Paper

Student Artwork Guide

Blue-01

Name Class Date

Georgia O'Keeffe, Blue-01 (1916), Brooklyn Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Georgia O'Keeffe originaluniqueart.com/en/artists/georgia-o-keeffe/
Artist’s dates
1887 – 1986
Painted
1916
Original size
41 x 28 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Held at
Brooklyn Museum originaluniqueart.com/en/museums/brooklyn-museum-brooklyn/
Artistic style
Abstract, Organic
Influences
Dow, Kandinsky
Notable elements
Layered blues & whites
Subject or theme
Nature, Abstraction

In context

Blue-01 — Georgia O'Keeffe

How big is it?

The original measures 41 × 28 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 99 at death.

Painted when the artist was 29. The artist lived to 99. 6 of the 154 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Georgia O'Keeffe (1887–1986) ▲ this work, 1916 every dated painting, decade by decade

First works: up to 1922 Main working years: 1922–1941 Late works: from 1941

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/georgia-o-keeffe-blue-01-D3DVRM-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b0a584

    Catalogued palette

    • #B0A584
    • #2D333A
    • #DDD1B0
    • #707270

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Georgia O'Keeffe over the last twelve months — 22 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.6%
    2. 2 United States of America 10.9%
    3. 3 Germany 6.9%
    4. 4 France 2.3%
    5. 5 Japan 2.3%
    6. 6 Poland 2.3%
    7. 7 Brazil 1.7%
    8. 8 Italy 1.7%
    9. 9 Malaysia 1.7%
    10. 10 Spain 1.1%
    11. · 12 other countries 8.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Georgia O'Keeffe

    1. 1 Light of Iris, 1924 10.3%
    2. 2 Red Cannas, 1927 6.4%
    3. 3 Oriental Poppies 3.0%
    4. 4 Blue And Green Music 3.0%
    5. 5 Black Door with Red 3.0%
    6. 6 Ram's Head, White Hollyhock-Hills, 1935 2.6%
    7. 7 Apple Family-2, 1920 1.7%
    8. 8 Series I White & Blue Flower Shapes, 1919 1.3%
    9. 9 Lavender Hill with Green, 1952 1.3%
    10. 10 Abstraction White Rose, 1927 1.3%
    11. 11 Jack in the Pulpit .V 1.3%
    12. 12 Red hills with pedernal, white clouds 1.3%
    13. 13 Cow's Skull Red, White, and Blue, 1931 0.9%
    14. 14 Music, Pink and Blue No. 2 0.9%
    15. 15 Blue wave maine, 1926 0.9%
    16. 16 Only One, 1959 0.9%
    17. 17 Series I, No. 12, 1920 0.9%
    18. 18 The Beyond, 1972 0.9%
    19. 19 Purple Hills Ghost Ranch - 2 / Purple Hills No II, 1934 0.9%
    20. — Blue-01, 1916 this painting 0.0%

    Together these works take 42.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 445 works by this artist, of which 133 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Blue-01 — Georgia O'Keeffe

    Georgia O’Keeffe’s “Blue-01”: A Symphony of Silence

    “Blue-01,” painted in 1916 by Georgia O'Keeffe, isn’t merely a watercolor; it’s an immersion into the artist’s nascent vision—a pivotal moment where abstraction began to blossom within her oeuvre. This deceptively simple work, executed on Japanese tissue paper, embodies the spirit of early modernism, rejecting traditional representational art in favor of exploring form, color, and emotion. The canvas itself is a study in layered tranquility, dominated by a spectrum of blues—ranging from the deepest indigo to delicate cerulean—intertwined with subtle whites that create an ethereal luminescence. It’s a piece that whispers rather than shouts, inviting prolonged contemplation and revealing new nuances with each viewing.

    O'Keeffe was deeply influenced by Arthur Wesley Dow’s teachings during her formative years at the School of the Art Institute of Chicago. Dow championed a philosophy of “suggestive drawing,” urging artists to prioritize color relationships and emotional resonance over literal depiction. This approach is strikingly evident in "Blue-01." The shapes aren't defined; they are suggestions, echoes of geological formations or perhaps the undulating surface of water—elements that would become recurring motifs in O’Keeffe’s later work. The loose, gestural brushstrokes contribute to a sense of movement and spontaneity, as if the colors themselves were flowing across the paper.

    The Language of Color and Form

    Technically, “Blue-01” is a masterclass in wet-on-wet watercolor application. O’Keeffe skillfully manipulated the pigment by allowing it to bleed and blend seamlessly into one another, creating soft edges and diffused tones. This technique—a hallmark of her early style—allowed for an organic quality, mirroring the natural world she so admired. The absence of sharp lines or defined contours further enhances this sense of fluidity. The composition is deliberately asymmetrical, with a dominant, upward-reaching form balanced by smaller, clustered shapes below. This dynamic arrangement creates visual interest and prevents the painting from feeling static.

    Interestingly, “Blue-01” was created during a period when O’Keeffe was experimenting with abstraction, largely influenced by Kandinsky's theories on color and emotion. While not fully embracing abstract expressionism as she would later, this piece demonstrates her growing interest in conveying feeling through purely visual means. The intense blues evoke feelings of serenity, introspection, and perhaps even a touch of melancholy—a quiet contemplation of the vastness of nature.

    Symbolic Resonance and Personal Connection

    The symbolism within “Blue-01” remains open to interpretation, adding layers of depth for the viewer. Some scholars suggest that the shapes might represent the contours of the New Mexico landscape – a region that would profoundly influence O’Keeffe's later work. Others see echoes of musical forms—the curves and swells reminiscent of a violin or cello. It’s also possible to interpret the piece through a more personal lens, considering O’Keeffe’s own emotional state at the time.

    The painting’s creation coincided with a period of significant transition for O'Keeffe – she was grappling with questions of identity and artistic direction. “Blue-01” can be viewed as an exploration of these internal struggles, expressed through the evocative language of color and form. It stands as a testament to her early ambition and her willingness to push beyond conventional boundaries, laying the groundwork for her enduring legacy as one of America’s most iconic modern artists.

    A Timeless Masterpiece: Reproduction Considerations

    Reproductions of “Blue-01” offer an accessible way to experience O'Keeffe’s groundbreaking work. When selecting a reproduction, consider the quality of materials and printing techniques. A high-quality print on archival paper will faithfully capture the subtle nuances of color and texture that define the original painting. The scale of the reproduction is also important—a larger format allows for greater detail to be appreciated, while a smaller piece can serve as a beautiful accent in any interior space.

    Whether displayed in a gallery or adorning your home, “Blue-01” continues to resonate with viewers today. It’s a poignant reminder of O'Keeffe’s artistic vision and her ability to transform the ordinary into something extraordinary—a timeless masterpiece that speaks volumes through its quiet beauty.

    Artist and museum

    Artist

    Georgia O'Keeffe

    Born in Sun Prairie, United States of America

    Early Life and Artistic Foundations

    Georgia Totto O'Keeffe, a name synonymous with American modernism, emerged from the unassuming landscape of Sun Prairie, Wisconsin, in 1887. Born into a family of Irish and Hungarian descent engaged in dairy farming, young Georgia displayed an artistic inclination early on, deciding by age ten that she would dedicate her life to art. This determination was nurtured through lessons with local watercolorist Sara Mann, followed by formal studies at the School of the Art Institute of Chicago from 1905 to 1906 and later at the University of Virginia. However, it was her encounter with Arthur Wesley Dow’s principles – emphasizing personal expression and a harmonious balance of color and line – that truly ignited her artistic path. Dow's teachings steered O'Keeffe away from strict realism toward a more subjective and emotionally resonant approach to art, an approach that would define her career. These formative years weren’t without their challenges; periods of illness and dissatisfaction led her to temporarily abandon painting, but the creative impulse always drew her back, evolving with each new experience and influence.

    New York and the Stieglitz Circle

    A pivotal moment arrived in 1916 when O'Keeffe’s abstract charcoal drawings were discovered by Alfred Stieglitz, a renowned photographer and art dealer. He exhibited her work without her prior knowledge, sparking a dialogue that would profoundly shape both their lives and the course of American art. Stieglitz recognized an exceptional talent in O'Keeffe, one that resonated with his own modernist sensibilities. He invited her to New York City in 1918, providing not only professional support but also fostering a deep personal connection. Their relationship blossomed into marriage in 1924, creating a dynamic artistic partnership and intellectual exchange. Stieglitz championed O'Keeffe’s work, showcasing it at his gallery “291” and promoting her as a leading figure in the American avant-garde. During this period, she began to develop her signature style – bold, simplified forms and intensely saturated colors – initially expressed through depictions of New York skyscrapers and, most famously, magnified flower paintings. These floral works, often interpreted (though consistently denied by O'Keeffe herself) as veiled representations of female anatomy, challenged conventional notions of beauty and sexuality in art.

    The Allure of the Southwest

    While New York provided a crucial platform for her early success, it was the landscapes of the American Southwest that truly captured O’Keeffe’s imagination and profoundly influenced her artistic vision. Her first visit to New Mexico in 1929 marked the beginning of a lifelong love affair with the region's stark beauty, vibrant colors, and unique cultural heritage. The vastness of the desert, the dramatic rock formations, and the ancient Pueblo architecture resonated deeply within her, inspiring a new series of paintings that reflected the spirit of the land. Works like Cow’s Skull: Red, White, and Blue (1931) and Summer Days (1936) are powerful testaments to this influence, transforming seemingly mundane objects into iconic symbols of the American West. She eventually settled permanently in New Mexico in 1949 following Stieglitz’s death, establishing a home and studio in Abiquiu that became integral to her artistic process and identity.

    Legacy and Enduring Influence

    Georgia O'Keeffe continued to paint prolifically throughout her life, experimenting with new subjects and pushing the boundaries of abstraction. Her later works included aerial views of clouds and skies, reflecting a fascination with the vastness and ethereal quality of the natural world. She remained fiercely independent and uncompromising in her artistic vision, refusing to be categorized or defined by prevailing art movements. O'Keeffe’s impact on American art is immeasurable. She paved the way for future generations of female artists, challenging societal norms and asserting her own unique voice in a male-dominated field. Her paintings continue to captivate audiences with their bold simplicity, emotional depth, and evocative power. The establishment of the Georgia O'Keeffe Museum in Santa Fe in 1997 further solidified her legacy, preserving her art and providing a space for ongoing scholarship and appreciation. In 2014, Jimson Weed/White Flower No. 1 sold for $44.4 million, setting a record price for a work by a female artist – a testament to the enduring value and significance of her artistic contribution. O’Keeffe's influence extends beyond painting; she became an icon of American individualism and self-reliance, inspiring countless artists and admirers with her unwavering commitment to her craft and her unique perspective on the world. Her work remains a powerful reminder of the transformative power of art and the enduring beauty of the natural world.

    Key Works & Museum Presence

    Red Canna: Exemplifies her early exploration of floral abstraction.

    Cow’s Skull: Red, White, and Blue (1931): A powerful symbol of the American Southwest and a meditation on mortality.

    Summer Days (1936): Captures the essence of the New Mexico landscape with its vibrant colors and simplified forms.

    Jimson Weed/White Flower No. 1: A monumental floral painting that showcases her mastery of scale and composition.

    O’Keeffe's works are prominently featured in numerous museums worldwide, including:

    Georgia O'Keeffe Museum (Santa Fe)

    Museum of Modern Art (New York)

    Art Institute of Chicago

    National Gallery of Art (Washington, D.C.)

    Her art continues to inspire and challenge viewers, solidifying her position as one of the most important and influential artists of the 20th century.

    Museum

    Brooklyn Museum

    On show in Brooklyn, United States of America

    A Legacy of Vision: Exploring the Brooklyn Museum

    The cultural tapestry of New York City is woven with threads of artistic ambition, yet few institutions possess the distinctive character and expansive vision of the Brooklyn Museum. Standing proudly near Prospect Park, this Beaux-Arts masterpiece isn't merely a repository for objects of beauty; it’s a dynamic space where history breathes, contemporary voices resonate, and artistic boundaries are continually challenged. Founded in 1823 as the Brooklyn Apprentices’ Library—a testament to the early belief in accessible education through art—the museum has evolved over nearly two centuries into the second-largest art museum in New York City, boasting a collection exceeding half a million works. The very stones of its current building, opened in 1897 and designed by the esteemed firm McKim, Mead & White, seem to whisper tales of artistic evolution and civic pride. Entering its grand halls is akin to stepping into a world where millennia converge, from the enigmatic allure of ancient Egypt to the provocative dialogues of modern masters. The museum’s strength lies in its remarkably diverse holdings, offering an unparalleled journey through human creativity across time and cultures.

    Echoes of Antiquity and American Innovation

    For those drawn to the mysteries of the past, the Egyptian antiquities collection offers a captivating portal into over 3,000 years of civilization. Sarcophagi stand as silent witnesses to elaborate funerary rituals, monumental sculptures evoke the power of pharaohs, and delicate jewelry reveals intricate beliefs about life, death, and the cosmos. But the Brooklyn Museum’s narrative doesn't end with antiquity. A cornerstone of its identity is a profound commitment to American art, showcasing pivotal movements from the Colonial period through the 20th century. Here, one encounters iconic works by Edward Hopper, capturing the quiet solitude of modern life in canvases like Nighthawks, alongside the vibrant landscapes of Winslow Homer and the abstract explorations of Mark Rothko and Georgia O'Keeffe. Consider Thomas Eakins’ powerful depiction of artistic creation, William Rush Carving His Allegorical Figure of the Schuylkill River, a dramatic oil painting showcasing realism and symbolism. Or Frederick Childe Hassam’s serene watercolor, Sunday Morning, Appledore, capturing coastal beauty in Impressionistic style. The museum doesn't simply display these masterpieces; it contextualizes them, revealing their place within broader cultural currents and artistic dialogues. Works like Asher Brown Durand’s The First Harvest in the Wilderness speak to a burgeoning national identity through landscape painting, while John Sloan’s The Haymarket offers a glimpse into urban life during the Ashcan School era.

    A Champion of Contemporary Voices

    Beyond its historical treasures, the Brooklyn Museum has consistently demonstrated a forward-thinking approach, embracing contemporary art that reflects the complexities of our time. The museum actively seeks out works that challenge conventions, provoke thought, and engage with pressing social issues. This commitment is particularly evident in its significant collection dedicated to feminist artist Judy Chicago, most notably including her groundbreaking installation The Dinner Party. A monumental work celebrating the achievements of women throughout history, The Dinner Party embodies the Brooklyn Museum’s dedication to amplifying marginalized voices and fostering a more inclusive art world. The museum's contemporary holdings aren’t simply about showcasing current trends; they are about initiating conversations, sparking debate, and pushing the boundaries of artistic expression. Gaines Ruger Donoho’s La Marcellerie, with its en plein air style, exemplifies the Impressionistic charm found within their collection, while John Henry Twachtman's Reflections offers a serene American Impressionist landscape to contemplate.

    A Unique Cultural Hub

    What truly sets the Brooklyn Museum apart is its deep connection to the community it serves. It isn’t a detached institution but rather a vibrant cultural hub actively engaged in educational programs, outreach initiatives, and events designed to inspire and connect with local residents. This commitment extends beyond traditional museum offerings; the Brooklyn Museum hosts film screenings, performances, workshops, and lectures, transforming itself into a dynamic space for learning and creative exchange. The Beaux-Arts architecture provides an inspiring backdrop for these activities, its spacious galleries offering both grandeur and intimacy. The museum’s historical significance—as one of New York City's oldest and most respected cultural institutions—is undeniable, but it is this ongoing dedication to innovation and community engagement that ensures its continued relevance in the 21st century. A visit to the Brooklyn Museum isn’t just an encounter with art; it’s an immersion into a living, breathing testament to human creativity and cultural heritage.

    It's a place where the past informs the present, and the future of art is actively being shaped.

    Exploring Further

    For those planning a visit:

    The Brooklyn Museum offers guided tours, audio guides, and interactive exhibits to enhance your experience. Check their website for current exhibitions and events.

    For collectors and designers:

    The museum’s diverse collection provides endless inspiration for interior design projects and art acquisitions. Explore the online collection database for high-resolution images and detailed information.

    For art enthusiasts:

    Dive deeper into the stories behind the artworks through lectures, workshops, and publications offered by the museum.

    Where to read more

    Find this online

    QR code linking to the download page for Blue-01

    originaluniqueart.com/en/art/download/georgia-o-keeffe-blue-01-D3DVRM-en/

    Cite this artwork

    MLA
    O'Keeffe, Georgia. Blue-01. 1916, Brooklyn Museum. https://originaluniqueart.com/en/art/georgia-o-keeffe-blue-01-D3DVRM-en/
    APA
    O'Keeffe, Georgia (1916). Blue-01 [Painting]. Brooklyn Museum. https://originaluniqueart.com/en/art/georgia-o-keeffe-blue-01-D3DVRM-en/
    Chicago
    Georgia O'Keeffe. Blue-01. 1916. Brooklyn Museum. https://originaluniqueart.com/en/art/georgia-o-keeffe-blue-01-D3DVRM-en/
    Harvard
    O'Keeffe, Georgia (1916) Blue-01. Brooklyn Museum. Available at: https://originaluniqueart.com/en/art/georgia-o-keeffe-blue-01-D3DVRM-en/

    Look closely

    Blue-01 — Georgia O'Keeffe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract forms, blue hues, organic shapes. Do you agree? What would you add, or take away?
    4. Look back at Oriental Poppies, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Blue-01 — Georgia O'Keeffe

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter of Georgia O’Keeffe’s ‘Blue-01’?

      • A A detailed portrait of a human figure
      • B An abstract representation of rock formations and flowing water
      • C A realistic depiction of a flower bouquet
    2. 2. The painting ‘Blue-01’ was created in which year?

      • A 1906
      • B 1916
      • C 1932
    3. 3. Which artistic movement is most closely associated with Georgia O’Keeffe’s style as demonstrated in ‘Blue-01’?

      • A Impressionism
      • B Cubism
      • C Abstract Expressionism
    4. 4. What technique is most evident in the creation of ‘Blue-01’?

      • A Precise line drawing
      • B Wet-on-wet watercolor application
      • C Oil painting with thick impasto
    5. 5. Based on the image description, what is the lighting like in ‘Blue-01’?

      • A Bright and direct sunlight
      • B Diffused, suggesting an indoor or shaded environment
      • C Dramatic chiaroscuro

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can I see "Blue-01" by Georgia O'Keeffe on my own wall before buying?

    "Blue-01" by Georgia O'Keeffe can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    What palette and what feeling does "Blue-01" combine?

    "Blue-01" by Georgia O'Keeffe combines a neutrals palette with a calm tone.

    Who is the artist behind "Blue-01"?

    "Blue-01" was created by Georgia O'Keeffe. The information on this page describes Georgia O'Keeffe's original work.