Paper

Student Artwork Guide

Feeding The Chicks

Name Class Date

John Linnell, Feeding The Chicks. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Linnell originaluniqueart.com/en/artists/john-linnell/
Artist’s dates
1959 – 1882

In context

Feeding The Chicks — John Linnell

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Shaded: the lifetime of John Linnell (1959–1882) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/john-linnell-feeding-the-chicks-9CW6YL-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #ddb188

    Catalogued palette

    • #DDB188
    • #BA7F43
    • #85521B
    • #41260C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Linnell over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 77.2%
    2. 2 Singapore 10.5%
    3. 3 United States of America 5.3%
    4. 4 Brazil 3.5%
    5. 5 Greece 3.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by John Linnell

    1. 1 Sir Humphry Davy (1778–1829), Scientist (copy after Sir Thomas Lawrence), 1837 8.5%
    2. 2 Gethsemane, 1849 8.5%
    3. 3 Joseph Mallord William Turner, 1838 3.4%
    4. 4 Sir Robert Peel, 2nd Bt, 1838 3.4%
    5. 5 Mr Hooper, Confectioner of Holborn, 1837 3.4%
    6. 6 Charles Norris (1779–1858), 1837 3.4%
    7. 7 CARRIERES DE SABLE A HAMPSTEAD HEATH (SAND PITS, HAMPSTEAD HEATH) 3.4%
    8. 8 The Woodcutter's Return 3.4%
    9. 9 Driving Sheep, Surrey 3.4%
    10. 10 Landscape With A Wood And A Windmill Under Storm Clouds 3.4%
    11. 11 Harvesting 3.4%
    12. 12 Woods And Forests 3.4%
    13. 13 Samuel Rogers, 1846 1.7%
    14. 14 Katherine Georgina Fonnereau, 1846 1.7%
    15. 15 John Leifchild (1780–1862) 1.7%
    16. 16 Pastoral (mountain Shepherds) 1.7%
    17. 17 Portrait Of A Young Man Aside A Piano 1.7%
    18. 18 Christ's Appearance To The Two Disciples Journeying To Emmaus 1.7%
    19. 19 Young Man Playing Music To A Shepherd And His Dogs 1.7%
    20. 21 Feeding The Chicks this painting 1.7%

    Together these works take 64.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 183 works by this artist, of which 41 were looked at at least once. This painting ranks 21 of them, with 1.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Linnell

    Born in Bloomsbury, United Kingdom

    John Linnell: A British Painter of Rural Scenes and Portraits

    Born: Bloomsbury, United Kingdom (1959)

    Died: 1882

    Early Life and Artistic Training

    John Linnell's artistic journey began with rigorous training that laid the foundation for his future success. While specific details of his early education remain somewhat scarce, it is evident that he received a solid grounding in traditional techniques. His early works, though not widely recognized during his lifetime, already hinted at the mastery he would later achieve. Linnell was heavily influenced by renowned artists such as Leonardo da Vinci and Vincent van Gogh, whose works can be found on platforms like AllPaintingsStore.com.

    Artistic Style and Notable Works

    Linnell's style is characterized by a fascinating blend of traditional British art with subtle hints of modernity. He demonstrated a keen eye for detail and an ability to capture the essence of his subjects, whether they were landscapes or portraits. His use of color, texture, and composition distinguishes his paintings.

    The Poet's Garden: This piece showcases Linnell’s mastery of capturing light and the essence of nature, drawing comparisons to Pierre-Auguste Renoir's Bathers series.

    Westminster Abbey at Night: Demonstrates his skill in urban landscapes, reminiscent of the works by George Stubbs and Arthur Hacker.

    The Baby Marcelle Roulin: Highlights his ability to capture the innocence and beauty of his subjects.

    Cap d'Antibes: A notable landscape painting available on AllPaintingsStore.com.

    Haying And Playing: A serene 19th-century British landscape painting with realistic detail and muted tones.

    Harvesting: A pastoral painting capturing rural life with realistic detail and muted tones.

    Doctor Robert Walker: A poignant portrait showcasing realism and somber beauty.

    Richard Trevithick: A striking portrait highlighting realism and dramatic lighting.

    General John Le Mesurier And His Wife Martha With A Legal Representative Of The British Government At The Handing Over Of The Island Of Alderney: A historical British artwork depicting a significant event.

    Job Offering A Sacrifice On His Return To Prosperity: A dramatic biblical scene with rich colors and dynamic lighting, showcasing faith and divine intervention.

    A Cottage In A Wooded Landscape: A captivating monochrome charcoal drawing of rural tranquility.

    Influences and Legacy

    John Linnell's influence on British art is undeniable. His unique style has inspired many artists, and his works continue to be celebrated by art enthusiasts worldwide. He skillfully combined elements of Romanticism and Neoclassicism in his work, demonstrating a deep understanding of artistic traditions while forging his own distinct path. AllPaintingsStore.com offers a range of his paintings, providing access to his artistry for both seasoned collectors and those new to the world of fine art.

    Historical Significance

    Linnell's contribution lies in his ability to portray everyday life—rural scenes, portraits of notable figures—with a realism tempered by artistic sensitivity. He captured moments in time, preserving them on canvas for future generations. His work reflects the social and cultural landscape of 19th-century Britain, offering valuable insights into the lives and values of that era.

    Where to read more

    Find this online

    QR code linking to the download page for Feeding The Chicks

    originaluniqueart.com/en/art/download/john-linnell-feeding-the-chicks-9CW6YL-en/

    Cite this artwork

    MLA
    Linnell, John. Feeding The Chicks. n.d., https://originaluniqueart.com/en/art/john-linnell-feeding-the-chicks-9CW6YL-en/
    APA
    Linnell, John (n.d.). Feeding The Chicks [Painting]. https://originaluniqueart.com/en/art/john-linnell-feeding-the-chicks-9CW6YL-en/
    Chicago
    John Linnell. Feeding The Chicks. n.d. https://originaluniqueart.com/en/art/john-linnell-feeding-the-chicks-9CW6YL-en/
    Harvard
    Linnell, John (n.d.) Feeding The Chicks. Available at: https://originaluniqueart.com/en/art/john-linnell-feeding-the-chicks-9CW6YL-en/

    Look closely

    Feeding The Chicks — John Linnell

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: rural life, childhood, animals. Do you agree? What would you add, or take away?
    5. Look back at CARRIERES DE SABLE A HAMPSTEAD HEATH (SAND PITS, HAMPSTEAD HEATH), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the perceived brightness of "Feeding The Chicks" by John Linnell?

    The perceived brightness of "Feeding The Chicks" by John Linnell is balanced. It can be matched to the light of the intended space.

    Who created "Feeding The Chicks" and what style is it in?

    "Feeding The Chicks" was created by John Linnell in the British Romanticism style. Artist and movement identify the work's tradition.

    How do I discover artworks close to "Feeding The Chicks" by John Linnell?

    Works similar to "Feeding The Chicks" are listed on the artwork's Similars page.