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Student Artwork Guide

Self Portrait with Easel

Name Class Date

Ferdinand Guillaumin, Self Portrait with Easel (1878). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ferdinand Guillaumin originaluniqueart.com/en/artists/ferdinand-guillaumin/
Artist’s dates
1841 – 1927
Painted
1878
Medium
Oil On Canvas
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Post-Impressionist
Notable elements or techniques
Vibrant colors and expressive brushwork
Subject or theme
Introspective self-portrait

In context

Self Portrait with Easel — Ferdinand Guillaumin

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 37. The artist lived to 86. 14 of the 154 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ferdinand Guillaumin (1841–1927) ▲ this work, 1878 every dated painting, decade by decade

First works: up to 1889 Main working years: 1889–1905 Late works: from 1905

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Place Valhubert, 1872 originaluniqueart.com/en/art/ferdinand-guillaumin-place-valhubert-8DP2GG-en/
  • Place Valhubert, Paris originaluniqueart.com/en/art/ferdinand-guillaumin-place-valhubert-paris-8DP2DD-en/
  • Still Life, 1872 originaluniqueart.com/en/art/ferdinand-guillaumin-still-life-8DP2HW-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/ferdinand-guillaumin-self-portrait-with-easel-8DP2HK-en/

Colours

Measured from the image

    Main colour

    Espresso #452e24

    Catalogued palette

    • #452E24
    • #251615
    • #A97E57
    • #6D4C35

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ferdinand Guillaumin over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.5%
    2. 2 United States of America 9.2%
    3. 3 Germany 7.4%
    4. 4 Hong Kong 3.7%
    5. 5 France 1.8%
    6. 6 Singapore 1.8%
    7. 7 India 0.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Ferdinand Guillaumin

    1. 1 Agay, at Cap Long 6.0%
    2. 2 The Moulin Brigand, Ruins of Chateau de Crozant, 1900 2.2%
    3. 3 Place Valhubert, 1872 1.6%
    4. 4 Still Life with Box with Blue Gloves, 1873 1.6%
    5. 5 River Scene, 1890 1.6%
    6. 6 Sunset at Ivry, 1873 1.6%
    7. 7 Still Life with Flowers, 1900 1.6%
    8. 8 Dam at Genetin, Crozant, 1899 1.6%
    9. 9 Landscape with Trees and Figures, 1905 1.6%
    10. 10 The Quay d'Austerlitz, Morning, 1886 1.6%
    11. 11 The Sea at Saint-Palais, 1895 1.6%
    12. 12 Pont sur la Creuse, Crozant 1.6%
    13. 13 Matin d'automne à la campagne 1.6%
    14. 14 Le village de Crozant 1.6%
    15. 15 Paysage du midi 3 1.6%
    16. 16 Damiette, Sunset, 1888 1.1%
    17. 17 Winter in Saint Sauves (also known as Auvergne), 1900 1.1%
    18. 18 Stroller on the Banks of the Orge, 1889 1.1%
    19. 19 The Red Rocks at Agay, 1915 1.1%
    20. 37 Self Portrait with Easel, 1878 this painting 0.5%

    Together these works take 33.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 306 works by this artist, of which 124 were looked at at least once. This painting ranks 37 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self Portrait with Easel — Ferdinand Guillaumin

    An Introspective Encounter with the Artist's Soul

    In the quiet, contemplative depths of Self Portrait with Easel, we are invited into a private moment of creative gestation. Painted in 1878 by the French Impressionist master Ferdinand Guillaumin, this work serves as more than just a likeness; it is a window into the psychological landscape of a creator at work. The painting captures the artist seated before his easel, his gaze directed toward the viewer with an expression that oscillates between profound introspection and a quiet, searching curiosity. Through the soft interplay of light and shadow, Guillaumin presents himself not merely as a man, but as a vessel for the fleeting impressions of the world around him.

    The composition is masterfully balanced, utilizing the presence of the easel to anchor the subject within his professional sanctuary. While the artist remains the focal point, the subtle inclusion of secondary elements—the hint of another figure and the placement of a chair—adds a layer of narrative complexity, suggesting a studio life that is both lived and observed. This sense of being "lost in thought" is palpable, drawing the observer into a shared silence with the painter, making the piece an incredibly intimate experience for anyone who appreciates the sanctity of the creative process.

    A Symphony of Impressionist Color and Texture

    Technically, this self-portrait stands as a testament to the vibrant evolution of the 19 enoughth-century French school. Guillaumin, a key figure in the movement, employs a technique characterized by expressive brushwork and a sophisticated use of color to build depth and emotion. Rather than relying on rigid outlines, he uses energetic strokes that imbue the canvas with a sense of movement and vitality. The palette is rich and emotive, utilizing light to sculpt the features of his face and the textures of his surroundings.

    For the discerning collector or interior designer, the painting offers a remarkable versatility in decor. The way the colors dance across the surface creates a dynamic energy that can serve as a sophisticated focal point in a contemporary gallery-style room or add a layer of historical warmth to a classic study. The texture of the brushwork provides a tactile quality that is particularly striking in high-quality oil reproductions, where the essence of the original's spontaneous spirit can be truly felt.

    Legacy and Timeless Appeal

    Beyond its aesthetic brilliance, Self Portrait with Easel carries the historical weight of the Impressionist era. It captures a moment in time when artists were breaking free from academic constraints to pursue the truth of light and sensation. Guillaumin’s ability to blend the personal with the atmospheric makes this work an enduring piece of art history. Owning a reproduction of such a piece is not merely about decorating a wall; it is about bringing a piece of the 19th-century French avant-garde into the modern home.

    Whether you are an art enthusiast seeking to deepen your connection to the Impressionist movement or a designer looking for a masterpiece that evokes contemplation and elegance, this work provides endless inspiration. It remains a profound reminder that art is not just what we see, but how we feel when we look closely at the world.

    Artist and museum

    Artist

    Ferdinand Guillaumin

    Born in Paris, France

    early life and career

    ferdinand guillaumin, a french impressionist painter and lithographer, was born on february 16, 1841. his artistic journey began in the mid-19th century, a time when impressionism was gaining momentum in france.

    contribution to impressionism

    guillaumin's work significantly contributed to the development of impressionism, a movement that sought to capture the fleeting impressions of light and color in the natural world. as an active member of this group, he participated in several exhibitions, showcasing his unique style.

    his paintings often featured dreamy, soft landscapes, which resonated with the spirit of impressionism.

    guillaumin's use of vibrant colors and loose brushstrokes added to the movement's characteristic spontaneity.

    notable works and associations

    mount holyoke college art museum, which houses an impressive collection of artworks, including those by guillaumin, is a notable institution that has contributed to the preservation of his legacy.

    claude monet, another prominent impressionist painter, was a close associate of guillaumin, and both artists often exhibited their works together.

    guillaumin's style also shows influences from symbolism, a movement that emphasized the world of dreams and mysticism, as seen in his use of bold colors and emotive subjects.

    legacy and remembrance

    ferdinand guillaumin passed away on june 26, 1927, but his contributions to impressionism remain invaluable. his work can be found in various museums and collections, including those featured on mount holyoke college art museum (united states) and other notable institutions. explore more of guillaumin's works and the impressionist movement on AllPaintingsStore: ferdinand guillaumin | 3 artworks impressionism art movement

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait with Easel

    originaluniqueart.com/en/art/download/ferdinand-guillaumin-self-portrait-with-easel-8DP2HK-en/

    Cite this artwork

    MLA
    Guillaumin, Ferdinand. Self Portrait with Easel. 1878, https://originaluniqueart.com/en/art/ferdinand-guillaumin-self-portrait-with-easel-8DP2HK-en/
    APA
    Guillaumin, Ferdinand (1878). Self Portrait with Easel [Painting]. https://originaluniqueart.com/en/art/ferdinand-guillaumin-self-portrait-with-easel-8DP2HK-en/
    Chicago
    Ferdinand Guillaumin. Self Portrait with Easel. 1878. https://originaluniqueart.com/en/art/ferdinand-guillaumin-self-portrait-with-easel-8DP2HK-en/
    Harvard
    Guillaumin, Ferdinand (1878) Self Portrait with Easel. Available at: https://originaluniqueart.com/en/art/ferdinand-guillaumin-self-portrait-with-easel-8DP2HK-en/

    Look closely

    Self Portrait with Easel — Ferdinand Guillaumin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, artist at work, impressionism. Do you agree? What would you add, or take away?
    4. Look back at Place Valhubert (1872), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What use is suggested for "Self Portrait with Easel" by Ferdinand Guillaumin?

    The suggested use for "Self Portrait with Easel" by Ferdinand Guillaumin is focal. It can serve other purposes as well.

    What technique was used for "Self Portrait with Easel", and when was it created?

    "Self Portrait with Easel" was made in 1878, in oil on canvas.

    What is the overall mood of "Self Portrait with Easel" by Ferdinand Guillaumin?

    "Self Portrait with Easel" by Ferdinand Guillaumin is described as classic in mood. This classification can help match the work to a setting.