Paper
Name Class Date

Joris Hendricus Laarman, Structural Study for Maker Chair (Mesh) (2014), New Orleans Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Joris Hendricus Laarman originaluniqueart.com/en/artists/joris-hendricus-laarman/
Artist’s dates
1979 –
Painted
2014
Held at
New Orleans Museum of Art originaluniqueart.com/en/museums/new-orleans-museum-of-art-new-orleans/

In context

Structural Study for Maker Chair (Mesh) — Joris Hendricus Laarman

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 35. 0 of the 2 dated works by this artist in our catalogue came earlier.

▲ this work, 2014 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/joris-hendricus-laarman-structural-study-for-maker-chair-mesh-D4QEM2-en/

Colours

Measured from the image

    Main colour

    White #fcfdfd

    Catalogued palette

    • #FCFDFD
    • #A6A7A6
    • #757470
    • #CFD2D3

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    The 2 most looked-at works by Joris Hendricus Laarman

    1. 1 Bone (prototype) 100.0%
    2. — Structural Study for Maker Chair (Mesh), 2014 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Joris Hendricus Laarman

    Born in Hellendoorn, Netherlands

    The Digital Alchemist of Form

    Born in the quiet Dutch landscape of Hellendoorn in 1979, Joris Laarman emerged not merely as a designer, but as a visionary architect of the digital age. His work represents a profound departure from traditional craftsmanship, seeking instead to find beauty within the logic of emerging technologies. By treating 3D printing and algorithmic computation as contemporary mediums—akin to the clay or bronze used by masters of the past—Laarman bridges the gap between historical art movements and a futuristic aesthetic. His practice is a continuous dialogue between the physical world and the intangible realm of code, where every curve and void is calculated yet deeply evocative.

    Nature’s Blueprint: The Algorithmic Soul

    At the core of Laarman's most celebrated contributions lies the concept of biomimicry. He does not simply imitate nature; he utilizes its very principles to drive the design process. This is most strikingly evident in his iconic Bone Chair, a piece that utilizes complex algorithms to replicate the way biological structures grow and adapt to environmental stresses. Through this method, known as digital matter, Laarman achieves a structural efficiency and an organic complexity that were previously impossible under traditional manufacturing constraints. His work invites the viewer to witness the marriage of mathematics and biology, creating objects that feel as though they have evolved rather than been manufactured.

    Sculpting the Urban Future

    The reach of Laarman’s innovation extends far beyond the intimate scale of furniture into the very fabric of our shared environments. His monumental 3D-printed stainless-steel bridge in Amsterdam stands as a testament to his ability to translate digital precision into large-scale, functional urban landmarks. This achievement, alongside his collaborations with prestigious institutions like the High Museum of Art, underscores his role as a pioneer of digital fabrication. As we navigate an era increasingly defined by automation, Laarman’s legacy remains anchored in his unique ability to infuse cold technology with human emotion and organic grace, ensuring that the future of design is as soulful as it is sophisticated.

    Major Achievements:

    The revolutionary Bone Chair series.

    The groundbreaking 3D-printed stainless-steel bridge in Amsterdam.

    Pioneering the integration of algorithmic design and digital fabrication.

    Museum

    New Orleans Museum of Art

    On show in New Orleans, United States of America

    A Window into New Orleans: The Soul of Art at the New Orleans Museum of Art

    Nestled within the vibrant embrace of City Park, a sprawling urban oasis larger than Central Park itself, the New Orleans Museum of Art (NOMA) stands as more than just a repository for masterpieces; it’s a profound reflection of Louisiana's unique identity and a testament to its enduring artistic spirit. Founded in 1911 by the visionary Isaac Delgado, NOMA began with a simple yet ambitious goal: to provide New Orleans with a secure haven where art could be cherished, exhibited, and celebrated by all. Today, this foundational principle resonates through the museum’s halls, offering visitors an immersive journey spanning over five millennia of artistic endeavor – from ancient Egyptian artifacts to contemporary works that pulse with the city's modern energy.

    The museum’s architecture itself is a captivating narrative, evolving alongside its collection. Initially designed by Benjamin Morgan Harrod, a former chief engineer of New Orleans, the building served as the Delgado Museum of Art for decades. Subsequent expansions in 1970/71 and a significant 1993 renovation dramatically increased the museum’s footprint and enhanced its functionality, while carefully preserving the original spirit of the space. The addition of the Wisner Education Wing further solidified NOMA's commitment to fostering artistic engagement across all ages. The most striking element is undoubtedly the Sydney and Walda Besthoff Sculpture Garden, an eleven-and-a-half-acre sanctuary brimming with lush greenery, tranquil lagoons, and winding trails – a harmonious blend of art and nature that invites contemplation and offers a breathtaking perspective on three-dimensional form.

    A Tapestry of Artistic Voices: From Degas to O’Keeffe

    NOMA's collection is remarkably diverse, a vibrant tapestry woven from threads spanning continents and centuries. While it boasts an impressive array of European masters – Monet, Renoir, Picasso, Pissarro, Rodin, Braque, Dufy, Miró – the museum distinguishes itself through its profound connection to New Orleans’ own artistic heritage. The city's history is inextricably linked to the art within these walls, most notably through Edgar Degas’ formative years spent living in New Orleans between 1871 and 1872. These early works, imbued with the atmosphere and light of the Louisiana landscape, offer a rare and invaluable glimpse into the genesis of a master's style – a poignant reminder that artistic inspiration can be found in unexpected places.

    Beyond Degas, NOMA champions the rich artistic traditions of Louisiana itself. The museum’s collection includes significant works by local artists who capture the essence of the region’s culture, history, and unique character. Furthermore, NOMA houses an impressive art photography collection, encompassing over 12,000 pieces that trace the evolution of this medium from its earliest days to contemporary explorations. From Daguerreotypes to modern digital images, the collection provides a comprehensive overview of photographic innovation and artistic expression.

    Beyond the Walls: Sculpture, Community, and Engagement

    The experience at NOMA extends far beyond the confines of its buildings. The Besthoff Sculpture Garden isn’t merely an outdoor space; it's a dynamic extension of the museum’s mission, providing a captivating setting for over 90 modern and contemporary sculptures by renowned artists such as Louise Bourgeois, Henry Moore, and Joan Miró. The garden’s carefully curated selection encourages dialogue and reflection, inviting visitors to consider the interplay between art and nature.

    NOMA is deeply committed to accessibility and community engagement. The museum's outreach initiative, NOMA+, brings art directly into the neighborhood with pop-up museum experiences, fostering creativity and appreciation for the arts throughout New Orleans. Guided tours offer insightful perspectives, while teacher workshops empower educators to integrate art into their classrooms. The museum’s dedication to education extends beyond formal programs, creating a welcoming environment for all ages and backgrounds.

    A Cultural Hub: Celebrating Louisiana's Legacy

    What truly sets NOMA apart is its seamless integration of global artistic treasures with a deep commitment to celebrating Louisiana’s unique cultural identity. Walking through the galleries, one might stand before a Picasso or a Monet, then turn to discover works by local artists reflecting the city’s vibrant musical traditions, distinctive cuisine, and rich history. This duality – the juxtaposition of international masterpieces with regional voices – creates an experience that is both intellectually stimulating and emotionally resonant.

    Located within City Park, one of the largest urban parks in the United States, NOMA benefits from a setting that enhances its cultural significance. The park’s sprawling landscape provides a tranquil backdrop for artistic contemplation, while its proximity to other New Orleans landmarks – including the historic French Quarter and the vibrant Garden District – further solidifies NOMA's role as a vital cultural hub. NOMA isn’t simply a museum; it’s a living testament to the transformative power of art and its ability to connect us across time, cultures, and perspectives—a true gem on the Louisiana landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Structural Study for Maker Chair (Mesh)

    originaluniqueart.com/en/art/download/joris-hendricus-laarman-structural-study-for-maker-chair-mesh-D4QEM2-en/

    Cite this artwork

    MLA
    Laarman, Joris Hendricus. Structural Study for Maker Chair (Mesh). 2014, New Orleans Museum of Art. https://originaluniqueart.com/en/art/joris-hendricus-laarman-structural-study-for-maker-chair-mesh-D4QEM2-en/
    APA
    Laarman, Joris Hendricus (2014). Structural Study for Maker Chair (Mesh) [Painting]. New Orleans Museum of Art. https://originaluniqueart.com/en/art/joris-hendricus-laarman-structural-study-for-maker-chair-mesh-D4QEM2-en/
    Chicago
    Joris Hendricus Laarman. Structural Study for Maker Chair (Mesh). 2014. New Orleans Museum of Art. https://originaluniqueart.com/en/art/joris-hendricus-laarman-structural-study-for-maker-chair-mesh-D4QEM2-en/
    Harvard
    Laarman, Joris Hendricus (2014) Structural Study for Maker Chair (Mesh). New Orleans Museum of Art. Available at: https://originaluniqueart.com/en/art/joris-hendricus-laarman-structural-study-for-maker-chair-mesh-D4QEM2-en/

    Look closely

    Structural Study for Maker Chair (Mesh) — Joris Hendricus Laarman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: metal mesh, structural design, geometric art. Do you agree? What would you add, or take away?
    4. Look back at Bone (prototype), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Joris Hendricus Laarman was about 35 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a print of "Structural Study for Maker Chair (Mesh)" by Joris Hendricus Laarman?

    A print of "Structural Study for Maker Chair (Mesh)" by Joris Hendricus Laarman can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    What color palette is used in "Structural Study for Maker Chair (Mesh)" by Joris Hendricus Laarman?

    The palette of "Structural Study for Maker Chair (Mesh)" by Joris Hendricus Laarman is described as pastels. It is a compact description of the work's colors.

    Who is the author of "Structural Study for Maker Chair (Mesh)", and in which movement?

    Joris Hendricus Laarman created "Structural Study for Maker Chair (Mesh)" within the Contemporary Design movement.