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Student Artwork Guide

Chevron Quilt

Name Class Date

Clementine Hunter, Chevron Quilt (1951), New Orleans Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Clementine Hunter originaluniqueart.com/en/artists/clementine-hunter/
Artist’s dates
1887 – 1988
Painted
1951
Medium
Quilting
Original size
185 x 142 cm
Period
Modern
Held at
New Orleans Museum of Art originaluniqueart.com/en/museums/new-orleans-museum-of-art-new-orleans/

In context

Chevron Quilt — Clementine Hunter

How big is it?

The original measures 185 × 142 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 101 at death.

Painted when the artist was 64. The artist lived to 101. 1 of the 4 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Clementine Hunter (1887–1988) ▲ this work, 1951 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/clementine-hunter-chevron-quilt-D98J5H-en/

Colours

Measured from the image

    Main colour

    White #f4f3ed

    Catalogued palette

    • #F4F3ED
    • #7C413B
    • #948E80
    • #C4BCAC

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Clementine Hunter over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 60.0%
    2. 2 Australia 20.0%
    3. 3 China 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Clementine Hunter

    1. 1 Zinnias in a Pot, 1965 85.7%
    2. 2 Funeral Procession, 1950 14.3%
    3. — Chevron Quilt, 1951 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Chevron Quilt — Clementine Hunter

    A Tapestry of Memory and Pattern

    In the rhythmic dance of color and form found within Clementine Hunter’s Chevron Quilt, one discovers much more than a mere arrangement of fabric; it is a profound dialogue between tradition and abstraction. Created in 1951, this masterpiece serves as a vibrant testament to the life of an artist who transformed the everyday materials of rural Louisiana into extraordinary visual poetry. The quilt presents a mesmerizing kaleidoscope of reds, greens, blues, yellows, and purples, woven together in a series of striking chevron patterns that guide the eye across its textured surface. Each fold and seam tells a story of meticulous craftsmanship, where the tactile nature of cotton and wool meets a sophisticated geometric sensibility.

    To behold this work is to step into the soulful landscape of the American South. Hunter, a self-taught visionary who began her artistic journey in her fifties, possessed an innate ability to capture the essence of her surroundings through both paint and fiber. While much of her fame rests on her evocative paintings of plantation life, this quilt reveals her mastery of abstract composition. The chevron motifs act as a rhythmic heartbeat, creating a sense of movement that feels both ancient and strikingly modern. For the discerning collector or interior designer, this piece offers a rare opportunity to possess a fragment of folk history that bridges the gap between traditional craft and high-concept abstraction.

    The Intersection of Craft and Modernism

    There is an undeniable connection between the raw, expressive energy of Hunter’s quilting and the avant-garde movements of the twentieth century. Much like the assemblage artists who found beauty in found objects, Hunter utilized the textures of her environment to create something transcendent. The Chevron Quilt does not merely depict a pattern; it embodies a structural complexity that resonates with the spirit of modernism. The interplay of light and shadow across the various fabric weights adds a three-dimensional quality, making the piece feel alive within a room. It is an artwork that demands attention, yet provides a soothing, rhythmic presence that can anchor a sophisticated interior.

    For those seeking to infuse their living spaces with warmth, character, and historical depth, a high-quality reproduction of this quilt offers unparalleled inspiration. The bold color palette and geometric precision make it a versatile centerpiece, capable of complementing both contemporary minimalist settings and more eclectic, traditional decors. It serves as a conversation piece that invites viewers to contemplate the resilience of the human spirit and the enduring power of creativity born from the simplest of beginnings. In every chevron and every stitch, there remains an emotional resonance—a celebration of life, color, and the indelible legacy of Clementine Hunter.

    Artist and museum

    Artist

    Clementine Hunter

    Born in Natchitoches, United States of America

    early life and inspiration

    clementine hunter, a self-taught black folk artist, was born in late december 1886 or early january 1887 in the cane river region of louisiana. her life on melrose plantation would later become the inspiration for her artwork.

    born into a creole family at hidden hill plantation, near cloutierville, in natchitoches parish, louisiana.

    she began working as a farm laborer at a young age and never learned to read or write.

    artistic journey

    in her fifties, hunter started painting using brushes and paints left by an artist who visited melrose plantation. this marked the beginning of her career as an artist.

    zinnias in a pot, one of her notable works, captures a freshly picked arrangement of zinnias, a common subject in her compositions.

    her artwork documented plantation life in the early 20th century, providing a unique perspective on a bygone era.

    notable achievements and recognition

    clementine hunter is the first african-american artist to have a solo exhibition at the present-day new orleans museum of art. her work has been exhibited in museums, and by the end of her life, her paintings were sold for thousands of dollars.

    granted an honorary doctor of fine arts degree by northwestern state university of louisiana in 1986.

    a new opera, zinnias: the life of clementine hunter, was presented at montclair state university in new jersey in 2013.

    artistic style and legacy

    hunter's paintings are characterized by their colorful and straightforward scenes, often depicting outdoor activities and still lifes. her unique style has made her one of the most well-known self-taught artists.

    melrose quilt, a notable piece, showcases her ability to create art beyond painting.

    her work has been admired for its palette and expressive force, rarely exceeding 18 by 24 inches in size.

    relevant links:

    clementine hunter's profile on AllPaintingsStore

    clementine hunter's wikipedia page

    zinnias in a pot on AllPaintingsStore

    Museum

    New Orleans Museum of Art

    On show in New Orleans, United States of America

    A Window into New Orleans: The Soul of Art at the New Orleans Museum of Art

    Nestled within the vibrant embrace of City Park, a sprawling urban oasis larger than Central Park itself, the New Orleans Museum of Art (NOMA) stands as more than just a repository for masterpieces; it’s a profound reflection of Louisiana's unique identity and a testament to its enduring artistic spirit. Founded in 1911 by the visionary Isaac Delgado, NOMA began with a simple yet ambitious goal: to provide New Orleans with a secure haven where art could be cherished, exhibited, and celebrated by all. Today, this foundational principle resonates through the museum’s halls, offering visitors an immersive journey spanning over five millennia of artistic endeavor – from ancient Egyptian artifacts to contemporary works that pulse with the city's modern energy.

    The museum’s architecture itself is a captivating narrative, evolving alongside its collection. Initially designed by Benjamin Morgan Harrod, a former chief engineer of New Orleans, the building served as the Delgado Museum of Art for decades. Subsequent expansions in 1970/71 and a significant 1993 renovation dramatically increased the museum’s footprint and enhanced its functionality, while carefully preserving the original spirit of the space. The addition of the Wisner Education Wing further solidified NOMA's commitment to fostering artistic engagement across all ages. The most striking element is undoubtedly the Sydney and Walda Besthoff Sculpture Garden, an eleven-and-a-half-acre sanctuary brimming with lush greenery, tranquil lagoons, and winding trails – a harmonious blend of art and nature that invites contemplation and offers a breathtaking perspective on three-dimensional form.

    A Tapestry of Artistic Voices: From Degas to O’Keeffe

    NOMA's collection is remarkably diverse, a vibrant tapestry woven from threads spanning continents and centuries. While it boasts an impressive array of European masters – Monet, Renoir, Picasso, Pissarro, Rodin, Braque, Dufy, Miró – the museum distinguishes itself through its profound connection to New Orleans’ own artistic heritage. The city's history is inextricably linked to the art within these walls, most notably through Edgar Degas’ formative years spent living in New Orleans between 1871 and 1872. These early works, imbued with the atmosphere and light of the Louisiana landscape, offer a rare and invaluable glimpse into the genesis of a master's style – a poignant reminder that artistic inspiration can be found in unexpected places.

    Beyond Degas, NOMA champions the rich artistic traditions of Louisiana itself. The museum’s collection includes significant works by local artists who capture the essence of the region’s culture, history, and unique character. Furthermore, NOMA houses an impressive art photography collection, encompassing over 12,000 pieces that trace the evolution of this medium from its earliest days to contemporary explorations. From Daguerreotypes to modern digital images, the collection provides a comprehensive overview of photographic innovation and artistic expression.

    Beyond the Walls: Sculpture, Community, and Engagement

    The experience at NOMA extends far beyond the confines of its buildings. The Besthoff Sculpture Garden isn’t merely an outdoor space; it's a dynamic extension of the museum’s mission, providing a captivating setting for over 90 modern and contemporary sculptures by renowned artists such as Louise Bourgeois, Henry Moore, and Joan Miró. The garden’s carefully curated selection encourages dialogue and reflection, inviting visitors to consider the interplay between art and nature.

    NOMA is deeply committed to accessibility and community engagement. The museum's outreach initiative, NOMA+, brings art directly into the neighborhood with pop-up museum experiences, fostering creativity and appreciation for the arts throughout New Orleans. Guided tours offer insightful perspectives, while teacher workshops empower educators to integrate art into their classrooms. The museum’s dedication to education extends beyond formal programs, creating a welcoming environment for all ages and backgrounds.

    A Cultural Hub: Celebrating Louisiana's Legacy

    What truly sets NOMA apart is its seamless integration of global artistic treasures with a deep commitment to celebrating Louisiana’s unique cultural identity. Walking through the galleries, one might stand before a Picasso or a Monet, then turn to discover works by local artists reflecting the city’s vibrant musical traditions, distinctive cuisine, and rich history. This duality – the juxtaposition of international masterpieces with regional voices – creates an experience that is both intellectually stimulating and emotionally resonant.

    Located within City Park, one of the largest urban parks in the United States, NOMA benefits from a setting that enhances its cultural significance. The park’s sprawling landscape provides a tranquil backdrop for artistic contemplation, while its proximity to other New Orleans landmarks – including the historic French Quarter and the vibrant Garden District – further solidifies NOMA's role as a vital cultural hub. NOMA isn’t simply a museum; it’s a living testament to the transformative power of art and its ability to connect us across time, cultures, and perspectives—a true gem on the Louisiana landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Chevron Quilt

    originaluniqueart.com/en/art/download/clementine-hunter-chevron-quilt-D98J5H-en/

    Cite this artwork

    MLA
    Hunter, Clementine. Chevron Quilt. 1951, New Orleans Museum of Art. https://originaluniqueart.com/en/art/clementine-hunter-chevron-quilt-D98J5H-en/
    APA
    Hunter, Clementine (1951). Chevron Quilt [Painting]. New Orleans Museum of Art. https://originaluniqueart.com/en/art/clementine-hunter-chevron-quilt-D98J5H-en/
    Chicago
    Clementine Hunter. Chevron Quilt. 1951. New Orleans Museum of Art. https://originaluniqueart.com/en/art/clementine-hunter-chevron-quilt-D98J5H-en/
    Harvard
    Hunter, Clementine (1951) Chevron Quilt. New Orleans Museum of Art. Available at: https://originaluniqueart.com/en/art/clementine-hunter-chevron-quilt-D98J5H-en/

    Look closely

    Chevron Quilt — Clementine Hunter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Funeral Procession (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Clementine Hunter was about 64 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a print of "Chevron Quilt" by Clementine Hunter?

    To get a print of "Chevron Quilt" by Clementine Hunter, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Is "Chevron Quilt" by Clementine Hunter in the public domain, and why?

    "Chevron Quilt" by Clementine Hunter is still protected by copyright. Copyright terms are measured from the artist's death, and Clementine Hunter died in 1988.

    How do the colors of "Chevron Quilt" by Clementine Hunter relate to its emotion?

    In "Chevron Quilt", neutrals colors accompany a joyful feeling.