Paper

Student Artwork Guide

Just in

Name Class Date

David Michael Hinnebusch, Just in (2017), The Broad. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Michael Hinnebusch originaluniqueart.com/en/artists/david-michael-hinnebusch/
Artist’s dates
1968 –
Painted
2017
Original size
122 x 122 cm
Period
Modern
Held at
The Broad originaluniqueart.com/en/museums/the-broad-los-angeles/
Artistic style
Figurative
Influences
Rauschenberg, Abstract Expressionism
Notable elements
Man, guitar, urban setting
Subject or theme
Singing man, urban life

In context

Just in — David Michael Hinnebusch

How big is it?

The original measures 122 × 122 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 49. 37 of the 163 dated works by this artist in our catalogue came earlier.

▲ this work, 2017 every dated painting, decade by decade

Compare with

  • Self Portrait, 1994 originaluniqueart.com/en/art/david-michael-hinnebusch-self-portrait-D3HETB-en/
  • Not a Slave Ship, 2012 originaluniqueart.com/en/art/david-michael-hinnebusch-not-a-slave-ship-D2DTF7-en/
  • Orange Skies, 2017 originaluniqueart.com/en/art/david-michael-hinnebusch-orange-skies-D2NBUQ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-michael-hinnebusch-just-in-D3JPT3-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2b1c16

    Catalogued palette

    • #2B1C16
    • #C85B26
    • #CFCEB3
    • #6D6D64

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Michael Hinnebusch over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 93.0%
    2. 2 United States of America 7.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Michael Hinnebusch

    1. 1 On the Air and In the Air, 2017 6.5%
    2. 2 Just in, 2017 this painting 6.5%
    3. 3 Jet Fix, 2017 4.3%
    4. 4 My Heroes, 2017 4.3%
    5. 5 Breaking Bad Waves, 2017 4.3%
    6. 6 Time Team Key, 2017 4.3%
    7. 7 Orange Skies, 2017 4.3%
    8. 8 Bright Dog, 2017 2.2%
    9. 9 Vernon S Place, 2017 2.2%
    10. 10 Native Bus, 2006 2.2%
    11. 11 Missy and Joan, 2016 2.2%
    12. 12 Bard, 2017 2.2%
    13. 13 Lici, 2017 2.2%
    14. 14 Stik, 2017 2.2%
    15. 15 Lost at the Light, 2017 2.2%
    16. 16 Cave Gold, 2017 2.2%
    17. 17 Cook Kit 28x22in Mixed Media on Paper, 2017 2.2%
    18. 18 Being Famous is like Ike, 2017 2.2%
    19. 19 Pippo, 2017 2.2%
    20. 20 Sea Snore, 2017 2.2%

    Together these works take 63.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 165 works by this artist, of which 37 were looked at at least once. This painting ranks 2 of them, with 6.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Just in — David Michael Hinnebusch

    David Michael Hinnebusch’s “Just in”: A Portrait of Urban Introspection

    David Michael Hinnebusch's "Just in," created in 2017, is more than simply a depiction of a man with glasses; it’s an arresting meditation on the complexities of modern existence. Measuring 122 x 122 cm, this painting immediately draws the viewer into its scene – a solitary figure, seemingly lost in thought, positioned within a subtly rendered urban backdrop. The subject, clad in a vibrant red shirt, occupies the central focus, his open mouth suggesting either fervent speech or a poignant song, inviting us to contemplate the unspoken narratives that shape our lives.

    Subject Matter: The painting’s core is undeniably human – an individual grappling with internal thoughts and emotions within a broader societal context.

    Composition: Hinnebusch masterfully employs composition, using the central figure to anchor the eye while the surrounding figures and architectural elements contribute to a sense of depth and atmosphere.

    Color Palette: The dominant red shirt provides a striking focal point against the muted tones of the urban environment, creating a visual tension that reflects the subject’s internal state.

    Exploring the Style and Technique

    "Just in" exemplifies Hinnebusch's approach to figurative painting, blending elements of realism with expressive brushwork. The artist utilizes a technique reminiscent of Neo-Expressionism, characterized by bold strokes and a deliberate rejection of purely representational accuracy. This isn’t about photographic precision; it’s about conveying feeling and atmosphere through the manipulation of color and texture. Notice the loose application of paint, particularly in the background, which creates a sense of movement and uncertainty – mirroring perhaps the subject's own disorientation or contemplation.

    The artist’s use of impasto—thickly applied paint—adds to the painting’s tactile quality, inviting the viewer to engage with the surface on a deeper level. This technique further emphasizes the emotional intensity of the scene and contributes to its overall dynamism. The guitar present in the composition adds another layer of complexity, hinting at themes of creativity, expression, and perhaps even melancholy.

    Historical Context and Influences

    Born in Pittsburgh in 1968, David Michael Hinnebusch’s artistic practice is rooted in a lineage of American artists who challenged traditional notions of representation. While his work doesn't explicitly reference specific movements like Surrealism or Abstract Expressionism – as seen in the biography of Robert Rauschenberg – there are echoes of these influences in his approach to combining recognizable figures with abstract elements and exploring themes of identity and alienation. The painting’s urban setting speaks to a broader trend in mid-20th century art, reflecting the anxieties and uncertainties of a rapidly changing world.

    Symbolism and Emotional Impact

    "Just in" resonates with powerful emotional currents. The solitary figure's posture suggests vulnerability and introspection, prompting viewers to consider their own experiences of isolation or contemplation. The open mouth, whether representing speech or song, symbolizes the human desire for connection and expression. Ultimately, Hinnebusch’s painting is a poignant reminder of the universal themes of identity, emotion, and the search for meaning in an increasingly complex world. It's a piece that invites quiet reflection and offers a glimpse into the soul of a single individual within the vastness of urban life.

    Artist and museum

    Artist

    David Michael Hinnebusch

    Born in Pittsburgh, United States of America

    The Autobiographical Canvas: A Life of Movement and Memory

    The artistic journey of David Michael Hinnebusch is one defined by profound displacement and the search for identity within a global landscape. Born in Pittsburgh, Pennsylvania, his early years were shaped by a nomadic existence that spanned continents, moving from the United States to Tanzania and Kenya before returning to the states. This childhood, spent amidst the academic rigor of his father’s linguistic studies in Africa, instilled in him a worldly and inquisitive nature. Growing up in environments like Nairobi, where he was often an outsider, fostered a deep-seated sense of introspection that would later become the heartbeat of his creative practice. His early inclinations toward storytelling—writing and illustrating his own adventures as a young boy—laid the foundational groundwork for a career dedicated to excavating personal and universal experiences through visual media.

    As he transitioned into adulthood, the vibrant and often chaotic energy of Los Angeles became the primary crucible for his artistic evolution. It was here that his work began to coalesce into a distinct visual language, one that reflects the complex, fragmented nature of modern existence. His canvases serve as more than mere representations; they are distillations of a life lived within the countercultural currents of the West Coast, blending personal history with the broader atmospheric textures of urban life.

    A Collision of Styles: Neo-Expressionism and the Punk Ethos

    Hinnebusch’s aesthetic is a powerful collision of Neo-Expressionism and the raw, rebellious spirit of punk rock. His work rejects polished refinement in favor of an urgent, visceral emotionality that mirrors the DIY ethos of the punk scene he inhabited. This influence manifests in his use of dynamic brushstrokes, bold color palettes, and a deliberate embrace of imperfection. To view a Hinnebusch painting is to witness an eruption of feeling, where the energy of the movement is captured through thick impasto textures and gestural lines that demand engagement from the viewer.

    His technical approach often involves an energetic layering of paint and mixed media, creating a sense of depth and physical presence. This method allows him to explore themes of isolation, desire, and decay with a raw immediacy. Whether he is depicting fragmented cityscapes or abstract portraits, his work maintains a consistent tension between the figurative and the abstract. Key elements of his stylistic repertoire include:

    Vibrant Color Palettes: Utilizing bold hues to evoke intense emotional responses and capture the kinetic energy of Los Angeles life.

    Textural Depth: The use of heavy impasto and mixed media to create a tactile, three-dimensional experience on the canvas.

    Narrative Symbolism: Integrating cryptic symbols, eyes, and layered imagery that invite viewers to decode the underlying psychological landscapes.

    Dynamic Composition: Employing unbalanced or fragmented structures to reflect the chaotic beauty of contemporary existence.

    Philosophical Resonance and Contemporary Significance

    Beyond the surface level of color and texture, Hinnebusch’s work is deeply rooted in philosophical inquiry. Influenced by thinkers such as Marshall McLuhan, his art explores the intersections of media, perception, and the human condition. He approaches the canvas as a site for intellectual excavation, where the boundaries between the self and the external world become blurred. His paintings often act as a bridge between the autobiographical and the universal, translating personal memories of travel and transition into broader meditations on how we navigate a fragmented reality.

    In the contemporary art landscape, Hinnebusch stands as a significant voice within Neo-Expressionism, bringing a unique perspective that merges the grit of street art influences with a sophisticated, scholarly depth. His ability to capture the essence of an era—the tension between urban isolation and the vibrant pulse of culture—ensures his work resonates with a profound emotional truth. Through his exploration of narrative depth and emotional resonance, he continues to challenge viewers to look beneath the surface of the image to find the complex internal landscapes that lie within.

    Museum

    The Broad

    On show in Los Angeles, United States of America

    A Beacon of Contemporary Vision

    In the vibrant heart of Los Angeles, The Broad stands as a profound testament to visionary philanthropy and a radical reimagative approach to how we experience the pulse of modern creativity. Founded by the transformative duo Eli and Edythe Broad, this institution transcends the traditional boundaries of a museum; it is not merely a repository for masterpieces but a living, breathing stage for dialogue and the challenging of perceptions. By maintaining an unwavering commitment to free general admission, The Broad has dismantled the ivory towers of the art world, inviting every visitor into an intimate encounter with the avant-garde. It is a place where the boundaries between the observer and the observed dissolve, fostering a democratic space where curiosity is nurtured and perspectives are irrevocably transformed.

    The architectural presence of the museum is as much a masterpiece as the canvases it houses. Designed by the visionary firm Diller Scofidio + Renfro in collaboration with Gensler, the building serves as a striking visual counterpoint to its neighbors, most notably Frank Gehry’s undulating Walt Disney Concert Hall. The exterior presents a mesmerizing, porous, honeycomb-like structure crafted from fiberglass-reinforced concrete panels, embodying the sophisticated concept of “the veil and the vault.” This ingenious design creates a sense of mystery and protection, where the outer skin filters light and movement while the inner sanctum preserves the treasures within. As one approaches this sculptural landmark, the architecture itself prepares the soul for a journey of contemplation and discovery, acting as a gateway between the urban energy of Los Angeles and the introspective depths of contemporary art.

    A Journey Through Immersive Masterpieces

    Stepping inside the museum’s 50,000 square feet of exhibition space, visitors are met with an expertly curated landscape that balances monumental installations with moments of profound intimacy. The experience is often defined by the hypnotic allure of Yayoi Kusama's

    Infinity Rooms

    , where kaleidoscopic patterns and endless reflections transport the viewer into a sensory realm that feels both cosmic and deeply personal. These immersive environments have become iconic symbols of the museum’s ethos, pushing the limits of how art can envelop the human spirit. This sense of wonder is matched by the electric energy of Pop Art giants such as Andy Warhol and Jeff Koons, whose works capture the vibrant, often playful, pulse of mid-century culture through bold imagery and a keen eye for the zeitgeist.

    Beyond the shimmering surfaces of Pop Art, The Broad offers a deeper exploration into the raw and the organic. The collection features the emotionally charged, visceral paintings of Jean-Michel Basquiat, which navigate complex themes of identity and social commentary with an unapologetic intensity. For those seeking a connection to the natural world through an abstract lens, the works of artists like Tam Van Tran offer a fascinating study in materiality, blending clay, paper, and even biological elements like chlorophyll and algae to create living abstractions. This diversity is further enriched by the socially engaged narratives of Marianne Sadowski, whose art delves into the pressing issues of justice and humanity. For collectors and designers alike, The Broad represents an essential intersection of historical significance and contemporary innovation, offering a continuous stream of inspiration that celebrates the limitless possibilities of the human imagination.

    Where to read more

    Find this online

    QR code linking to the download page for Just in

    originaluniqueart.com/en/art/download/david-michael-hinnebusch-just-in-D3JPT3-en/

    Cite this artwork

    MLA
    Hinnebusch, David Michael. Just in. 2017, The Broad. https://originaluniqueart.com/en/art/david-michael-hinnebusch-just-in-D3JPT3-en/
    APA
    Hinnebusch, David Michael (2017). Just in [Painting]. The Broad. https://originaluniqueart.com/en/art/david-michael-hinnebusch-just-in-D3JPT3-en/
    Chicago
    David Michael Hinnebusch. Just in. 2017. The Broad. https://originaluniqueart.com/en/art/david-michael-hinnebusch-just-in-D3JPT3-en/
    Harvard
    Hinnebusch, David Michael (2017) Just in. The Broad. Available at: https://originaluniqueart.com/en/art/david-michael-hinnebusch-just-in-D3JPT3-en/

    Look closely

    Just in — David Michael Hinnebusch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: man figure, red shirt, urban scene. Do you agree? What would you add, or take away?
    4. Look back at Self Portrait (1994), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. David Michael Hinnebusch was about 49 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Just in" fit into David Michael Hinnebusch's themes and style?

    Within David Michael Hinnebusch's output, "Just in" sits in the Contemporary Abstract Expressionism style, alongside the themes of rauschenberg’s experimentation, fusion art, urban themes, american identity, flux art.

    What technique was used for "Just in" by David Michael Hinnebusch?

    "Just in" is executed in acrylic on canvas.

    Which museum holds the original "Just in"?

    The original "Just in" by David Michael Hinnebusch is held at The Broad, Los Angeles, United States of America. A reproduction allows the work to be displayed at home.