Paper

Student Artwork Guide

Pharaoh

Name Class Date

Jacques Joseph Tissot, Pharaoh (1902), The Jewish Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jacques Joseph Tissot originaluniqueart.com/en/artists/jacques-joseph-tissot/
Artist’s dates
1836 – 1902
Painted
1902
Medium
Oil On Canvas
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Held at
The Jewish Museum originaluniqueart.com/en/museums/the-jewish-museum-new-york-city/
Artistic style
Realistic Impressionism
Influences
French Romanticism
Notable elements or techniques
Visible brushstrokes, Layered paint build-up
Subject or theme
Rural Landscape

In context

Pharaoh — Jacques Joseph Tissot

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Painted when the artist was 66. The artist lived to 66. 256 of the 332 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jacques Joseph Tissot (1836–1902) ▲ this work, 1902 every dated painting, decade by decade

First works: up to 1875 Main working years: 1875–1898 Late works: from 1898

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • An Interesting Story, 1872 originaluniqueart.com/en/art/jacques-joseph-tissot-an-interesting-story-8XXHBZ-en/
  • October, 1878 originaluniqueart.com/en/art/jacques-joseph-tissot-october-8YDK4G-en/
  • Self Portrait originaluniqueart.com/en/art/jacques-joseph-tissot-self-portrait-8YDTWH-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jacques-joseph-tissot-pharaoh-D4J4SL-en/

Colours

Measured from the image

    Main colour

    Driftwood #8a713f

    Catalogued palette

    • #8A713F
    • #BAAC9B
    • #685135
    • #9F8966

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jacques Joseph Tissot over the last twelve months — 19 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.2%
    2. 2 United States of America 7.6%
    3. 3 Singapore 5.2%
    4. 4 Hong Kong 4.9%
    5. 5 Romania 1.8%
    6. 6 Italy 1.5%
    7. 7 Switzerland 0.9%
    8. 8 Malaysia 0.9%
    9. 9 Argentina 0.6%
    10. 10 United Kingdom 0.6%
    11. · 9 other countries 2.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jacques Joseph Tissot

    1. 1 The Japanese Bath 2.5%
    2. 2 The Prodigal Son in Modern Life: in Foreign Climes, 1882 1.9%
    3. 3 Holiday (also known as The Picnic), 1876 1.9%
    4. 4 An Interesting Story, 1872 1.4%
    5. 5 Español En el Louvre (L’Esthetique), 1885 1.4%
    6. 6 Gentleman In A Railway Carriage, 1872 1.4%
    7. 7 Pharaoh and His Dead Son, 1902 1.1%
    8. 8 Hide and Seek, 1880 1.1%
    9. 9 The Last Evening, 1873 1.1%
    10. 10 In the Sunshine 1.1%
    11. 11 Portrait of Woman 1.1%
    12. 12 Joseph Interprets the Dreams While In Prison, 1902 0.8%
    13. 13 young lady in a boat 0.8%
    14. 14 October, 1878 0.8%
    15. 15 Mrs. Newton with a child by a pool 0.8%
    16. 16 Portrait of Mademoiselle L. L. (also known as Young Woman in a Red Jacket), 1864 0.8%
    17. 17 Pharaoh, 1902 this painting 0.8%
    18. 18 The Prodigal Son in Modern Life: the Return, 1882 0.8%
    19. 19 The Return of the Prodigal Son, 1862 0.8%
    20. 20 The Exodus, 1902 0.8%

    Together these works take 23.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 559 works by this artist, of which 233 were looked at at least once. This painting ranks 17 of them, with 0.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Pharaoh — Jacques Joseph Tissot

    Jacques Joseph Tissot’s “Pharaoh”: A Pastoral Reverie Captured in Oil

    The painting "Pharaoh," completed in 1902 by Jacques Joseph Tissot, stands as a testament to the artist's masterful blend of realism and impressionistic sensibilities. More than just a depiction of rural life—a genre favored by Tissot throughout his prolific career—it embodies a profound meditation on mortality and remembrance, subtly conveyed through meticulous observation and luminous color palettes. This artwork resides within WahooArt’s extensive collection, offering discerning viewers the opportunity to experience firsthand the beauty and depth of Tissot's vision.

    Subject Matter and Setting

    Tissot transports us to a tranquil English countryside scene—specifically, a hospice chapel where a grieving father holds the body of his deceased son. The composition centers around this poignant tableau, framed by expansive fields of wheat and grazing cows. These elements aren’t merely decorative; they serve as symbolic representations of life's cyclical nature – the golden wheat signifying harvest and renewal juxtaposed against the somber hues of mourning. The artist’s keen eye captures the textures of the landscape with remarkable accuracy, mirroring the subtle nuances of light and shadow that permeate the scene.

    Style and Technique: Impressionistic Realism

    Tissot's artistic approach defies easy categorization. While firmly rooted in realism—evident in his meticulous rendering of anatomical detail and accurate portrayal of natural forms—he imbues his canvases with an unmistakable impressionistic touch. Visible brushstrokes dance across the surface, creating a shimmering effect that captures the ephemeral quality of light filtering through the overcast sky. Layers upon layers of oil paint build up to achieve depth and luminosity, resulting in a textured surface that invites contemplation. The artist skillfully utilizes color—primarily earthy browns, tans, greens, and whites—to evoke feelings of serenity and melancholy simultaneously.

    Historical Context and Artistic Influences

    Tissot’s oeuvre reflects the broader artistic currents of his time – primarily influenced by Impressionism and Academic Painting traditions. He honed his skills under the tutelage of masters like Ingres and Lamothe, absorbing their stylistic precepts while forging his own distinctive voice. The painting's subject matter—the grieving father and son—resonates with Victorian sensibilities concerning death and mourning rituals, reflecting a period marked by heightened emotional awareness and artistic exploration of human experience.

    Symbolism and Emotional Impact

    Beyond its visual beauty, “Pharaoh” carries significant symbolic weight. The hospice chapel itself represents the sacred space of remembrance and solace, highlighting the universality of grief. The cows symbolize fertility and sustenance—a poignant reminder of life’s enduring presence even in the face of loss. Ultimately, Tissot's masterpiece compels viewers to confront mortality with compassion and grace, prompting reflection on themes of familial devotion and the bittersweet beauty of accepting inevitable endings. It is a painting that lingers in the mind long after viewing, offering an invitation to contemplate the profound connections between life and death—and the enduring power of art to illuminate the human condition.

    Artist and museum

    Artist

    Jacques Joseph Tissot

    Born in Nantes, France

    Early Life and Artistic Beginnings

    Jacques Joseph Tissot, born October 15, 1836, in Nantes, France, was destined for a life steeped in artistic passion from his earliest years. His father, a drapery merchant, instilled in him an appreciation for craftsmanship and detail—qualities that would profoundly shape his artistic vision. Simultaneously, his mother, a milliner, nurtured his sensitivity to beauty and fashion, exposing him to the vibrant world of Parisian society. Despite familial responsibilities, Tissot relentlessly pursued his artistic ambitions, enrolling at the École des Beaux-Arts in Paris where he honed his skills under the tutelage of luminaries like Ingres, Flandrin, and Lamothe. This formative period cemented his commitment to painting as a vocation and established him firmly within the influential Parisian art milieu.

    The Salon Years and Recognition

    Tissot’s debut at the Paris Salon in 1861 marked a pivotal moment—the unveiling of “The Meeting of Faust and Marguerite,” a dramatic tableau that captivated audiences and garnered considerable acclaim from critics. Purchased by the state for inclusion in the Luxembourg Gallery, this ambitious undertaking signaled Tissot's burgeoning reputation as a painter capable of capturing complex narratives and conveying profound emotion. Subsequent Salon exhibitions solidified his position within the artistic establishment, showcasing his evolving style and attracting commissions from prominent patrons. His early successes fueled confidence and propelled him toward exploring new subjects and techniques—a trajectory that would ultimately define his illustrious career.

    Genre Painting and Parisian Society

    Tissot’s artistic breakthrough arrived with his series “La Femme à Paris,” a meticulously observed depiction of the demi-mondaine world of late Victorian London. These paintings, characterized by their luminous color palettes and masterful rendering of textures—particularly fabrics—became synonymous with capturing the allure and dynamism of Parisian high society. Tissot's meticulous attention to detail extended beyond mere visual representation; he sought to convey not only appearances but also psychological nuances, reflecting the anxieties and aspirations of his subjects. His work stands as a testament to Impressionistic influences blended with realism, offering an unparalleled glimpse into the social customs and artistic sensibilities of the Belle Époque.

    Biblical Themes and Japonisme

    Throughout his prolific output, Tissot embraced diverse artistic inspirations—ranging from medieval narratives to biblical scenes—demonstrating remarkable versatility. His depictions of religious subjects, imbued with spiritual depth and emotional resonance, showcased his ability to elevate visual storytelling into profound contemplation. Simultaneously, he was captivated by Japonisme—the fascination with Japanese art and aesthetics that swept across Europe during the Victorian era—evident in compositions infused with asymmetrical arrangements and subtle color harmonies reminiscent of Japanese prints. This stylistic fusion underscored Tissot’s intellectual curiosity and his willingness to experiment with innovative artistic approaches.

    Later Years and Legacy

    Tissot's life took a dramatic turn when he enlisted in the Franco-Prussian War, serving on the French side—an experience that undoubtedly shaped his worldview. Following the war’s conclusion, he relocated to London where he pursued etching alongside Sir Seymour Haden and honed his artistic skills through portrait commissions and caricatures for Vanity Fair. His relationship with Kathleen Newton blossomed into a passionate companionship, providing him with enduring inspiration for numerous paintings. Tragically, Newton succumbed to tuberculosis in 1882—a profound loss that deeply affected Tissot’s creative output. Despite this sorrowful chapter, he continued to produce exceptional artwork until his death in 1902. Today, Jacques Joseph Tissot's legacy resides in museums across Europe and North America—most notably the Musée National Jean-Jacques Henner in Paris—where his celebrated paintings continue to inspire admiration for their artistic brilliance and evocative portrayal of Victorian life and faith. His enduring influence on genre painting and Impressionism secures his place as one of France’s most distinguished artists of the 19th century.

    Museum

    The Jewish Museum

    On show in New York City, United States of America

    A Tapestry of Time: The Soul of The Jewish Museum

    Nestled along the prestigious Museum Mile in Manhattan’s Upper East Side,

    The Jewish Museum

    stands as a singular beacon illuminating the multifaceted world of Jewish culture and artistic expression. It is much more than a mere repository of artifacts; it is a living testament to over three millennia of history interwoven with breathtaking creativity. To walk through its doors is to embark on an unparalleled journey through identity, spirituality, and the relentless pulse of innovation that defines the global Jewish experience. The institution’s very essence is rooted in a profound dialogue between the sacred and the avant-garde, where the delicate, meticulous ornamentation of ancient menorahs meets the monumental power of modern masterpieces.

    The museum's physical presence is a masterclass in architectural harmony, where historical grandeur meets modern luminosity. The striking façade, designed by Richard Gluckman, embodies an intentional openness, inviting the light of the city to interact with the treasures within. This contemporary vision is beautifully juxtaposed against the exquisite

    Warburg House

    , a gift from Frieda Schiff Warburg that provides a nostalgic, stately backdrop. With its charming châteauesque style, the house serves as a bridge between the weight of tradition and the clarity of the present day, offering a sophisticated atmosphere that is as intellectually stimulating as it is visually captivating for the admirer of design.

    A Dialogue Between Tradition and Modernity

    The collection itself offers an extraordinary encounter with the human spirit, presenting works that engage profoundly with Jewish themes and universal struggles. Visitors may find themselves moved by the raw intensity of

    Picasso’s Guernica

    , the meditative depth of

    Rothko’s canvases

    , or the provocative silkscreens of

    Warhol

    . This curation creates a profound emotional resonance, making it a destination of immense interest for collectors and art lovers who seek works that transcend mere aesthetics to touch upon the very essence of memory and identity.

    What truly distinguishes The Jewish Museum is its fearless commitment to confronting difficult histories with compassion while celebrating the vibrancy of contemporary life. From its early exhibitions honoring refugees fleeing persecution to modern explorations of diaspora and social justice, the museum has always used art as a tool for empathy and understanding. It remains a vital cultural resource where archaeology, fine art, and Judaic scholarship converge into a singular, powerful narrative, offering a profound look at how artistic expression can transcend borders.

    Where to read more

    Find this online

    QR code linking to the download page for Pharaoh

    originaluniqueart.com/en/art/download/jacques-joseph-tissot-pharaoh-D4J4SL-en/

    Cite this artwork

    MLA
    Tissot, Jacques Joseph. Pharaoh. 1902, The Jewish Museum. https://originaluniqueart.com/en/art/jacques-joseph-tissot-pharaoh-D4J4SL-en/
    APA
    Tissot, Jacques Joseph (1902). Pharaoh [Painting]. The Jewish Museum. https://originaluniqueart.com/en/art/jacques-joseph-tissot-pharaoh-D4J4SL-en/
    Chicago
    Jacques Joseph Tissot. Pharaoh. 1902. The Jewish Museum. https://originaluniqueart.com/en/art/jacques-joseph-tissot-pharaoh-D4J4SL-en/
    Harvard
    Tissot, Jacques Joseph (1902) Pharaoh. The Jewish Museum. Available at: https://originaluniqueart.com/en/art/jacques-joseph-tissot-pharaoh-D4J4SL-en/

    Look closely

    Pharaoh — Jacques Joseph Tissot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural landscape, pastoral scene, cow herd painting. Do you agree? What would you add, or take away?
    4. Look back at An Interesting Story (1872), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does the copyright of "Pharaoh" by Jacques Joseph Tissot allow reproductions?

    The copyright status of "Pharaoh" by Jacques Joseph Tissot is clear: the work is in the public domain - its copyright has expired. Its presence at The Jewish Museum does not change that status.

    What aliases or alternate names does Jacques Joseph Tissot have?

    Other names recorded for Jacques Joseph Tissot, creator of "Pharaoh", include James Tissot.

    How do the colors of "Pharaoh" by Jacques Joseph Tissot relate to its emotion?

    In "Pharaoh", earthy colors accompany a tranquil feeling.