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Student Artwork Guide

Self-Portrait

Name Class Date

Gerrit Dou, Self-Portrait (1665), Metropolitan Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Gerrit Dou originaluniqueart.com/en/artists/gerrit-dou/
Artist’s dates
1613 – 1675
Painted
1665
Medium
Oil On Canvas
Original size
49 x 39 cm
Period
Early Modern
Held at
Metropolitan Museum of Art originaluniqueart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Fijnzinnig, Detailed
Influences
Rembrandt
Notable elements or techniques
Chiaroscuro, Trompe l'oeil
Subject or theme
Self-portraiture

In context

Self-Portrait — Gerrit Dou

How big is it?

The original measures 49 × 39 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1610
  2. 1620
  3. 1630
  4. 1640
  5. 1650
  6. 1660
  7. 1670

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Painted when the artist was 52. The artist lived to 62. 94 of the 111 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Gerrit Dou (1613–1675) ▲ this work, 1665 every dated painting, decade by decade

First works: up to 1640 Main working years: 1640–1660 Late works: from 1660

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/gerrit-dou-self-portrait-8Y378P-en/

Colours

Measured from the image

    Main colour

    Black #0f0d0e

    Catalogued palette

    • #0F0D0E
    • #675A4D
    • #B8A597
    • #332A26

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Gerrit Dou over the last twelve months — 12 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.4%
    2. 2 United States of America 13.3%
    3. 3 Singapore 5.2%
    4. 4 Germany 3.0%
    5. 5 Hong Kong 2.2%
    6. 6 Malaysia 1.5%
    7. 7 Argentina 0.7%
    8. 8 Austria 0.7%
    9. 9 France 0.7%
    10. 10 Italy 0.7%
    11. · 2 other countries 1.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Gerrit Dou

    1. 1 A Fisherman's Wife, 1653 23.5%
    2. 2 Astronomer, 1650 4.0%
    3. 3 Self-Portrait, 1665 this painting 3.4%
    4. 4 English The Moneylender Français Le peseur d'or, 1664 3.4%
    5. 5 The Night School (detail), 1660 3.4%
    6. 6 Dentist by Candlelight, 1660 2.7%
    7. 7 The Dropsical Woman, 1663 2.7%
    8. 8 Self-Portrait, 1640 2.7%
    9. 9 Self-Portrait in a Window, 1657 2.0%
    10. 10 The Night School, 1660 2.0%
    11. 11 Old Woman Reading a Bible, 1630 2.0%
    12. 12 Reading the Bible, 1645 2.0%
    13. 13 An Elderly Woman, Seated by a Window at her Spinning Wheel, Eating Porridge, 1635 2.0%
    14. 14 Burgomaster Hasselaar and His Wife 2.0%
    15. 15 The Astronomer by Candlelight 1.3%
    16. 16 Girl with Burning Oil Lamp 1.3%
    17. 17 Violon Player, 1653 1.3%
    18. 18 Betender Einsiedler, 1670 1.3%
    19. 19 Young Mother, 1658 1.3%
    20. 20 The Physician, 1653 1.3%

    Together these works take 65.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 202 works by this artist, of which 64 were looked at at least once. This painting ranks 3 of them, with 3.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self-Portrait — Gerrit Dou

    A Moment of Contemplation: Gerrit Dou’s ‘Self-Portrait’

    Gerrit Dou's 1665 self-portrait is more than just a likeness; it’s an exquisitely rendered meditation on the artist’s own presence and the quiet beauty he sought to capture. Painted during the height of the Dutch Golden Age, this work exemplifies the meticulous style that earned Dou the moniker “Gérard Dou” – a testament to his dedication to detail and mastery of light. The painting immediately draws the eye to the artist himself, seated on a simple bench, holding an open book, a gesture suggesting both intellectual pursuit and personal reflection. This isn’t a flamboyant self-promotion; rather, it's a deeply intimate portrayal, inviting us into Dou’s world.

    The Art of Chiaroscuro and Trompe-l'oeil

    Dou’s technique is the cornerstone of this captivating piece. He was a leading figure within the Leiden fijnschilders – a group known for their incredibly detailed and realistic paintings, particularly their innovative use of chiaroscuro, the dramatic interplay of light and shadow. Notice how he skillfully manipulates darkness to sculpt the folds of his clothing, creating a palpable sense of volume and texture. The subtle gradations of tone are achieved through layers upon layers of translucent glazes – a hallmark of Dou’s process – building up color slowly to achieve an almost luminous effect. Furthermore, elements within the composition subtly employ trompe-l'oeil techniques, particularly in the rendering of the potted plants and the bird perched above, creating an illusion of three-dimensionality that further enhances the painting’s realism.

    Symbolism and Context

    The inclusion of the book suggests a connection to learning and knowledge, aligning with Dou’s own intellectual curiosity. The potted plants – likely herbs or flowers – were not merely decorative; they held symbolic significance in Dutch art, representing prosperity, fertility, and domestic tranquility. The bird, a frequent motif in Dou's work, could symbolize hope, freedom, or even the fleeting nature of time. Painted in 1665, this self-portrait reflects a period of relative stability for the Netherlands following the Thirty Years’ War, yet also hints at the anxieties and uncertainties that permeated society. Dou’s dedication to capturing these nuances speaks volumes about his artistic vision.

    A Legacy of Refinement

    Measuring 49 x 39 cm, this intimate self-portrait offers a rare glimpse into the studio of one of the Dutch Golden Age's most accomplished artists. Gerrit Dou’s meticulous approach and profound understanding of light and shadow have secured his place as a master of realism and a key figure in the development of Northern European painting. This hand-painted reproduction allows you to experience the full impact of Dou’s artistry, bringing this captivating moment of contemplation into your own space.

    Artist and museum

    Artist

    Gerrit Dou

    Born in Leiden, Netherlands

    biography of a prolific painter

    gerrit (gérard) dou, a prominent figure in the dutch golden age painting, was born on april 7, 1613, in leiden, netherlands. he passed away on february 9, 1675, leaving behind an impressive legacy of highly polished paintings that continue to captivate art enthusiasts worldwide.

    artistic style and specialization

    gerrit dou's artistic style is characterized by its minute and elaborate treatment, often featuring genre scenes and trompe l'oeil 'niche' paintings. his mastery of chiaroscuro is particularly notable, as seen in his candlelit night-scenes. this unique blend of skills has led to his association with the leiden fijnschilders.

    notable works and collections

    * the astronomer by candlelight, a painting that showcases dou's expertise in capturing the subtleties of light, can be found on AllPaintingsStore.com. * the leiden collection, new york, a renowned art museum, features works by gerrit dou, among other notable artists. for more information on the collection, visit the leiden collection, new york: a comprehensive guide on AllPaintingsStore.com.

    influence and legacy

    gerrit dou's influence can be seen in his pupils, including frans van mieris the elder and gabriël metsu. his work has also been featured in various museums, such as the museum huis ten bosch in the hague, netherlands, which houses an impressive collection of european art from the 16th to the 18th century.

    key facts: born: april 7, 1613, leiden, netherlands died: february 9, 1675 notable works: the astronomer by candlelight, genre scenes, and candlelit night-scenes influenced: frans van mieris the elder, gabriël metsu, and others

    recommended reading: * gerrit (gérard) dou on AllPaintingsStore.com * dutch golden age painting on wikipedia

    conclusion

    gerrit (gérard) dou's remarkable contributions to the dutch golden age have left an indelible mark on the art world. his captivating paintings, characterized by their intricate details and masterful use of light, continue to inspire artists and art enthusiasts alike. to explore more of his works and those of other notable artists, visit AllPaintingsStore.com.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s Boating, which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s Autumn Rhythm (Number 30) commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of Gertrude Stein prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s Self-Portrait with a Straw Hat remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like Date Night at the Met occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Self-Portrait

    originaluniqueart.com/en/art/download/gerrit-dou-self-portrait-8Y378P-en/

    Cite this artwork

    MLA
    Dou, Gerrit. Self-Portrait. 1665, Metropolitan Museum of Art. https://originaluniqueart.com/en/art/gerrit-dou-self-portrait-8Y378P-en/
    APA
    Dou, Gerrit (1665). Self-Portrait [Painting]. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/gerrit-dou-self-portrait-8Y378P-en/
    Chicago
    Gerrit Dou. Self-Portrait. 1665. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/gerrit-dou-self-portrait-8Y378P-en/
    Harvard
    Dou, Gerrit (1665) Self-Portrait. Metropolitan Museum of Art. Available at: https://originaluniqueart.com/en/art/gerrit-dou-self-portrait-8Y378P-en/

    Look closely

    Self-Portrait — Gerrit Dou

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, dutch painter, gerrit dou. Do you agree? What would you add, or take away?
    4. Look back at English The Moneylender Français Le peseur d'or (1664), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Gerrit Dou was about 52 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Self-Portrait" held in the country of its creator?

    No - the artwork is kept abroad. Gerrit Dou was born in Netherlands, and the original "Self-Portrait" is held in a museum in United States of America.

    Where is "Self-Portrait" suggested to be displayed, considering its palette?

    The earthy colors of "Self-Portrait" by Gerrit Dou match its recommended space: a living room.

    What mood and emotion come together in "Self-Portrait"?

    In "Self-Portrait", an elegant mood accompanies a reflective emotion.