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Student Artwork Guide

Before a Thunderstorm

Name Class Date

George Morland, Before a Thunderstorm (1791), Hermitage Museum. Public domain.

The facts

Artist
George Morland originaluniqueart.com/en/artists/george-morland/
Artist’s dates
1763 – 1804
Painted
1791
Medium
Oil On Canvas
Original size
85 x 117 cm
Movement
Late 18th Century Pastoralism
Held at
Hermitage Museum originaluniqueart.com/en/museums/hermitage-museum-saint-petersburg/
Artistic style
Pastoral, Loose brushwork
Influences
Francis Wheatley
Notable elements
Dramatic clouds
Subject or theme
Rural life, Storm

In context

Before a Thunderstorm — George Morland

How big is it?

The original measures 85 × 117 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800

Shaded: the lifetime of George Morland (1763–1804) ▲ this work, 1791

Compare with

  • INTERIEUR D'ETABLE originaluniqueart.com/en/art/george-morland-interieur-d-etable-ARD8RK-en/
  • Gipsies, 1800 originaluniqueart.com/en/art/george-morland-gipsies-8Y3DZ9-en/
  • The Anglers' Repast originaluniqueart.com/en/art/george-morland-the-anglers-repast-9DH5DK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/george-morland-before-a-thunderstorm-8Y3DZ8-en/

Colours

Measured from the image

    Main colour

    Espresso #5a583b

    Catalogued palette

    • #5A583B
    • #21241B
    • #838271
    • #B1AD9A
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Before a Thunderstorm — George Morland

    A Moment Frozen in Time: Before a Thunderstorm by George Morland

    George Morland’s “Before a Thunderstorm,” painted in 1791 and currently residing within the esteemed collection of the Hermitage Museum in St. Petersburg, Russia, is more than just a pastoral scene; it's a masterful distillation of late 18th-century English landscape painting imbued with an undercurrent of dramatic anticipation. The canvas captures a fleeting moment – a quiet tableau on the cusp of a powerful storm – rendered with a remarkable sensitivity to light, texture, and the subtle nuances of rural life. Morland’s genius lies not in grand spectacle but in his ability to evoke atmosphere through meticulous detail and a loose, expressive brushstroke that breathes life into every element of the composition.

    The painting immediately draws the eye to the foreground: two horses, one grazing placidly, the other standing stock-still with its head bowed as if anticipating the impending weather. A man in a brown coat, seated comfortably on one of the animals, appears lost in contemplation, his gaze directed towards the viewer – an invitation for us to share in this shared moment of observation. A simple white cottage, partially obscured by the burgeoning trees and the dramatic sky, provides a grounding element, suggesting a sense of domesticity amidst the natural world. The inclusion of a dog, attentively watching the scene unfold, adds another layer of quiet intimacy.

    The Language of Light and Earth Tones

    Morland’s masterful use of color is central to the painting's evocative power. He employs a palette dominated by earthy tones – ochres, browns, greens, and muted blues – creating a sense of warmth, tranquility, and rustic authenticity. These colors aren’t merely descriptive; they actively shape the mood, suggesting the fertile soil of the countryside and the comforting familiarity of rural life. The artist skillfully contrasts these warm hues with the increasingly dramatic shades of grey and purple that dominate the sky, building tension and foreshadowing the approaching storm. Notice how the light catches on the horses' coats, highlighting their texture and movement, while simultaneously casting long shadows across the field – a testament to Morland’s keen eye for capturing the subtleties of natural illumination.

    A Brushstroke That Speaks Volumes

    The painting’s distinctive character is largely defined by Morland’s unique brushwork. He eschews smooth, polished surfaces in favor of a deliberately loose and expressive technique. The strokes are visible, almost tactile, conveying a sense of movement and immediacy. This approach isn't simply stylistic; it reflects the artist’s intention to capture not just the appearance of the scene but also its feeling – the anticipation, the stillness, the subtle shift in atmosphere. The swirling patterns in the clouds, the swaying branches of the trees, and even the texture of the horses’ coats are all rendered with a dynamic energy that brings the painting vividly to life. This technique was particularly suited for reproduction, as it allowed publishers to create detailed prints from his paintings.

    Symbolism and the Poetics of Rural Life

    Before a Thunderstorm” is more than just a depiction of a rural scene; it’s a meditation on the relationship between humanity and nature. The impending storm can be interpreted as a metaphor for change, uncertainty, or even the fragility of life. The man in the brown coat, seemingly detached from the immediate threat, embodies a sense of human resilience and acceptance – a quiet contemplation amidst the forces of nature. Morland’s work aligns with the broader artistic trends of the late 18th century, which celebrated the beauty and simplicity of rural life while also acknowledging its inherent vulnerability. The painting speaks to a deep appreciation for the natural world and a recognition of our place within it.

    A Legacy in Reproduction

    Originally intended for reproduction in prints – a lucrative venture for Morland – “Before a Thunderstorm” remains a captivating example of his skill and artistry. Today, WahooArt offers meticulously crafted hand-painted reproductions that faithfully capture the painting’s original beauty and atmosphere. Owning a reproduction allows you to bring this timeless masterpiece into your home or office, celebrating both the legacy of George Morland and the enduring power of art to evoke emotion and inspire contemplation.

    Artist and museum

    Artist

    George Morland

    Born in London, United Kingdom

    Early Life and Influences

    Born: London, United Kingdom (1763)

    Died: 1804

    George Morland was born on June 26, 1763, in London. His father, Henry Robert Morland, encouraged his artistic development from a young age.

    By the time George was ten years old, his name appeared as an honorary exhibitor of sketches at the Royal Academy.

    Early career and influences: Morland's early work was influenced by Francis Wheatley.

    He was introduced to Sir Joshua Reynolds, who allowed him to copy his pictures.

    Morland’s apprenticeship with his father ended in 1784, and he set up on his own.

    Artistic Style and Notable Works

    Style: Morland's best compositions focus on rustic scenes, farms, hunting, smugglers, gypsies, and rich, textured landscapes informed by Dutch Golden Age painting.

    Intended for Reproduction: Much of his work was intended for reproduction in prints, from which his publishers made a good deal more money than he did.

    Notable Works:

    The Farmyard: Showcases his skill in capturing rural scenes.

    Horse Devoured by a Lion: A painting by George Stubbs, found at the Tate Britain in London.

    Near Nîmes: A painting by Roger Eliot Fry, found on AllPaintingsStore.com.

    Prolific Output: Despite his troubles with debts and early death, Morland was prolific.

    Development and Artistic Journey

    Early Training: His father provided early training, including copying works by Dutch and Flemish masters.

    Influence of Reynolds: Studying copies of Sir Joshua Reynolds's paintings significantly impacted his style.

    Unique Style Emerges: After the 1790s, Morland developed a unique style characterized by rustic scenes and detailed landscapes.

    Lifestyle Impact: His excessive lifestyle (hard drinking) affected the quality of his later work.

    Legacy and Historical Significance

    Contribution to English Art: George Morland is considered a notable contributor to English art history.

    Widespread Recognition: His works can be found in various museums and collections, including Somerville College in Oxford.

    Influence on Printmaking: The fact that his work was intended for reproduction in prints highlights the importance of print culture during his time.

    Enduring Appeal: Morland's depictions of rural life continue to resonate with audiences today.

    Additional Information

    Spouse: Anne Ward (married 1786)

    Parents: Henry Robert Morland, and grandson of George Henry Morland

    Wikipedia Link: George Morland - Wikipedia

    Museum

    Hermitage Museum

    On show in Saint Petersburg, Russia

    A Frozen Palace: Unveiling the Treasures of the Hermitage

    The State Hermitage Museum in Saint Petersburg isn’t merely a repository of art; it's an immersive journey through time, a testament to Russia’s imperial ambitions and its enduring artistic legacy. Nestled within the opulent Winter Palace – once the very heart of Tsarist power – the museum unfolds like a meticulously crafted narrative, revealing layers of history, culture, and breathtaking beauty. Founded by Catherine the Great in 1764 with a single painting as its nucleus, it has blossomed into one of the world’s largest and most comprehensive museums, housing over three million objects spanning millennia and continents. More than just a collection, the Hermitage is an architectural marvel, a series of interconnected historic buildings – including the Winter Palace itself, the Small Hermitage, the Old Hermitage, the New Hermitage, and the General Staff Building – each contributing uniquely to its grand story.

    From Tsarist Dreams to Artistic Legacy

    Catherine’s initial acquisition, a modest collection of Western European paintings, laid the foundation for what would become an unparalleled artistic treasure. This early focus on European art reflected her enlightened ideals and desire to expose Russia to the best of continental culture. The Winter Palace's origins trace back to Peter the Great’s vision for a grand, western-style capital city. Initially conceived as a residence, its transformation into the museum’s central hall speaks volumes about Russia’s evolving relationship with Europe and its embrace of artistic innovation. The Hermitage's story is inextricably linked to Russian history, adapting and reflecting the changing tastes and ambitions of successive rulers – a layered narrative palpable as you wander through its galleries. From Napoleon’s invasion to the Soviet era, the museum has endured, safeguarding Russia’s artistic heritage for generations.

    Renaissance Reveries and Dutch Delights: Cornerstones of Artistic Brilliance

    Stepping into the Renaissance galleries is akin to entering a world reborn – a period defined by a renewed interest in classical antiquity and an embrace of human potential. Immediately captivating is Nicolas Poussin’s

    The Holy Family with St. Elizabeth and John the Baptist

    , a serene depiction of familial piety and spiritual contemplation. Notice how Poussin masterfully blends technical precision with humanist ideals; observe the subtle ripple of drapery folds mirroring Saint George's grace as he confronts the dragon—a potent symbol of triumph over evil. The painting’s balance and clarity reflect the Renaissance’s fascination with proportion and order, while its subject matter speaks to the era’s burgeoning interest in virtue and heroism. Scholars have analyzed Poussin’s use of perspective and chiaroscuro – dramatic lighting – demonstrating a profound understanding of artistic principles that would influence generations of artists to come. Alongside Poussin, explore works by Raphael, Titian, and Veronese, each offering a unique window into the Renaissance spirit. These artists skillfully employed techniques like sfumato—a hazy blending of colors—to create atmospheric depth and evoke emotion.

    Transitioning into the Dutch Golden Age collection is an exercise in sensory delight. The masterful use of light and shadow –

    chiaroscuro

    – dominates this section, transforming ordinary scenes into moments of profound emotional resonance. Rembrandt’s

    The Return of the Prodigal Son

    stands as a cornerstone of this artistic achievement, its dramatic composition conveying tenderness and forgiveness through the father’s expressive face. Beyond Rembrandt’s monumental works, canvases by Vermeer, Frans Hals, and Jan Steen reveal the remarkable skill with which these artists captured scenes from daily existence. Vermeer's

    Girl with a Pearl Earring

    is particularly arresting – a quiet moment of contemplation rendered with exquisite detail; the subject’s gaze directed outwards, conveying both vulnerability and intelligence. The meticulous layering of paint – a technique known as glazing – contributes to the luminous quality of Vermeer’s paintings, highlighting his unparalleled ability to capture fleeting expressions and subtle nuances of emotion. Consider also the vibrant portraits by Hals, brimming with life and character. These artists prioritized capturing psychological realism, striving to portray their subjects with remarkable accuracy and sensitivity.

    A Global Tapestry: Beyond Europe's Shores

    The Hermitage’s story extends far beyond the Renaissance and Dutch Golden Age, revealing a truly global collection. Ancient artifacts—shimmering gold artifacts and intricately crafted jade sculptures recovered from Scythian burial mounds—offer a tangible connection to the vibrant trade networks of the Silk Road, demonstrating that artistic expression transcends temporal boundaries and reveals the sophistication of nomadic cultures. Medieval Christian art radiates spiritual power, including Byzantine icons brimming with symbolism – their vibrant colors and stylized figures conveying profound theological narratives. The museum’s curators have painstakingly reconstructed these artifacts, allowing for an immersive journey through human history, from the grandeur of imperial Rome to the solemn beauty of Orthodox faith. Recent expeditions to Siberia have unearthed remarkable discoveries – including mammoth ivory carvings and exquisitely decorated shamanic masks – enriching the Hermitage's understanding of Eurasian artistic traditions. Explore collections showcasing ancient Egyptian treasures, Greek sculptures, and Asian ceramics, each telling a unique story of human ingenuity and cultural exchange.

    A Living Legacy: Exhibitions and Future Horizons

    The Hermitage isn’t a static monument; it’s a living institution constantly evolving with new discoveries and exhibitions. While its permanent collection remains breathtaking in scope – encompassing over three million objects—temporary displays offer fresh perspectives on familiar works and introduce visitors to lesser-known artists and cultures. Don’t miss opportunities to engage with interactive exhibits designed for all ages, offering deeper insights into the artworks and their historical context. Visiting the Hermitage is not simply about observing masterpieces; it's about engaging with a legacy—a testament to human creativity, intellectual inquiry, and the enduring power of art to inspire and transform. The museum’s commitment to preservation and research ensures that this extraordinary collection will continue to captivate and educate generations to come. The Hermitage also maintains a strong focus on digital engagement, offering virtual tours and online resources for visitors worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Before a Thunderstorm

    originaluniqueart.com/en/art/download/george-morland-before-a-thunderstorm-8Y3DZ8-en/

    Cite this artwork

    MLA
    Morland, George. Before a Thunderstorm. 1791, Hermitage Museum. https://originaluniqueart.com/en/art/george-morland-before-a-thunderstorm-8Y3DZ8-en/
    APA
    Morland, George (1791). Before a Thunderstorm [Painting]. Hermitage Museum. https://originaluniqueart.com/en/art/george-morland-before-a-thunderstorm-8Y3DZ8-en/
    Chicago
    George Morland. Before a Thunderstorm. 1791. Hermitage Museum. https://originaluniqueart.com/en/art/george-morland-before-a-thunderstorm-8Y3DZ8-en/
    Harvard
    Morland, George (1791) Before a Thunderstorm. Hermitage Museum. Available at: https://originaluniqueart.com/en/art/george-morland-before-a-thunderstorm-8Y3DZ8-en/

    Look closely

    Before a Thunderstorm — George Morland

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural life, horses, storm clouds. Do you agree? What would you add, or take away?
    4. Look back at INTERIEUR D'ETABLE, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. George Morland was about 28 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.