Paper

Student Artwork Guide

Concert

Name Class Date

Jacob Ochtervelt, Concert (1674), Hermitage Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jacob Ochtervelt originaluniqueart.com/en/artists/jacob-ochtervelt/
Artist’s dates
1635 – 1682
Painted
1674
Medium
Oil On Canvas
Original size
72 x 78 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Period
Early Modern
Held at
Hermitage Museum originaluniqueart.com/en/museums/hermitage-museum-saint-petersburg/

In context

Concert — Jacob Ochtervelt

How big is it?

The original measures 72 × 78 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1630
  2. 1640
  3. 1650
  4. 1660
  5. 1670
  6. 1680

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 47 at death.

Painted when the artist was 39. The artist lived to 47. 13 of the 16 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jacob Ochtervelt (1635–1682) ▲ this work, 1674 every dated painting, decade by decade

First works: up to 1663 Main working years: 1663–1670 Late works: from 1670

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jacob-ochtervelt-concert-D2UTNM-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1f1d1b

    Catalogued palette

    • #1F1D1B
    • #B8913D
    • #342720
    • #633E23

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jacob Ochtervelt over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Brazil 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Jacob Ochtervelt

    1. 1 A Family Group, 1670 16.7%
    2. 2 The Drawing Lesson 16.7%
    3. 3 Two Women and a Man making Music 16.7%
    4. 4 The Music Lesson, 1667 16.7%
    5. 5 The players, Jacob Ochtervelt, c. 1660 - c. 1682, 1682 16.7%
    6. 6 A Fishmonger at the Door, 1663 16.7%
    7. Concert, 1674 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 21 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jacob Ochtervelt

    Born in Rotterdam, Netherlands

    A Life Dedicated to Intimacy: The World of Jacob Ochtervelt

    Jacob Ochtervelt, born in Rotterdam in 1634 and passing away in Amsterdam in 1682, occupies a fascinating yet somewhat understated position within the pantheon of Dutch Golden Age painters. While not as immediately recognizable a name as Rembrandt or Vermeer, Ochtervelt carved out a distinctive niche for himself with his exquisitely rendered genre scenes and portraits that offered glimpses into the lives – and aspirations – of the burgeoning middle class and aristocracy of 17th-century Holland. His story is one of quiet mastery, subtle observation, and an ability to capture not just likenesses but also the very atmosphere of domestic comfort and social grace.

    Early Training and Influences

    Ochtervelt’s artistic journey began in a workshop environment steeped in tradition. Initially apprenticed to Nicolaes Pietersz Berchem in Haarlem, he shared studio space with another rising talent, Pieter de Hooch. However, it was his subsequent tutelage under Ludolf de Jongh in Rotterdam that appears to have had the most profound impact on his developing style. De Jongh, also a mentor to de Hooch, specialized in refined portraits and elegant interiors, qualities that would become hallmarks of Ochtervelt’s own work. This early training instilled in him a meticulous attention to detail, a sensitivity to light and color, and an appreciation for the nuances of social interaction. Interestingly, despite this solid foundation, Ochtervelt was curiously overlooked by several prominent art historians of his time – Andre Felibien, Jochaim Sandrart, and R. de Piles all failed to mention him in their influential writings. It wasn’t until Arnold Houbraken, a later biographer, that Ochtervelt received any formal recognition, though even then the assessment was somewhat backhanded, suggesting his work lacked the sophisticated perspective of contemporaries like De Hooch.

    A Master of Genre and Portraiture

    Ochtervelt's oeuvre, comprising around one hundred paintings, is characterized by a remarkable consistency in subject matter and quality. He excelled at depicting scenes of daily life within affluent households – musical gatherings, drawing lessons, ladies engaged in needlework, or simply families enjoying each other’s company. These are not grand historical narratives or dramatic religious allegories; instead, they are intimate snapshots of a world preoccupied with leisure, refinement, and social display. His portraits, too, possess a similar quality of quiet dignity and understated elegance. He wasn't interested in bombast or overt symbolism, but rather in capturing the personality and status of his sitters through subtle gestures, carefully chosen props, and an almost photographic realism.

    Style and Technique: Echoes of Metsu and Ter Borch

    While Ochtervelt developed a style uniquely his own, it’s possible to discern influences from other leading painters of the era. Comparisons have been drawn with Gabriel Metsu, particularly in the delicate rendering of fabrics and textures, and Gerard ter Borch, whose ability to convey a sense of naturalism and psychological depth also resonates in Ochtervelt's work. However, Ochtervelt’s paintings often possess a greater emphasis on architectural detail and a more restrained color palette than either Metsu or Ter Borch. He was particularly adept at creating convincing illusions of space and light, using subtle gradations of tone to suggest the play of sunlight filtering through windows or reflecting off polished surfaces. His brushwork is remarkably smooth and refined, contributing to the overall sense of elegance and sophistication that characterizes his work.

    Historical Significance and Lasting Legacy

    Despite being initially overlooked by some contemporary art critics, Jacob Ochtervelt’s paintings were clearly sought after during his lifetime, suggesting a considerable level of appreciation among collectors and connoisseurs. His ability to capture the spirit of the Dutch Golden Age – its prosperity, its social aspirations, and its emphasis on domestic comfort – continues to resonate with viewers today. While he may not be a household name like Rembrandt or Vermeer, Ochtervelt’s work offers a valuable window into the lives of those who lived during this remarkable period in history. His paintings are a testament to the power of quiet observation, meticulous technique, and an unwavering commitment to capturing the beauty and dignity of everyday life. He remains a significant figure for scholars and collectors alike, representing a refined and elegant corner of the Dutch Golden Age artistic landscape.

    Museum

    Hermitage Museum

    On show in Saint Petersburg, Russia

    A Frozen Palace: Unveiling the Treasures of the Hermitage

    The State Hermitage Museum in Saint Petersburg isn’t merely a repository of art; it's an immersive journey through time, a testament to Russia’s imperial ambitions and its enduring artistic legacy. Nestled within the opulent Winter Palace – once the very heart of Tsarist power – the museum unfolds like a meticulously crafted narrative, revealing layers of history, culture, and breathtaking beauty. Founded by Catherine the Great in 1764 with a single painting as its nucleus, it has blossomed into one of the world’s largest and most comprehensive museums, housing over three million objects spanning millennia and continents. More than just a collection, the Hermitage is an architectural marvel, a series of interconnected historic buildings – including the Winter Palace itself, the Small Hermitage, the Old Hermitage, the New Hermitage, and the General Staff Building – each contributing uniquely to its grand story.

    From Tsarist Dreams to Artistic Legacy

    Catherine’s initial acquisition, a modest collection of Western European paintings, laid the foundation for what would become an unparalleled artistic treasure. This early focus on European art reflected her enlightened ideals and desire to expose Russia to the best of continental culture. The Winter Palace's origins trace back to Peter the Great’s vision for a grand, western-style capital city. Initially conceived as a residence, its transformation into the museum’s central hall speaks volumes about Russia’s evolving relationship with Europe and its embrace of artistic innovation. The Hermitage's story is inextricably linked to Russian history, adapting and reflecting the changing tastes and ambitions of successive rulers – a layered narrative palpable as you wander through its galleries. From Napoleon’s invasion to the Soviet era, the museum has endured, safeguarding Russia’s artistic heritage for generations.

    Renaissance Reveries and Dutch Delights: Cornerstones of Artistic Brilliance

    Stepping into the Renaissance galleries is akin to entering a world reborn – a period defined by a renewed interest in classical antiquity and an embrace of human potential. Immediately captivating is Nicolas Poussin’s

    The Holy Family with St. Elizabeth and John the Baptist

    , a serene depiction of familial piety and spiritual contemplation. Notice how Poussin masterfully blends technical precision with humanist ideals; observe the subtle ripple of drapery folds mirroring Saint George's grace as he confronts the dragon—a potent symbol of triumph over evil. The painting’s balance and clarity reflect the Renaissance’s fascination with proportion and order, while its subject matter speaks to the era’s burgeoning interest in virtue and heroism. Scholars have analyzed Poussin’s use of perspective and chiaroscuro – dramatic lighting – demonstrating a profound understanding of artistic principles that would influence generations of artists to come. Alongside Poussin, explore works by Raphael, Titian, and Veronese, each offering a unique window into the Renaissance spirit. These artists skillfully employed techniques like sfumato—a hazy blending of colors—to create atmospheric depth and evoke emotion.

    Transitioning into the Dutch Golden Age collection is an exercise in sensory delight. The masterful use of light and shadow –

    chiaroscuro

    – dominates this section, transforming ordinary scenes into moments of profound emotional resonance. Rembrandt’s

    The Return of the Prodigal Son

    stands as a cornerstone of this artistic achievement, its dramatic composition conveying tenderness and forgiveness through the father’s expressive face. Beyond Rembrandt’s monumental works, canvases by Vermeer, Frans Hals, and Jan Steen reveal the remarkable skill with which these artists captured scenes from daily existence. Vermeer's

    Girl with a Pearl Earring

    is particularly arresting – a quiet moment of contemplation rendered with exquisite detail; the subject’s gaze directed outwards, conveying both vulnerability and intelligence. The meticulous layering of paint – a technique known as glazing – contributes to the luminous quality of Vermeer’s paintings, highlighting his unparalleled ability to capture fleeting expressions and subtle nuances of emotion. Consider also the vibrant portraits by Hals, brimming with life and character. These artists prioritized capturing psychological realism, striving to portray their subjects with remarkable accuracy and sensitivity.

    A Global Tapestry: Beyond Europe's Shores

    The Hermitage’s story extends far beyond the Renaissance and Dutch Golden Age, revealing a truly global collection. Ancient artifacts—shimmering gold artifacts and intricately crafted jade sculptures recovered from Scythian burial mounds—offer a tangible connection to the vibrant trade networks of the Silk Road, demonstrating that artistic expression transcends temporal boundaries and reveals the sophistication of nomadic cultures. Medieval Christian art radiates spiritual power, including Byzantine icons brimming with symbolism – their vibrant colors and stylized figures conveying profound theological narratives. The museum’s curators have painstakingly reconstructed these artifacts, allowing for an immersive journey through human history, from the grandeur of imperial Rome to the solemn beauty of Orthodox faith. Recent expeditions to Siberia have unearthed remarkable discoveries – including mammoth ivory carvings and exquisitely decorated shamanic masks – enriching the Hermitage's understanding of Eurasian artistic traditions. Explore collections showcasing ancient Egyptian treasures, Greek sculptures, and Asian ceramics, each telling a unique story of human ingenuity and cultural exchange.

    A Living Legacy: Exhibitions and Future Horizons

    The Hermitage isn’t a static monument; it’s a living institution constantly evolving with new discoveries and exhibitions. While its permanent collection remains breathtaking in scope – encompassing over three million objects—temporary displays offer fresh perspectives on familiar works and introduce visitors to lesser-known artists and cultures. Don’t miss opportunities to engage with interactive exhibits designed for all ages, offering deeper insights into the artworks and their historical context. Visiting the Hermitage is not simply about observing masterpieces; it's about engaging with a legacy—a testament to human creativity, intellectual inquiry, and the enduring power of art to inspire and transform. The museum’s commitment to preservation and research ensures that this extraordinary collection will continue to captivate and educate generations to come. The Hermitage also maintains a strong focus on digital engagement, offering virtual tours and online resources for visitors worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Concert

    originaluniqueart.com/en/art/download/jacob-ochtervelt-concert-D2UTNM-en/

    Cite this artwork

    MLA
    Ochtervelt, Jacob. Concert. 1674, Hermitage Museum. https://originaluniqueart.com/en/art/jacob-ochtervelt-concert-D2UTNM-en/
    APA
    Ochtervelt, Jacob (1674). Concert [Painting]. Hermitage Museum. https://originaluniqueart.com/en/art/jacob-ochtervelt-concert-D2UTNM-en/
    Chicago
    Jacob Ochtervelt. Concert. 1674. Hermitage Museum. https://originaluniqueart.com/en/art/jacob-ochtervelt-concert-D2UTNM-en/
    Harvard
    Ochtervelt, Jacob (1674) Concert. Hermitage Museum. Available at: https://originaluniqueart.com/en/art/jacob-ochtervelt-concert-D2UTNM-en/

    Look closely

    Concert — Jacob Ochtervelt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: women, guitar, wine glasses. Do you agree? What would you add, or take away?
    4. Look back at Buying Grapes (1669), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What space matches the colors of "Concert" by Jacob Ochtervelt?

    The earthy colors of "Concert" by Jacob Ochtervelt match its recommended space: a dining room.

    What kind of colors does "Concert" use?

    "Concert" by Jacob Ochtervelt uses an earthy color palette. The palette summarizes the work's overall color character.

    How many people view "Concert"?

    A Stats page exists for "Concert". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    What national origin stands behind the Baroque of "Concert"?

    The Baroque work "Concert" was made by an artist born in Netherlands.

    How intense are the colors in "Concert" by Jacob Ochtervelt?

    "Concert" by Jacob Ochtervelt shows a monochromatic color intensity.

    What is the format of "Concert"?

    The format of "Concert" is square. This is useful when planning where a reproduction will be placed.

    What is the recommended use of a print of "Concert"?

    A reproduction of "Concert" by Jacob Ochtervelt is recommended for mood. This suggestion follows from the work's subject, mood and colors.

    Is "Concert" by Jacob Ochtervelt a bright or a dark artwork?

    In terms of perceived brightness, "Concert" by Jacob Ochtervelt is deep_shadow.