Paper

Student Artwork Guide

Skaters

Name Class Date

Hendrick Avercamp, Skaters, Pushkin State Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hendrick Avercamp originaluniqueart.com/en/artists/hendrick-avercamp/
Artist’s dates
1585 – 1634
Medium
Oil On Canvas
Original size
24 x 38 cm
Movement
Dutch Golden Age Seventeenth-century Dutch painting of everyday rooms, seas and citizens, bought by merchants rather than kings.
Held at
Pushkin State Museum originaluniqueart.com/en/museums/pushkin-state-museum-moscow/
Artistic style
Realistic
Influences
Bruegel
Notable elements
Ice skating scene
Subject or theme
Winter landscape

In context

Skaters — Hendrick Avercamp

How big is it?

The original measures 24 × 38 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 49 at death.

Shaded: the lifetime of Hendrick Avercamp (1585–1634) every dated painting, decade by decade

First works: up to 1609 Main working years: 1609–1620 Late works: from 1620

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/hendrick-avercamp-skaters-8Y329U-en/

Colours

Measured from the image

    Main colour

    Putty #e5c69a

    Catalogued palette

    • #E5C69A
    • #493431
    • #92745E
    • #C5A480

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hendrick Avercamp over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.8%
    2. 2 Germany 4.9%
    3. 3 United States of America 4.9%
    4. 4 United Kingdom 3.3%
    5. 5 Italy 3.3%
    6. 6 Ukraine 3.3%
    7. 7 Spain 1.6%
    8. 8 Greece 1.6%
    9. 9 India 1.6%
    10. 10 Singapore 1.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Hendrick Avercamp

    1. 1 Winter Scene on a Canal 19.5%
    2. 2 Winter Landscape with Skaters near a Village, 1610 6.1%
    3. 3 Winter Landscape with Skaters, 1608 4.9%
    4. 4 Winter Landscape with Skaters 4.9%
    5. 5 A Winter Scene, 1610 3.7%
    6. 6 Winter Landscape with Skaters (detail), 1608 3.7%
    7. 7 Winter Landscape with a Frozen Watercourse, 1610 3.7%
    8. 8 Winter Landscape, 1605 3.7%
    9. 9 Winter Scene at Yselmuiden, 1613 2.4%
    10. 10 Fishermen by Moonlight, 1620 2.4%
    11. 11 Winter Landscape with a Castle on an Island, 1605 2.4%
    12. 12 Winter Scene on a Frozen Canal, 1610 2.4%
    13. 13 Ice Scene with a Hunter Showing an Otter, 1611 2.4%
    14. 14 Winter Landscape, 1610 2.4%
    15. 15 A Scene on the Ice 2.4%
    16. 16 Winter Landscape, 1620 2.4%
    17. 17 A Farm to the Left of a Frozen River, 1615 2.4%
    18. 18 A Scene on the Ice 2.4%
    19. 19 Winter Scene outside the Wall of Kampen, 1613 2.4%
    20. — Skaters this painting 0.0%

    Together these works take 76.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 60 works by this artist, of which 38 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Skaters — Hendrick Avercamp

    A Frozen Moment in Time: Hendrick Avercamp’s “Skaters”

    Hendrick Avercamp's "Skaters," painted around 1608-9, isn’t merely a winter landscape; it’s a vibrant snapshot of Dutch life frozen in time. More than just depicting a group enjoying an ice day, the painting offers a profound glimpse into the social fabric and cultural attitudes of the early 17th century, a period defined by both artistic flourishing and the harsh realities of the Little Ice Age. Avercamp, a mute figure from Kampen, possessed an extraordinary ability to translate the nuances of his environment onto canvas – a skill honed perhaps through keen observation and a unique perspective on the world.

    The scene unfolds upon a seemingly endless expanse of ice, a frozen river or lake reflecting the overcast sky above. The composition is remarkably dynamic, drawing the eye across a bustling tableau populated by an astonishing number of figures. These aren’t idealized portraits; they are everyday people – farmers, merchants, children, and women – engaged in a multitude of activities: skating with varying degrees of skill, walking alongside the ice, tending to animals, and even engaging in what appears to be a lively courtship scene tucked away amongst the activity. Avercamp masterfully captures the energy and spontaneity of this communal event, imbuing it with a palpable sense of joy and camaraderie.

    The Art of Observation: Technique and Style

    Avercamp’s style is deeply rooted in the traditions of Flemish painting, particularly evident in his meticulous attention to detail and use of aerial perspective. The artist employs a technique reminiscent of Pieter Bruegel the Elder, known for his detailed depictions of peasant life. However, Avercamp elevates this approach with an unparalleled sense of realism and immediacy. Notice the subtle variations in clothing, the individual expressions on faces, and the way light plays across the ice – all rendered with remarkable precision.

    The painting’s color palette is dominated by earthy tones—ochres, browns, and grays—reflecting the muted hues of a winter landscape. Yet, these somber colors are punctuated by flashes of brighter shades: the crimson of a castle in the distance, the vibrant blue of clothing, and the rosy cheeks of children. This skillful use of color creates a captivating visual rhythm, guiding the viewer’s eye through the crowded scene. Avercamp's brushstrokes are visible, adding texture and depth to the painting – a testament to his direct approach and commitment to capturing the essence of the moment.

    A Window into 17th-Century Dutch Life

    “Skaters” offers invaluable insights into the social customs and daily routines of 17th-century Holland. The presence of a castle, likely an imaginary one, suggests a desire to elevate the scene beyond mere practicality, hinting at aspirations for grandeur and prosperity. The inclusion of animals – dogs, horses, and even a dead carcass – speaks to the importance of agriculture and livestock in the region’s economy. The painting also subtly reveals aspects of social interaction—a glimpse into courtship rituals, family gatherings, and community celebrations.

    Furthermore, the painting provides a poignant reminder of the challenges posed by the Little Ice Age. The frigid temperatures and extended periods of frost undoubtedly shaped the lives of ordinary people, influencing their activities and shaping their worldview. Avercamp’s depiction of these conditions serves as a powerful visual testament to the resilience and adaptability of the Dutch population.

    Symbolism and Emotional Resonance

    Beyond its documentary value, “Skaters” is rich in symbolism. The act of skating itself represents freedom, recreation, and a connection with nature—a vital escape from the demands of daily life. The bustling activity suggests a sense of community and shared experience. The inclusion of the dead animal, often interpreted as a symbol of mortality, adds a layer of complexity to the scene, reminding us of the fragility of life amidst the joys of winter.

    Ultimately, “Skaters” evokes a powerful emotional response—a sense of nostalgia for a bygone era, a fascination with human behavior, and an appreciation for the beauty of the natural world. It’s a painting that invites viewers to step back in time and immerse themselves in the vibrant heart of 17th-century Dutch society. Reproductions capture this essence beautifully, offering a timeless reminder of a frozen moment in history.

    Artist and museum

    Artist

    Hendrick Avercamp

    Born in Amsterdam, Netherlands

    A Pioneer of Dutch Winter: The Life and Art of Hendrick Avercamp

    Hendrick Avercamp, a name synonymous with the shimmering, frozen landscapes of the Dutch Golden Age, was born in Amsterdam on January 27, 1585. His life story is as intriguing as his art—a tale marked by both artistic innovation and personal circumstance. From an early age, it became apparent that Avercamp lived within a world experienced differently than most; he was mute, and likely deaf, earning him the affectionate yet defining moniker “de Stomme van Kampen” – the Mute of Kampen. This perceived limitation, however, did not stifle his artistic voice but perhaps sharpened his observational skills, allowing him to translate the nuances of the Dutch winter onto canvas with unparalleled clarity and charm. He initially studied in Amsterdam under Pieter Isaacsz, a portrait painter, and possibly also received guidance from David Vinckboons, whose influence can be seen in Avercamp’s early works. In 1608, he relocated to Kampen, where he would spend the majority of his life and establish himself as a unique and celebrated artist.

    Capturing a Frozen World: Artistic Style and Innovation

    Avercamp stands out as one of the first dedicated landscape painters in 17th-century Holland, a period traditionally dominated by portraiture, history painting, and still life. He carved his niche by specializing in winter scenes—a subject rarely explored with such consistent focus before him. His paintings aren’t merely depictions of cold weather; they are vibrant snapshots of Dutch life unfolding on the ice. Figures skate, sled, play kolf (a form of golf played on ice), and simply enjoy the frozen waterways, creating a lively tapestry of human activity against the stark beauty of the winter landscape. Avercamp's skill lies in his ability to convey both the chill of the season and the warmth of communal enjoyment. He masterfully employed aerial perspective, subtly shifting colors and details to create a convincing sense of depth, drawing the viewer into these icy worlds. His technique often involved applying watercolor washes over pen and ink drawings, creating delicate and luminous effects. These smaller works were frequently sold as finished pieces intended for inclusion in collectors’ albums—a testament to their intimate scale and appeal.

    Influences and Development: From Bruegel to Dutch Realism

    While Avercamp forged his own distinctive style, he wasn't working in a vacuum. The influence of Flemish masters like Pieter Bruegel the Elder is evident in his early compositions—the bustling scenes filled with numerous figures engaged in everyday activities. However, Avercamp moved beyond mere imitation, developing a uniquely Dutch sensibility characterized by meticulous detail and a keen observation of light and atmosphere. He embraced the growing trend towards realism within Dutch painting, accurately portraying the clothing, tools, and customs of his time. His work also reflects the climatic conditions of the Little Ice Age, a period of unusually cold winters in Europe, which undoubtedly fueled his fascination with frozen landscapes. Unlike some contemporaries who might idealize their subjects, Avercamp presented a realistic—and often humorous—view of life, including playful details that hint at human foibles and everyday occurrences.

    Legacy and Historical Significance

    Hendrick Avercamp’s impact on Dutch painting is considerable. He not only popularized the winter landscape as a legitimate subject for artistic exploration but also helped to define a distinctly Dutch approach to landscape painting—one that emphasized realism, atmospheric effects, and the depiction of everyday life. His work provided inspiration for later generations of artists and continues to captivate audiences today. Notable collections showcasing his artistry include the Rijksmuseum in Amsterdam, which holds a significant number of his paintings, and the Mauritshuis in The Hague. Avercamp’s legacy extends beyond his artistic achievements; he represents a triumph over adversity, demonstrating that creative expression can flourish even in the face of personal challenges. He died in Kampen on May 15, 1634, leaving behind a body of work that continues to offer a window into the vibrant and often-overlooked world of 17th-century Holland—a world frozen in time, yet brimming with life.

    Notable Works

    Winter Landscape with Skaters: Perhaps his most iconic work, this painting exemplifies Avercamp’s mastery of capturing the energy and atmosphere of a Dutch winter scene.

    Street in Delfi: A rare example of Avercamp venturing beyond landscapes, showcasing his skill in depicting town life.

    Enjoying the Ice near a Town: Demonstrates his ability to create dynamic compositions filled with numerous figures engaged in various activities.

    Museum

    Pushkin State Museum

    On show in Moscow, Russian Federation

    A Legacy Forged in Western Echoes

    Nestled on the banks of the Moskva River, opposite the imposing silhouette of Saint Basil’s Cathedral, the Pushkin State Museum of Fine Arts stands as more than just a repository of art; it's a meticulously curated chronicle of Europe’s artistic evolution. Founded in 1912 with a vision to foster a profound dialogue between Russian culture and the Western world, the museum’s story is inextricably linked to pivotal moments in Russian intellectual history – from the fervent embrace of modernism during the early 20th century through the complexities of Soviet times and beyond. Its very existence represents an audacious attempt to bridge continents and eras, a testament to the enduring power of art to transcend political boundaries and cultural differences. The building itself, conceived by the visionary architect Roman Klein and bolstered by the structural genius of Ivan Rerberg, is a breathtaking Neoclassical masterpiece – a monumental structure designed not merely to house masterpieces, but to embody the grandeur and intellectual weight of the collection within.

    The museum’s initial foundation was built upon a remarkably astute strategy: the acquisition of meticulously reproduced Italian Primitives. These early holdings—featuring seminal works by Giotto di Bondone, Piero della Francesca, and Masaccio—were not simply decorative additions; they were deliberate investments in introducing Russian audiences to the revolutionary techniques pioneered during the Medieval and Renaissance eras. More than mere visual appreciation, curators emphasized the profound connection between these artworks and the burgeoning humanist thought of the time, highlighting their role as expressions of a new understanding of humanity and its place in the world. This early commitment established a foundational bedrock for European art history, shaping not only the museum’s collection but also its intellectual mission.

    Dutch Mastery: Light, Shadow, and the Soul

    Venturing deeper into the museum's galleries reveals another transformative aesthetic revolution – one characterized by an obsession with chiaroscuro, or dramatic contrasts between light and shadow. The Dutch Masters, particularly Rembrandt van Rijn, command immediate attention not just for their likenesses but for their profound psychological depth. These paintings capture fleeting expressions of emotion, conveying a sense of inner contemplation and inviting viewers to engage with the complexities of human experience. Pieces like “Aristotle Contemplating a Bust of Homer” exemplify Rembrandt’s unparalleled ability to illuminate the human condition – to portray not just physical appearance but also intellectual curiosity and spiritual reflection. Beyond Rembrandt's iconic works, the museum showcases a diverse array of Dutch artists who flourished during the Golden Age—a period marked by unprecedented economic prosperity and an explosion of artistic innovation. Artists such as Johannes Vermeer, Frans Hals, and Jan Steen captured everyday life with remarkable precision and sensitivity, transforming mundane scenes into canvases brimming with beauty and emotion.

    The Impressionist Revolution: Capturing Fleeting Moments

    Perhaps the most celebrated section of the Pushkin’s collection is devoted to Impressionism and Post-Impressionism – a movement that irrevocably altered artistic conventions by prioritizing subjective experience over objective representation. Artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas sought to capture fleeting impressions of light and color—to convey not what the eye sees but how it feels. Monet’s landscapes—particularly his series depicting Giverny’s gardens—are imbued with an ethereal quality that transcends mere visual depiction; they evoke a sense of tranquility and wonder. The museum's holdings represent one of the largest and most significant collections of Impressionist art outside France, reflecting the discerning eye of its early curators who championed works that pushed the boundaries of artistic expression. Artists such as Vincent van Gogh and Paul Cézanne explored new visual languages—experimenting with bold colors and expressive brushstrokes to convey emotion and psychological insight.

    A Museum in Dialogue: Exhibitions and Enduring Significance

    Throughout its history, the Pushkin State Museum has hosted landmark exhibitions that illuminate both its permanent collection and engage with broader artistic narratives. From intimate retrospectives celebrating individual artists to expansive thematic explorations delving into pivotal movements in art history—the museum consistently stimulates intellectual curiosity and fosters appreciation for cultural heritage. Recent initiatives aimed at repatriating artworks previously held in Hermitage collections underscore the Pushkin’s commitment to scholarly rigor and collaborative partnerships – a testament to its enduring role as a center for artistic research and preservation. As Moscow continues to evolve as a global hub of culture and innovation, the Pushkin State Museum remains steadfast in its mission—to inspire visitors with the transformative power of art and to perpetuate the dialogue between past and present that defines its distinctive identity. The museum’s commitment extends beyond mere display; it actively seeks to connect these masterpieces with contemporary audiences through innovative programming and educational initiatives, ensuring that the legacy of European art continues to resonate for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Skaters

    originaluniqueart.com/en/art/download/hendrick-avercamp-skaters-8Y329U-en/

    Cite this artwork

    MLA
    Avercamp, Hendrick. Skaters. n.d., Pushkin State Museum. https://originaluniqueart.com/en/art/hendrick-avercamp-skaters-8Y329U-en/
    APA
    Avercamp, Hendrick (n.d.). Skaters [Painting]. Pushkin State Museum. https://originaluniqueart.com/en/art/hendrick-avercamp-skaters-8Y329U-en/
    Chicago
    Hendrick Avercamp. Skaters. n.d. Pushkin State Museum. https://originaluniqueart.com/en/art/hendrick-avercamp-skaters-8Y329U-en/
    Harvard
    Avercamp, Hendrick (n.d.) Skaters. Pushkin State Museum. Available at: https://originaluniqueart.com/en/art/hendrick-avercamp-skaters-8Y329U-en/

    Look closely

    Skaters — Hendrick Avercamp

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: skating, winter, netherlands. Do you agree? What would you add, or take away?
    4. Look back at Winter Scene on a Canal, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Dutch Golden Age: Seventeenth-century Dutch painting of everyday rooms, seas and citizens, bought by merchants rather than kings. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Skaters — Hendrick Avercamp

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What historical period is most closely associated with Hendrick Avercamp’s ‘Skaters’?

      • A The Renaissance
      • B The Dutch Golden Age
      • C The Baroque Period
    2. 2. What is a prominent feature of the landscape depicted in ‘Skaters’?

      • A A volcanic eruption
      • B A frozen river and townscape
      • C A lush, tropical rainforest
    3. 3. The painting likely reflects which of the following historical events?

      • A The French Revolution
      • B The Little Ice Age
      • C The Roman Empire's decline
    4. 4. What artistic technique is most evident in Avercamp’s use of color and perspective?

      • A Impasto
      • B Aerial Perspective
      • C Pointillism
    5. 5. Based on the description, what is a key element that suggests the painting’s historical context?

      • A The presence of modern clothing
      • B The depiction of everyday activities and social scenes
      • C The focus solely on religious figures

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Which museum holds the original "Skaters"?

    "Skaters" by Hendrick Avercamp is on display at the Pushkin State Museum, Moscow, Russian Federation. The museum listing refers to the original work, not to reproductions.

    Is "Skaters" by Hendrick Avercamp among the sought-after Dutch Golden Age artworks?

    Within the Dutch Golden Age movement, "Skaters" has a recognized popularity level.

    How do movement and era meet in "Skaters" by Hendrick Avercamp?

    "Skaters" by Hendrick Avercamp is placed in the Dutch Golden Age movement, within the Early-Modern era of its creator.