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Student Artwork Guide

Benjamin Franklin

Name Class Date

Joseph Siffred Duplessis, Benjamin Franklin (1785), National Portrait Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Joseph Siffred Duplessis originaluniqueart.com/en/artists/joseph-siffred-duplessis/
Artist’s dates
1725 – 1802
Painted
1785
Medium
Oil On Canvas
Original size
59 x 72 cm
Held at
National Portrait Gallery originaluniqueart.com/en/museums/national-portrait-gallery-washington-d-c/
Artistic style
Neoclassicism
Influences
French portraiture
Notable elements
Neoclassical style, realism
Subject or theme
Portrait of Benjamin Franklin

In context

Benjamin Franklin — Joseph Siffred Duplessis

How big is it?

The original measures 59 × 72 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790
  9. 1800

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Painted when the artist was 60. The artist lived to 77. 6 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Joseph Siffred Duplessis (1725–1802) ▲ this work, 1785 every dated painting, decade by decade

Compare with

  • CHRISTOPHE GABRIEL ALLEGRAIN originaluniqueart.com/en/art/joseph-siffred-duplessis-christophe-gabriel-allegrain-AQRJ42-en/
  • MADAME LENOIR originaluniqueart.com/en/art/joseph-siffred-duplessis-madame-lenoir-AQRJ46-en/
  • JEAN MARIE VIEN originaluniqueart.com/en/art/joseph-siffred-duplessis-jean-marie-vien-AQRJ3S-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/joseph-siffred-duplessis-benjamin-franklin-D44TRR-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c1a15

    Catalogued palette

    • #1C1A15
    • #83765F
    • #4C3C28
    • #A29886

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Joseph Siffred Duplessis over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 50.0%
    2. 2 China 25.0%
    3. 3 Germany 10.0%
    4. 4 South Korea 5.0%
    5. 5 Mexico 5.0%
    6. 6 Norway 5.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Joseph Siffred Duplessis

    1. 1 Portrait of Louis XVI, King of France and Navarre 75.9%
    2. 2 Louis XVI of France 6.9%
    3. 3 Benjamin Franklin, 1785 this painting 3.4%
    4. 4 Christophe Gabriel Allegrain, Sculptor, 1774 3.4%
    5. 5 Cristoph Wilibald von Gluck at the Spinet, 1775 3.4%
    6. 6 PORTRAIT DE LOUIS XVI 3.4%
    7. 7 Self portrait 3.4%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 31 works by this artist, of which 7 were looked at at least once. This painting ranks 3 of them, with 3.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Benjamin Franklin — Joseph Siffred Duplessis

    A Portrait of Statesmanship: Benjamin Franklin by Joseph Siffred Duplessis

    The portrait of Benjamin Franklin presented here is more than just a likeness; it’s a carefully constructed embodiment of the man who shaped the nascent American identity. Painted in 1785, during his pivotal years as a diplomat in France, this work by Joseph-Siffred Duplessis captures not merely Franklin's physical appearance but also the essence of his character – a blend of shrewd intellect, pragmatic wit, and undeniable charm. Commissioned by Madame Brillon de Jouy, a woman deeply impressed by Franklin’s moral compass and lively imagination, the painting reflects her appreciation for the man who skillfully navigated the complexities of international relations.

    Duplessis, a master of the Neoclassical style that was gaining prominence in France during this period, eschews the elaborate Rococo flourishes favored by earlier portraitists. Instead, he employs a restrained palette of warm browns, creams, and subtle blues – colors that evoke both dignity and approachability. The composition is meticulously balanced; Franklin’s pose, with his hands resting casually on his lap, exudes an air of quiet confidence. His gaze, direct yet not confrontational, invites the viewer into a conversation, suggesting a man comfortable in his own skin and eager to share his wisdom.

    The Anatomy of a Portrait: Technique and Detail

    Examining the painting closely reveals Duplessis’s remarkable technical skill. The artist utilizes subtle gradations of light and shadow to sculpt Franklin's face, creating a sense of volume and depth. Note the meticulous rendering of his features – the slightly furrowed brow hinting at thoughtful contemplation, the twinkling eyes reflecting intelligence and humor, and the carefully drawn lines around his mouth suggesting both experience and amusement. The texture of his clothing is rendered with remarkable detail, from the folds of his waistcoat to the sheen of his coat buttons.

    Duplessis’s mastery extends beyond mere representation; he captures a specific impression of Franklin. The slightly rumpled appearance of his attire – a deliberate choice by the artist – speaks volumes about the man's practical nature and rejection of ostentation. The background, deliberately kept simple, directs all attention to the subject himself, reinforcing the portrait’s primary purpose: to present a compelling image of Benjamin Franklin.

    A Man of Many Facets: Symbolism and Context

    Beyond its technical brilliance, the portrait is rich in symbolic meaning. Franklin's prominent spectacles – a detail often overlooked – represent his dedication to knowledge and intellectual pursuits. His position as a diplomat underscores his role in forging alliances between America and France during the Revolutionary War, a period of immense strategic importance. The inclusion of the two chairs subtly references Franklin’s diplomatic engagements and his ability to engage with diverse audiences.

    Furthermore, the portrait reflects the broader cultural context of 18th-century France. Madame Brillon de Jouy's praise of Franklin’s “droll roguishness” hints at a recognition of his shrewdness and willingness to bend the rules in pursuit of his goals – qualities that were both admired and occasionally viewed with suspicion. The painting, therefore, offers a nuanced portrait of a man who was simultaneously revered as a statesman and regarded as a charming rogue.

    Bringing History Home: Reproduction and Legacy

    Reproductions of this iconic portrait by Joseph Siffred Duplessis offer a captivating glimpse into the life and times of one of America’s most influential figures. The original, created in 1785, stands as a testament to Duplessis's skill and his ability to capture not just a likeness but also the essence of a complex and remarkable individual. Whether displayed in a private collection or a public institution, this portrait continues to resonate with viewers today, reminding us of Franklin’s enduring legacy as a printer, inventor, diplomat, and champion of American ideals.

    Artist and museum

    Artist

    Joseph Siffred Duplessis

    Born in Carpentras, France

    A Life Etched in Likeness: The World of Joseph-Siffred Duplessis

    Joseph-Siffred Duplessis, a name perhaps less immediately recognizable than some of his contemporaries, nevertheless occupies a pivotal position in the history of 18th-century French portraiture. Born in Carpentras in 1725, he wasn’t born into an established artistic dynasty but rather a family where creativity simmered beneath the surface of practical life; his father, a surgeon, possessed a keen amateur interest in painting and provided young Joseph with his earliest instruction. This grounding in observation – the precise rendering required by medical illustration – would prove invaluable to Duplessis’s later success. He continued his formal training under Joseph Gabriel Imbert, a pupil of Charles Le Brun, absorbing the established academic techniques before venturing to Rome between 1744 and 1747. It was in Italy, within Pierre Subleyras' atelier, that Duplessis truly blossomed, forging friendships with fellow artists like Joseph Vernet and immersing himself in the rich artistic heritage of the Italian peninsula. This period wasn’t merely about mastering technique; it was a crucial stage in developing his aesthetic sensibility, shaping the clarity and immediacy that would come to define his style.

    Navigating Artistic Currents: From Rococo Grace to Neoclassical Restraint

    Returning to France, Duplessis initially settled in Lyon before establishing himself in Paris around 1752. His early years were marked by a slow ascent; acceptance into the Académie de Saint-Luc provided a platform, but recognition remained elusive. The turning point arrived at the Salon of 1769. Exhibiting ten portraits, Duplessis finally garnered significant acclaim, notably from the influential critic Denis Diderot. This breakthrough paved the way for his election to the prestigious Académie de peinture et de sculpture in 1770 – a remarkable achievement considering portraiture was often viewed as a lesser genre within the academic hierarchy. His appointment as peintre du Roi in 1771, coupled with commissions such as the portrait of the Dauphine, solidified his position at court and ushered in a period of prolific output. Duplessis’s artistic development coincided with a shifting aesthetic landscape. While initially influenced by the Rococo's elegance and decorative flair, he gradually incorporated elements of the emerging Neoclassical style, resulting in a unique blend of grace and restraint. He skillfully adapted his approach to suit his sitters, ranging from the formal grandeur demanded by royalty to the intimate realism favored for artists and intellectuals. His privileged lodgings within the Galeries du Louvre provided not only status but also constant exposure to masterpieces that further refined his artistic vision.

    Portraits of an Era: Capturing Character and History

    Duplessis’s oeuvre is a fascinating chronicle of 18th-century French society, populated by figures from the aristocracy, the world of arts and letters, and even revolutionary icons. Perhaps his most enduring work is the portrait of Benjamin Franklin, created around 1785. This image, with its remarkable realism and psychological depth, has become iconic, transcending the realm of art to appear on the U.S. hundred-dollar bill. It’s a testament to Duplessis's ability to capture not just physical likeness but also the essence of his subject’s character. Other notable works include the stately portrait of Louis XVI in coronation robes (1776), demonstrating his mastery of formal composition and regal presentation, and intimate portrayals like that of Christoph Willibald Gluck, capturing the composer at work with a palpable sense of inspiration. The penetrating depiction of Christophe Gabriel Allegrain, the sculptor, reveals Duplessis’s skill in conveying personality through nuanced detail. He also painted Jacques Necker, demonstrating his ability to capture individuals from various social strata. These portraits weren't merely exercises in technical skill; they were insightful studies of human nature, reflecting the intellectual and political currents of the time.

    Legacy and Remembrance: A Master of Intimacy

    The French Revolution brought upheaval to Duplessis’s life, forcing him to seek refuge in his hometown of Carpentras during the Reign of Terror. However, he re-emerged after the turmoil, serving as curator at the newly established museum at Versailles from 1796 until his death in 1802. This final chapter reflects a commitment to preserving artistic heritage even amidst societal change. Duplessis’s historical significance lies not only in his technical prowess but also in his ability to capture the spirit of an era on canvas. He played a crucial role in shaping portraiture during the late 18th century, bridging the gap between Rococo and Neoclassicism with a style characterized by clarity, immediacy, and psychological insight. His portraits offer invaluable glimpses into the lives and personalities of those who shaped history, ensuring his lasting legacy as a master of intimacy and observation. His work continues to resonate today, reminding us of the power of art to illuminate the past and connect us to the human experience.

    Museum

    National Portrait Gallery

    On show in Washington, D.C., United States of America

    A Window into the American Soul: Exploring the National Portrait Gallery

    The Smithsonian’s National Portrait Gallery in Washington, D.C., is not merely a collection of faces captured in paint or photograph; it's an ambitious and deeply moving chronicle of the American experience, told through the individuals who have shaped its narrative. Stepping into this grand hall feels like entering a vast chamber of national memory, where presidents stand shoulder to shoulder with artists, scientists mingle with activists, and each portrait whispers stories of ambition, innovation, and resilience. The museum doesn’t simply show you history—it invites you to connect with it on a profoundly personal level, recognizing the human spirit behind the historical achievements. This unique approach distinguishes the NPG from traditional museums focused solely on events or movements; here, individuals take center stage, their portraits serving as portals into their worlds and legacies. The power of portraiture lies in its ability to distill a life, a character, an entire era, into a single, compelling image, and the National Portrait Gallery masterfully curates this distillation for the American story.

    Echoes of History Within Historic Walls

    The gallery’s home is itself a significant piece of American history: the majestic Old Patent Office Building. Completed in 1836, this architectural marvel embodies the aspirations of a young nation, its imposing Greek Revival style symbolizing strength, order, and intellectual pursuit. The building's soaring spaces and intricate details—the grand corridors, ornate plasterwork, and abundant natural light—provide a fitting backdrop for the portraits within, enhancing their impact and creating an atmosphere of reverence. Sharing space with the Smithsonian American Art Museum, the building is a testament to the nation’s commitment to both artistic expression and historical preservation. Within these walls, one can almost feel the weight of generations past, contemplating the lives and contributions of those immortalized in paint, bronze, and photographic form. The very stones seem to absorb and reflect the stories held within, creating an immersive experience that transcends a simple viewing of artwork.

    A Collection as Diverse as America Itself

    The NPG's collection is remarkably comprehensive, spanning centuries and encompassing a wide range of media—from stately oil paintings to intimate sketches, monumental sculptures to candid photographs. Presidential portraits are naturally prominent, offering insights into the personalities and leadership styles of those who have held the nation’s highest office. The gallery continues this tradition by commissioning official portraits of recent presidents, ensuring that the visual record remains current. However, the museum's true strength lies in its commitment to representing the full spectrum of American achievement. Iconic figures like Georgia O'Keeffe, whose bold and evocative paintings redefined modern art, share space with literary giants such as Langston Hughes, whose poetry captured the soul of the Harlem Renaissance. The inclusion of Marie Curie, a scientist who made groundbreaking contributions to US science, and Martin Luther King Jr., a champion of civil rights, underscores the museum’s dedication to showcasing diverse voices and perspectives. A particularly captivating piece is Gilbert Stuart's unfinished Athenaeum Portrait of George Washington, an image so iconic it graced the one-dollar bill for decades—a testament to its enduring power and symbolic resonance. Beyond these celebrated figures, the gallery also shines a light on lesser-known individuals whose contributions have been equally vital to the nation’s progress, creating a richly textured tapestry of American life.

    A Living Legacy: Commissions and Contemporary Voices

    The National Portrait Gallery isn't merely a keeper of the past; it is actively shaping its future. The museum continues to commission new portraits, adding contemporary figures to its collection and ensuring that the visual record remains relevant and dynamic. This ongoing process reflects a commitment to documenting American life in all its complexity and celebrating those who are making their mark on the world today. The planned reopening in September 2025 with an exhibition featuring Amy Sherald—a contemporary artist celebrated for her powerful portraits of African Americans—is a prime example of this forward-thinking approach, promising to engage new audiences and spark important conversations about identity, representation, and the evolving American narrative. The NPG stands as a vital cultural institution, where art, history, and identity converge, offering a compelling glimpse into the ever-evolving story of America. It is a place not just to observe the past, but to contemplate the present and imagine the future—a truly inspiring experience for all who visit.

    Where to read more

    Find this online

    QR code linking to the download page for Benjamin Franklin

    originaluniqueart.com/en/art/download/joseph-siffred-duplessis-benjamin-franklin-D44TRR-en/

    Cite this artwork

    MLA
    Duplessis, Joseph Siffred. Benjamin Franklin. 1785, National Portrait Gallery. https://originaluniqueart.com/en/art/joseph-siffred-duplessis-benjamin-franklin-D44TRR-en/
    APA
    Duplessis, Joseph Siffred (1785). Benjamin Franklin [Painting]. National Portrait Gallery. https://originaluniqueart.com/en/art/joseph-siffred-duplessis-benjamin-franklin-D44TRR-en/
    Chicago
    Joseph Siffred Duplessis. Benjamin Franklin. 1785. National Portrait Gallery. https://originaluniqueart.com/en/art/joseph-siffred-duplessis-benjamin-franklin-D44TRR-en/
    Harvard
    Duplessis, Joseph Siffred (1785) Benjamin Franklin. National Portrait Gallery. Available at: https://originaluniqueart.com/en/art/joseph-siffred-duplessis-benjamin-franklin-D44TRR-en/

    Look closely

    Benjamin Franklin — Joseph Siffred Duplessis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: benjamin franklin, portrait, statesman. Do you agree? What would you add, or take away?
    4. Look back at CHRISTOPHE GABRIEL ALLEGRAIN, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Joseph Siffred Duplessis was about 60 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What use and space are recommended for "Benjamin Franklin" by Joseph Siffred Duplessis?

    Use (reflective) and space (living room) are the two recommendations recorded for "Benjamin Franklin" by Joseph Siffred Duplessis.

    How do contrast and harmony combine in "Benjamin Franklin"?

    The color analysis of "Benjamin Franklin" by Joseph Siffred Duplessis records a bold contrast and a strong color unity harmony.

    What was Joseph Siffred Duplessis's age when "Benjamin Franklin" was created?

    Joseph Siffred Duplessis made "Benjamin Franklin" at the age of 60. The artist was born in 1725 and the work is dated 1785.