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Artwork dossier

Artwork dossier: bather

Order bather as a hand-painted oil edition

Henri Lebasque, bather (1910). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

bather artwork fact sheet

Artist
Henri Lebasque originaluniqueart.com/en/artists/henri-lebasque/
Artist’s dates
1865 – 1937
Painted
1910
Medium
Oil
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Period
Modern
Artistic style
Luminous, serene, and harmonious
Influences
Camille Pissarro, Auguste Renoir, Les Nabis, Georges Seurat, Paul Signac
Notable elements or techniques
Layering thin, translucent paint
Subject or theme
Leisure and relaxation in water

In context

bather — Henri Lebasque

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 45. The artist lived to 72. 114 of the 250 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henri Lebasque (1865–1937) ▲ this work, 1910 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1920 Late works: from 1920

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/henri-lebasque-bather-9GEN75-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aaa58f

    Catalogued palette

    • #AAA58F
    • #7D8367
    • #363F3C
    • #4F6054

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henri Lebasque over the last twelve months — 24 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 63.9%13,100 visits
    2. 2 United States of America 6.8%1,400 visits
    3. 3 Hong Kong 5.4%1,100 visits
    4. 4 Netherlands 3.9%800 visits
    5. 5 Spain 2.4%500 visits
    6. 6 France 2.4%500 visits
    7. 7 United Kingdom 2.0%400 visits
    8. 8 Brazil 1.5%300 visits
    9. 9 Germany 1.5%300 visits
    10. 10 Malaysia 1.5%300 visits
    11. · 14 other countries 8.7%1,800 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Henri Lebasque

    1. 1 Nude in Provence 3.4%900 visits
    2. 2 Women Sewing, 1922 2.3%600 visits
    3. 3 Hammock, 1923 2.3%600 visits
    4. 4 Woman in a White Dress, 1923 1.9%500 visits
    5. 5 Madame Lebasque and Her Daughters, 1903 1.9%500 visits
    6. 6 Rest on the Banks of the Yaudet, 1897 1.5%400 visits
    7. 7 Les Andelys Three Girls in a Garden, 1914 1.5%400 visits
    8. 8 The Terrace in Pradet 1.5%400 visits
    9. 9 Woman in a Boat with an Umbrella, 1915 1.5%400 visits
    10. 10 On the Beach, 1921 1.5%400 visits
    11. 11 Meal on the Terrace, 1914 1.1%300 visits
    12. 12 A fishing expedition, 1920 1.1%300 visits
    13. 13 Three Girls in a boat 1.1%300 visits
    14. 14 On the beach, 1920 1.1%300 visits
    15. 15 The Lesson 1.1%300 visits
    16. 16 Nude in Repose 1.1%300 visits
    17. 17 The Swing 1.1%300 visits
    18. 18 Le Cannet Madame Lebasque Reading in the Garden, 1923 0.8%200 visits
    19. 19 Garden in Spring, 1904 0.8%200 visits
    20. 30 bather, 1910 this painting 0.8%200 visits

    Together these works take 29.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 539 works by this artist, of which 170 were looked at at least once. This painting ranks 30 of them, with 0.8% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    bather — Henri Lebasque

    The Depiction of Bather by Henri Lebasque

    Created about 1910, bather by Henri Lebasque captures a moment of leisure at the water's edge. The central figure is a woman positioned in the water, appearing to sit upon a bench. Her presence establishes a sense of quietude amidst a lively setting. Around her, several other people are gathered, some standing and others seated, observing or interacting within the shared space.

    The scene is punctuated by specific objects that ground the social atmosphere. Two umbrellas are placed within the composition—one toward the right side and another further back on the left. Near the center of the scene, a handbag rests on the ground, suggesting a temporary pause in activity. These elements contribute to a depiction of relaxation and the simple pleasures of a day spent by the water.

    The Composition and Visual Elements

    The arrangement centers on a woman in the water, her body exposed to the viewer as she sits on a bench near the water's edge. She appears to be enjoying herself, embodying a moment of leisure and relaxation. Surrounding her, the scene includes several other people; some are standing while others are sitting, appearing to observe or interact with the central subject. This social layering creates a lively and engaging atmosphere within the aquatic setting.

    Spatial depth is established through the placement of various objects and figures. Two umbrellas are positioned within the frame—one toward the right side and another further back on the left. A handbag sits near the center of the scene, likely belonging to one of the individuals present. These details anchor the figures within a specific, lived-in environment of midday repose. The composition captures a fleeting instance of communal activity and quiet enjoyment.

    Artist and museum

    Artist

    Henri Lebasque

    Born in Champigné, France

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters, for example, exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch.

    Legacy and Recognition: A Lasting Impression

    Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d'Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

    Exploring Lebasque’s World Today

    For those seeking to delve deeper into the world of Henri Lebasque, resources abound. Online databases like AllPaintingsStore offer a comprehensive collection of his works, alongside biographical information and insights into his artistic process. Museum websites, such as that of the Musée d'Orsay, provide access to digitized collections and scholarly articles. Furthermore, platforms dedicated to art history, like Wikipedia and Artnet, offer valuable context and analysis of his career. The enduring appeal of Lebasque’s work lies in its ability to transport viewers to a realm of serenity and beauty – a testament to the power of art to transcend time and connect us to something truly timeless.

    Henri Lebasque study guide: keep exploring

    Find this online

    QR code linking to the download page for bather

    originaluniqueart.com/en/art/download/henri-lebasque-bather-9GEN75-en/

    Citing this artwork: bather

    MLA
    Lebasque, Henri. bather. 1910, https://originaluniqueart.com/en/art/henri-lebasque-bather-9GEN75-en/
    APA
    Lebasque, Henri (1910). bather [Painting]. https://originaluniqueart.com/en/art/henri-lebasque-bather-9GEN75-en/
    Chicago
    Henri Lebasque. bather. 1910. https://originaluniqueart.com/en/art/henri-lebasque-bather-9GEN75-en/
    Harvard
    Lebasque, Henri (1910) bather. Available at: https://originaluniqueart.com/en/art/henri-lebasque-bather-9GEN75-en/

    Art quiz

    bather — Henri Lebasque

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was the painting 'bather' created?

      • A 1900
      • B 1910
      • C 1920
    2. 2. Where is the woman in the painting located?

      • A In a garden
      • B In the water
      • C On a beach
    3. 3. What object is placed near the center of the scene?

      • A A handbag
      • B A hat
      • C A book
    4. 4. How many umbrellas are depicted in the painting?

      • A One
      • B Two
      • C Three
    5. 5. What is the overall atmosphere of the painting?

      • A Melancholic and dark
      • B Lively and engaging
      • C Quiet and somber

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3A · 4B · 5B

    Check any answer against the catalogue record for this painting

    For art students and researchers

    bather — Henri Lebasque

    Close-looking art worksheet on bather, for students and researchers

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: woman, water, people. Do you agree? What would you add, or take away?
    4. Look back at Street by the Port at Collioure (1921), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artistic current is "bather" by Henri Lebasque part of?

    "bather" by Henri Lebasque belongs to the Post-Impressionism movement. This movement provides the stylistic context of the work.

    What is the art-historical place of "bather" by Henri Lebasque?

    Historically, "bather" is a Post-Impressionism work of the broader Modern era.

    What is the perceived brightness of "bather" by Henri Lebasque?

    The perceived brightness of "bather" by Henri Lebasque is balanced. It can be matched to the light of the intended space.

    Can I see "bather" by Henri Lebasque on my own wall before buying?

    The AR Preview page of "bather" by Henri Lebasque uses augmented reality to show the artwork in your own space, on a compatible device.

    What is "bather" about?

    "bather" by Henri Lebasque depicts: woman, water, people, umbrella, handbag, bench, riverbank.

    All the questions and answers about bather