Paper

Student Artwork Guide

Series

Name Class Date

josé maria fernandes marques, Series (1973), Rede Portuguesa de Arte Contemporânea a Norte. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
josé maria fernandes marques originaluniqueart.com/en/artists/jose-maria-fernandes-marques/
Artist’s dates
1939 – ?
Painted
1973
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Period
Contemporary
Held at
Rede Portuguesa de Arte Contemporânea a Norte originaluniqueart.com/en/museums/rede-portuguesa-de-arte-contemporanea-a-norte-porto/

In context

Series — josé maria fernandes marques

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970

Shaded: the lifetime of josé maria fernandes marques (1939–?) ▲ this work, 1973

Compare with

  • Mexico Series, 1996 originaluniqueart.com/en/art/jose-maria-fernandes-marques-mexico-series-D7TC5D-en/
  • 2004, 2006 originaluniqueart.com/en/art/jose-maria-fernandes-marques-2004-D9QEAU-en/
  • Untitled, 1971 originaluniqueart.com/en/art/jose-maria-fernandes-marques-untitled-D7TBQ3-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jose-maria-fernandes-marques-series-D7TCNF-en/

Colours

Measured from the image

    Main colour

    Putty #d7d7cf

    Catalogued palette

    • #D7D7CF
    • #362929
    • #1E7196
    • #B67D4C
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Series — josé maria fernandes marques

    Made in the early 1970s, the Feitiços (Spells) Series is marked by African linguistic codes. The series includes references to the ideographic language of the Ngoyo people, from the current southern Cabinda, northwestern Angola, as well as elements of Pop art. José de Guimarães

    Artist and museum

    Artist

    josé maria fernandes marques

    Born in Guimarães, Portugal

    A Life Rooted in Homeland: The Artistic Journey of José de Guimarães

    José Maria Fernandes Marques, known universally as José de Guimarães, is a pivotal figure in contemporary Portuguese art whose vibrant and multifaceted work transcends simple categorization. Born in 1939 in the historic city of Guimarães – a birthplace steeped in national identity – his artistic trajectory has been one of constant exploration, fueled by an insatiable curiosity about diverse cultures and a deep-seated connection to his origins. His early life wasn’t solely focused on art; he initially pursued studies in geology and engineering before dedicating himself fully to painting and drawing in Lisbon. This unique background would profoundly shape his later artistic vision, imbuing it with a structural sensibility and an appreciation for the raw materials of the earth. The adoption of “José de Guimarães” as a pseudonym itself speaks volumes – a deliberate act of grounding his creative identity in the very soil of Portugal.

    From Paris to Africa: Forging a Unique Aesthetic Language

    The early 1960s marked a turning point, with a move to Paris exposing him to the Fauvist movement and its bold use of color. However, it was a subsequent posting to Angola in 1967 that truly ignited his artistic revolution. This experience wasn’t merely geographical; it was transformative. Immersed in African art and culture, Guimarães began experimenting with collage, challenging conventional notions of beauty and representation. This period saw the birth of his “Arte Disturbadora” manifesto – a call to embrace contemporary materials and disrupt established norms. It was a bold statement against the backdrop of Portugal’s colonial war and restrictive political climate, using art as a vehicle for social commentary and self-expression. He wasn't simply observing African aesthetics; he was actively integrating them into his work, initiating a dialogue between cultures that would become a hallmark of his practice. This period also saw the development of an interest in symbolism and hidden messages within his artwork.

    The Alphabet as Cosmos: A Universal System of Signs

    Returning to Portugal in 1974, Guimarães continued to push boundaries, venturing into sculpture in 1980. But perhaps his most distinctive achievement is the creation of a personal alphabet – a complex system of signs and symbols drawn from African art, pre-Columbian iconography, and ancient Chinese motifs. This wasn’t merely an aesthetic exercise; it was an attempt to construct a universal language, capable of transcending cultural barriers. The shapes are not arbitrary; they are imbued with meaning, reflecting his anthropological studies and his belief in the interconnectedness of human experience. His sculptures, often crafted from fiberglass and handmade paper, become vessels for this alphabet, inviting viewers to decipher their hidden narratives. The vibrant colors that characterize his work – a legacy of his Fauvist influences – further enhance the visual impact and symbolic richness of these creations.

    Global Recognition and Enduring Legacy

    José de Guimarães’s work has garnered international acclaim, exhibited in museums across Europe, the United States, Brazil, Canada, Israel, and Japan. His commitment to fostering artistic exchange is exemplified by his involvement with the International Center of Arts José de Guimarães (CIAJG) in Guimarães – a platform dedicated to promoting creativity and intercultural dialogue. He has received numerous awards, including the title of Commander in the Order of Prince Henry the Navigator, recognizing his significant contribution to Portuguese culture. His influence extends beyond the realm of visual art, inspiring artists and scholars alike with his innovative approach to symbolism, materiality, and cultural exchange. Guimarães’s work is not simply about representing cultures; it's about creating a new one – a synthesis of global influences rooted in a profound sense of place.

    A Contemporary Master: Themes of Identity and the Human Condition

    Today, José de Guimarães remains an active force in the art world. His enduring appeal lies in his ability to seamlessly blend personal history with universal themes. His paintings and sculptures explore fundamental questions about identity, belonging, and the human condition.

    The recurring motif of animal-human hybrids speaks to our primal connection to nature.

    His use of geometric forms reflects a fascination with structure and order.

    The vibrant colors evoke emotions and create a sense of energy and vitality.

    He is not merely an artist; he is a storyteller, a philosopher, and a cultural ambassador. His work serves as a powerful reminder of the importance of embracing diversity, challenging conventions, and celebrating the beauty of human creativity. He stands as a testament to the power of art to transcend boundaries and connect us all through a shared language of symbols and emotions.

    Museum

    Rede Portuguesa de Arte Contemporânea a Norte

    On show in Porto, Portugal

    Rede Portuguesa de Arte Contemporânea a Norte: A Tapestry of Northern Portuguese Creativity

    The Rede Portuguesa de Arte Contemporânea a Norte (RPAC Norte) stands as a beacon of artistic innovation nestled in the vibrant cultural landscape of Porto and Northern Portugal. More than just a collection of museums, it’s an ambitious project designed to elevate contemporary art appreciation and foster collaboration amongst institutions—a testament to Portugal's commitment to fostering intellectual curiosity and aesthetic excellence.

    A Networked Vision:

    Established in 2008, RPAC Norte recognized the transformative potential of uniting disparate artistic endeavors under a single banner. Its core mission is to strengthen Northern Portugal’s position as a global hub for contemporary art, ensuring accessibility and sparking dialogue both locally and internationally.

    Diverse Artistic Expressions:

    Unlike traditional museums focused on singular narratives, RPAC Norte champions a multiplicity of voices and mediums. Visitors embark on an exploration encompassing painting, sculpture, photography, video art, installations—each offering a distinct perspective on the evolving artistic landscape. Rotating exhibitions guarantee fresh discoveries for seasoned connoisseurs and inspire newcomers alike.

    Architectural Marvels: Buildings That Breathe Art

    What distinguishes RPAC Norte isn’t merely its collection but also its architectural pedigree. Each museum within the network embodies a carefully considered aesthetic, reflecting Portugal's rich artistic heritage and embracing modern design principles. From repurposed historic spaces—such as Vila Nova de Gaia’s Museu Serralves, which reimagines an industrial complex into a serene oasis of art and gardens—to strikingly contemporary structures like Centro Internacional das Artes António Vieira in Porto, these buildings serve as canvases themselves.

    Historic Integration:

    Museums like Museu Júlio Xavier Aragão skillfully blend architectural grandeur with the charm of Vila Nova de Gaia’s historic Ribeira district.

    Modern Innovation:

    Conversely, Centro Internacional das Artes António Vieira pushes boundaries with its innovative design—a bold statement against conventional museum architecture and a celebration of artistic vision.

    Celebrating Artistic Legacy: Artists and Exhibitions

    RPAC Norte’s curators prioritize showcasing both established masters and emerging talents, fostering an environment where creativity flourishes. Gerardo Burmester de Almeida's minimalist paintings—characterized by their contemplative stillness and subtle color palettes—offer a profound reflection on artistic form and conceptual depth. Alongside him, Mário Cesariny de Vasconcelos’ poetic verses and surrealist imagery capture the spirit of Portugal under Salazar’s regime, challenging societal norms with audacious brilliance.

    Notable Exhibitions:

    RPAC Norte regularly hosts exhibitions that delve into pressing social issues, explore artistic experimentation, and champion diverse cultural perspectives.

    A Singular Approach to Artistic Engagement

    Ultimately, RPAC Norte’s success lies in its holistic approach—combining captivating architecture, stimulating exhibitions, and a supportive ecosystem for artists. It's an institution that invites visitors not just to observe art but to actively engage with it, fostering intellectual curiosity and nurturing appreciation for Portugal’s contribution to the global artistic dialogue.

    Discover More

    For detailed information about RPAC Norte and its member museums, please visit:

    https://artsandculture.google.com/partner/rede-portuguesa-de-arte-contemporanea-a-norte-rpac-norte

    Where to read more

    Find this online

    QR code linking to the download page for Series

    originaluniqueart.com/en/art/download/jose-maria-fernandes-marques-series-D7TCNF-en/

    Cite this artwork

    MLA
    marques, josé maria fernandes. Series . 1973, Rede Portuguesa de Arte Contemporânea a Norte. https://originaluniqueart.com/en/art/jose-maria-fernandes-marques-series-D7TCNF-en/
    APA
    marques, josé maria fernandes (1973). Series [Painting]. Rede Portuguesa de Arte Contemporânea a Norte. https://originaluniqueart.com/en/art/jose-maria-fernandes-marques-series-D7TCNF-en/
    Chicago
    josé maria fernandes marques. Series . 1973. Rede Portuguesa de Arte Contemporânea a Norte. https://originaluniqueart.com/en/art/jose-maria-fernandes-marques-series-D7TCNF-en/
    Harvard
    marques, josé maria fernandes (1973) Series . Rede Portuguesa de Arte Contemporânea a Norte. Available at: https://originaluniqueart.com/en/art/jose-maria-fernandes-marques-series-D7TCNF-en/

    Look closely

    Series — josé maria fernandes marques

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, african codes, ngoyo language. Do you agree? What would you add, or take away?
    4. Look back at Mexico Series (1996), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.