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Student Artwork Guide

The big machine

Name Class Date

Giorgio de Chirico, The big machine. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Giorgio de Chirico originaluniqueart.com/en/artists/giorgio-de-chirico/
Artist’s dates
1888 – 1978
Medium
Oil On Canvas
Movement
Metaphysical art
Period
Modern
Artistic style
Surrealistic
Notable elements or techniques
Surreal, mechanical dreamscape
Subject or theme
Mechanical tower and figures

In context

The big machine — Giorgio de Chirico

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Shaded: the lifetime of Giorgio de Chirico (1888–1978) every dated painting, decade by decade

First works: up to 1914 Main working years: 1914–1947 Late works: from 1947

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/giorgio-de-chirico-the-big-machine-8EWHFJ-en/

Colours

Measured from the image

    Main colour

    Steel Blue #1b7fb8

    Catalogued palette

    • #1B7FB8
    • #D6A485
    • #663430
    • #6BACC6

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Giorgio de Chirico over the last twelve months — 45 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 47.4%14,600 visits
    2. 2 United States of America 7.8%2,400 visits
    3. 3 Italy 4.9%1,500 visits
    4. 4 Japan 4.9%1,500 visits
    5. 5 Romania 4.5%1,400 visits
    6. 6 France 4.2%1,300 visits
    7. 7 Germany 2.9%900 visits
    8. 8 United Kingdom 2.6%800 visits
    9. 9 Argentina 2.3%700 visits
    10. 10 Mexico 1.9%600 visits
    11. · 35 other countries 16.6%5,100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Giorgio de Chirico

    1. 1 The Child's Brain, 1917 4.3%2,600 visits
    2. 2 The Prodigal Son, 1922 4.1%2,500 visits
    3. 3 The Song of Love, 1914 3.9%2,400 visits
    4. 4 Hector and Andromache, 1917 3.8%2,300 visits
    5. 5 The Great Metaphysician, 1917 3.1%1,900 visits
    6. 6 The Uncertainty of the Poet, 1913 3.0%1,800 visits
    7. 7 Great metaphysical interior, 1917 3.0%1,800 visits
    8. 8 Enigma of the arrival of evening 1.8%1,100 visits
    9. 9 The Uncertainty of the Poet 1.8%1,100 visits
    10. 10 The Enigma of the Arrival and the Afternoon, 1912 1.8%1,100 visits
    11. 11 Homesicknessof an Engineer 1.6%1,000 visits
    12. 12 The Enigma of the Hour, 1911 1.5%900 visits
    13. 13 Melancholy and Mystery of a street 1.5%900 visits
    14. 14 Turin Spring, 1914 1.5%900 visits
    15. 15 The Enigma of a Day 1.5%900 visits
    16. 16 Gare Montparnasse (The Melancholy of Departure), 1914 1.3%800 visits
    17. 17 The Enigma of the Oracle, 1910 1.3%800 visits
    18. 18 The Archaeologists, 1927 1.1%700 visits
    19. 19 The Jewish Angel, 1916 1.0%600 visits
    20. 23 The big machine this painting 1.0%600 visits

    Together these works take 43.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 372 works by this artist, of which 194 were looked at at least once. This painting ranks 23 of them, with 1.0% of that attention (600 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The big machine — Giorgio de Chirico

    The Visual Composition of The Big Machine

    The painting is a surrealistic artwork by the artist Giorgio De Chirico. The scene features a large tower with various mechanical devices on top of it. There are two people in the picture, one standing near the left side and another closer to the right side. In addition to the tower, there are several other objects scattered throughout the painting.

    The composition includes the following elements:

    A clock located towards the center-left of the image

    A bird situated above the middle of the scene

    A boat on the far right side

    Technical Details

    The artwork is executed as an oil on canvas. The main color present in the piece is steel blue.

    Artist and museum

    Artist

    Giorgio de Chirico

    Born in Volos, Greece

    A Dreamscape of the Mind: The Life and Art of Giorgio de Chirico

    Born in 1888 in Volos, Greece, to Italian parents—a Genoese mother and a Sicilian father—Giorgio de Chirico’s artistic journey was one steeped in both classical heritage and a burgeoning sense of modern alienation. His early education at the Athens Polytechnic laid a foundation in traditional techniques, but it was his subsequent studies in Munich that truly ignited his creative spirit. There, amidst the intellectual ferment of pre-war Europe, he encountered the works of Arnold Böcklin and Max Klinger, artists whose symbolic landscapes and haunting imagery would deeply resonate with his own developing aesthetic. Equally influential were the philosophical currents of the time—the writings of Friedrich Nietzsche, Arthur Schopenhauer, and Otto Weininger—which explored themes of existentialism, the irrationality of human desire, and the subjective nature of reality. These ideas would become central to de Chirico’s groundbreaking artistic vision.

    The Birth of Metaphysical Painting

    Around 1909, a unique style began to emerge from de Chirico's explorations—a style that he himself termed “Metaphysical” art. This wasn’t merely a stylistic innovation; it was a profound attempt to capture the hidden realities beneath the surface of everyday life, to reveal the unsettling poetry lurking within familiar spaces. A pivotal moment occurred during a visit to Florence and an experience in Piazza Santa Croce, which sparked his iconic ‘Metaphysical Town Square’ series. These paintings are characterized by their eerie stillness, long dramatic shadows, illogical perspectives, and the presence of classical architecture juxtaposed with unsettling elements like faceless mannequins and looming statues. The effect is deeply disquieting, evoking a sense of nostalgia, isolation, and an almost unbearable longing for something lost or unattainable. De Chirico founded the Scuola Metafisica, profoundly impacting Surrealism, though he would later distance himself from its interpretations of his work. His paintings weren’t intended as illustrations of dreams, but rather as attempts to depict a reality beyond the visible world—a realm where time and space are fluid, and the boundaries between consciousness and unconsciousness blur. Notable works like The Vexations of the Thinker, The Enigma of an Autumn Afternoon, and *The Song of Love* exemplify this haunting aesthetic, inviting viewers to contemplate the mysteries of existence and the fragility of human perception.

    A Shift in Style and a Lasting Legacy

    Following World War I, around 1919, de Chirico’s artistic path took an unexpected turn. He rejected his earlier metaphysical approach, embracing instead a more traditional neoclassical or neo-baroque style. This shift was met with considerable controversy; many critics lamented the perceived decline in quality and accused him of abandoning the innovative spirit that had defined his early work. However, de Chirico remained steadfast in his artistic choices, revisiting themes from his past but rendering them with a different aesthetic sensibility. He continued to paint and exhibit prolifically throughout his life, exploring various styles and subjects while maintaining a consistent commitment to craftsmanship and technical skill. Despite the criticism, his influence on subsequent generations of artists cannot be overstated. His innovative use of space, perspective, and symbolism challenged conventional artistic norms and paved the way for new forms of expression.

    Influences and Enduring Impact

    De Chirico’s work stands as a crucial bridge between the late 19th-century Symbolist movement and the rise of Surrealism in the early 20th century. He was directly influenced by artists like Arnold Böcklin and Max Klinger, whose evocative imagery resonated with his own fascination with mythology and the subconscious mind. Philosophers such as Nietzsche and Schopenhauer provided him with a framework for exploring themes of existential angst, alienation, and the search for meaning in a seemingly meaningless world. However, de Chirico’s influence extended far beyond Surrealism. Artists like René Magritte and Salvador Dalí were deeply inspired by his metaphysical paintings, adopting his techniques of juxtaposition, illogical perspective, and symbolic imagery to create their own dreamlike worlds. His work also impacted later movements such as Magic Realism, which sought to depict everyday reality with a heightened sense of mystery and psychological depth. Today, de Chirico’s paintings are exhibited in major museums worldwide, including the Museum dedicated to his work near the Spanish Steps in Rome, ensuring that his legacy as one of the most important figures in 20th-century art remains secure. He left behind not just a body of artwork but a new way of seeing—a way of perceiving the world as a place of hidden meanings, unsettling beauty, and enduring mystery.

    Key Influences & Artistic Lineage

    Influenced By: Arnold Böcklin, Max Klinger, Friedrich Nietzsche, Arthur Schopenhauer.

    Influenced: Surrealism, particularly artists like René Magritte and Salvador Dalí. His work also impacted later movements such as Magic Realism.

    Where to read more

    Find this online

    QR code linking to the download page for The big machine

    originaluniqueart.com/en/art/download/giorgio-de-chirico-the-big-machine-8EWHFJ-en/

    Cite this artwork

    MLA
    Chirico, Giorgio de. The big machine. n.d., https://originaluniqueart.com/en/art/giorgio-de-chirico-the-big-machine-8EWHFJ-en/
    APA
    Chirico, Giorgio de (n.d.). The big machine [Painting]. https://originaluniqueart.com/en/art/giorgio-de-chirico-the-big-machine-8EWHFJ-en/
    Chicago
    Giorgio de Chirico. The big machine. n.d. https://originaluniqueart.com/en/art/giorgio-de-chirico-the-big-machine-8EWHFJ-en/
    Harvard
    Chirico, Giorgio de (n.d.) The big machine. Available at: https://originaluniqueart.com/en/art/giorgio-de-chirico-the-big-machine-8EWHFJ-en/

    Look closely

    The big machine — Giorgio de Chirico

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: tower, people, clock. Do you agree? What would you add, or take away?
    4. Look back at The Child's Brain (1917), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Giorgio de Chirico: böcklin and klinger influence, nietzsche and schopenhauer themes, existential dread and mystery. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The big machine — Giorgio de Chirico

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Who is the artist of 'The big machine'?

      • A Salvador Dalí
      • B Giorgio de Chirico
      • C René Magritte
    2. 2. What type of artwork is 'The big machine' described as?

      • A A surrealistic artwork
      • B A neoclassical portrait
      • C An impressionist landscape
    3. 3. Which object is located towards the center-left of the painting?

      • A A boat
      • B A bird
      • C A clock
    4. 4. Where is a boat located in the painting?

      • A On the far right side
      • B Near the left side
      • C In the middle of the scene
    5. 5. What feature is found on top of the large tower in the artwork?

      • A Classical statues
      • B Various mechanical devices
      • C A single bird nest

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2A · 3C · 4A · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What is the format of "The big machine"?

    The format of "The big machine" is tall. This is useful when planning where a reproduction will be placed.

    What color saturation does "The big machine" by Giorgio de Chirico have?

    The palette of "The big machine" is clear color presence in saturation.

    What kind of piece is "The big machine"?

    "The big machine" by Giorgio de Chirico is classified as wall art. The category describes the kind of artwork the original is.