Paper

Student Artwork Guide

Pelicans

Name Class Date

Jorge Chávez Carrillo, Pelicans (1998), Pinacoteca Universidad de Colima. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jorge Chávez Carrillo originaluniqueart.com/en/artists/jorge-chavez-carrillo/
Artist’s dates
1921 – 2011
Painted
1998
Medium
Painting
Original size
80 x 98 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Contemporary
Held at
Pinacoteca Universidad de Colima originaluniqueart.com/en/museums/pinacoteca-universidad-de-colima-colima/
Subject or theme
Wildlife and nature

In context

Pelicans — Jorge Chávez Carrillo

How big is it?

The original measures 80 × 98 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Painted when the artist was 77. The artist lived to 90. 8 of the 9 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jorge Chávez Carrillo (1921–2011) ▲ this work, 1998 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jorge-chavez-carrillo-pelicans-DD2DJW-en/

Colours

Measured from the image

    Main colour

    Driftwood #a47960

    Catalogued palette

    • #A47960
    • #141A18
    • #7C5541
    • #444030

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jorge Chávez Carrillo over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Jorge Chávez Carrillo

    1. 1 The nut, 1990 100.0%
    2. — Pelicans, 1998 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Pelicans — Jorge Chávez Carrillo

    A Symphony of Avian Grace

    In the vibrant tapestry of Mexican wildlife art, few works capture the serene vitality of nature quite like Pelicans by the esteemed Jorge Chávez Carrillo. This breathtaking composition invites the viewer into a lush, rhythmic world where a gathering of at least twelve pelicans becomes the focal point of a living masterpiece. The artist masterfully orchestrates a sense of depth, placing certain birds in the immediate foreground to create an intimate connection with the observer, while others recede into a soft, atmospheric distance. Each bird is rendered with a unique pose and a spectrum of colors, transforming a simple natural gathering into a choreographed dance of light and form. The painting does not merely depict animals; it captures a fleeting moment of harmony within their natural habitat, making it an essential piece for those who seek to bring the untamed beauty of the wild into their curated spaces.

    The technique employed by Chávez Carrillo reflects his rigorous academic training at prestigious institutions such as the Escuela Nacional de Artes Plasting San Carlos. Through a sophisticated use of color and texture, the artist breathes life into the feathers and silhouettes of these majestic creatures. The background is not merely a setting but a vibrant, pulsating force that adds layers of complexity to the scene, ensuring that the eye wanders continuously through the composition, discovering new details in every corner. For the discerning collector or interior designer, this work offers a profound sense of movement; it is a piece that breathes alongside the room, providing a focal point that is both energetic and calming.

    Legacy and Emotional Resonance

    To understand the soul of Pelicans, one must look to the legacy of Jorge Chávez Carrillo himself. As a visionary who bridged the gap between monumental muralism and the delicate study of nature, his work carries an inherent weight of cultural identity and ecological reverence. Born in Colima, his artistic journey was deeply rooted in the Mexican landscape, and this specific piece serves as a testament to his ability to find the extraordinary within the natural world. The symbolism of the pelican—often associated with grace, patience, and communal strength—resonates deeply within the painting's crowded yet peaceful arrangement.

    For those looking to adorn a home or gallery, this reproduction offers more than just visual appeal; it offers an emotional sanctuary. The interplay of light and the harmonious arrangement of the birds evoke a sense of peace that can transform a modern interior into a contemplative retreat. Whether placed in a sun-drenched living room or a sophisticated study, Pelicans acts as a window into a world where nature remains untouched and magnificent. It is an investment in artistry that celebrates the enduring beauty of the Mexican spirit and the timeless allure of the natural kingdom.

    Artist and museum

    Artist

    Jorge Chávez Carrillo

    Born in Colima, Mexico

    A Legacy of Nature and Nation: The Artistry of Jorge Chávez Carrillo

    The life and work of Jorge Chávez Carrillo (1921–2011) represent a profound dialogue between the raw, untamed beauty of the Mexican landscape and the enduring spirit of national identity. Born in Colima, Mexico, Chávez Carrally emerged as a pivotal figure in the mid-twentieth century, a period when Mexican art was deeply engaged with the reclamation of cultural heritage. His artistic journey was anchored by a rigorous academic foundation, shaped through his studies at the Escuela Normal de Educación Física and the prestigious Escuela Nacional de Artes Plásticas San Carlos. This formal training, further refined at the Taller de Integración Plástica del Instituto Politécnico Nacional, provided him with the technical mastery required to navigate both the delicate intricacies of wildlife portraiture and the monumental demands of public muralism.

    Chávez Carrillo’s creative output is a captivating duality, oscillating between the intimate observation of fauna and the grand scale of historical narrative. He possessed a rare ability to capture the very essence of Chihuahua’s wildlife, utilizing meticulous brushwork to breathe life into the creatures of the region. These paintings are more than mere biological studies; they are soulful evocations of the natural world that reflect his deep connection to the earth. Yet, simultaneously, he was a master of the monumental. His ambitious public commissions, most notably the 1953 work ‘México Independiente’, transformed vast surfaces into powerful chronicles of independence and national pride. Through these murals, he utilized the language of scale to communicate the weight of history, turning walls into windows through which the triumphs of a nation could be viewed.

    Technique, Influence, and Educational Vision

    The aesthetic language of Chávez Carrillo was a rich tapestry woven from diverse artistic threads. He drew significant inspiration from the vibrant colors and stylized forms found in Mexican Folk Art, particularly the traditional murals of Chihuahua, which informed his sense of composition and cultural resonance. This groundedness in tradition was masterfully balanced by an exploration of European Surrealism. By experimenting with dreamlike imagery and psychological depth, he was able to infuse his more realistic depictions with a sense of mystery and transcendence, inviting viewers to look beyond the surface of the subject.

    Technically, Chávez Carrillo was a virtuoso of the fresco technique. This demanding method, which requires precise timing and immense physical stamina to apply pigment onto wet plaster, allowed him to create durable, enduring works that possess a unique luminosity and integration with their architectural surroundings. His mastery of color and texture ensured that his art remained vibrant across decades, much like the cultural legacies he sought to honor.

    Beyond the canvas, Chávez Carrillo’s significance lies in his role as a cornerstone of Mexican artistic education. He was not merely a creator but a nurturer of talent, leaving an indelible mark on the cultural landscape through several key achievements:

    Founding of Institutions: In 1956, he established the Escuela de Artes del Gobierno del Estado de Colima, providing a vital platform for regional creativity.

    Academic Leadership: His tenure as Director at the Universidad de Colima allowed him to shape the pedagogical approaches of future generations of Mexican artists.

    Cultural Preservation: Through his fusion of wildlife realism and historical muralism, he helped bridge the gap between the natural environment and the collective memory of the Mexican people.

    Ultimately, the work of Jorge Chávez Carrillo remains a testament to the power of art to serve both as a mirror to nature and a monument to history. His ability to blend the meticulous detail of a naturalist with the sweeping vision of a muralist ensures his place in the pantheon of artists who defined the visual identity of modern Mexico.

    Museum

    Pinacoteca Universidad de Colima

    On show in Colima, Mexico

    Pinacoteca Universidad de Colima: A Cultural Gem in Colima, Mexico

    Nestled in the vibrant city of Colima, Mexico, Pinacoteca Universidad de Colima stands as a testament to the region’s artistic heritage and its commitment to fostering intellectual curiosity. Established over two decades ago, this museum has rapidly ascended to prominence as the foremost institution dedicated to showcasing Mexican visual arts, attracting visitors from across the globe who seek inspiration and insight into the nation's rich cultural tapestry.

    Specializations & Notable Aspects:

    The Pinacoteca’s core mission revolves around presenting a comprehensive panorama of Mexican art history, prioritizing murals and paintings. However, its true distinction lies in its unparalleled collection centered on the oeuvre of Alfonso Michel (1897-1957), an artist who skillfully bridged the monumental style of muralism with the experimental spirit of the Ruptura generation.

    Collection Highlights:

    Visitors can immerse themselves in Michel’s captivating canvases and murals—scenes brimming with vibrant depictions of everyday life interwoven with potent social commentary and daring geometric abstraction. Beyond Michel's masterpieces, the museum consistently hosts dynamic exhibitions featuring both established masters and emerging talents, guaranteeing a constantly evolving dialogue between artistic traditions.

    Architecture & History:

    Situated within a beautifully preserved historic building—details of its architectural style remain elusive to precise categorization—the Pinacoteca’s location contributes significantly to its ambiance. Its establishment underscores the University of Colima's unwavering dedication to championing art and culture, solidifying its role as a cornerstone of regional intellectual life.

    What Makes It Unique:

    What distinguishes Pinacoteca Universidad de Colima is its dual focus on honoring artistic legacies—particularly Michel’s groundbreaking contributions—and nurturing the creativity of contemporary artists. Guided tours offer invaluable perspectives into the museum's holdings and exhibitions, while cultural events cultivate a lively atmosphere of engagement and exchange.

    Visitor Information:

    Located at Vicente Guerrero 35, Colima, the Pinacoteca welcomes art enthusiasts of all ages and backgrounds. For current exhibition schedules, guided tour availability, and special events, please consult with the University of Colima directly.

    Exploring Artistic Expressions Through Diverse Exhibitions

    The museum’s exhibitions transcend chronological boundaries, presenting artworks from various periods—spanning indigenous traditions to modern movements—providing visitors with a holistic understanding of Mexican artistic evolution. Notably, collaborations with international artists enrich the cultural landscape, fostering cross-cultural dialogue and broadening perspectives on global art trends.

    A Sanctuary for Art Scholarship & Research

    Pinacoteca Universidad de Colima’s specialized library houses a treasure trove of resources dedicated to art history and related disciplines. Researchers and scholars alike can access invaluable documents, monographs, and scholarly journals—facilitating in-depth investigations into artistic concepts and techniques.

    Discovering Benvenuto Chavajay's Tzotzil Maya Art

    Alongside its core collection, the Pinacoteca occasionally showcases exceptional works by artists like Benvenuto Chavajay. His Tzotzil Maya art embodies the spirit of indigenous culture and identity through vibrant paintings and prints—a captivating glimpse into Mexico’s artistic diversity.

    Where to read more

    Find this online

    QR code linking to the download page for Pelicans

    originaluniqueart.com/en/art/download/jorge-chavez-carrillo-pelicans-DD2DJW-en/

    Cite this artwork

    MLA
    Carrillo, Jorge Chávez. Pelicans. 1998, Pinacoteca Universidad de Colima. https://originaluniqueart.com/en/art/jorge-chavez-carrillo-pelicans-DD2DJW-en/
    APA
    Carrillo, Jorge Chávez (1998). Pelicans [Painting]. Pinacoteca Universidad de Colima. https://originaluniqueart.com/en/art/jorge-chavez-carrillo-pelicans-DD2DJW-en/
    Chicago
    Jorge Chávez Carrillo. Pelicans. 1998. Pinacoteca Universidad de Colima. https://originaluniqueart.com/en/art/jorge-chavez-carrillo-pelicans-DD2DJW-en/
    Harvard
    Carrillo, Jorge Chávez (1998) Pelicans. Pinacoteca Universidad de Colima. Available at: https://originaluniqueart.com/en/art/jorge-chavez-carrillo-pelicans-DD2DJW-en/

    Look closely

    Pelicans — Jorge Chávez Carrillo

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: pelicans, wildlife, birds. Do you agree? What would you add, or take away?
    4. Look back at Herons and sailor (1995), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What size and orientation are recommended for a print of "Pelicans" by Jorge Chávez Carrillo?

    large size, landscape orientation: that is the print setup suggested for "Pelicans" by Jorge Chávez Carrillo.

    What color saturation does "Pelicans" by Jorge Chávez Carrillo have?

    "Pelicans" by Jorge Chávez Carrillo is recorded with a balanced soft saturation.

    Can I examine "Pelicans" in more detail?

    The X-Ray page of "Pelicans" by Jorge Chávez Carrillo is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.