Paper

Student Artwork Guide

Salome

Name Class Date

Henri Regnault, Salome (1870), Metropolitan Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henri Regnault originaluniqueart.com/en/artists/henri-regnault/
Artist’s dates
1843 – 1871
Painted
1870
Original size
160 x 103 cm
Held at
Metropolitan Museum of Art originaluniqueart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Romanticism
Influences
Classical art, French Romanticism
Notable elements or techniques
Dramatic lighting, detailed drapery
Subject or theme
Biblical tale

In context

Salome — Henri Regnault

How big is it?

The original measures 160 × 103 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 28 at death.

Painted when the artist was 27. The artist lived to 28. 4 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henri Regnault (1843–1871) ▲ this work, 1870 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/henri-regnault-salome-8Y3G6U-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #d5b468

    Catalogued palette

    • #D5B468
    • #311E13
    • #705130
    • #AC8444

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henri Regnault over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Brazil 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by Henri Regnault

    1. 1 Automedon with the Horses of Achilles, 1868 55.6%
    2. 2 Self portrait 22.2%
    3. 3 Sketch for Automedon with the Horses of Achilles 11.1%
    4. 4 The spy 11.1%
    5. — Salome, 1870 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 13 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Salome — Henri Regnault

    Henri Regnault’s Salome: A Study in Dramatic Color and Biblical Narrative

    The painting “Salomé” by Henri Regnault stands as a testament to the artist's mastery of Romanticism, capturing not merely a biblical scene but also an intense psychological drama rendered with remarkable precision. Completed in 1870, shortly before Regnault’s untimely demise during the Franco-Prussian War, this monumental oil on canvas—measuring 63 x 40 1/2 inches (160 x 102.9 cm)—holds a prominent place within the Metropolitan Museum of Art's European Paintings collection, offering viewers an unparalleled glimpse into the artistic sensibilities of its era.

    A Vision of Biblical Tragedy Illuminated by Color

    Regnault initially conceived of Salome as an African woman, reflecting the prevailing Orientalist fascination with exotic locales and cultures prevalent in French art circles during the Victorian period. However, recognizing the importance of conveying emotion and narrative depth, he undertook a significant revision shortly before his death, enlarging the canvas and transforming it into a portrayal of Herod’s court—specifically depicting Salome dancing for her stepfather after the execution of John the Baptist. This decision underscores Regnault's commitment to artistic innovation and his desire to elevate the painting beyond mere visual representation.

    Technique and Style: Romantic Drama Embodied

    The painting exemplifies the stylistic hallmarks of Romanticism, characterized by expressive brushwork, dramatic chiaroscuro (contrast between light and dark), and a vibrant palette designed to evoke emotion. Regnault skillfully employs oil paint on canvas, layering pigments with meticulous attention to detail—particularly in capturing the textures of Salome’s opulent gown and the intricate folds of her hair. The artist's masterful use of color contributes significantly to the painting's impact, employing warm yellows and reds to illuminate Herod’s throne room and emphasizing Salome’s figure against a darker backdrop. This technique creates a palpable sense of depth and movement, drawing the viewer into the unfolding drama.

    Symbolism Within the Frame: Gesture, Texture, and Allusion

    Beyond its technical brilliance, “Salomé” is laden with symbolic elements that enrich its narrative significance. The dancer’s posture—a deliberate gesture of seductive invitation—represents Salome's desire for Herod’s favor. Furthermore, the inclusion of the platter bearing John the Baptist’s severed head serves as a chilling reminder of the gruesome consequences of ambition and betrayal. Regnault’s meticulous rendering of textures—from the shimmering fabric of Salome’s dress to the rough surface of the carpet beneath her feet—adds another layer of complexity to the composition, grounding the fantastical elements of the biblical tale in tangible reality. The artist subtly alludes to themes of power, desire, and mortality, prompting contemplation on the human condition.

    A Legacy Enduring Through Reproduction

    Today, “Salomé” continues to captivate audiences with its evocative portrayal of biblical drama and its masterful execution. Its enduring appeal is further amplified by high-quality reproductions available through platforms like WahooArt.com, allowing enthusiasts worldwide to experience Regnault’s artistic vision without the constraints of physical ownership. These reproductions faithfully capture the painting's luminous colors and dramatic composition, ensuring that Salome’s timeless beauty remains accessible to generations to come.

    Artist: Henri Regnault

    Year: 1870

    Medium: Oil on Canvas

    Dimensions: 63 x 40 1/2 in. (160 x 102.9 cm)

    Location: Metropolitan Museum of Art, New York

    Further Exploration

    For those wishing to delve deeper into Henri Regnault’s artistic oeuvre and the broader context of Romantic painting, we encourage visits to museums housing his works—particularly The Metropolitan Museum of Art—and exploration of scholarly resources available online. Consider examining biographical accounts detailing Regnault's formative years and influences, as well as critical analyses assessing the painting's stylistic innovations and symbolic resonance.

    Artist and museum

    Artist

    Henri Regnault

    Born in Paris, France

    A Brilliant Light Extinguished: The Life and Legacy of Henri Regnault

    The history of nineteenth-century French art is often told through the lens of enduring movements, yet few figures embody the tragic intersection of immense promise and sudden loss as poignantly as Henri Regnault. Born in Paris in 1843 to the esteemed physicist Henri Victor Regnault, the young artist was raised within an atmosphere of intellectual rigor and scientific curiosity. This foundation of precision would later manifest in his breathtaking command over anatomical detail and light. His journey through the prestigious studios of Antoine Montfort, Louis Lamothe, and the celebrated Alexandre Cabanel provided him with a formidable academic toolkit, yet Regnault was never merely a student of tradition. He possessed an innate restlessness, a desire to push beyond the rigid boundaries of the École des Beaux-Arts to capture the visceral energy of the world around him.

    Regnault’s ascent in the Parisian art world was nothing short of meteoric. The turning point of his early career arrived in 1866, when he secured the prestigious Prix de Rome. This triumph, achieved with his monumental work Thetis Bringing Vulcan’s Arms to Achilles, signaled the arrival of a master capable of blending classical grandeur with an unprecedented sense of movement and sculptural depth. While the award traditionally directed winners toward the study of antiquity in Italy, Regnault’s time in Rome and his travels through Spain and North Africa served to broaden his aesthetic horizons far beyond the classical canon. He found himself increasingly drawn to the Hispanophone-Italian school, a style that favored the materiality of life and the evocative power of capturing fleeting, everyday moments.

    Mastery of the Dramatic and the Orientalist Vision

    As his technique matured, Regnault’s work began to bridge the gap between academic precision and a burgeoning fascination with Orientalism and Spanish realism. He possessed a rare ability to infuse historical and biblical narratives with a contemporary, almost cinematic intensity. Nowhere is this more evident than in his most famous masterpiece, Salomé. Originally conceived as a portrait of an Italian model in Rome, the canvas underwent a dramatic transformation as Regnault expanded its scope, eventually completing it amidst the vibrant atmosphere of Tangier. The resulting painting is a sensory triumph; through disheveled hair, flowing drapery, and a palpable sense of tension, he captures the biblical temptress at the height of her seductive power, leaving viewers breathless with the sheer vitality of the brushwork.

    His repertoire was remarkably diverse, reflecting a deep engagement with both the mythic and the mundane. His ability to oscillate between the epic scale of Greek mythology—seen in works like Automedon with the Horses of Achilles—and the intimate, atmospheric studies of Spanish shepherds demonstrates an artist who refused to be pigeonholed. Regnault’s eye was uniquely attuned to the dynamism of urban centers and the rugged beauty of foreign landscapes, seeking to portray humanity not as static figures in a vacuum, but as living beings caught within the swirling currents of their era. His work often featured:

    Anatomical Precision: A profound understanding of the human form, inherited from his classical training.

    Luminous Color Palettes: An ability to use light to create depth and emotional resonance.

    Narrative Tension: The capacity to freeze a moment of high drama, making the mythological feel immediate and real.

    A Tragic End and Lasting Significance

    The trajectory of Regnault’s life was violently interrupted by the onset of the Franco-Prussian War. In a final, tragic act of devotion to his country, the artist laid down his brushes to take up arms. He fell on the field of battle in January 1871, at the tender age of twenty-seven. His death sent shockwaves through the Parisian art community, marking the loss of a talent that many believed would lead the next generation of French painters into a new era of brilliance.

    Despite his short life, Regnault’s impact remains indelible. He stands as a pivotal figure who navigated the delicate transition between the structured traditions of the past and the expressive freedoms of the modern age. His works continue to captivate audiences in institutions such as The Metropolitan Museum of Art, serving as enduring testaments to a spirit that was as much about the pursuit of truth as it was about the pursuit of beauty. In the annals of art history, Henri Regnault remains a luminous star—a painter whose brief, intense flame left behind a glow that continues to illuminate the complexities of 19th-century realism and Orientalism.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s Boating, which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s Autumn Rhythm (Number 30) commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of Gertrude Stein prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s Self-Portrait with a Straw Hat remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like Date Night at the Met occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Salome

    originaluniqueart.com/en/art/download/henri-regnault-salome-8Y3G6U-en/

    Cite this artwork

    MLA
    Regnault, Henri. Salome. 1870, Metropolitan Museum of Art. https://originaluniqueart.com/en/art/henri-regnault-salome-8Y3G6U-en/
    APA
    Regnault, Henri (1870). Salome [Painting]. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/henri-regnault-salome-8Y3G6U-en/
    Chicago
    Henri Regnault. Salome. 1870. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/henri-regnault-salome-8Y3G6U-en/
    Harvard
    Regnault, Henri (1870) Salome. Metropolitan Museum of Art. Available at: https://originaluniqueart.com/en/art/henri-regnault-salome-8Y3G6U-en/

    Look closely

    Salome — Henri Regnault

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: biblical myth, egyptian influence, female figure. Do you agree? What would you add, or take away?
    4. Look back at Automedon with the Horses of Achilles (1868), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Henri Regnault was about 27 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Salome — Henri Regnault

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the artist of Salome?

      • A Claude Monet
      • B Vincent van Gogh
      • C Henri Regnault
    2. 2. In which museum can you find Salome?

      • A Louvre Museum
      • B Musée d'Orsay
      • C Metropolitan Museum of Art
    3. 3. What artistic style is Salome primarily associated with?

      • A Impressionism
      • B Cubism
      • C Orientalism
    4. 4. Approximately when was Salome painted?

      • A 1600 AD
      • B 1870 AD
      • C 1950 AD
    5. 5. What medium was used to create Salome?

      • A Watercolor
      • B Sculpture
      • C Oil on canvas

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Salome" one of Henri Regnault's most popular works?

    "Salome" by Henri Regnault has an iconic popularity level. This classification reflects how widely the work is recognized.

    Are there works similar to "Salome"?

    Works similar to "Salome" are listed on the artwork's Similars page.

    Is Henri Regnault, creator of "Salome", known under other names?

    Henri Regnault is also known as Alexandre Georges Henri Regnault, Henri-Alexandre-Georges Regnault.