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Student Artwork Guide

The third love painting

Name Class Date

David Hockney, The third love painting. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney originaluniqueart.com/en/artists/david-hockney/
Artist’s dates
1937 –
Medium
Painting
Period
Modern
Artistic style
Hockneyesque
Influences
David Hockney, Hockney
Notable elements
Chair, 'Must Go' text
Subject or theme
Domestic Scene

In context

The third love painting — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-hockney-the-third-love-painting-9HTJLZ-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c222e

    Catalogued palette

    • #1C222E
    • #EBEAF1
    • #8C809C
    • #564F66

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 35 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 20.5%
    2. 2 Belgium 14.2%
    3. 3 China 10.5%
    4. 4 Poland 6.5%
    5. 5 Czechia 6.1%
    6. 6 United Kingdom 6.1%
    7. 7 Italy 4.7%
    8. 8 Germany 4.0%
    9. 9 Greece 4.0%
    10. 10 Canada 3.0%
    11. · 25 other countries 20.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 11.2%
    2. 2 Garrowby hill 8.4%
    3. 3 Portrait of an artist pool with two figures, 1971 8.1%
    4. 4 Pool 2 figures 7.9%
    5. 5 Peter Getting out of Nick's Pool 4.2%
    6. 6 Late spring tunnel 4.2%
    7. 7 Path through wheat field 3.8%
    8. 8 American Collectors (Fred and Marcia Weisman), 1968 3.7%
    9. 9 The Arrival of Spring in Woldgate 3.0%
    10. 10 Place furstenberg, paris 2.7%
    11. 11 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.5%
    12. 12 Three Trees near Thixendale 2.4%
    13. 13 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.3%
    14. 14 Nichols canyon 2.2%
    15. 15 A bigger grand canyon, 1998 1.9%
    16. 16 We two boys together clinging 1.9%
    17. 17 My parents 1.8%
    18. 18 Clark percy 1.7%
    19. 19 Red pots in the garden 1.5%
    20. 55 The third love painting this painting 0.3%

    Together these works take 75.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 80 were looked at at least once. This painting ranks 55 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The third love painting — David Hockney

    A Poignant Encounter with Impermanence

    In the quietude of David Hockney’s “The Third Love,” we find ourselves standing before a composition that is as much a psychological landscape as it is a visual one. At first glance, the viewer is met with a striking, almost jarring simplicity: a solitary wooden chair, its seat a vibrant splash of red, bearing the stark, handwritten command “must go.” This single phrase transforms the object from a mere piece of furniture into a profound vessel for existential reflection. The painting does not merely depict a chair; it captures a moment of transition, an intersection between presence and departure, where the weight of memory meets the inevitability of change.

    The emotional resonance of the work lies in its ability to evoke a sense of bittersweet nostalgia. There is a stillness here that feels heavy with the passage of time, inviting the observer to contemplate their own attachments and the transient nature of life. For the collector or the designer, this piece offers more than just aesthetic beauty; it provides a conversational anchor, a way to introduce themes of mindfulness and deep introspection into a living space.

    The Mastery of Hockney’s Visual Language

    To understand the power of “The Third Love,” one must look closely at Hockney’s signature approach to form and color. Eschewing the rigid constraints of photographic realism, Hockney employs a style that prioritizes atmosphere and feeling over literal accuracy. Influenced by the structural innovations of Cézanne and the bold contours of Picasso, his technique here utilizes flattened perspectives and a luminous palette to create a sense of depth that is felt rather than measured. The texture of the wood grain is rendered with meticulous care, yet it exists within a space where light and color take precedence over shadow.

    The artist’s use of color is particularly masterful in this period of his career. The interplay between the muted, earthy tones of the background—reminiscent of the rolling Yorkshire hills—and the sudden, defiant brightness of the red seat creates a visual tension that keeps the eye moving. This deliberate rejection of illusionistic depth allows the subject to emerge with a graphic clarity, making the "must go" inscription feel like an inescapable truth etched into the very fabric of the scene.

    A Legacy of Observation and Context

    Created during a prolific era between 1968 and 1970, this work serves as a vital window into Hockney’s evolving relationship with his surroundings. During this time, the artist was deeply engaged in documenting the landscapes of Yorkshire, finding inspiration in the subtle shifts of light and the organic geometry of the English countryside. In “The Third Love,” we see the seeds of his transition from figuration toward a more nuanced abstraction. The background, though understated, carries the DNA of that landscape, grounding the surrealist element of the text within a recognizable, naturalistic world.

    For those seeking to adorn a curated collection or an avant-garde interior, this painting represents a pinnacle of 20th-century British art. It is a piece that bridges the gap between Pop Art sensibilities and deep, emotive expressionism. Owning a reproduction of such a significant work allows one to bring a piece of art history into the modern home—a constant, quiet reminder of the beauty found in the fleeting moments of our lives.

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for The third love painting

    originaluniqueart.com/en/art/download/david-hockney-the-third-love-painting-9HTJLZ-en/

    Cite this artwork

    MLA
    Hockney, David. The third love painting. n.d., https://originaluniqueart.com/en/art/david-hockney-the-third-love-painting-9HTJLZ-en/
    APA
    Hockney, David (n.d.). The third love painting [Painting]. https://originaluniqueart.com/en/art/david-hockney-the-third-love-painting-9HTJLZ-en/
    Chicago
    David Hockney. The third love painting. n.d. https://originaluniqueart.com/en/art/david-hockney-the-third-love-painting-9HTJLZ-en/
    Harvard
    Hockney, David (n.d.) The third love painting. Available at: https://originaluniqueart.com/en/art/david-hockney-the-third-love-painting-9HTJLZ-en/

    Look closely

    The third love painting — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: chair, typography, minimalism. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of David Hockney: hockney’s vision, observational style, british identity. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The third love painting — David Hockney

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. The image depicts a painting featuring what prominent element?

      • A A portrait of a noblewoman
      • B A still life arrangement
      • C A chair with a written message
    2. 2. The style of the artwork is most closely associated with which artist's approach?

      • A Leonardo da Vinci
      • B Michelangelo Buonarroti
      • C David Hockney
    3. 3. The phrase 'must go' on the chair suggests what possible interpretation?

      • A A sale advertisement
      • B A declaration of abandonment
      • C An invitation to a party
    4. 4. Considering David Hockney’s work, what artistic technique is most likely employed in this painting?

      • A Detailed realism with meticulous shading
      • B Geometric abstraction and non-representational forms
      • C Bright colors and simplified perspectives
    5. 5. The presence of other, unwritten chairs in the background contributes to which aspect of the artwork?

      • A A narrative scene depicting a family gathering
      • B An exploration of spatial relationships and perspective
      • C A commentary on consumerism and disposability

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3B · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Who sells hand-painted copies of "The third love painting" by David Hockney?

    Hand-painted copies of "The third love painting" by David Hockney are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    What is "The third love painting" about?

    The themes present in "The third love painting" by David Hockney include chair, typography, minimalism, observation, britishart, light, color. Together they summarize the artwork's subject matter.

    Can I use augmented reality to see "The third love painting" by David Hockney in my room?

    "The third love painting" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.