Paper

Student Artwork Guide

Long-tailed Manakin

Jane Kim, 2015

Name Class Date
Jane Kim, Long-tailed Manakin (2015), Cornell Lab of Ornithology. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jane Kim originaluniqueart.com/en/artists/jane-kim/
Artist’s dates
1981 –
Painted
2015
Medium
Acrylic On Canvas
Movement
Contemporary Illustration
Held at
Cornell Lab of Ornithology originaluniqueart.com/en/museums/cornell-lab-of-ornithology-ithaca/
Artistic style
Realistic/Stylized
Influences
Basquiat
Notable elements
Flowing tails, map bg
Subject or theme
Birds in flight

Copyright This work is treated as still under copyright. Jane Kim was born in 1981 and has no recorded death date; copyright lasts 70 years after the artist’s death. The image is shown here for classroom reference; rights remain with the rights holder.

Source: OriginalUniqueArt.com — accessed Sept. 25, 2026

Long-tailed Manakin — Jane Kim Part 1 · The artwork

In context

Long-tailed Manakin — Jane Kim

When was this painted?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 34. 0 of the 55 dated works by this artist in our catalogue came earlier.

▲ this work, 2015 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jane-kim-long-tailed-manakin-DD2KC4-en/

Colours

Measured from the image

    Main colour

    White #eeede8

    Catalogued palette

    • #EEEDE8
    • #43302D
    • #BDBBB4
    • #55807E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jane Kim over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 85.7%
    2. 2 United States of America 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Jane Kim

    1. 1 South America mural detail, 2015 11.8%
    2. 2 Sapayoa, 2015 5.9%
    3. 3 Shoebill, 2015 5.9%
    4. 4 Gray-crowned Babbler, 2015 5.9%
    5. 5 Oilbird, 2015 5.9%
    6. 6 Magpie Goose, 2015 5.9%
    7. 7 American Oystercatcher, 2015 5.9%
    8. 8 Pale-winged Trumpeter, 2015 5.9%
    9. 9 Black Caiman, 2015 5.9%
    10. 10 Oriental Darter, 2015 5.9%
    11. 11 Europe and Eurasia mural detail, 2015 5.9%
    12. 12 Gastornis, 2015 5.9%
    13. 13 Africa and Madagascar mural detail, 2015 5.9%
    14. 14 Pelagornis, 2015 5.9%
    15. 15 Microraptor, 2015 5.9%
    16. 16 Tiktaalik, 2015 5.9%
    17. — Long-tailed Manakin, 2015 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 55 works by this artist, of which 16 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: OriginalUniqueArt.com — accessed Sept. 25, 2026

    Long-tailed Manakin — Jane Kim Part 2 · In context

    About this artwork

    Long-tailed Manakin — Jane Kim

    A Moment Frozen in Flight: Jane Kim’s “Long-tailed Manakin”

    Jane Kim's "Long-tailed Manakin" isn’t merely a painting; it’s an invitation into the vibrant heart of Central America. This arresting artwork, a portion of the larger mural “From So Simple a Beginning,” captures a fleeting moment of extraordinary grace – a flock of these diminutive birds in mid-flight against a subtly suggestive backdrop reminiscent of a stylized continental map. The piece immediately commands attention with its audacious color palette and dynamic composition, hinting at both the natural beauty and inherent drama of the manakin’s world.

    Kim's skill lies not just in replicating visual detail but in conveying an almost palpable sense of movement. The elongated tails of the birds aren’t simply decorative; they are the very essence of their flight, flowing lines that dominate the canvas and draw the eye across the scene. The artist masterfully utilizes a muted grey background – a deliberate choice that allows the brilliant hues of the manakins to truly pop, creating a striking contrast that amplifies the feeling of energy and vitality.

    Watercolor’s Delicate Embrace: Technique and Style

    Upon closer inspection, it becomes clear that Kim has employed watercolor or gouache paints. The smooth blending of colors, the subtle gradations in tone, and the delicate rendering of feathers all point to this medium. There's a remarkable softness to the painting’s texture, an almost ethereal quality that belies the intricate detail present throughout. The style leans towards contemporary illustrative realism – a deliberate departure from strict photographic representation, favoring instead a heightened sense of color and form.

    The artist’s approach is particularly noteworthy in her treatment of light. It's soft and diffused, creating gentle highlights on the birds’ plumage without resorting to harsh shadows. This contributes significantly to the painting’s overall mood – one of serene beauty and effortless movement. The slightly blurred edges of some elements further enhance this impression of fleeting motion, as if we are witnessing a moment captured in time.

    Echoes of the Rainforest: Symbolism and Context

    Beyond its aesthetic appeal, “Long-tailed Manakin” resonates with deeper symbolic meaning. The manakins themselves – endemic to Central America – represent resilience, adaptability, and the intricate beauty of a fragile ecosystem. Their elaborate courtship rituals, meticulously documented by researchers, speak to the power of instinct and the drive for connection. The inclusion of a map-like background subtly connects the artwork to its geographical origins, reminding us of the importance of conservation efforts in these biodiverse regions.

    Furthermore, Kim’s choice to depict these birds within a stylized continental landscape suggests a broader commentary on human interaction with nature. The muted grey backdrop could be interpreted as representing the impact of urbanization and environmental degradation – a poignant reminder of the delicate balance between humanity and the natural world. The artwork invites us to contemplate our role in preserving these vital habitats.

    A Legacy of Observation: Jane Kim’s Vision

    Jane Kim's work, as evidenced by her broader career with Ink Dwell Studio and her involvement with organizations like the California Working Families Party, is deeply rooted in community engagement and social awareness. Her artistic practice extends beyond mere representation; it serves as a platform for observation, reflection, and advocacy. “Long-tailed Manakin” stands as a testament to this commitment – a vibrant celebration of nature’s beauty coupled with a subtle yet powerful message about the importance of conservation.

    Source: OriginalUniqueArt.com — accessed Sept. 25, 2026

    Long-tailed Manakin — Jane Kim Part 3 · About this artwork

    Artist and museum

    Artist

    Jane Kim

    Born in United States of America

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Museum

    Cornell Lab of Ornithology

    On show in Ithaca, United States of America

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    The Power of Collective Observation: eBird and Beyond

    At the heart of this institution beats a commitment to harnessing the power of shared knowledge. Unlike traditional research environments, the Cornell Lab actively invites participation from bird enthusiasts of all levels. This pioneering spirit is most vividly embodied in eBird, an online database that has fundamentally altered our understanding of bird distribution and migration patterns. Imagine a real-time map, constantly updated by thousands of observers, revealing the intricate movements of feathered travelers across continents! It’s a breathtaking visualization of interconnectedness, demonstrating how individual observations coalesce into a comprehensive picture of avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species – a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t merely informative; they foster a deeper appreciation for the beauty and complexity of avian existence, igniting curiosity and inspiring conservation efforts.

    Architectural Harmony with Nature

    The physical manifestation of this dedication is the Imogene Powers Johnson Center for Birds and Biodiversity, opened in 2003, and recently enhanced by a multimillion-dollar redesign completed in June 2024. The Visitor Center isn’t simply a place to view exhibits; it's an immersive experience designed to connect visitors with the natural world. The architecture itself reflects this ethos, seamlessly blending into the surrounding Sapsucker Woods Sanctuary – a 300-acre preserve boasting over five miles of winding trails and home to more than 230 bird species. Walking these paths, one can truly understand why Arthur Allen chose this location, initially captivated by a breeding pair of yellow-bellied sapsuckers that gave the sanctuary its name. The redesigned Visitor Center offers interactive exhibits that bring avian ecology to life, making it accessible and engaging for all ages. It’s a space where visitors don't just learn about birds; they feel connected to them.

    A Legacy Built on Citizen Science

    What truly distinguishes the Cornell Lab is its unwavering belief in the power of citizen science. This isn’t simply about collecting data; it's about fostering a community of passionate observers who are actively involved in shaping our understanding of the natural world. Beyond eBird, projects like NestWatch and Celebrate Urban Birds empower individuals to contribute meaningfully to conservation efforts. The Lab also offers captivating “Bird Cams,” providing intimate glimpses into the hidden lives of nesting birds – a window into the delicate dramas unfolding within avian families. This commitment extends beyond observation; the Cornell Lab actively integrates research, education, and conservation, addressing the multifaceted challenges facing bird populations in a rapidly changing world. It’s a holistic approach that recognizes the interconnectedness of all living things and the importance of collective action.

    More Than a Museum: A Beacon of Hope

    The Cornell Lab of Ornithology is more than just a museum or a research facility; it's a beacon of hope for avian biodiversity. It’s a place where scientific rigor meets public engagement, where curiosity is nurtured, and where the simple act of observing a bird can contribute to a greater understanding – and ultimately, protection – of our planet’s precious natural heritage. It stands as a powerful reminder that we all have a role to play in safeguarding the future of these magnificent creatures and the ecosystems they inhabit. The Lab's enduring legacy is not just in its scientific discoveries, but in its ability to inspire a sense of wonder and responsibility in generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Long-tailed Manakin

    originaluniqueart.com/en/art/download/jane-kim-long-tailed-manakin-DD2KC4-en/

    Cite this artwork

    MLA
    Kim, Jane. Long-tailed Manakin. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/en/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    APA
    Kim, Jane (2015). Long-tailed Manakin [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/en/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    Chicago
    Jane Kim. Long-tailed Manakin. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/en/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    Harvard
    Kim, Jane (2015) Long-tailed Manakin. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/en/art/jane-kim-long-tailed-manakin-DD2KC4-en/

    Source: OriginalUniqueArt.com — accessed Sept. 25, 2026

    Long-tailed Manakin — Jane Kim Part 4 · Artist and museum

    Look closely

    Long-tailed Manakin — Jane Kim

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: manakins, birds, migration. Do you agree? What would you add, or take away?
    4. Look back at Great Hornbill (2015), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Jane Kim was about 34 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: OriginalUniqueArt.com — accessed Sept. 25, 2026

    Long-tailed Manakin — Jane Kim Part 5 · Look closely

    Art quiz

    Long-tailed Manakin — Jane Kim

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of the painting "Long-tailed Manakin"?

      • A A solitary bird perched on a branch.
      • B A flock of Long-tailed Manakins in flight against a stylized map background.
      • C A close-up portrait of a male Long-tailed Manakin.

    2. 2. The painting utilizes which style?

      • A Impressionism
      • B Realism with stylized elements
      • C Abstract Expressionism

    3. 3. According to the description, what is a prominent feature of the Long-tailed Manakin's appearance?

      • A A muted brown plumage.
      • B Extremely long and flowing tail feathers.
      • C Bright yellow coloration.

    4. 4. What is the likely medium used in creating this artwork?

      • A Oil paint
      • B Watercolor or gouache paints
      • C Acrylics

    5. 5. The background of the painting resembles a stylized representation of:

      • A A European city skyline.
      • B The continental United States.
      • C An African savanna.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Source: OriginalUniqueArt.com — accessed Sept. 25, 2026

    Long-tailed Manakin — Jane Kim Part 6 · Art quiz

    Questions & Answers

    Does the copyright of "Long-tailed Manakin" by Jane Kim allow reproductions?

    The copyright status of "Long-tailed Manakin" by Jane Kim is clear: the work is still protected by copyright. Its presence at the Cornell Lab of Ornithology does not change that status.

    What emotion does "Long-tailed Manakin" by Jane Kim convey?

    "Long-tailed Manakin" is associated with a tranquil feeling. The emotional tone describes the impression the work gives.

    Did "Long-tailed Manakin" stay in its artist's homeland?

    Yes - the artwork is kept in the artist's home country. The birth country of Jane Kim is United States of America, and the museum holding the original of "Long-tailed Manakin" is in United States of America.