction that lay ahead. The painting isn’t about a woman tying her shoes; it's about the essence of human labor, the geometry inherent in everyday life, and the artist’s attempt to distill these concepts into their purest form.

    A Legacy of Innovation: ‘Reaper’ as a Catalyst

    The impact of Kazimir Malevich extends far beyond his own body of work. He fundamentally altered the course of 20th-century art, paving the way for movements like Minimalism and Conceptual Art. ‘Reaper,’ though often overshadowed by his later, more purely abstract creations, remains a vital piece in understanding this evolution. It’s a painting that challenges viewers to reconsider their perceptions of reality, to look beyond surface appearances, and to appreciate the power of form and color as independent expressive elements. For collectors and interior designers alike, a reproduction of ‘Reaper’ offers not just an aesthetically striking addition to any space, but also a conversation starter – a window into a pivotal moment in art history and a testament to the enduring legacy of one of its most visionary pioneers.

    Artist and museum

    Artist

    Kazimir Malevich

    Born in Kyiv Oblast, Ukraine

    Kazimir Malevich: A Pioneer of Abstract Art

    Early Life and Influences

    Born in Kyiv Oblast, Ukraine in 1878 to a Polish family, Kazimir Severinovich Malevich’s early life was shaped by the rural Ukrainian landscape and its rich folk culture.

    His upbringing instilled in him an appreciation for traditional artistic expressions that would later subtly influence his work.

    Formal training began in Kyiv, but Malevich quickly sought broader artistic horizons, moving towards Moscow and eventually engaging with the burgeoning avant-garde movements of Europe.

    Key Influences: Early exposure to folk art, combined with a desire for modern expression, formed the foundation of his unique style.

    Artistic Development & Key Movements

    Initially, Malevich explored various styles including Impressionism, Symbolism, Fauvism, and Cubism. A pivotal trip to Paris in 1912 exposed him to the latest developments in European art.

    He gradually moved away from representational forms, seeking a purely artistic language based on geometric shapes and color.

    This led to the development of Suprematism around 1915 – an abstract movement focused on “the supremacy of pure feeling” in art.

    Suprematism rejected any attempt to depict objects from the visible world, instead prioritizing basic geometric forms like squares, circles, and rectangles.

    Major Achievements & Notable Works

    Black Square (1915): Arguably his most famous work, it represents a radical departure from traditional art and is considered a foundational piece of abstract painting.

    White on White (1918): A series exploring the purity of form and color, featuring white geometric shapes against a white background – pushing abstraction to its limits.

    Stroyuschiysya dom [House under Construction] (1916): An early example of Suprematism showcasing his unique perspective on Ukrainian culture through abstract forms.

    He also wrote extensively on art theory, articulating the philosophical principles behind Suprematism and advocating for a new artistic consciousness.

    Historical Significance & Legacy

    Malevich’s work profoundly impacted the development of 20th-century abstract art, influencing movements like Minimalism and Constructivism.

    He challenged conventional notions of representation and paved the way for non-objective art.

    His ideas about pure feeling and geometric abstraction continue to resonate with artists today.

    Despite facing political persecution under Stalin – initially supported, then suppressed – Malevich persevered in his practice and teaching.

    Influence on Later Artists: He directly influenced artists like El Lissitzky and indirectly shaped countless others through the enduring legacy of Suprematism.

    Later Life & Death

    In his later years, Malevich revisited figurative painting, attempting to synthesize his abstract principles with representational forms.

    He continued to teach and write about art until his death in Leningrad (now St. Petersburg) in 1935.

    His work remained relatively obscure for decades after his death but experienced a resurgence of interest in the latter half of the 20th century, solidifying his place as one of the most important figures in modern art history.

    Where to read more

    Find this online

    QR code linking to the download page for Reaper

    originaluniqueart.com/en/art/download/kazimir-malevich-reaper-8XYDF2-en/

    Cite this artwork

    MLA
    Malevich, Kazimir. Reaper. 1912, https://originaluniqueart.com/en/art/kazimir-malevich-reaper-8XYDF2-en/
    APA
    Malevich, Kazimir (1912). Reaper [Painting]. https://originaluniqueart.com/en/art/kazimir-malevich-reaper-8XYDF2-en/
    Chicago
    Kazimir Malevich. Reaper. 1912. https://originaluniqueart.com/en/art/kazimir-malevich-reaper-8XYDF2-en/
    Harvard
    Malevich, Kazimir (1912) Reaper. Available at: https://originaluniqueart.com/en/art/kazimir-malevich-reaper-8XYDF2-en/

    Look closely

    Reaper — Kazimir Malevich

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: cubism, peasant life, rural scene. Do you agree? What would you add, or take away?
    4. Look back at Suprematist Composition (1916), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Kazimir Malevich was about 34 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Reaper — Kazimir Malevich

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Kazimir Malevich’s ‘Reaper’ was created in what year?

      • A 1902
      • B 1932
      • C 1912
    2. 2. Which artistic style is most prominently featured in ‘Reaper’?

      • A Impressionism
      • B Cubism
      • C Renaissance
    3. 3. What is a key characteristic of the composition in 'Reaper' as described in the image description?

      • A A realistic depiction of rural life
      • B Bold colors and interesting shapes
      • C Monochromatic color scheme
    4. 4. Kazimir Malevich is best known as a pioneer of what type of art?

      • A Realism
      • B Abstract Art
      • C Surrealism
    5. 5. The image description mentions additional figures in the background. What does this suggest about Malevich's approach?

      • A He focused solely on individual portraits.
      • B He was interested in depicting scenes with multiple subjects and spatial relationships.
      • C He preferred completely empty backgrounds.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What size and orientation are recommended for a print of "Reaper" by Kazimir Malevich?

    For "Reaper", the recommended print setup is a medium size and a square orientation.

    Where is "Reaper" suggested to be displayed, considering its palette?

    Considering its earthy colors, "Reaper" is suggested for a living room.

    Where does "Reaper" stand among Kazimir Malevich's recurring subjects?

    Kazimir Malevich's recurring themes include cubism, folk art, fauvism, impressionism, european avant-garde, early step to suprematism, 1st peasant cycle work, exploration of form/space; "Reaper" focuses on cubism, peasant life, rural scene, figure painting, geometric forms, early abstraction, labor, ukrainian art.