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Student Artwork Guide

An Amazon

Name Class Date

Giorgio de Chirico, An Amazon (1913). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Giorgio de Chirico originaluniqueart.com/en/artists/giorgio-de-chirico/
Artist’s dates
1888 – 1978
Painted
1913
Medium
Oil On Canvas
Period
Modern
Artistic style
Cubist influence; Symbolism
Influences
Arnold Böcklin, Max Klinger
Notable elements or techniques
Dreamlike atmosphere; Perspective distortion
Subject or theme
Mythology; Landscape

In context

An Amazon — Giorgio de Chirico

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Painted when the artist was 25. The artist lived to 90. 5 of the 95 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Giorgio de Chirico (1888–1978) ▲ this work, 1913 every dated painting, decade by decade

First works: up to 1914 Main working years: 1914–1947 Late works: from 1947

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/giorgio-de-chirico-an-amazon-8XY4SU-en/

Colours

Measured from the image

    Main colour

    Sap Green #73643e

    Catalogued palette

    • #73643E
    • #2E1214
    • #533522
    • #A3A190

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Giorgio de Chirico over the last twelve months — 41 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 47.5%
    2. 2 United States of America 8.1%
    3. 3 Japan 5.1%
    4. 4 Italy 4.7%
    5. 5 Romania 4.7%
    6. 6 France 4.1%
    7. 7 Germany 3.1%
    8. 8 United Kingdom 2.7%
    9. 9 Argentina 2.4%
    10. 10 Mexico 2.0%
    11. · 31 other countries 15.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Giorgio de Chirico

    1. 1 The Child's Brain, 1917 4.4%
    2. 2 The Prodigal Son, 1922 4.2%
    3. 3 The Song of Love, 1914 4.0%
    4. 4 Hector and Andromache, 1917 3.9%
    5. 5 The Great Metaphysician, 1917 2.9%
    6. 6 The Uncertainty of the Poet, 1913 2.7%
    7. 7 Great metaphysical interior, 1917 2.7%
    8. 8 Enigma of the arrival of evening 1.8%
    9. 9 The Uncertainty of the Poet 1.8%
    10. 10 The Enigma of the Arrival and the Afternoon, 1912 1.8%
    11. 11 Homesicknessof an Engineer 1.7%
    12. 12 The Enigma of the Hour, 1911 1.5%
    13. 13 Melancholy and Mystery of a street 1.5%
    14. 14 Turin Spring, 1914 1.5%
    15. 15 Gare Montparnasse (The Melancholy of Departure), 1914 1.3%
    16. 16 The Enigma of a Day 1.3%
    17. 17 The Enigma of the Oracle, 1910 1.3%
    18. 18 The Archaeologists, 1927 1.2%
    19. 19 The Jewish Angel, 1916 1.0%
    20. — An Amazon, 1913 this painting 0.0%

    Together these works take 42.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 372 works by this artist, of which 192 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    An Amazon — Giorgio de Chirico

    A Vision of Isolation: The Haunting Dreamscape of An Amazon

    In the quiet, unsettling corridors of early twentieth-century modernism, few images possess the arresting power of Giorgio de Chirico’s "An Amazon." Completed in 1913, this masterpiece serves as a profound cornerstone of what would become known as Surrealist art, capturing a moment that feels suspended between reality and a fever dream. At first glance, the viewer is met with a striking tableau: a woman clad in a vibrant scarlet dress, perched atop a magnificent chestnut horse against the backdrop of a desolate, sun-scorched hillside. Yet, to look merely at the surface is to miss the profound existential weight de Chirico intended to convey. The painting is not simply a portrait of a rider; it is a meticulously crafted window into the human psyche, designed to provoke contemplation about solitude, strength, and the heavy silence of the unknown.

    The subject matter draws deeply from the well of classical mythology, invoking the legendary Amazons—the fierce, independent warrior women of antiquity. By placing this mythic figure within such a stark, lonely landscape, de Chirimento injects a sense of heroic grandeur into an otherwise bleak setting. However, he deliberately avoids the trappings of romantic idealism. Instead of a triumphant conqueror, we see a woman whose gaze is directed inward, suggesting a state of deep introspection or perhaps a quiet resignation to her isolation. The horse, too, transcends its role as a mere beast of burden; it stands as a symbol of stability and groundedness amidst the turbulent, unseen emotions that haunt the composition.

    The Architecture of a Dream: Technique and Spatial Distortion

    De Chirico’s technical mastery lies in his ability to blend meticulous realism with a disorienting, dreamlike abstraction. He employs a precise hand to render the tactile details of the scene—the coarse texture of the horse’s mane, the heavy folds of the scarlet fabric, and the ruggedness of the rocky terrain. This level of detail creates a convincing illusion of reality that makes the subsequent distortions all the more unsettling. Through a technique reminiscent of Cubism but pushed toward a much more profound psychological depth, de Chirico manipulates perspective and scale to create an illogical space. The hillside does not follow the rules of conventional landscape painting; instead, it exists in muted, oppressive tones of ochre and brown, creating a sense of heavy, stagnant air.

    This chromatic harmony—or perhaps disharmony—is central to the painting's emotional impact. The sudden, piercing brightness of the woman’s red dress acts as a focal point that vibrates against the desaturated earth tones, pulling the viewer’s eye into the center of this lonely drama. For collectors and interior designers, this piece offers a unique tension; it possesses the classical elegance required for sophisticated spaces, yet its avant-garde spirit provides a conversational edge that challenges the mundane. It is a work that does not merely decorate a wall but commands the atmosphere of a room, inviting guests to linger in its shadows and wonder about the stories hidden within its stillness.

    A Legacy of Metaphysical Mystery

    To understand "An Amazon," one must understand the era of Metaphysical Art that de Chirico pioneered. Influenced by the existential philosophies of Nietzsche and Schopenhauer, the artist sought to reveal the unsettling poetry hidden within the mundane. His work often features long, stretching shadows and empty spaces that evoke a sense of nostalgia and dread. In "An Amazon," this is achieved through the deliberate use of negative space and the isolation of the central figures. The presence of other distant figures in the periphery only serves to heighten the feeling of being alone in a vast, indifferent world.

    For those seeking to bring a piece of art history into their personal collections, a high-quality reproduction of "An Amazon" offers more than just visual beauty; it offers an entry point into the subconscious. It is a painting for the thinker, the dreamer, and the aesthete—a timeless reminder that beneath the surface of our daily lives, there exists a deeper, more mysterious layer of reality waiting to be explored. Whether placed in a contemporary gallery setting or a classic study, this work continues to resonate with the same haunting, beautiful intensity it possessed over a century ago.

    Artist and museum

    Artist

    Giorgio de Chirico

    Born in Volos, Greece

    A Dreamscape of the Mind: The Life and Art of Giorgio de Chirico

    Born in 1888 in Volos, Greece, to Italian parents—a Genoese mother and a Sicilian father—Giorgio de Chirico’s artistic journey was one steeped in both classical heritage and a burgeoning sense of modern alienation. His early education at the Athens Polytechnic laid a foundation in traditional techniques, but it was his subsequent studies in Munich that truly ignited his creative spirit. There, amidst the intellectual ferment of pre-war Europe, he encountered the works of Arnold Böcklin and Max Klinger, artists whose symbolic landscapes and haunting imagery would deeply resonate with his own developing aesthetic. Equally influential were the philosophical currents of the time—the writings of Friedrich Nietzsche, Arthur Schopenhauer, and Otto Weininger—which explored themes of existentialism, the irrationality of human desire, and the subjective nature of reality. These ideas would become central to de Chirico’s groundbreaking artistic vision.

    The Birth of Metaphysical Painting

    Around 1909, a unique style began to emerge from de Chirico's explorations—a style that he himself termed “Metaphysical” art. This wasn’t merely a stylistic innovation; it was a profound attempt to capture the hidden realities beneath the surface of everyday life, to reveal the unsettling poetry lurking within familiar spaces. A pivotal moment occurred during a visit to Florence and an experience in Piazza Santa Croce, which sparked his iconic ‘Metaphysical Town Square’ series. These paintings are characterized by their eerie stillness, long dramatic shadows, illogical perspectives, and the presence of classical architecture juxtaposed with unsettling elements like faceless mannequins and looming statues. The effect is deeply disquieting, evoking a sense of nostalgia, isolation, and an almost unbearable longing for something lost or unattainable. De Chirico founded the Scuola Metafisica, profoundly impacting Surrealism, though he would later distance himself from its interpretations of his work. His paintings weren’t intended as illustrations of dreams, but rather as attempts to depict a reality beyond the visible world—a realm where time and space are fluid, and the boundaries between consciousness and unconsciousness blur. Notable works like The Vexations of the Thinker, The Enigma of an Autumn Afternoon, and *The Song of Love* exemplify this haunting aesthetic, inviting viewers to contemplate the mysteries of existence and the fragility of human perception.

    A Shift in Style and a Lasting Legacy

    Following World War I, around 1919, de Chirico’s artistic path took an unexpected turn. He rejected his earlier metaphysical approach, embracing instead a more traditional neoclassical or neo-baroque style. This shift was met with considerable controversy; many critics lamented the perceived decline in quality and accused him of abandoning the innovative spirit that had defined his early work. However, de Chirico remained steadfast in his artistic choices, revisiting themes from his past but rendering them with a different aesthetic sensibility. He continued to paint and exhibit prolifically throughout his life, exploring various styles and subjects while maintaining a consistent commitment to craftsmanship and technical skill. Despite the criticism, his influence on subsequent generations of artists cannot be overstated. His innovative use of space, perspective, and symbolism challenged conventional artistic norms and paved the way for new forms of expression.

    Influences and Enduring Impact

    De Chirico’s work stands as a crucial bridge between the late 19th-century Symbolist movement and the rise of Surrealism in the early 20th century. He was directly influenced by artists like Arnold Böcklin and Max Klinger, whose evocative imagery resonated with his own fascination with mythology and the subconscious mind. Philosophers such as Nietzsche and Schopenhauer provided him with a framework for exploring themes of existential angst, alienation, and the search for meaning in a seemingly meaningless world. However, de Chirico’s influence extended far beyond Surrealism. Artists like René Magritte and Salvador Dalí were deeply inspired by his metaphysical paintings, adopting his techniques of juxtaposition, illogical perspective, and symbolic imagery to create their own dreamlike worlds. His work also impacted later movements such as Magic Realism, which sought to depict everyday reality with a heightened sense of mystery and psychological depth. Today, de Chirico’s paintings are exhibited in major museums worldwide, including the Museum dedicated to his work near the Spanish Steps in Rome, ensuring that his legacy as one of the most important figures in 20th-century art remains secure. He left behind not just a body of artwork but a new way of seeing—a way of perceiving the world as a place of hidden meanings, unsettling beauty, and enduring mystery.

    Key Influences & Artistic Lineage

    Influenced By: Arnold Böcklin, Max Klinger, Friedrich Nietzsche, Arthur Schopenhauer.

    Influenced: Surrealism, particularly artists like René Magritte and Salvador Dalí. His work also impacted later movements such as Magic Realism.

    Where to read more

    Find this online

    QR code linking to the download page for An Amazon

    originaluniqueart.com/en/art/download/giorgio-de-chirico-an-amazon-8XY4SU-en/

    Cite this artwork

    MLA
    Chirico, Giorgio de. An Amazon. 1913, https://originaluniqueart.com/en/art/giorgio-de-chirico-an-amazon-8XY4SU-en/
    APA
    Chirico, Giorgio de (1913). An Amazon [Painting]. https://originaluniqueart.com/en/art/giorgio-de-chirico-an-amazon-8XY4SU-en/
    Chicago
    Giorgio de Chirico. An Amazon. 1913. https://originaluniqueart.com/en/art/giorgio-de-chirico-an-amazon-8XY4SU-en/
    Harvard
    Chirico, Giorgio de (1913) An Amazon. Available at: https://originaluniqueart.com/en/art/giorgio-de-chirico-an-amazon-8XY4SU-en/

    Look closely

    An Amazon — Giorgio de Chirico

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: horse riding, greek landscape, red dress. Do you agree? What would you add, or take away?
    4. Look back at The Child's Brain (1917), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Giorgio de Chirico was about 25 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color intensity does "An Amazon" by Giorgio de Chirico have?

    The color intensity of "An Amazon" is balanced. Intensity describes how strong the colors appear.

    What historical period is "An Amazon" by Giorgio de Chirico from?

    "An Amazon" belongs to the Modern era.

    How is the mood of "An Amazon" by Giorgio de Chirico described?

    "An Amazon" by Giorgio de Chirico is described as mystical in mood. This classification can help match the work to a setting.