Paper

Student Artwork Guide

Tetanus

Name Class Date

ex de medici, Tetanus (2009), Australian War Memorial. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
ex de medici originaluniqueart.com/en/artists/ex-de-medici/
Artist’s dates
1959 – ?
Painted
2009
Medium
Watercolor
Original size
114 x 176 cm
Movement
Contemporary Art
Period
Contemporary
Held at
Australian War Memorial originaluniqueart.com/en/museums/australian-war-memorial-canberra/
Notable elements or techniques
Jungle scene with scattered airplanes
Subject or theme
Colonization and intervention in Solomon Islands

In context

Tetanus — ex de medici

How big is it?

The original measures 114 × 176 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Shaded: the lifetime of ex de medici (1959–?) ▲ this work, 2009

Colours

Measured from the image

    Main colour

    Espresso #635947

    Catalogued palette

    • #635947
    • #8A7D5A
    • #AA9F81
    • #CBCDC0
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Tetanus — ex de medici

    In 2009 eX de Medici was sent to interpret Australian involvement in peacekeeping operations in the Solomon Islands. Central to the body of work de Medici produced was the theme of colonisation. She saw several distinct layers of intervention; from the era when the Solomon Islands was a British protectorate to when invading forces arrived during the Second World War, and from foreign investment in the islands’ natural resources to the arrival of RAMSI (Regional Assistance Mission to Solomon Islands).

    Artist and museum

    Artist

    ex de medici

    Born in Coolamon, Australia

    Joan Mitchell: A Landscape of the Soul

    Joan Mitchell (1925–1992) wasn’t simply an abstract painter; she was a translator, channeling the raw energy and emotional resonance of her surroundings onto canvas. Born in Chicago into a family deeply rooted in the arts—her father was a prominent architect, and her mother a musician—Mitchell's early life fostered a profound appreciation for visual and auditory experiences. This foundation profoundly shaped her artistic trajectory, leading her to Paris in 1949 where she immersed herself in the burgeoning Abstract Expressionist movement, absorbing its spirit while forging her own distinct voice. Mitchell’s work is characterized by a visceral physicality, a daring use of color that pulsates with intensity, and an undeniable connection to the landscapes—both natural and urban—that fueled her imagination. Unlike many of her contemporaries who sought to represent recognizable forms, Mitchell focused on conveying atmosphere, mood, and feeling through layered washes of pigment and gestural marks. Her paintings aren’t portraits of places; they are embodiments of their essence.

    Early Influences and the Parisian Years

    Mitchell's journey toward abstraction began with a deliberate rejection of representational painting. After graduating from the School of the Art Institute of Chicago in 1947, she traveled to France, an experience that proved transformative. Paris became her crucible, exposing her to the radical ideas and practices of artists like Jackson Pollock, Mark Rothko, and Willem de Kooning – figures who were redefining the possibilities of painting. She studied with Hans Richter at the Atelier 17, a renowned center for experimental art, further honing her skills in color theory and composition. It was during this period that Mitchell began to develop her signature style—a dynamic interplay of color and texture designed to evoke emotional responses rather than depict concrete realities. The influence of Paul Klee’s expressive use of color and the gestural quality of German Expressionism are also evident in her early work, demonstrating a sophisticated understanding of artistic history.

    A Distinctive Approach to Abstraction

    What truly distinguishes Mitchell's art is her deeply personal approach to abstraction. She didn’t simply apply colors randomly; each hue was carefully chosen and strategically layered to create specific sensations—a fiery orange might represent heat, a cool blue, tranquility, or a turbulent purple, anxiety. Her process involved extensive sketching in the outdoors, meticulously documenting the shapes, textures, and light of her surroundings. These sketches served as blueprints for her paintings, guiding her hand as she built up layers of paint with brushes, palette knives, and even rags. Mitchell’s landscapes are rarely serene; they often convey a sense of unease, dynamism, or even violence—reflecting the turbulent emotions that simmered beneath the surface of her life. Her work is deeply rooted in observation, but it transcends mere representation to become an intensely subjective experience for the viewer.

    Major Works and Recognition

    Throughout her career, Mitchell produced a prolific body of work, characterized by a remarkable consistency in style and subject matter. Key works include Tangerine Moon and Wine Dark Sea (1959), a vibrant explosion of color that captures the essence of a coastal landscape; Orange and Black Wall (1960), a dynamic composition that evokes the energy of an urban environment; and numerous paintings depicting the landscapes of New Mexico, where she spent much of her later life. Her work was exhibited extensively throughout the 1950s and 60s, gaining recognition within the Abstract Expressionist movement and establishing her as one of its most compelling figures. She received a retrospective at the Museum of Modern Art in 1984, solidifying her place in art history.

    Legacy and Historical Significance

    Joan Mitchell’s legacy extends far beyond her individual achievements. She demonstrated that abstraction could be profoundly expressive, capable of conveying complex emotions and experiences through purely visual means. Her fearless use of color, combined with a deeply personal approach to landscape painting, paved the way for subsequent generations of abstract artists. She remains an important figure in the history of American art, celebrated for her innovative spirit, her unwavering commitment to her own artistic vision, and her ability to transform the ordinary into something extraordinary. Her work continues to resonate with viewers today, offering a powerful reminder of the enduring power of art to capture the complexities of human experience.

    Museum

    Australian War Memorial

    On show in Canberra, Australia

    A Sanctuary of Remembrance: The Soul of the Australian War Memorial

    The Australian War Memorial is far more than a mere repository of historical artifacts; it is a profound articulation of national memory, a space where the echoes of sacrifice resonate with a solemn and haunting power. Conceived from the raw grief and enduring gratitude that followed the Great War, the Memorial arose from Charles Bean’s visionary impulse—a desire not simply to record the mechanics of war, but to enshrine the lived experiences of those who served. It was an effort to ensure that courage and loss would never fade into the cold abstraction of history books. Established formally in 1925, the institution slowly took shape amidst the economic hardships of the Great Depression, resulting in an architectural masterpiece that blends solemn grandeur with modern functionality. For the visitor, walking through its halls feels like traversing Australia’s military narrative, moving from the brutal, mud-soaked trenches of the Western Front to the complex peacekeeping missions of the contemporary era.

    The collection itself is a breathtaking tapestry of the human condition, extending far beyond the cold steel of weaponry and the heavy silhouettes of military vehicles. It encompasses deeply personal artifacts that offer an intimate glimpse into the human cost of conflict: letters penned with trembling hands, diaries filled with raw emotion, and photographs capturing fleeting moments of camaraderie amidst the chaos of battle. The Aircraft Hall serves as a particularly striking centerpiece, where a remarkable array of military aircraft hang like silent sentinels. These machines, once dominant in the skies during pivotal global conflicts, now whisper tales of daring pilots and strategic maneuvers, embodying both the rapid advancement of technology and the immense bravery of the individuals who commanded them. In the Hall of Valour, the glint of medals and decorations illuminates acts of extraordinary heroism, where every ribbon and clasp represents a story of selfless devotion under unimaginable pressure.

    The architectural experience of the Memorial is defined by its ability to evoke both introspection and awe. Designed by Denton Corker Marshall, the building utilizes expansive glass walls that flood the galleries with natural light, creating a sense of openness and transparency that contrasts beautifully with the weight of the subject matter. The Hall of Memory, with its soaring vaulted ceiling and polished granite floor, stands as a pinnacle of modernist design, symbolizing dignity and eternal respect. This sense of reverence is most poignantly felt at the

    Tomb of the Unknown Australian Soldier

    . Installed in 1993, this site serves as a focal point for reflection, honoring those whose identities were lost to time. The simple stone altar acts as a universal symbol of grief, drawing visitors from across the globe to find solace and contemplation within its hallowed walls.

    What truly distinguishes the Australian War Memorial is its evolution into a living shrine, a place where history is actively curated to include more complete and inclusive narratives. The recent integration of the

    Australian Frontier Wars

    into the scope of commemoration demonstrates a profound commitment to acknowledging the complex history of colonial expansion and the resilience of Indigenous Australians. This dedication to truth-telling is complemented by the nightly

    Last Post Ceremony

    , a ritual held every evening since 1954. As the haunting notes of the bugle call echo through the Hall of Memory, focusing on the story of an individual veteran, the Memorial fulfills its ultimate promise: ensuring that the sacrifices made in defense of the nation are never forgotten, and that the legacy of those who served remains a vibrant, breathing part of the Australian identity.

    Where to read more

    Find this online

    QR code linking to the download page for Tetanus

    originaluniqueart.com/en/art/download/ex-de-medici-tetanus-D7E4H9-en/

    Cite this artwork

    MLA
    medici, ex de. Tetanus. 2009, Australian War Memorial. https://originaluniqueart.com/en/art/ex-de-medici-tetanus-D7E4H9-en/
    APA
    medici, ex de (2009). Tetanus [Painting]. Australian War Memorial. https://originaluniqueart.com/en/art/ex-de-medici-tetanus-D7E4H9-en/
    Chicago
    ex de medici. Tetanus. 2009. Australian War Memorial. https://originaluniqueart.com/en/art/ex-de-medici-tetanus-D7E4H9-en/
    Harvard
    medici, ex de (2009) Tetanus. Australian War Memorial. Available at: https://originaluniqueart.com/en/art/ex-de-medici-tetanus-D7E4H9-en/

    Look closely

    Tetanus — ex de medici

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: jungle, airplanes, colonization. Do you agree? What would you add, or take away?
    4. ex de medici was about 50 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of ex de medici: themes of colonization, australian peacekeeping operations, layers of intervention. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.