Paper

Student Artwork Guide

Bear with Us

Name Class Date

Frank Gehry, Bear with Us (2014), New Orleans Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Frank Gehry originaluniqueart.com/en/artists/frank-gehry/
Artist’s dates
1929 –
Painted
2014
Original size
115 x 215 cm
Movement
Deconstructivism
Held at
New Orleans Museum of Art originaluniqueart.com/en/museums/new-orleans-museum-of-art-new-orleans/

In context

Bear with Us — Frank Gehry

How big is it?

The original measures 115 × 215 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 85. 2 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 2014 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/frank-gehry-bear-with-us-D4QEKA-en/

Colours

Measured from the image

    Main colour

    Gray #818377

    Catalogued palette

    • #818377
    • #4D4E37
    • #CBCCCA
    • #2B2719

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Frank Gehry over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Frank Gehry

    1. 1 Serpentine Gallery Pavilion 2008, Hyde Park, London: detail of a structural wall showing timber section, 2008 50.0%
    2. 2 The Winton Residence Guest House, 1986 50.0%
    3. — Bear with Us, 2014 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Frank Gehry

    Born in Toronto, Canada

    A Maverick of Form: The Life and Vision of Frank Gehry

    Frank Owen Goldberg, known to the world as Frank Gehry, is more than an architect; he’s a sculptor of space, a poet of materials, and arguably the most recognizable architectural voice of our time. Born in Toronto, Canada, in 1929, his journey from a childhood spent building imaginary cities with scraps of wood to becoming a globally celebrated iconoclast is a testament to the power of imagination and unwavering artistic conviction. The early influence of his maternal grandmother, Leah Caplan, proved pivotal; her hardware store provided not just materials but also a fertile ground for experimentation, fostering a lifelong fascination with the potential hidden within everyday objects. This formative experience instilled in him a unique perspective – one that would later challenge conventional architectural norms and redefine what buildings could be. His family’s emigration to Los Angeles in 1947 marked a turning point, exposing him to a burgeoning cultural landscape while he navigated various jobs and academic pursuits before ultimately finding his calling at the University of Southern California's School of Architecture.

    From Humble Beginnings to Deconstructivist Icon

    Gehry’s path wasn’t immediate or linear. After graduating, a period of exploration followed, including service in the United States Army and studies at Harvard’s Graduate School of Design – an experience he found ultimately stifling. It was upon his return to Los Angeles that his distinctive style began to coalesce. The pivotal moment arrived with the remodeling of his own Santa Monica home in 1978. Rejecting traditional forms, he enveloped the existing bungalow in a radical assemblage of corrugated steel, chain-link fencing, and plywood. This audacious act wasn’t merely a renovation; it was a declaration – a bold statement that challenged the prevailing architectural orthodoxy. It signaled a departure from the sleek, minimalist aesthetic of modernism and embraced a raw, expressive quality that would become his signature. The house became an instant landmark, attracting attention and launching Gehry into the spotlight. This project wasn’t just about aesthetics; it was about challenging perceptions, questioning norms, and embracing imperfection. It laid the groundwork for what would later be termed “deconstructivism,” a movement characterized by fragmented forms, non-rectilinear shapes, and a deliberate disruption of traditional architectural principles.

    Sculpting with Light: Major Works and Innovations

    The 1990s witnessed Gehry’s ascent to international prominence, culminating in the creation of masterpieces that redefined the possibilities of architectural design. The Guggenheim Museum Bilbao, completed in 1997, stands as perhaps his most iconic achievement. Clad in shimmering titanium panels, the museum resembles a colossal sculpture, its fluid forms reflecting the light and the surrounding landscape. It wasn’t just a building; it was an event – a catalyst for urban regeneration that transformed Bilbao into a cultural destination. This “Bilbao effect” demonstrated the power of architecture to revitalize communities and attract global attention. Following this triumph came a series of equally ambitious projects: the Walt Disney Concert Hall in Los Angeles, with its soaring stainless steel sails; the Louis Vuitton Foundation in Paris, a breathtaking complex of glass sails nestled within the Bois de Boulogne; and the MIT Ray and Maria Stata Center in Cambridge, Massachusetts, a dynamic composition of geometric forms. Gehry’s innovative use of materials – titanium, stainless steel, concrete, wood – coupled with his mastery of computer-aided design (CAD) allowed him to realize increasingly complex and sculptural designs that were previously unimaginable. He didn't simply design buildings; he sculpted experiences, manipulating light, space, and form to create emotionally resonant environments.

    A Lasting Legacy: Influence and Historical Significance

    Frank Gehry’s impact on the architectural landscape is undeniable. He shattered conventions, challenged expectations, and inspired a generation of architects to embrace experimentation and push the boundaries of design. His work transcends mere functionality; it's about creating art that engages with its surroundings, provokes thought, and evokes emotion. While his style has been labeled “deconstructivist,” Gehry himself resists categorization, preferring to focus on the unique challenges and opportunities presented by each project. He continues to be a prolific designer, currently working on projects around the globe, including the future National Dwight D. Eisenhower Memorial in Washington, D.C. His buildings are not just structures; they are cultural landmarks that embody the spirit of innovation and artistic freedom. Gehry’s legacy extends beyond his built works; he has also influenced furniture design, product design, and even jewelry making. He remains a vital force in contemporary architecture, constantly evolving and challenging himself to create spaces that are both beautiful and meaningful. His work serves as a powerful reminder that architecture is not merely about shelter; it’s about shaping our experience of the world around us.

    Museum

    New Orleans Museum of Art

    On show in New Orleans, United States of America

    A Window into New Orleans: The Soul of Art at the New Orleans Museum of Art

    Nestled within the vibrant embrace of City Park, a sprawling urban oasis larger than Central Park itself, the New Orleans Museum of Art (NOMA) stands as more than just a repository for masterpieces; it’s a profound reflection of Louisiana's unique identity and a testament to its enduring artistic spirit. Founded in 1911 by the visionary Isaac Delgado, NOMA began with a simple yet ambitious goal: to provide New Orleans with a secure haven where art could be cherished, exhibited, and celebrated by all. Today, this foundational principle resonates through the museum’s halls, offering visitors an immersive journey spanning over five millennia of artistic endeavor – from ancient Egyptian artifacts to contemporary works that pulse with the city's modern energy.

    The museum’s architecture itself is a captivating narrative, evolving alongside its collection. Initially designed by Benjamin Morgan Harrod, a former chief engineer of New Orleans, the building served as the Delgado Museum of Art for decades. Subsequent expansions in 1970/71 and a significant 1993 renovation dramatically increased the museum’s footprint and enhanced its functionality, while carefully preserving the original spirit of the space. The addition of the Wisner Education Wing further solidified NOMA's commitment to fostering artistic engagement across all ages. The most striking element is undoubtedly the Sydney and Walda Besthoff Sculpture Garden, an eleven-and-a-half-acre sanctuary brimming with lush greenery, tranquil lagoons, and winding trails – a harmonious blend of art and nature that invites contemplation and offers a breathtaking perspective on three-dimensional form.

    A Tapestry of Artistic Voices: From Degas to O’Keeffe

    NOMA's collection is remarkably diverse, a vibrant tapestry woven from threads spanning continents and centuries. While it boasts an impressive array of European masters – Monet, Renoir, Picasso, Pissarro, Rodin, Braque, Dufy, Miró – the museum distinguishes itself through its profound connection to New Orleans’ own artistic heritage. The city's history is inextricably linked to the art within these walls, most notably through Edgar Degas’ formative years spent living in New Orleans between 1871 and 1872. These early works, imbued with the atmosphere and light of the Louisiana landscape, offer a rare and invaluable glimpse into the genesis of a master's style – a poignant reminder that artistic inspiration can be found in unexpected places.

    Beyond Degas, NOMA champions the rich artistic traditions of Louisiana itself. The museum’s collection includes significant works by local artists who capture the essence of the region’s culture, history, and unique character. Furthermore, NOMA houses an impressive art photography collection, encompassing over 12,000 pieces that trace the evolution of this medium from its earliest days to contemporary explorations. From Daguerreotypes to modern digital images, the collection provides a comprehensive overview of photographic innovation and artistic expression.

    Beyond the Walls: Sculpture, Community, and Engagement

    The experience at NOMA extends far beyond the confines of its buildings. The Besthoff Sculpture Garden isn’t merely an outdoor space; it's a dynamic extension of the museum’s mission, providing a captivating setting for over 90 modern and contemporary sculptures by renowned artists such as Louise Bourgeois, Henry Moore, and Joan Miró. The garden’s carefully curated selection encourages dialogue and reflection, inviting visitors to consider the interplay between art and nature.

    NOMA is deeply committed to accessibility and community engagement. The museum's outreach initiative, NOMA+, brings art directly into the neighborhood with pop-up museum experiences, fostering creativity and appreciation for the arts throughout New Orleans. Guided tours offer insightful perspectives, while teacher workshops empower educators to integrate art into their classrooms. The museum’s dedication to education extends beyond formal programs, creating a welcoming environment for all ages and backgrounds.

    A Cultural Hub: Celebrating Louisiana's Legacy

    What truly sets NOMA apart is its seamless integration of global artistic treasures with a deep commitment to celebrating Louisiana’s unique cultural identity. Walking through the galleries, one might stand before a Picasso or a Monet, then turn to discover works by local artists reflecting the city’s vibrant musical traditions, distinctive cuisine, and rich history. This duality – the juxtaposition of international masterpieces with regional voices – creates an experience that is both intellectually stimulating and emotionally resonant.

    Located within City Park, one of the largest urban parks in the United States, NOMA benefits from a setting that enhances its cultural significance. The park’s sprawling landscape provides a tranquil backdrop for artistic contemplation, while its proximity to other New Orleans landmarks – including the historic French Quarter and the vibrant Garden District – further solidifies NOMA's role as a vital cultural hub. NOMA isn’t simply a museum; it’s a living testament to the transformative power of art and its ability to connect us across time, cultures, and perspectives—a true gem on the Louisiana landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Bear with Us

    originaluniqueart.com/en/art/download/frank-gehry-bear-with-us-D4QEKA-en/

    Cite this artwork

    MLA
    Gehry, Frank. Bear with Us. 2014, New Orleans Museum of Art. https://originaluniqueart.com/en/art/frank-gehry-bear-with-us-D4QEKA-en/
    APA
    Gehry, Frank (2014). Bear with Us [Painting]. New Orleans Museum of Art. https://originaluniqueart.com/en/art/frank-gehry-bear-with-us-D4QEKA-en/
    Chicago
    Frank Gehry. Bear with Us. 2014. New Orleans Museum of Art. https://originaluniqueart.com/en/art/frank-gehry-bear-with-us-D4QEKA-en/
    Harvard
    Gehry, Frank (2014) Bear with Us. New Orleans Museum of Art. Available at: https://originaluniqueart.com/en/art/frank-gehry-bear-with-us-D4QEKA-en/

    Look closely

    Bear with Us — Frank Gehry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: metal sculpture, abstract form, industrial design. Do you agree? What would you add, or take away?
    4. Look back at Guggenheim Museum Bilbao, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Frank Gehry was about 85 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I see the original "Bear with Us" by Frank Gehry?

    You can see the original "Bear with Us" at the New Orleans Museum of Art, New Orleans, United States of America.

    Which artist is "Bear with Us" attributed to?

    The artist behind "Bear with Us" is Frank Gehry. The work is catalogued under Frank Gehry's name.

    What style does "Bear with Us" belong to?

    The movement associated with "Bear with Us" by Frank Gehry is Deconstructivism. This classification situates the work among related artists and artworks.