Paper

Student Artwork Guide

Interface 27-28

Name Class Date

Dieter Rot, Diter Rot, Interface 27-28 (1979), Serralves Foundation. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Dieter Rot, Diter Rot originaluniqueart.com/en/artists/dieter-rot-diter-rot/
Artist’s dates
1930 – 1998
Painted
1979
Original size
44 x 61 cm
Movement
Contemporary
Held at
Serralves Foundation originaluniqueart.com/en/museums/serralves-foundation-porto/

In context

Interface 27-28 — Dieter Rot, Diter Rot

How big is it?

The original measures 44 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 49. The artist lived to 68. 1 of the 2 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Dieter Rot, Diter Rot (1930–1998) ▲ this work, 1979 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/dieter-rot-diter-rot-interface-27-28-D989B7-en/

Colours

Measured from the image

    Main colour

    Putty #ded9c9

    Catalogued palette

    • #DED9C9
    • #926B4F
    • #B3AD9A
    • #3B3338

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Dieter Rot, Diter Rot

    Born in Hanover, Germany

    The Alchemy of Impermanence: The Life and Vision of Dieter Roth

    Born in Hanover, Germany, on April 21, 1930, Dieter Roth—often referred to by the variation Diter Rot—emerged as one of the most radical and boundary-pushing figures of the twentieth-century avant-garde. His artistic journey was never a linear progression toward perfection, but rather a profound exploration of decay, transformation, and the beautiful instability of existence. Moving through the cultural landscapes of Europe, Roth developed a practice that defied the static nature of traditional fine art, choosing instead to embrace the organic processes of life and death. His work serves as a visceral meditation on the passage of time, where the boundaries between the creator, the medium, and the environment are perpetually blurred.

    Roth’s creative evolution was deeply intertwined with the experimental spirit of the Fluxus movement. As a co-founder of the magazine Spirale, he became a central node in a network of artists dedicated to breaking down the walls between high art and everyday life. This period of his life was marked by an intense curiosity regarding how objects interact with their surroundings. He did not merely seek to represent reality; he sought to engage with its physical degradation. His fascination with found materials—ranging from discarded newspapers and magazines to the much more provocative use of organic matter—allowed him to create works that were living, breathing, and ultimately, dying.

    Materiality and the Aesthetics of Decay

    What truly distinguishes Roth’s oeuvre is his fearless approach to medium. While many artists of his era sought permanence through oil on canvas or carved stone, Roth found profound meaning in the ephemeral. He became renowned for his sculptures that incorporated rotting foodstuffs, a technique that challenged the very notion of what an art object could be. In pieces such as Insel, the artist utilized decomposing organic elements to create a sensory experience that engaged not just the eyes, but the sense of smell and the awareness of biological change. This focus on impermanence turned his sculptures into performances of natural entropy, where the artwork changed shape, color, and texture every day it remained on display.

    Beyond his sculptural experiments, Roth revolutionized the concept of the book. His artist's books were far from passive objects of reading; they were tactile, interactive landscapes. By designing books with pages that readers could rearrange or manipulate, he dismantled the traditional hierarchy of narrative and structure. This approach mirrored his interest in Concrete Art and the deconstruction of form, inviting a participatory experience that transformed the viewer into an active collaborator. His editioned prints and works on paper further showcased this mastery of technique, blending experimental textures with a deep-seated connection to the raw materials of the modern world.

    Legacy and Artistic Influence

    The historical significance of Dieter Roth lies in his ability to expand the vocabulary of contemporary art. He drew inspiration from the psychological depth of Expressionism, finding echoes of the raw emotion found in the works of Edvard Munch and Francis Bacon, yet he applied these influences to a much more physical, materialist framework. His legacy is felt in every movement that seeks to challenge the sanctity of the museum object and every artist who finds beauty in the discarded or the decomposing.

    Throughout his career, Roth’s work was celebrated in prestigious institutions, including the Museum Folkwang in Essen, Germany, ensuring that his radical experiments were documented within the canon of art history. Though he passed away in 1998, his impact remains undiminished. He left behind a body of work that continues to provoke thought about the nature of creation and the inevitability of dissolution, reminding us that there is a profound, haunting beauty to be found in the very process of falling apart.

    Museum

    Serralves Foundation

    On show in Porto, Portugal

    A Sanctuary of Modernity: The Serralves Foundation

    Nestled within the verdant embrace of Porto’s western edge, the Serralves Foundation is more than simply a museum; it's an immersive experience woven from art, architecture, and the very soul of Portugal. Born from a post-revolutionary vision in 1989 – a bold partnership between public funds and private initiative – the foundation has blossomed into a globally recognized beacon of contemporary creativity. Its story begins with Álvaro Siza Vieira’s masterful design for the museum building, a structure that doesn't merely house art but actively engages with its surroundings, inviting nature inwards through an intricate network of patios and windows. This deliberate blurring of boundaries between interior and exterior creates a fluid, contemplative space, reflecting the foundation’s core belief that art should be accessible and deeply felt. Beyond the museum itself lies the Villa Serralves, a stunning example of 1930s Art Deco architecture – a captivating counterpoint to the modern building, offering a glimpse into a bygone era of refined elegance and luxurious design. And then there's the Sculpture Park, an expansive landscape transformed by carefully placed artworks, creating an open-air gallery where visitors can wander amongst masterpieces while enveloped in the tranquility of nature. The entire complex is a testament to a philosophy that prioritizes dialogue – between past and present, interior and exterior, art and life itself.

    Key Highlights:

    The collection boasts a remarkable diversity spanning painting, sculpture, photography, video installations, and performance art. Recent exhibitions have showcased the evocative works of Patrícia Almeida, exploring Aalto’s design legacy, and presented immersive installations by Maurizio Cattelan – each offering a unique perspective on contemporary themes.

    Architectural Significance:

    Álvaro Siza Vieira's design is celebrated for its profound respect for the surrounding landscape. The museum building isn’t a container but an integral part of the experience, utilizing open spaces and abundant natural light to foster a sense of serenity and connection with nature.

    The Villa Serralves:

    This Art Deco masterpiece provides a fascinating historical contrast, showcasing exquisite interiors and furnishings that evoke a sense of timeless elegance. It serves as a reminder of the evolution of aesthetic sensibilities throughout the 20th century.

    A Landscape Sculpted by Art

    The Sculpture Park is arguably Serralves’ most enchanting feature – a sprawling expanse where art seamlessly integrates with the natural world. Rather than imposing artworks upon the landscape, the foundation deliberately seeks to create dialogues between them, resulting in an open-air gallery that invites contemplation and discovery. The park's design isn’t accidental; it reflects a deep commitment to accessibility and engagement, breaking down barriers between the artwork and the viewer. Visitors can wander along winding paths, encountering monumental sculptures nestled amongst trees, water features, and vibrant flora – a truly immersive experience where art becomes inextricably linked with nature. The park was awarded the prestigious Henry Ford Prize for its dedication to environmental preservation and sustainable practices, further solidifying Serralves’ commitment to holistic cultural engagement.

    Notable Sculptures:

    The collection includes works by renowned artists such as Louise Bourgeois, Antony Gormley, and Cristina Iglesias, each offering a unique interpretation of space and form.

    The Treetop Walkway:

    A suspended walkway offers breathtaking panoramic views of the park and surrounding landscape, providing a unique perspective on the interplay between art and nature.

    Echoes of the Past: The Villa Serralves

    Stepping into the Villa Serralves is like traveling back in time to the glamorous era of the 1930s. This exquisite example of Art Deco architecture stands as a testament to a bygone age of luxury and sophistication, offering a captivating contrast to the modern museum building. The villa’s interior is meticulously preserved, showcasing original furnishings, decorative arts, and architectural details that evoke a sense of refined elegance. More than just a historical artifact, the Villa serves as a window into the evolution of aesthetic sensibilities, demonstrating how design principles have shifted over time. The careful curation within its walls provides valuable context for understanding the broader artistic landscape of the 20th century.

    Architectural Details to Note:

    Intricate geometric patterns in the façade

    Luxurious materials such as polished wood and marble

    Elegant lighting fixtures that illuminate the interior spaces

    A Commitment to Engagement: Beyond the Visual

    What truly distinguishes Serralves is its unwavering dedication to a holistic cultural experience. The foundation operates around five strategic axes – artistic creation, audience engagement, environmental responsibility, critical reflection on contemporary society, and support for creative industries – demonstrating a commitment that extends far beyond simply displaying art. This multifaceted approach manifests in innovative programs tailored to diverse audiences, including educational initiatives, music performances, film screenings, and community outreach events. The foundation actively fosters dialogue, promotes education, and addresses pressing social issues, solidifying its role as a vital cultural hub within the region. Serralves’ commitment to sustainability is evident through its park's recognition with the Henry Ford Prize, reflecting a deep understanding of the importance of preserving our natural environment for future generations.

    Educational Programs:

    Serralves offers a wide range of workshops and lectures designed to engage visitors of all ages and backgrounds.

    Community Outreach:

    The foundation actively supports local artists and cultural organizations through grants, residencies, and collaborative projects.

    Further Exploration

    Useful Links:

    Official Website:

    https://www.serralves.pt/en/

    Wikipedia:

    https://en.wikipedia.org/wiki/Serralves_Foundation

    Additional Research:

    Nedko Solakov

    – A Bulgarian artist known for his thought-provoking charcoal works and installations, often exploring themes of memory and identity.

    Carlos Alberto Nogueira

    – A pivotal Portuguese artist whose abstract and conceptual paintings challenge conventional notions of art.

    Where to read more

    Find this online

    QR code linking to the download page for Interface 27-28

    originaluniqueart.com/en/art/download/dieter-rot-diter-rot-interface-27-28-D989B7-en/

    Cite this artwork

    MLA
    Rot, Dieter Rot, Diter. Interface 27-28. 1979, Serralves Foundation. https://originaluniqueart.com/en/art/dieter-rot-diter-rot-interface-27-28-D989B7-en/
    APA
    Rot, Dieter Rot, Diter (1979). Interface 27-28 [Painting]. Serralves Foundation. https://originaluniqueart.com/en/art/dieter-rot-diter-rot-interface-27-28-D989B7-en/
    Chicago
    Dieter Rot, Diter Rot. Interface 27-28. 1979. Serralves Foundation. https://originaluniqueart.com/en/art/dieter-rot-diter-rot-interface-27-28-D989B7-en/
    Harvard
    Rot, Dieter Rot, Diter (1979) Interface 27-28. Serralves Foundation. Available at: https://originaluniqueart.com/en/art/dieter-rot-diter-rot-interface-27-28-D989B7-en/

    Look closely

    Interface 27-28 — Dieter Rot, Diter Rot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: collage art, human faces, digital manipulation. Do you agree? What would you add, or take away?
    4. Look back at Selbstbildnis als Zungen und Nasen (1973), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Dieter Rot, Diter Rot was about 49 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How old was Dieter Rot, Diter Rot when creating "Interface 27-28" in 1979?

    Dieter Rot, Diter Rot made "Interface 27-28" at the age of 49. The artist was born in 1930 and the work is dated 1979.

    Who sells hand-painted copies of "Interface 27-28" by Dieter Rot, Diter Rot?

    You can order a hand-painted reproduction of "Interface 27-28" by Dieter Rot, Diter Rot directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.

    What explains the copyright situation of "Interface 27-28" by Dieter Rot, Diter Rot?

    "Interface 27-28" by Dieter Rot, Diter Rot is still protected by copyright. Copyright terms are measured from the artist's death, and Dieter Rot, Diter Rot died in 1998.