Paper

Student Artwork Guide

Lieu dit II (rot)

Name Class Date

Jan Appel, Lieu dit II (rot) (1989), Lentos Kunstmuseum Linz. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jan Appel originaluniqueart.com/en/artists/jan-appel/
Artist’s dates
1890 – 1985
Painted
1989
Medium
Oil
Original size
218 x 314 cm
Movement
Contemporary Art
Period
Contemporary
Held at
Lentos Kunstmuseum Linz originaluniqueart.com/en/museums/lentos-kunstmuseum-linz-linz/
Artistic style
Abstract/Chaos
Notable elements or techniques
Red fabric, paper, and scattered materials
Subject or theme
Disarray and composition of textures

In context

Lieu dit II (rot) — Jan Appel

How big is it?

The original measures 218 × 314 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 95 at death.

Painted when the artist was 99. The artist lived to 95. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jan Appel (1890–1985) ▲ this work, 1989 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Espresso #4c1b1d

    Catalogued palette

    • #4C1B1D
    • #EBECEC
    • #8E212F
    • #B7A29E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Lieu dit II (rot) — Jan Appel

    A Symphony of Crimson Chaos

    In the vast, immersive expanse of Lieu dit II (rot), the viewer is immediately plunged into a visceral, monochromatic world where color ceases to be merely a pigment and becomes an environment. Created in 1989 by the enigmatic German artist Jan Appel, this monumental oil painting—measuring a staggering 218 x 314 cm—commands the space it inhabits with an unapologetic intensity. The work is a masterclass in the use of red, utilizing a spectrum of scarlet, crimson, and deep vermilion to create a textured landscape that feels both tactile and atmospheric. At first glance, the composition presents a sense of profound disarray, as if a moment of creative destruction has been frozen in time. Scattered across the canvas are fragments of red fabric, scraps of paper, and even the sharp, metallic presence of scissors, all layered within a sea of crimson that blurs the line between painting and assemblage.

    The technique employed by Appel in this late-career masterpiece suggests a deep engagement with the physical properties of his medium. Rather than seeking a smooth, illusionistic finish, the artist embraces the raw, sculptural quality of oil paint combined with mixed media elements. The way the fabric pieces interact with the painted surface creates a rhythmic, almost percussive visual texture, drawing the eye through a labyrinth of folds and edges. This approach evokes the spirit of late 20th-century abstraction, where the act of creation is as much about the physical struggle with materials as it is about the final image. For the collector or interior designer, this piece offers a profound sense of depth; its sheer scale and complex layering allow it to serve as a powerful focal point that changes character depending on the light and the angle of observation.

    Historical Echoes and Emotional Resonance

    To understand the turbulent energy of Lieu dit II (rot), one must consider the historical weight carried by Jan Appel. Though often remembered for his revolutionary political activism in early 20th-century Germany, Appel’s later artistic output reflects a lifetime of navigating social and structural upheaval. The "chaos" within this painting—the scattered remnants and the sense of fragmentation—can be read as a metaphor for the fractured nature of modern existence and the beautiful, messy process of reconstruction. There is a profound tension between the destruction suggested by the discarded scraps and the vibrant, life-affirming power of the red hue itself. It is an artwork that does not merely sit on a wall; it breathes with a restless, revolutionary spirit.

    For those looking to integrate such a commanding work into a curated space, Lieu dit II (rot) offers unparalleled emotional impact. In a contemporary interior, this reproduction serves as a bold statement of sophistication and intellectual depth. It provides a warm yet provocative energy that can anchor a minimalist room or add a layer of complex history to a more traditional setting. The painting invites contemplation, prompting the viewer to find order within the disorder and beauty within the fragments. Owning a piece of this magnitude is an opportunity to possess a fragment of German art history—a work that captures the raw, unyielding pulse of human expression.

    Artist and museum

    Artist

    Jan Appel

    Born in Bremen, Germany

    The Revolutionary Spirit of Jan Appel

    Jan Appel, a figure whose life was inextricably woven into the turbulent fabric of early 20th-century Germany, remains one of history's most enigmatic protagonists. Born in 1890 in Mecklenburg, Germany, his path was shaped by the fires of political upheaval and the heavy industry of the shipyard. While often remembered through the lens of his radical activism, Appel’s identity was a complex tapestry of the proletarian intellectual and the revolutionary theorist. His early years were defined by a deep commitment to social change, joining the SPD in 1908 and later becoming a prominent voice within the Left Communist movement. The echoes of the German Revolution of 1918 resonate through his biography, marking him as a man who did not merely observe history but actively sought to steer its course.

    His life was characterized by a relentless pursuit of ideological clarity and action. From his time serving in the army to his labor at the Vulcan Werft Hamburg shipyard, Appel lived at the heart of the class struggle. He was a man of movement—both political and physical—notably participating in the strike waves that demanded peace and justice during the Great War's aftermath. His involvement with the Spartacus League and the KPD, and his role as chairperson of the Revolutionary Shop Stewards, placed him at the center of the most intense political debates of his era. Even his daring exploits, such as the hijacking of a steamship to reach Russia on behalf of the KAPD, serve as legendary markers of a life lived in defiance of established orders.

    Artistic Expression Amidst Turmoil

    Though primarily recognized for his revolutionary activities and theoretical contributions, Jan Appel possessed an artistic side that offered a different window into his soul. As a painter, he utilized the canvas to express the profound views shaped by the tumultuous era in which he lived. His art was not a mere hobby but a medium through which the visceral realities of revolution and social upheaval could be reflected. In his work, one finds the echoes of a man attempting to capture the essence of a world in flux, translating the chaos of political struggle into visual form.

    The scarcity of documented works by Appel adds to his mystique, making each piece a precious fragment of a larger, more complex narrative. His paintings serve as a testament to the intersection of art and activism, where the brushstroke becomes an extension of the political manifesto. While he may not have achieved the widespread recognition of traditional masters, his ability to channel the spirit of early 20th-century Germany through his aesthetic lens ensures his place in the historical dialogue between creativity and conviction.

    A Legacy of Resistance and Reflection

    The legacy of Jan Appel is one of profound complexity, bridging the gap between the shipyard and the studio, between theory and lived experience. His life serves as a vital study of the German revolutionary heritage, illustrating how personal conviction can drive an individual to participate in the most significant shifts of their time. Through his autobiography and his documented political interventions, we gain a glimpse into the mind of a man who viewed the world through the dual lenses of class struggle and artistic reflection.

    Today, Appel’s story continues to intrigue historians and art enthusiasts alike. He remains an essential figure for understanding the multifaceted nature of German identity during the revolutionary period. Whether viewed as a theorist, an activist, or a painter, Jan Appel stands as a symbol of the enduring power of the human spirit to seek meaning and justice within the most turbulent of historical currents.

    Museum

    Lentos Kunstmuseum Linz

    On show in Linz, Austria

    A Danube Jewel: Exploring the Lentos Kunstmuseum Linz

    Nestled along the graceful curves of the Danube in Linz, Austria, the Lentos Kunstmuseum stands as a vibrant testament to modern and contemporary art’s evolution. More than simply a repository for masterpieces, it's an immersive experience—a building that seems to breathe with artistic contemplation, its expansive glass façade shimmering like captured sunlight, transforming into a radiant landmark as dusk descends. Opened in 2003, the museum’s story is inextricably linked to the legacy of Wolfgang Gurlitt, a Berlin art dealer whose remarkable collection formed the bedrock of the institution, and subsequently, a complex chapter in the museum's history that it now addresses with profound ethical rigor.

    The Lentos’ narrative begins with the echoes of Expressionism, a period of intense emotionality and social upheaval. Here, the bold visions of Gustav Klimt—his shimmering gold leaf captivating the eye—stand alongside the emotionally charged portraits of Egon Schiele and Oskar Kokoschka, offering a poignant glimpse into the anxieties and aspirations that defined a rapidly changing world. The museum doesn’t shy away from the raw intensity of German and Austrian Expressionism, showcasing works that capture the turbulent spirit of the interwar years. Yet, it swiftly pivots to embrace the present, curating an international collection spanning post-1945 art, a period brimming with innovation and diverse voices. From the playful pop art brilliance of Andy Warhol to the energetic figures of Keith Haring, and the introspective self-portraits of Maria Lassnig—a pioneering Austrian painter whose ‘body awareness’ theory continues to resonate—the Lentos showcases an astonishing breadth of artistic styles and approaches.

    Architecture as Art: Weber & Hofer's Vision

    The museum building itself is not merely a container for art; it is art, a bold statement in architectural design. Conceived by the Zurich-based firm Weber & Hofer, the structure stretches along the Danube for an impressive 130 meters, its expansive glass façade offering breathtaking views of the river and city. This transparency isn’t simply aesthetic; it symbolizes the museum's openness to new ideas and its commitment to engaging with the surrounding urban landscape. The approximately 8,000 square meters of floor space are thoughtfully arranged to guide visitors through a seamless journey across artistic movements and styles, creating an intuitive flow that enhances the overall experience. The building’s design cleverly incorporates natural light, flooding the interior spaces with a warm glow—a deliberate choice that elevates the artwork and fosters a sense of connection between the viewer and the piece.

    A Legacy of Research and Remembrance

    What truly distinguishes the Lentos Kunstmuseum Linz is its unwavering dedication to ethical responsibility and historical accuracy. Recognizing the complex origins of its collection, stemming from the Gurlitt estate, the museum has undertaken extensive provenance research, meticulously investigating the origins and ownership history of each artwork. This painstaking work has led to the identification of thirteen paintings with tainted provenance, which were then rightfully returned to their original owners or heirs—a testament to the museum’s commitment to transparency and justice. Beyond this crucial undertaking, the Lentos actively supports contemporary artistic dialogue through a dynamic program of changing exhibitions that showcase emerging artists and explore cutting-edge themes. The museum's active acquisition policy ensures a growing international sculpture collection, featuring works by renowned sculptors like Eduardo Chillida, Tony Cragg, and Anthony Caro, enriching both the indoor galleries and the outdoor spaces surrounding the building.

    Notable Exhibitions and Artistic Highlights

    The Lentos consistently presents exhibitions that illuminate key moments in art history and spotlight innovative contemporary artists. Recent highlights include a compelling retrospective of Maria Lassnig’s work, exploring her unique ‘body awareness’ theory through a captivating selection of self-portraits. The museum also regularly hosts temporary exhibitions featuring works by internationally renowned artists, offering visitors the opportunity to engage with diverse artistic perspectives. Don't miss the chance to experience the museum’s impressive collection of works by Klimt and Schiele—masterpieces that exemplify the spirit of Austrian modernism. And for a deeper understanding of the museum’s history and its commitment to ethical practices, be sure to visit the Wolfgang-Gurlitt Museum, located nearby, which delves into the fascinating story behind the Gurlitt collection.

    Further Exploration

    For more information about upcoming exhibitions, events, and visiting hours, please visit the Lentos Kunstmuseum’s website:

    https://www.lentos.at/en/

    . You can also explore related resources such as Maria Lassnig's artist profile (

    /en/artists/maria-lassnig/

    ), the museum’s website (

    https://www.lentos.at/en/

    ), and a Wikipedia entry on the museum (

    https://en.wikipedia.org/wiki/Lentos_Art_Museum

    ).

    Where to read more

    Find this online

    QR code linking to the download page for Lieu dit II (rot)

    originaluniqueart.com/en/art/download/jan-appel-lieu-dit-ii-rot-D4QTCF-en/

    Cite this artwork

    MLA
    Appel, Jan. Lieu dit II (rot). 1989, Lentos Kunstmuseum Linz. https://originaluniqueart.com/en/art/jan-appel-lieu-dit-ii-rot-D4QTCF-en/
    APA
    Appel, Jan (1989). Lieu dit II (rot) [Painting]. Lentos Kunstmuseum Linz. https://originaluniqueart.com/en/art/jan-appel-lieu-dit-ii-rot-D4QTCF-en/
    Chicago
    Jan Appel. Lieu dit II (rot). 1989. Lentos Kunstmuseum Linz. https://originaluniqueart.com/en/art/jan-appel-lieu-dit-ii-rot-D4QTCF-en/
    Harvard
    Appel, Jan (1989) Lieu dit II (rot). Lentos Kunstmuseum Linz. Available at: https://originaluniqueart.com/en/art/jan-appel-lieu-dit-ii-rot-D4QTCF-en/

    Look closely

    Lieu dit II (rot) — Jan Appel

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, red color, fabric texture. Do you agree? What would you add, or take away?
    4. Themes that come back through the work of Jan Appel: abstract expressionist influence, chaos and disarray themes, late career experimentation. Which of them do you see here?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What size should I print "Lieu dit II (rot)" for my room?

    For a coworking, the recommended print size of "Lieu dit II (rot)" by Jan Appel is large.

    Which color stands out most in "Lieu dit II (rot)"?

    The dominant color of "Lieu dit II (rot)" by Jan Appel is espresso (#4c1b1d).

    Where can I download "Lieu dit II (rot)" by Jan Appel?

    "Lieu dit II (rot)" by Jan Appel can be downloaded from the artwork's Download page, as a high-resolution digital image download.