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Student Artwork Guide

Study for 'The Briefing'

Name Class Date

Frank O. Salisbury, Study for 'The Briefing' (1941). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Frank O. Salisbury originaluniqueart.com/en/artists/frank-o-salisbury/
Artist’s dates
1874 – 1962
Painted
1941
Original size
50 x 95 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Study for 'The Briefing' — Frank O. Salisbury

How big is it?

The original measures 50 × 95 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.

Painted when the artist was 67. The artist lived to 88. 47 of the 78 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Frank O. Salisbury (1874–1962) ▲ this work, 1941 every dated painting, decade by decade

First works: up to 1919 Main working years: 1919–1945 Late works: from 1945

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/frank-o-salisbury-study-for-the-briefing-AQS87P-en/

Colours

Measured from the image

    Main colour

    Black #21130c

    Catalogued palette

    • #21130C
    • #B1A477
    • #8A6E42
    • #59371D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Frank O. Salisbury over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 49.3%
    2. 2 United Kingdom 37.3%
    3. 3 Spain 2.7%
    4. 4 South Korea 2.7%
    5. 5 United States of America 2.7%
    6. 6 Austria 1.3%
    7. 7 France 1.3%
    8. 8 New Zealand 1.3%
    9. 9 Peru 1.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Frank O. Salisbury

    1. 1 The Wonders of the Sea, 1912 15.9%
    2. 2 John Wesley (1703–1791), as an Old Man, 1932 13.1%
    3. 3 Study for 'The Briefing', 1941 this painting 12.1%
    4. 4 The Men Who Saved the World, 1946 5.6%
    5. 5 John Simon, 1st Viscount Simon (1873–1954), Lord Chancellor, 1945 3.7%
    6. 6 The Roof of the Great Hall, Westminster, 1397, 1924 3.7%
    7. 7 The Trial of Queen Catherine of Aragon (study for a mural at the Houses of Parliament), 1909 2.8%
    8. 8 Louise Carnegie (1857–1946) 2.8%
    9. 9 The Right Honourable Sir Winston Churchill (1874–1965), KG, OM, CH, MP, Chancellor (1929–1965), 1943 1.9%
    10. 10 George V (1865–1936), at Mount Kemmel, South of Ypres, during His Tour of the Western Front, 1917, 1917 1.9%
    11. 11 The Entrance Hall of the Victoria and Albert Museum, 1915 1.9%
    12. 12 Second Isaiah The Forerunner of God's Great Day, 1954 1.9%
    13. 13 Ezekiel The Priest Prophet of God, 1954 1.9%
    14. 14 Sir Alan John Cobham, 1926 1.9%
    15. 15 Self Portrait, 1937 1.9%
    16. 16 The Passing of the Unknown Warrior, 11 November 1920, 1920 1.9%
    17. 17 Alderman John Lea (1850–1927), 1922 1.9%
    18. 18 Flying Officer Badcock and Flight Lieutenant Anderson (Study for 'The Briefing'), 1941 1.9%
    19. 19 Lieutenant F. J. E. Stafford (d.1917), Royal Flying Corps, 1916 1.9%
    20. 20 Sir John Tweedy (1849–1924), MRCS, FRCS, Hon. LLD Edinburgh (consultant at Moorfields), 1914 0.9%

    Together these works take 81.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 100 works by this artist, of which 40 were looked at at least once. This painting ranks 3 of them, with 12.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Frank O. Salisbury

    Born in Harpenden, United Kingdom

    Frank Owen Salisbury: A Life in Portraiture and Pageantry

    Born: Harpenden, United Kingdom (December 18, 1874)

    Died: August 31, 1962

    Known as "Britain's Painter Laureate"

    Early Life and Training

    Salisbury’s early life was marked by delicate health, leading to a home-based education primarily overseen by his sister, Emilie.

    He began working at his father’s cycle depot, repairing bicycles.

    At the age of 15, he was apprenticed to his brother, Henry James Salisbury, who managed a stained glass company in St Albans. This apprenticeship provided him with invaluable skills in painting and detail work crucial for stained glass artistry.

    He attended Heatherley’s School of Art and later won scholarships to the Royal Academy Schools (1892-1897), where he excelled, earning two silver medals and the Landseer scholarship which facilitated travel to Italy in 1896.

    Artistic Development and Style

    Salisbury’s style was characterized by a steadfastly conservative approach, rooted in traditional techniques and subject matter. He favored large-scale canvases depicting historical events and ceremonial occasions.

    His early work included portraiture of local gentry and members of the Harpenden Methodist Church.

    A pivotal meeting with Lord Wakefield introduced him to society portraiture, leading to commissions from prominent figures.

    He developed a rapid painting technique, reportedly honed by daily practice painting his twin daughters for an hour each morning.

    His work was influenced by Renaissance frescos and a desire to capture the grandeur of pageantry.

    Major Achievements and Notable Works

    Royal Portraits: Salisbury gained significant recognition for his portraits of the British Royal Family, including twenty-five members of the House of Windsor and being the first artist to paint HM Queen Elizabeth II.

    Winston Churchill: He painted Winston Churchill more times than any other artist, creating iconic images such as those depicting him in a siren suit and during the "Blood, Sweat, and Tears" speech.

    American Presidents: Salisbury’s reputation extended to the United States, where he painted six US presidents, including Franklin D. Roosevelt (whose portrait remains the official White House portrait).

    Notable Sitters: Other significant portraits include those of Richard Burton, Andrew Carnegie, Sir Alan Cobham, Sir Robert Ludvig Mond, Maria Montessori, Montgomery of Alamein, Earl Mountbatten of Burma, Benito Mussolini, John Player, Lord Rank, Jan-Christiaan Smuts and Sir Henry Wood.

    Mural for the Royal Exchange: In 1919, he painted a large mural for the Royal Exchange in London commemorating the National Peace Thanksgiving Service.

    Historical Significance and Legacy

    Salisbury achieved considerable financial success on both sides of the Atlantic, embodying what was considered the "American Dream."

    Despite his prolific output and popularity, he was never elected a member of the Royal Academy, a source of disappointment for him.

    He was a vocal critic of modern art movements like Cubism and Surrealism, reflecting a preference for traditional artistic values.

    His legacy lies in his ability to capture the essence of prominent figures and historical moments through a classical and dignified style, solidifying his place as one of Britain's leading society artists of his generation.

    Where to read more

    Find this online

    QR code linking to the download page for Study for 'The Briefing'

    originaluniqueart.com/en/art/download/frank-o-salisbury-study-for-the-briefing-AQS87P-en/

    Cite this artwork

    MLA
    Salisbury, Frank O.. Study for 'The Briefing'. 1941, https://originaluniqueart.com/en/art/frank-o-salisbury-study-for-the-briefing-AQS87P-en/
    APA
    Salisbury, Frank O. (1941). Study for 'The Briefing' [Painting]. https://originaluniqueart.com/en/art/frank-o-salisbury-study-for-the-briefing-AQS87P-en/
    Chicago
    Frank O. Salisbury. Study for 'The Briefing'. 1941. https://originaluniqueart.com/en/art/frank-o-salisbury-study-for-the-briefing-AQS87P-en/
    Harvard
    Salisbury, Frank O. (1941) Study for 'The Briefing'. Available at: https://originaluniqueart.com/en/art/frank-o-salisbury-study-for-the-briefing-AQS87P-en/

    Look closely

    Study for 'The Briefing' — Frank O. Salisbury

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: world war ii, military, leadership. Do you agree? What would you add, or take away?
    4. Look back at Mrs Wilson (d.1950), Mayoress of Liverpool (1923), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do I download the image of "Study for 'The Briefing'" by Frank O. Salisbury?

    A download is available for "Study for 'The Briefing'": the artwork's Download page offers a high-resolution digital image download.

    What size is "Study for 'The Briefing'" by Frank O. Salisbury in real life?

    The recorded dimensions of "Study for 'The Briefing'" by Frank O. Salisbury are 50 x 95 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

    How intense are the colors in "Study for 'The Briefing'" by Frank O. Salisbury?

    "Study for 'The Briefing'" by Frank O. Salisbury shows a balanced color intensity.