Paper

Student Artwork Guide

Painting with violin

Name Class Date

Franz Ehrlich, Painting with violin (1973), Bauhaus Dessau Foundation. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Franz Ehrlich originaluniqueart.com/en/artists/franz-ehrlich/
Artist’s dates
1907 – 1984
Painted
1973
Original size
58 x 39 cm
Movement
Other
Held at
Bauhaus Dessau Foundation originaluniqueart.com/en/museums/bauhaus-dessau-foundation-dessau-rosslau/
Artistic style
Bauhaus, Constructivism
Influences
Georges Braque
Notable elements or techniques
Geometric abstraction; Thin watercolor application
Subject or theme
Musical instrument

In context

Painting with violin — Franz Ehrlich

How big is it?

The original measures 58 × 39 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Painted when the artist was 66. The artist lived to 77. 63 of the 81 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Franz Ehrlich (1907–1984) ▲ this work, 1973 every dated painting, decade by decade

First works: up to 1952 Main working years: 1952–1970 Late works: from 1970

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/franz-ehrlich-painting-with-violin-D4RDNA-en/

Colours

Measured from the image

    Main colour

    Celadon #c0c1bb

    Catalogued palette

    • #C0C1BB
    • #454544
    • #A29883
    • #BCB498

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Franz Ehrlich over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.8%
    2. 2 United States of America 10.8%
    3. 3 Hong Kong 2.7%
    4. 4 Japan 2.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Franz Ehrlich

    1. 1 Little house in a forest near Berggiesshübel (Floor plans, views, section and layout plan), 1947 8.1%
    2. 2 63 - 64 (Painting with violin, New Year, 1964 8.1%
    3. 3 Floor plan Sleeping room (with interior furnishings), 1962 5.4%
    4. 4 Painting with violin, 1979 5.4%
    5. 5 3 panels 72/51 5.4%
    6. 6 A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan), 1976 2.7%
    7. 7 A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan), 1976 2.7%
    8. 8 A.D.W. MAIN BUILDING 1RST TOP FLOOR 1RST WORKING DESIGN (Academy of Sciences), 1976 2.7%
    9. 9 BASIC SCHEME FOR ROOM UNITS AND UTILISATION IN THE HV HOUSE (Trading House Berlin), 1974 2.7%
    10. 10 1 piece filing cabinet (with tubular steel feet and marble tabletop), 1981 2.7%
    11. 11 HKB II - NEW-BUILD 1RST TOP FLOOR (Ministry of the Interior, Berlin, plan view), 1950 2.7%
    12. 12 800 YRS. DAS BUCH [THE BOOK]. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2.7%
    13. 13 SALES COUNTER, 1957 2.7%
    14. 14 1rst Front door project (Baumann House, Berlin), 1962 2.7%
    15. 15 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), 1949 2.7%
    16. 16 800 YRS. WALL 4 + 5. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2.7%
    17. 17 Bookshop Hauptstraße / Transversal section (FDGB Bookshop, 1949 2.7%
    18. 18 Table and chair for dining room, 1954 2.7%
    19. 19 800 YRS. BOX FRAME (Leipzig Trade Fair), 1965 2.7%
    20. 20 Painting with violin, 1973 this painting 2.7%

    Together these works take 72.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 101 works by this artist, of which 30 were looked at at least once. This painting ranks 20 of them, with 2.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Painting with violin — Franz Ehrlich

    Painting with Violin – An Exploration of Geometric Abstraction

    The artwork presented here—a watercolor on paper depiction titled “Painting with Violin”—offers a glimpse into the artistic sensibilities of Franz Ehrlich, born in 1907 and deeply rooted in the Bauhaus movement. Measuring 58 x 39 cm, this piece exemplifies the stylistic concerns prevalent during its creation in 1973, aligning itself squarely within the broader context of Constructivist aesthetics—a testament to Ehrlich’s engagement with avant-garde ideas of his time.

    Composition & Structure: The artwork's visual dynamism stems from a meticulously crafted grid framework formed by intersecting straight lines. These lines aren’t merely delineating boundaries; they actively contribute to the overall sense of order and control characteristic of Constructivist principles. Curved forms, subtly echoing the contours of a violin—the subject matter itself—are interwoven into this geometric matrix, creating an intriguing interplay between rigidity and fluidity.

    Color Palette & Texture: Dominated by shades of yellowish-beige, accented with muted orange and pink hues, the color palette evokes a feeling of understated warmth. Watercolor technique lends a delicate texture to the surface, allowing glimpses of the paper’s materiality to peek through—a deliberate choice that underscores the artist's commitment to capturing subtle nuances of form and tone.

    Technique & Materials: Ehrlich skillfully employs watercolor paint on paper, applying thin, translucent layers that maximize transparency and highlighting the inherent qualities of the medium. Graphite and pencil are used in conjunction with watercolor to create a layered effect, adding depth and complexity to the composition.

    Historical Context – Bauhaus Influence: Ehrlich’s formative years at the Bauhaus school in Dessau profoundly shaped his artistic vision. The Bauhaus ethos—characterized by functionalism, geometric abstraction, and an unwavering belief in the transformative power of art—directly informs “Painting with Violin.” This influence is palpable in the artwork's simplified forms and its rejection of representational illusionism.

    Symbolic Resonance & Emotional Impact: While ostensibly depicting a violin, the piece transcends mere visual representation. The geometric abstraction invites contemplation on concepts of reduction, simplification, and the deconstruction of form—themes central to Constructivist thought. Ultimately, “Painting with Violin” communicates a quiet serenity, perhaps hinting at nostalgia for a bygone era – an emotional resonance achieved through masterful execution and careful consideration of artistic principles.

    Further Research Recommendations: Explore Georges Braque’s “Pitcher and Violin,” considered a seminal work of analytical cubism—a stylistic kinship that underscores the broader artistic currents shaping Ehrlich's oeuvre. Examining this piece alongside "Painting with Violin" provides invaluable insight into the evolution of abstract art during the early 20th century.

    Artist and museum

    Artist

    Franz Ehrlich

    Born in Reuth, Germany

    early life and education

    franz ehrlich, a renowned german architect, calligrapher, and graphic designer, was born in 1907. his formative years were marked by an innate inclination towards the arts, which led him to enroll at the bauhaus in dessau from 1927 to 1930. this prestigious institution played a pivotal role in shaping ehrlich's artistic perspective, introducing him to the avant-garde movements of the time.

    artistic career and communist affiliation

    ehrlich's affiliation with the communist party had a profound impact on his life and career. in 1935, he was arrested and imprisoned by the nazi regime, an event that significantly altered the trajectory of his artistic pursuits. despite these challenges, ehrlich continued to contribute to the world of art, leaving behind a legacy that is both inspiring and thought-provoking.

    notable works

    some of ehrlich's most notable works include:

    800 yrs. das buch [the book]. ground plan and views (exhibit display racks, leipzig trade fair), a testament to his innovative approach to design and architecture.

    prof. dr. baumann house execution (foundation plan), showcasing his expertise in architectural planning.

    1933 (photo-sculptural advertising project), a unique blend of photography and sculpture, highlighting his experimental nature.

    museums and collections featuring ehrlich's work

    AllPaintingsStore.com features an extensive collection of ehrlich's works, including those mentioned above. the bauhaus dessau foundation (dessau-roßlau, germany) is also a significant repository of his artistic endeavors.

    legacy and impact

    franz ehrlich's contributions to the world of art are multifaceted, reflecting his broad range of interests and talents. his experiences, both creatively and personally, offer valuable insights into the intersection of art and politics during a pivotal moment in german history.

    view more of ehrlich's works at https://AllPaintingsStore.com/@/franz-ehrlich

    explore the bauhaus dessau foundation and its collection at bauhaus dessau foundation (dessau-roßlau, germany)

    Museum

    Bauhaus Dessau Foundation

    On show in Dessau-Roßlau, Germany

    A Legacy Forged in Experimentation: The Bauhaus Dessau Foundation

    Nestled within the meticulously restored Bauhaus building itself, the Bauhaus Dessau Foundation isn't merely a museum; it’s an immersive experience. Established in 1994 to safeguard and propagate the radical ideas of Walter Gropius’ legendary school, this institution stands as a testament to a pivotal moment in architectural and design history. More than just showcasing finished products, the Foundation delves into the process of creation – the interplay between art, architecture, technology, and social theory that defined the Bauhaus ethos. The building itself, a masterpiece of functionalist design, immediately establishes this atmosphere; its stark lines, expansive glass walls, and carefully considered spatial relationships invite exploration and contemplation. It’s a space designed to stimulate thought, mirroring the very principles championed by the Bauhaus movement.

    The Foundation's core mission is threefold: preservation, research, and education. It diligently maintains the building’s original fabric, ensuring that future generations can appreciate its groundbreaking design. Simultaneously, it conducts rigorous scholarly research into the Bauhaus’ diverse practices – from furniture design and typography to stagecraft and urban planning. And crucially, it offers a dynamic program of exhibitions, workshops, lectures, and performances, fostering dialogue between past and present, tradition and innovation.

    The Collection: Beyond Iconic Objects

    While iconic pieces like Marcel Breuer’s Wassily Chair undoubtedly draw crowds, the Foundation's collection extends far beyond these instantly recognizable symbols. It’s a remarkably comprehensive archive encompassing not just finished objects but also preliminary sketches, drafts, models, and correspondence – offering an unparalleled glimpse into the creative process itself. A particular highlight is the extensive documentation of the “Versuchsstätte” (experimental workshop), where students explored new materials, techniques, and spatial configurations under the guidance of master craftsmen and artists.

    Early Bauhaus Drawings:

    A remarkable collection of preparatory sketches reveals the iterative nature of design at the school – a constant process of refinement and experimentation.

    Furniture Prototypes:

    Witness the evolution of iconic designs, from initial models to fully realized pieces, showcasing the ingenuity and resourcefulness of Bauhaus craftsmen.

    Stagecraft & Lighting Designs:

    Explore the innovative use of light and space in theatrical productions, demonstrating the Bauhaus’ commitment to integrating art and technology.

    Architectural Models:

    Examine meticulously crafted scale models that illustrate Gropius' visionary approach to building design – a synthesis of form and function.

    Crucially, the collection isn’t presented as a static display; it’s integrated into broader exhibitions that contextualize each object within its historical and intellectual framework.

    Architecture as Art: The Bauhaus Building Itself

    The Bauhaus building itself is arguably the most significant artwork within the Foundation's holdings. Designed by Walter Gropius, it represents a radical departure from traditional architectural conventions – a testament to the Bauhaus’ belief in “form follows function.” The building’s open floor plan, expansive glazing, and carefully considered use of natural light create a dynamic and flexible space that fostered collaboration and experimentation.

    Beyond its aesthetic qualities, the building is also a remarkable feat of engineering – incorporating innovative technologies such as a central heating system and a sophisticated lighting design. It’s a living laboratory, constantly evolving through ongoing research and adaptation. The Foundation actively engages in preserving and restoring the building's original features while simultaneously exploring new ways to utilize its unique spatial qualities.

    Exhibitions & Events: A Living Dialogue with the Past

    The Bauhaus Dessau Foundation’s program of exhibitions and events is a cornerstone of its mission. These offerings aren’t merely retrospective displays; they actively engage with contemporary issues, exploring the enduring relevance of the Bauhaus’ ideas in the 21st century. Recent exhibitions have tackled themes such as sustainability, urban design, and digital culture, demonstrating how the Bauhaus’ principles can inform solutions to pressing global challenges.

    “Versuchsstätte Bauhaus. The Collection” (2019-2026):

    This landmark exhibition provides a comprehensive overview of the school's experimental workshop, revealing the diverse range of materials and techniques explored by students and teachers.

    Annual Bauhaus Festival:

    A vibrant celebration of Bauhaus culture, featuring concerts, performances, workshops, and lectures.

    Thematic Exhibitions:

    Regularly scheduled exhibitions explore specific aspects of the Bauhaus’ legacy – from furniture design to typography to stagecraft.

    Furthermore, the Foundation hosts a range of educational programs, including workshops for children and adults, offering hands-on experiences that connect visitors with the principles of Bauhaus design.

    A Unique Destination: More Than Just a Museum

    The Bauhaus Dessau Foundation transcends the traditional museum experience. It’s a dynamic research center, an architectural landmark, and a vibrant cultural hub – all rolled into one. Its commitment to preserving the Bauhaus legacy while simultaneously engaging with contemporary issues makes it a truly unique destination for art lovers, design enthusiasts, and anyone interested in understanding the profound impact of this revolutionary movement. A visit here isn’t simply about seeing objects; it's about experiencing an idea—the belief that art, architecture, and society can be profoundly intertwined.

    Where to read more

    Find this online

    QR code linking to the download page for Painting with violin

    originaluniqueart.com/en/art/download/franz-ehrlich-painting-with-violin-D4RDNA-en/

    Cite this artwork

    MLA
    Ehrlich, Franz. Painting with violin. 1973, Bauhaus Dessau Foundation. https://originaluniqueart.com/en/art/franz-ehrlich-painting-with-violin-D4RDNA-en/
    APA
    Ehrlich, Franz (1973). Painting with violin [Painting]. Bauhaus Dessau Foundation. https://originaluniqueart.com/en/art/franz-ehrlich-painting-with-violin-D4RDNA-en/
    Chicago
    Franz Ehrlich. Painting with violin. 1973. Bauhaus Dessau Foundation. https://originaluniqueart.com/en/art/franz-ehrlich-painting-with-violin-D4RDNA-en/
    Harvard
    Ehrlich, Franz (1973) Painting with violin. Bauhaus Dessau Foundation. Available at: https://originaluniqueart.com/en/art/franz-ehrlich-painting-with-violin-D4RDNA-en/

    Look closely

    Painting with violin — Franz Ehrlich

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: violin artwork, watercolor painting, musical instrument. Do you agree? What would you add, or take away?
    4. Look back at 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Franz Ehrlich was about 66 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Painting with violin — Franz Ehrlich

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is most closely associated with Franz Ehrlich’s ‘Painting with Violin’?

      • A Romanticism
      • B Impressionism
      • C Analytical Cubism
    2. 2. The predominant color palette of the artwork utilizes hues primarily found in:

      • A Deep blues and greens
      • B Bright reds and yellows
      • C Pale yellows, beige, and cream
    3. 3. What is the dominant element in terms of line usage within the composition?

      • A Curved lines mimicking organic forms
      • B Randomly scattered dashes
      • C Intersecting straight lines forming a grid
    4. 4. The artwork’s depiction of the violin exemplifies:

      • A Realistic representation emphasizing detail
      • B Stylized abstraction prioritizing geometric shapes
      • C Detailed botanical illustration
    5. 5. Based on its stylistic characteristics, ‘Painting with Violin’ aligns with the aesthetic principles of which influential institution?

      • A Académie Française
      • B École Supérieure des Beaux-Arts
      • C Bauhaus

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Does the copyright of "Painting with violin" by Franz Ehrlich allow reproductions?

    "Painting with violin" by Franz Ehrlich, held at the Bauhaus Dessau Foundation, is still protected by copyright. This status determines whether reproductions of the image may be made.

    What technique and size is the original "Painting with violin" by Franz Ehrlich?

    The original "Painting with violin" by Franz Ehrlich is an acrylic on canvas work measuring 58 x 39 cm. Technique and size describe the original object.

    What was Franz Ehrlich's age when "Painting with violin" was created?

    When "Painting with violin" was created in 1973, Franz Ehrlich - born in 1907 - was 66 years old.