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Student Artwork Guide

Self-portrait 1

Name Class Date

James Ward, Self-portrait 1. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
James Ward originaluniqueart.com/en/artists/james-ward/
Artist’s dates
1769 – 1859
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Self-portrait 1 — James Ward

When might this have been painted?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820
  8. 1830
  9. 1840
  10. 1850

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Shaded: the lifetime of James Ward (1769–1859) every dated painting, decade by decade

First works: up to 1809 Main working years: 1809–1830 Late works: from 1830

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/james-ward-self-portrait-1-8LJ5DZ-en/

Colours

Measured from the image

    Main colour

    Putty #e9baa9

    Catalogued palette

    • #E9BAA9
    • #0E0201
    • #582910
    • #9B6E61

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by James Ward over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 72.9%
    2. 2 United States of America 13.6%
    3. 3 Hong Kong 6.8%
    4. 4 Italy 3.4%
    5. 5 Singapore 1.7%
    6. 6 T1 1.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by James Ward

    1. 1 Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether, 1807 6.6%
    2. 2 Horse and donkey 4.9%
    3. 3 A Hunter in a Landscape, 1810 3.3%
    4. 4 Portraits of two extraordinary oxen, the property of the Earl of Powis, 1814 3.3%
    5. 5 The Straw Yard, 1810 3.3%
    6. 6 A Cossack Horse in a Landscape 3.3%
    7. 7 Marengo, 1824 3.3%
    8. 8 Self-portrait 1 this painting 3.3%
    9. 9 Full Cry 3.3%
    10. 10 The Runaway Wagon 3.3%
    11. 11 Study of two cedars of Lebanon 3.3%
    12. 12 Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale), 1812 1.6%
    13. 13 An Unknown Woman, 1811 1.6%
    14. 14 Gloucestershire Old Spot, 1805 1.6%
    15. 15 Hunter in a landscape, 1810 1.6%
    16. 16 Heath Ewe and Lambs, 1810 1.6%
    17. 17 Sketch for 'Gordale Scar', 1814 1.6%
    18. 18 Eagle, a Celebrated Stallion, 1809 1.6%
    19. 19 The Reapers, 1800 1.6%
    20. 20 A Border Leicester Ewe, 1800 1.6%

    Together these works take 55.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 143 works by this artist, of which 47 were looked at at least once. This painting ranks 8 of them, with 3.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    James Ward

    Born in London, United Kingdom

    James Ward: A Life in British Art

    James Ward (1769-1859) was a prominent British painter renowned for his captivating animal paintings, romantic landscapes, and insightful portraits. Though often overshadowed by contemporaries, his unique style and skill significantly impacted the development of British art during the 19th century.

    Early Life and Training

    Born on October 23, 1769, in London, United Kingdom, James Ward was the younger brother of engraver William Ward. His early artistic inclinations were nurtured within a creative family environment. While he received some formal training, his development was largely self-directed and heavily influenced by observation and practice.

    Artistic Development & Influences

    Ward’s career is conventionally divided into two distinct periods regarding influence. Initially, until around 1803, his work bore a strong resemblance to that of his brother-in-law, George Morland, characterized by genre scenes and a focus on everyday life. Following this period, he became deeply inspired by the Baroque master Peter Paul Rubens, adopting a more dynamic composition, rich color palette, and dramatic use of light and shadow.

    Notable Works & Artistic Style

    Ward’s singular style set him apart from many contemporaries. He excelled in various genres, including history painting, portraiture, landscape, and animal art. Some of his most celebrated works include:

    Gordale Scar (1814/15): Considered his masterpiece, this dramatic depiction of a Yorkshire gorge exemplifies the sublime qualities of English Romanticism.

    The Deer Stealer (1823): Commissioned by Theophilus Levett, this painting showcases Ward’s skill in narrative and animal representation.

    John Levett Hunting at Wychnor, Staffordshire (1817): A portrait of one of his patrons, demonstrating his ability to capture both likeness and atmosphere.

    His paintings are characterized by a meticulous attention to detail, particularly in the rendering of animals, combined with a romantic sensibility that emphasizes the beauty and power of nature.

    Commissions & Exhibitions

    Ward enjoyed patronage from prominent figures like Theophilus Levett, leading to numerous commissions. He regularly exhibited his work at the Royal Academy, gaining recognition for his skill and originality. His admission as a member in 1811 solidified his standing within the British art establishment.

    Later Life & Legacy

    Ward continued to paint prolifically until a stroke in 1855 curtailed his career. He passed away on November 17, 1859, in relative poverty despite his earlier success.

    Despite facing financial hardship later in life, James Ward’s influence on British art remains undeniable. His unique blend of realism and romanticism paved the way for future generations of animal painters and landscape artists. His works are now held in prestigious collections such as Tate Britain and the Yale Center for British Art.

    Historical Significance

    James Ward occupies a significant position within the transition from the Neoclassical to the Romantic era in British art. He bridged the gap between traditional genre painting and the burgeoning interest in landscape and naturalism, leaving behind a legacy of captivating works that continue to inspire and delight.

    Where to read more

    Find this online

    QR code linking to the download page for Self-portrait 1

    originaluniqueart.com/en/art/download/james-ward-self-portrait-1-8LJ5DZ-en/

    Cite this artwork

    MLA
    Ward, James. Self-portrait 1. n.d., https://originaluniqueart.com/en/art/james-ward-self-portrait-1-8LJ5DZ-en/
    APA
    Ward, James (n.d.). Self-portrait 1 [Painting]. https://originaluniqueart.com/en/art/james-ward-self-portrait-1-8LJ5DZ-en/
    Chicago
    James Ward. Self-portrait 1. n.d. https://originaluniqueart.com/en/art/james-ward-self-portrait-1-8LJ5DZ-en/
    Harvard
    Ward, James (n.d.) Self-portrait 1. Available at: https://originaluniqueart.com/en/art/james-ward-self-portrait-1-8LJ5DZ-en/

    Look closely

    Self-portrait 1 — James Ward

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, clergy, elderly man. Do you agree? What would you add, or take away?
    5. Look back at Gordale Scar (1811), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    In which movement and which era is "Self-portrait 1" by James Ward placed?

    "Self-portrait 1" belongs to the Contemporary Realism movement, and its creator worked in the Early-Modern era.

    Is "Self-portrait 1" by James Ward a light or a dark artwork?

    "Self-portrait 1" by James Ward is recorded as deep_shadow, with a dark luminance.

    How do I download the image of "Self-portrait 1" by James Ward?

    The image of "Self-portrait 1" by James Ward can be downloaded from the artwork's Download page: a high-resolution digital image download.