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Student Artwork Guide

Self Portrait

Name Class Date

Georges Lemmen, Self Portrait (1884). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Georges Lemmen originaluniqueart.com/en/artists/georges-lemmen/
Artist’s dates
1865 – 1916
Painted
1884
Movement
Neo-Impressionism A stricter, more scientific Impressionism, building pictures from separate dots and dabs of pure colour.

In context

Self Portrait — Georges Lemmen

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 51 at death.

Painted when the artist was 19. The artist lived to 51. 2 of the 44 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Georges Lemmen (1865–1916) ▲ this work, 1884 every dated painting, decade by decade

First works: up to 1891 Main working years: 1891–1907 Late works: from 1907

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/georges-lemmen-self-portrait-8YDTWK-en/

Colours

Measured from the image

    Main colour

    Walnut #8a6333

    Catalogued palette

    • #8A6333
    • #4C3723
    • #D3A14F
    • #1D1918

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Georges Lemmen over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.8%3,000 visits
    2. 2 United States of America 14.0%600 visits
    3. 3 Germany 4.7%200 visits
    4. 4 France 4.7%200 visits
    5. 5 Italy 4.7%200 visits
    6. 6 United Kingdom 2.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Georges Lemmen

    1. 1 Heyst No. 3: High Tide, 1891 8.7%400 visits
    2. 2 Autumn 8.7%400 visits
    3. 3 The Nap, 1906 6.5%300 visits
    4. 4 Little Pierre 1 6.5%300 visits
    5. 5 Family Gathering in Saint-Idesbald, 1910 4.3%200 visits
    6. 6 Flowers and Apples, 1909 4.3%200 visits
    7. 7 Sleep, 1900 4.3%200 visits
    8. 8 Self Portrait 3 4.3%200 visits
    9. 9 View of the Thames 4.3%200 visits
    10. 10 Courbevoie. Factories by Moonlight 4.3%200 visits
    11. 11 Julie Lemmen Sleeping in an Armchair, 1884 2.2%100 visits
    12. 12 The Fan, 1907 2.2%100 visits
    13. 13 The Carousel, 1896 2.2%100 visits
    14. 14 Hat with a Red Ribbon, 1908 2.2%100 visits
    15. 15 Madame Gaorges Mellen and Lise (also known as The New Baby), 1904 2.2%100 visits
    16. 16 Tea (also known as Madame Gaorges Lemmen), 1902 2.2%100 visits
    17. 17 Madame Lemmen, 1908 2.2%100 visits
    18. 18 Woman with Bared Breast, 1907 2.2%100 visits
    19. 19 Saint Marie Church, 1908 2.2%100 visits
    20. — Self Portrait, 1884 this painting 0.0%0 visits

    Together these works take 76.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 74 works by this artist, of which 30 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Georges Lemmen

    Born in Schaerbeek, Belgium

    The Luminous Vision of Georges Lemmen

    In the vibrant tapestry of late nineteenth-century European art, few threads shimmer with as much scientific precision and poetic grace as those woven by Georges Lemmen. A pioneer of Belgian Pointillism, Lemmen occupied a unique space where the rigorous observation of anatomy met the ethereal beauty of light. Born in Schaerbeek, Belgium, in 1865, his early life was shaped by an unusual intersection of disciplines. His formative training at Saint George’s Hospital in London provided him with a profound understanding of human anatomy—a skill honed alongside his contemporary, Helen Lemmens. This medical foundation did not merely inform his anatomical accuracy; it instilled in him a lifelong fascination with the structural essence of his subjects, allowing him to approach the canvas with the eye of a scientist and the soul of a dreamer.

    As the nineteenth century drew to a close, the art world was undergoing a radical metamorphosis, moving away from the rigid constraints of academic realism toward the experimental frontiers of Neo-Impressionism. Lemmen became a central figure in this revolution through his membership in Les XX (The Twenty), Belgium's most influential avant-garde collective. Within this circle of rebels and visionaries, Lemmen embraced the revolutionary technique of Pointillism. Inspired by the theories of Georges Seurat, he mastered the art of Divisionism, applying minuscule, distinct dots of pure color side-by-side. This method relied on the viewer's eye to optically mix the pigments, creating a breathtaking illusion of luminosity, vibration, and depth that traditional brushstrokes could never achieve.

    Mastery of Light and Form

    The true brilliance of Lemmen’s work lies in his ability to translate the fleeting sensations of nature into permanent, structured masterpieces. His approach to landscape was never merely descriptive; it was an exploration of atmosphere. In his most celebrated magnum opus, "The Beach at Heist", one can witness the pinnacle of his Pointillist mastery. The painting captures the North Sea not as a static body of water, but as a living, breathing entity. Through a meticulous orchestration of color, he recreates the hazy, salt-misted air and the shimmering reflection of light upon the waves, inviting the viewer to feel the very humidity of the Belgian coast.

    Beyond the expansive horizons of his landscapes, Lemmen possessed a tender ability to capture intimacy. His works often transitioned from the grand scale of nature to the quiet, domestic moments of human existence. In pieces such as "Julie Lemmen Sleeping in an Armchair," the artist demonstrates how his technical precision could serve emotional depth. Here, the Pointillist technique softens, creating a dreamlike quality that mirrors the stillness of sleep. This duality—the ability to command both the vastness of the sea and the delicate silence of a room—is what defines his unique contribution to the Belgian art canon.

    Legacy and Artistic Significance

    As the movement progressed, Lemmen’s style evolved alongside the shifting cultural tides, eventually touching upon the flowing, organic aesthetics of the Art Nouveau movement. This transition showcased his versatility as an artist capable of adapting scientific precision to the decorative elegance of a new era. His work remains a vital link between the structured experiments of Neo-Impressionism and the fluid beauty of modern design.

    The historical significance of Georges Lemmen extends far beyond his individual canvases. He represents a pivotal moment in art history when the boundaries between science, anatomy, and aesthetics dissolved. His legacy is found in:

    Technical Innovation: His role in refining Pointillism within the Belgian context, moving it from a French experiment to a cornerstone of local avant-garde practice.

    The Spirit of Les XX: His contribution to one of history's most important artistic collectives, which challenged the status quo and paved the way for modernism.

    Interdisciplinary Influence: The seamless integration of anatomical knowledge into the visual language of light and color.

    Today, Lemmen’s work continues to captivate collectors and historians alike, serving as a luminous reminder of a time when art sought to decode the very physics of light to reveal the hidden beauty of the world.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    originaluniqueart.com/en/art/download/georges-lemmen-self-portrait-8YDTWK-en/

    Cite this artwork

    MLA
    Lemmen, Georges. Self Portrait. 1884, https://originaluniqueart.com/en/art/georges-lemmen-self-portrait-8YDTWK-en/
    APA
    Lemmen, Georges (1884). Self Portrait [Painting]. https://originaluniqueart.com/en/art/georges-lemmen-self-portrait-8YDTWK-en/
    Chicago
    Georges Lemmen. Self Portrait. 1884. https://originaluniqueart.com/en/art/georges-lemmen-self-portrait-8YDTWK-en/
    Harvard
    Lemmen, Georges (1884) Self Portrait. Available at: https://originaluniqueart.com/en/art/georges-lemmen-self-portrait-8YDTWK-en/

    Look closely

    Self Portrait — Georges Lemmen

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, self-portrait, intellect. Do you agree? What would you add, or take away?
    4. Look back at The Serrys Sisters (1894), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neo-Impressionism: A stricter, more scientific Impressionism, building pictures from separate dots and dabs of pure colour. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I watch "Self Portrait" as a full-screen slideshow?

    "Self Portrait" by Georges Lemmen can be viewed as a slideshow on the artwork's Diaporama page.

    How do I download the image of "Self Portrait" by Georges Lemmen?

    "Self Portrait" by Georges Lemmen can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    Can the image of "Self Portrait" by Georges Lemmen be freely reproduced?

    The copyright answer for "Self Portrait" by Georges Lemmen: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.