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Student Artwork Guide

A Widow

Name Class Date

James Jaques Joseph Tissot, A Widow. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
James Jaques Joseph Tissot originaluniqueart.com/en/artists/james-jaques-joseph-tissot/
Artist’s dates
1836 – 1902
Original size
69 x 50 cm
Movement
Academic Realism Highly polished, carefully finished realism taught by the official art schools of the 1800s.

In context

A Widow — James Jaques Joseph Tissot

How big is it?

The original measures 69 × 50 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Shaded: the lifetime of James Jaques Joseph Tissot (1836–1902) every dated painting, decade by decade

First works: up to 1873 Main working years: 1873–1879 Late works: from 1879

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/james-jaques-joseph-tissot-a-widow-AQQMJC-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1b170f

    Catalogued palette

    • #1B170F
    • #827C56
    • #D1C799
    • #44402A

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by James Jaques Joseph Tissot over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.8%
    2. 2 United States of America 12.5%
    3. 3 Brazil 6.2%
    4. 4 France 6.2%
    5. 5 Singapore 6.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by James Jaques Joseph Tissot

    1. 1 English Young Ladies Looking at Japanese Objects, 1869 21.7%
    2. 2 A Passing Storm, 1876 8.7%
    3. 3 The Bunch of Lilacs, 1875 8.7%
    4. 4 English The Captain and the Mate, 1873 8.7%
    5. 5 Still on Top, 1873 8.7%
    6. 6 Bad News (The Parting), 1872 8.7%
    7. 7 La demoiselle de magasin, 1885 4.3%
    8. 8 English Seaside, 1878 4.3%
    9. 9 Berthe, 1883 4.3%
    10. 10 The Letter, 1878 4.3%
    11. 11 English Quiet, 1881 4.3%
    12. 12 Partie Carree, 1870 4.3%
    13. 13 English Emigrants, 1873 4.3%
    14. 14 A Fete Day at Brighton, 1878 4.3%
    15. — A Widow this painting 0.0%

    Together these works take 99.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 91 works by this artist, of which 14 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    James Jaques Joseph Tissot

    James Tissot: A Parisian Impressionist Capturing Victorian Life

    James Jacques Joseph Tissot (1836-1902) stands as a singular figure in Victorian art, renowned for his exquisitely detailed depictions of Parisian society and biblical narratives. Born in Nantes, France, to Marcel Théodore tissot, a drapery merchant, and Marie Durand, whose design skills extended to hats—a testament to the collaborative spirit of their family—Tissot’s upbringing instilled a deep Catholic faith that profoundly shaped his artistic vision. His early fascination with seafaring, likely stemming from his father's profession, foreshadowed recurring motifs of ships and boats in his later oeuvre.

    Early Artistic Training: Tissot’s ambition to pursue painting propelled him to Paris around 1854, where he adopted the Anglicized name “James,” possibly influenced by his burgeoning interest in English culture. He enrolled at the École des Beaux-Arts under Jean-Auguste-Dominique Ingres and Louis Lamothe—both prominent Lyonnaise painters who sought Parisian instruction—benefiting immensely from Lamothe’s guidance.

    The Louvre Method: Like many aspiring artists of his era, Tissot honed his skills by meticulously copying works at the Louvre Museum. This disciplined approach allowed him to absorb stylistic nuances and develop a masterful command of technique.

    Parisian Society and Genre Painting

    Tissot swiftly established himself as a celebrated painter of Parisian life, capturing the elegance and bustle of Victorian society with unparalleled precision. His canvases overflowed with richly dressed women engaged in various activities—shopping, dining, entertaining—presented with meticulous attention to costume and setting. He skillfully blended Impressionistic influences with Japonisme, incorporating decorative patterns and compositional techniques borrowed from Japanese prints into his paintings. This fusion resulted in a distinctive visual language that conveyed both beauty and social commentary. Notable works include “The Huguenot Brides” and “A Christmas Eve,” which cemented his reputation as a master of genre painting.

    Technique: Tissot’s technique was characterized by layering thin glazes of oil paint—a hallmark of Impressionism—to achieve luminous colors and subtle tonal variations. He employed mezzotint engraving alongside painting, further expanding his artistic repertoire.

    Notable Paintings: Among his most iconic paintings are “The Huguenot Brides,” depicting a lavish wedding ceremony in Nantes Cathedral, and “A Christmas Eve,” portraying the festive atmosphere of a Victorian family gathering. These works exemplify Tissot’s ability to convey emotion and narrative complexity through visual detail.

    Biblical Narratives: Faith and Artistic Expression

    Beyond his depictions of Parisian society, Tissot passionately pursued biblical subjects, producing a series of monumental paintings that explored themes of faith, morality, and redemption. His ambitious undertaking to illustrate the Gospels earned him considerable acclaim and solidified his position as one of the foremost artists of his time. He approached these narratives with meticulous scholarship and artistic sensitivity, striving to convey spiritual truths through evocative imagery.

    Illustrations: Tissot’s biblical illustrations—particularly “The Last Supper” and “The Nativity”—were groundbreaking for their scale and realism. They demonstrated his commitment to conveying religious ideas with profound emotional impact.

    Legacy and Historical Significance

    James Tissot's artistic legacy extends beyond his individual paintings; he profoundly influenced subsequent generations of artists. His meticulous observation of detail, combined with his masterful blending of Impressionistic and Japonisme styles, established a precedent for realism and decorative artistry. He remains an enduring symbol of Victorian artistic achievement—a painter who captured the spirit of his era while simultaneously elevating biblical narratives to new heights of expressive power.

    Where to read more

    Find this online

    QR code linking to the download page for A Widow

    originaluniqueart.com/en/art/download/james-jaques-joseph-tissot-a-widow-AQQMJC-en/

    Cite this artwork

    MLA
    Tissot, James Jaques Joseph. A Widow. n.d., https://originaluniqueart.com/en/art/james-jaques-joseph-tissot-a-widow-AQQMJC-en/
    APA
    Tissot, James Jaques Joseph (n.d.). A Widow [Painting]. https://originaluniqueart.com/en/art/james-jaques-joseph-tissot-a-widow-AQQMJC-en/
    Chicago
    James Jaques Joseph Tissot. A Widow. n.d. https://originaluniqueart.com/en/art/james-jaques-joseph-tissot-a-widow-AQQMJC-en/
    Harvard
    Tissot, James Jaques Joseph (n.d.) A Widow. Available at: https://originaluniqueart.com/en/art/james-jaques-joseph-tissot-a-widow-AQQMJC-en/

    Look closely

    A Widow — James Jaques Joseph Tissot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: victorian portraiture, family scene painting, smoking woman art. Do you agree? What would you add, or take away?
    4. Look back at A Passing Storm (1876), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Academic Realism: Highly polished, carefully finished realism taught by the official art schools of the 1800s. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a digital file of "A Widow" by James Jaques Joseph Tissot?

    A digital image of "A Widow" by James Jaques Joseph Tissot can be purchased on its Digital Image page: a high-resolution digital image download.

    How strong are the colors of "A Widow"?

    The color of "A Widow" is subtle color in saturation and monochromatic in intensity.

    What size is "A Widow" by James Jaques Joseph Tissot in real life?

    The recorded dimensions of "A Widow" by James Jaques Joseph Tissot are 69 x 50 cm. Reproductions can be ordered in other sizes while keeping the same proportions.