Paper
Name Class Date

David Hockney, Double Study for A Closer Grand Canyon. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney originaluniqueart.com/en/artists/david-hockney/
Artist’s dates
1937 –
Medium
Oil
Movement
Pop Art Pop Art
Period
Contemporary
Artistic style
Flat perspective; Bold brushstrokes
Influences
Richard Estes
Notable elements or techniques
Optical illusion; Color palette
Subject or theme
Landscape; Canyon scenery

In context

Double Study for A Closer Grand Canyon — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-hockney-double-study-for-a-closer-grand-canyon-9HTJL5-en/

Colours

Measured from the image

    Main colour

    Walnut #710b03

    Catalogued palette

    • #710B03
    • #1B51A7
    • #1B0A02
    • #BA2003

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 35 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 20.5%
    2. 2 Belgium 14.2%
    3. 3 China 10.5%
    4. 4 Poland 6.5%
    5. 5 Czechia 6.1%
    6. 6 United Kingdom 6.1%
    7. 7 Italy 4.7%
    8. 8 Germany 4.0%
    9. 9 Greece 4.0%
    10. 10 Canada 3.0%
    11. · 25 other countries 20.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 11.2%
    2. 2 Garrowby hill 8.4%
    3. 3 Portrait of an artist pool with two figures, 1971 8.2%
    4. 4 Pool 2 figures 7.9%
    5. 5 Late spring tunnel 4.2%
    6. 6 Peter Getting out of Nick's Pool 4.1%
    7. 7 Path through wheat field 3.8%
    8. 8 American Collectors (Fred and Marcia Weisman), 1968 3.7%
    9. 9 The Arrival of Spring in Woldgate 3.1%
    10. 10 Place furstenberg, paris 2.7%
    11. 11 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.5%
    12. 12 Three Trees near Thixendale 2.4%
    13. 13 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.3%
    14. 14 Nichols canyon 2.2%
    15. 15 A bigger grand canyon, 1998 1.9%
    16. 16 We two boys together clinging 1.9%
    17. 17 Clark percy 1.7%
    18. 18 My parents 1.7%
    19. 19 Red pots in the garden 1.5%
    20. 65 Double Study for A Closer Grand Canyon this painting 0.1%

    Together these works take 75.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 80 were looked at at least once. This painting ranks 65 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Double Study for A Closer Grand Canyon — David Hockney

    A Vision of the Canyon

    The painting Double Study for A Closer Grand Canyon presents a vibrant landscape featuring a red mountain with a large cliff positioned in the foreground. The composition extends into the background, where mountains are rendered in a color distinct from the primary mountain. This scene is completed by the inclusion of a sky and various trees, which contribute to the depth and dimension of the work.

    The piece utilizes a Pop Art style, characterized by its lively appearance and skillful use of color and composition to capture the beauty of the Grand Canyon.

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for Double Study for A Closer Grand Canyon

    originaluniqueart.com/en/art/download/david-hockney-double-study-for-a-closer-grand-canyon-9HTJL5-en/

    Cite this artwork

    MLA
    Hockney, David. Double Study for A Closer Grand Canyon. n.d., https://originaluniqueart.com/en/art/david-hockney-double-study-for-a-closer-grand-canyon-9HTJL5-en/
    APA
    Hockney, David (n.d.). Double Study for A Closer Grand Canyon [Painting]. https://originaluniqueart.com/en/art/david-hockney-double-study-for-a-closer-grand-canyon-9HTJL5-en/
    Chicago
    David Hockney. Double Study for A Closer Grand Canyon. n.d. https://originaluniqueart.com/en/art/david-hockney-double-study-for-a-closer-grand-canyon-9HTJL5-en/
    Harvard
    Hockney, David (n.d.) Double Study for A Closer Grand Canyon. Available at: https://originaluniqueart.com/en/art/david-hockney-double-study-for-a-closer-grand-canyon-9HTJL5-en/

    Look closely

    Double Study for A Closer Grand Canyon — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: grand canyon, landscape painting, hockney style. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of David Hockney: optical art, hockney vision, american landscape. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Double Study for A Closer Grand Canyon — David Hockney

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic style is David Hockney's painting “Double Study for A Closer Grand Canyon” primarily characterized by?

      • A Realism
      • B Impressionism
      • C Pop Art
    2. 2. The painting depicts a prominent geological feature of the United States. What is it?

      • A Mount Everest
      • B Yellowstone National Park
      • C Grand Canyon
    3. 3. What color dominates the central mountain in Hockney's depiction of the Grand Canyon?

      • A Green
      • B Blue
      • C Red
    4. 4. David Hockney attended which prestigious art institution during his formative years?

      • A École Supérieure des Beaux-Arts Paris
      • B Universität Wien Vienna
      • C Royal College of Art London
    5. 5. How would you describe the overall mood conveyed by Hockney's painting “Double Study for A Closer Grand Canyon”?

      • A Melancholy and contemplative
      • B Energetic and chaotic
      • C Serene and optimistic

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How do medium and movement combine in "Double Study for A Closer Grand Canyon"?

    "Double Study for A Closer Grand Canyon" by David Hockney combines the oil technique with the Pop Art Pop Art style. Technique and movement describe the making and the style of the work.

    What is the art-historical place of "Double Study for A Closer Grand Canyon" by David Hockney?

    "Double Study for A Closer Grand Canyon" by David Hockney belongs to the Pop Art Pop Art movement, within the Contemporary period. Together they give the work its place in art history.

    Which palette and lead color define "Double Study for A Closer Grand Canyon"?

    The color identity of "Double Study for A Closer Grand Canyon" by David Hockney: a dark palette, dominated by walnut (#710b03).