Paper
Name Class Date

David Macbeth Sutherland, Drambuie, Wester Ross (recto). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Macbeth Sutherland originaluniqueart.com/en/artists/david-macbeth-sutherland/
Artist’s dates
1883 – 1973
Original size
37 x 45 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Drambuie, Wester Ross (recto) — David Macbeth Sutherland

How big is it?

The original measures 37 × 45 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Shaded: the lifetime of David Macbeth Sutherland (1883–1973) every dated painting, decade by decade

First works: up to 1924 Main working years: 1924–1940 Late works: from 1940

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-macbeth-sutherland-drambuie-wester-ross-recto-AQSFX3-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #bcac9b

    Catalogued palette

    • #BCAC9B
    • #5C4E36
    • #82704C
    • #938B79

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Macbeth Sutherland over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 61.5%
    2. 2 United Kingdom 38.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by David Macbeth Sutherland

    1. 1 Bank Holiday, Portobello Beach, 1932 30.8%
    2. 2 James Cowie (1886–1956), RSA, 1935 7.7%
    3. 3 Breton Dancers, Concarneau, 1924 7.7%
    4. 4 Breton Peasant, 1923 7.7%
    5. 5 War in the Forest Newfoundland Lumberjacks at Work in Scotland, 1940 7.7%
    6. 6 Drambuie, Wester Ross (recto) this painting 7.7%
    7. 7 The Demolition of the Crown Hotel, Edinburgh, 1925 7.7%
    8. 8 Approach of Winter, Kincardineshire, 1949 7.7%
    9. 9 Barn Interior with a Woman Milking a Cow and a Man Entering a Barn 7.7%
    10. 10 Dr James Cromar Watt (d.c.1941), LLD 7.7%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 26 works by this artist, of which 10 were looked at at least once. This painting ranks 6 of them, with 7.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Macbeth Sutherland

    Born in Wick, United Kingdom

    A Life Captured in Light and Landscape

    Born in the rugged beauty of Wick, Caithness, David Macbeth Sutherland emerged as a profound voice in Scottish art, weaving together the textures of his homeland with a sophisticated, impressionistic sensibility. His journey from a student of law to a master of the brush is a testament to a deep-seated passion for visual storytelling. After moving to Edinburgh to work as an apprentice in a lithographic business, Sutherland found his true calling within the halls of the Royal Scottish Academy (RSA) and the Edinburgh College of Art. Under the guidance of mentors like Charles Mackie, he honed a technique that could oscillate between the delicate precision of watercolor and the evocative, textured depth of oil on canvas.

    His early development was marked by a spirit of exploration, fueled by the prestigious RSA Carnegie Travelling Scholarship in 1911. This opportunity allowed him to wander through Spain, France, and the Netherlands, absorbing the light and atmosphere of the continent. These travels enriched his palette and expanded his vision, bringing a cosmopolitan flair back to the Scottish landscapes he so dearly loved. Alongside fellow artists, he became a pivotal figure in the revival of the Edinburgh Group, contributing to a vibrant era of artistic community and shared studio spaces in Edinburgh.

    The Soul of the Scottish Landscape

    Sutherland’s oeuvre is a love letter to the varied terrains of Scotland and beyond. He possessed a remarkable ability to capture the ephemeral qualities of nature—the hazy mountains of Wester Ross, the serene greens of a quiet noon, and the shifting urban realities of Edinburgh. His work often transcends mere representation, utilizing impressionistic brushwork to evoke the emotional weight of a place. Whether depicting the ruggedness of Drambuie or the architectural transformations of his city, his paintings resonate with an intimate connection to the land.

    Beyond the landscapes, Sutherland was also a gifted portraitist, capable of capturing the dignity and character of his subjects. His versatility allowed him to move seamlessly between the vastness of the outdoors and the focused intimacy of a studio portrait. This duality in his work—the ability to command both the grand scale of nature and the subtle nuances of human expression—cemented his reputation as a versatile and deeply perceptive artist.

    Legacy and Artistic Leadership

    The later years of Sutherland's life were defined by a significant commitment to the cultivation of future generations. His long tenure as the Director of Gray's School of Art in Aberdeen allowed him to shape the trajectory of art education in Scotland. This period of leadership was not merely administrative; it was an extension of his lifelong devotion to the arts. Even during the tumultuous years of World War II, his artistic spirit remained undimmed, serving as an Official War Artist and recording the poignant scenes of Newfoundland lumberjacks on Deeside.

    Sutherland's historical significance lies in his ability to bridge the gap between traditional Scottish themes and modern impressionistic techniques. His life, marked by both personal bravery—having been awarded the Military Cross—and academic excellence, reflects a man who was as much a part of the history he painted as the landscapes themselves. Through his paintings and his teaching, the essence of the Scottish spirit continues to endure.

    Where to read more

    Find this online

    QR code linking to the download page for Drambuie, Wester Ross (recto)

    originaluniqueart.com/en/art/download/david-macbeth-sutherland-drambuie-wester-ross-recto-AQSFX3-en/

    Cite this artwork

    MLA
    Sutherland, David Macbeth. Drambuie, Wester Ross (recto). n.d., https://originaluniqueart.com/en/art/david-macbeth-sutherland-drambuie-wester-ross-recto-AQSFX3-en/
    APA
    Sutherland, David Macbeth (n.d.). Drambuie, Wester Ross (recto) [Painting]. https://originaluniqueart.com/en/art/david-macbeth-sutherland-drambuie-wester-ross-recto-AQSFX3-en/
    Chicago
    David Macbeth Sutherland. Drambuie, Wester Ross (recto). n.d. https://originaluniqueart.com/en/art/david-macbeth-sutherland-drambuie-wester-ross-recto-AQSFX3-en/
    Harvard
    Sutherland, David Macbeth (n.d.) Drambuie, Wester Ross (recto). Available at: https://originaluniqueart.com/en/art/david-macbeth-sutherland-drambuie-wester-ross-recto-AQSFX3-en/

    Look closely

    Drambuie, Wester Ross (recto) — David Macbeth Sutherland

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: scottish landscape, rural scotland, hazy mountains. Do you agree? What would you add, or take away?
    4. Look back at Don Diego de Acedo (after Diego Velázquez) (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which palette and lead color define "Drambuie, Wester Ross (recto)"?

    The color identity of "Drambuie, Wester Ross (recto)" by David Macbeth Sutherland: an earthy palette, dominated by rosy brown (#bcac9b).

    Where does "Drambuie, Wester Ross (recto)" sit within David Macbeth Sutherland's body of work?

    "Drambuie, Wester Ross (recto)" shares with David Macbeth Sutherland's other works its Impressionism style and the recorded themes: landscape series", scottish views, rsa scholarship travels, gray's school legacy, impressionist landscape, scottish romanticism, color & light focus, rural scottish life.

    What size is "Drambuie, Wester Ross (recto)" by David Macbeth Sutherland in real life?

    The recorded dimensions of "Drambuie, Wester Ross (recto)" by David Macbeth Sutherland are 37 x 45 cm. Reproductions can be ordered in other sizes while keeping the same proportions.