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Student Artwork Guide

Sunset Glow on Cader Idris

Name Class Date

Christopher Williams, Sunset Glow on Cader Idris (1920), Aberystwyth University School of Art Museum And Galleries. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Christopher Williams originaluniqueart.com/en/artists/christopher-williams/
Artist’s dates
1873 – 1934
Painted
1920
Medium
Oil On Canvas
Original size
114 x 142 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
Modern
Held at
Aberystwyth University School of Art Museum And Galleries originaluniqueart.com/en/museums/aberystwyth-university-school-of-art-museum-and-galleries-aberystwyth/
Artistic style
Impressionism
Notable elements or techniques
Impressionistic loose brushstrokes
Subject or theme
Welsh mountains and serene lake

In context

Sunset Glow on Cader Idris — Christopher Williams

How big is it?

The original measures 114 × 142 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 61 at death.

Painted when the artist was 47. The artist lived to 61. 50 of the 65 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Christopher Williams (1873–1934) ▲ this work, 1920 every dated painting, decade by decade

First works: up to 1911 Main working years: 1911–1919 Late works: from 1919

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/christopher-williams-sunset-glow-on-cader-idris-AQS7RR-en/

Colours

Measured from the image

    Main colour

    Gray #807169

    Catalogued palette

    • #807169
    • #1E1917
    • #4C3733
    • #C7B297

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Christopher Williams over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%5,000 visits
    2. 2 Singapore 8.3%500 visits
    3. 3 Belgium 1.7%100 visits
    4. 4 United Kingdom 1.7%100 visits
    5. 5 Hong Kong 1.7%100 visits
    6. 6 Russia 1.7%100 visits
    7. 7 United States of America 1.7%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Christopher Williams

    1. 1 The Remorse of Judas, 1911 11.3%800 visits
    2. 2 Paolo and Francesca, 1902 5.6%400 visits
    3. 3 Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), 1920 4.2%300 visits
    4. 4 Cader Idris and Bird Rock, 1913 4.2%300 visits
    5. 5 Claude Goldsmid Montefiore (1858–1938), DD, DLiH, Treasurer of the Froebel Educational Institute (1892–1920), Chairman (1917–1937), and Benefactor, who Purchased the Grove House Estate for the Incorporated Froebel Educational Institute in 1921, thus ...., 1925 2.8%200 visits
    6. 6 Ceridwen 2.8%200 visits
    7. 7 Borth y Gest, Evening, 1913 2.8%200 visits
    8. 8 Tangiers, 1914 2.8%200 visits
    9. 9 Tyrau Mawr, 1913 2.8%200 visits
    10. 10 Farm Buildings (Kenfig) Bathed in Sunlight beneath Luminous Clouds 2.8%200 visits
    11. 11 Evening Glow, Venice 2.8%200 visits
    12. 12 A Fresh Morning, Llangranog 2.8%200 visits
    13. 13 The Awakening of Wales, 1911 1.4%100 visits
    14. 14 Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926), 1923 1.4%100 visits
    15. 15 Thomas Francis Roberts (1860–1919), Principal (1891–1919), 1919 1.4%100 visits
    16. 16 Reflections, Venice, 1921 1.4%100 visits
    17. 17 Sunset Glow on Cader Idris, 1920 this painting 1.4%100 visits
    18. 18 Roland Williams (Hwfa Môn) (1823–1905), 1905 1.4%100 visits
    19. 19 Dame Margaret Lloyd George (1866–1941), 1921 1.4%100 visits
    20. 20 Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), 1926 1.4%100 visits

    Together these works take 58.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 109 works by this artist, of which 49 were looked at at least once. This painting ranks 17 of them, with 1.4% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Christopher Williams

    Born in Maesygwrath, United States of America

    Christopher Williams: A Life in Art

    Christopher David Williams (1873-1934) was a celebrated Welsh artist whose career spanned the late Victorian and early 20th centuries. He is particularly remembered for his evocative portraits, allegorical scenes, and landscapes that often reflected a strong sense of Welsh identity and the spirit of the Celtic Revival.

    Early Life and Education

    Born in Maesygwrath, Wales, Williams initially faced opposition from his father, Evan Williams, who envisioned a medical career for him. However, a transformative visit to the Walker Art Gallery in Liverpool in 1892, where he was deeply moved by Frederick Leighton’s Perseus and Andromeda, ignited his passion for art. This experience solidified his determination to pursue a life as an artist.

    Artistic Development and Influences

    Early Training: Williams began his formal artistic training at the Neath Technical Institute under Mr. Kerr in 1892-1893.

    Royal College of Art & Royal Academy Schools: He continued his studies at the Royal College of Art for three years, followed by further education at the Royal Academy Schools from 1896 to 1901.

    Key Influences: Frederick Leighton was a significant early influence, inspiring Williams’s academic approach and attention to detail. He also drew inspiration from Pre-Raphaelite aesthetics and the broader artistic currents of the Celtic Revival.

    Major Achievements and Recognition

    Royal Academy Exhibitions: Williams first exhibited at the Royal Academy in 1902 with Paolo and Francesca, followed by a portrait of his father in 1903. He went on to exhibit eighteen paintings there throughout his career.

    Royal Society of British Artists: In 1910, he was invited to join the Royal Society of British Artists, exhibiting thirty-seven paintings with them over the next decade.

    Royal Commission: A pivotal moment came in 1911 when King George V commissioned Williams to create a commemorative painting of the investiture of Edward, Prince of Wales at Caernarfon Castle. He completed two versions of this important work.

    Portraiture: Williams became highly sought after as a portraitist, creating likenesses of prominent figures such as David Lloyd George, Sir John Williams, and Sir Henry Jones.

    Themes and Style

    Williams’s work is characterized by:

    Portraiture: His portraits are known for their psychological depth and realistic rendering of his subjects.

    Celtic Revival: He frequently explored themes from Welsh mythology and folklore, particularly in paintings like Ceridwen and Branwen, inspired by the Mabinogion.

    Landscape Painting: Williams painted landscapes extensively throughout Wales, as well as during travels to Switzerland, Italy, France, Spain, Morocco, and Holland.

    Allegorical Scenes: He often incorporated allegorical elements into his work, imbuing it with symbolic meaning.

    Historical Significance and Legacy

    Christopher Williams played a significant role in promoting Welsh art and culture during his lifetime. He actively participated in the National Eisteddfod as an adjudicator and served on committees for the National Museum of Wales and the Honourable Society of Cymmrodorion. His work reflects a strong sense of national identity and contributed to the artistic flourishing of Wales in the early 20th century.

    His paintings are held in numerous public collections, including the National Museum of Wales, the Royal Collection, and the Glynn Vivian Art Gallery, ensuring his legacy continues to inspire and captivate audiences today. He was a brother-in-law to fellow artist Fred Appleyard, and father to astronomer Evan Gwyn Williams and artist Ivor Williams.

    Museum

    Aberystwyth University School of Art Museum And Galleries

    On show in Aberystwyth, United Kingdom

    A Beacon of Welsh Artistic Heritage: Aberystwyth University School of Art Museum & Galleries

    Nestled in the picturesque coastal town of Aberystwyth, Wales, Aberystwyth University School of Art Museum & Galleries stands as a testament to enduring artistic passion and scholarly dedication. Founded in 1872 alongside the university itself, its mission has always been to champion visual culture—from groundbreaking masterpieces to meticulously crafted studio ceramics—and to foster an appreciation for art’s transformative power. More than just a repository of artworks, it's a living laboratory where creativity intersects with research, ensuring that artistic legacies continue to inspire generations to come.

    A Legacy Built on Academic Roots:

    The museum’s origins are inextricably linked to Aberystwyth University’s establishment as a centre for higher learning and artistic exploration. This symbiotic relationship has nurtured an environment of continuous inquiry, resulting in exhibitions that delve into the intellectual context surrounding each piece and fostering dialogues between artists and scholars alike.

    Celebrating Welsh Identity Through Art:

    The museum's distinctive character derives significantly from its unwavering focus on Welsh art—a vibrant tradition reflecting the region’s folklore, landscape, and spiritual heritage. Artists like Clive Hicks-Jenkins, whose evocative paintings capture the essence of Welsh landscapes and narratives, exemplify this commitment to portraying Wales’ cultural identity.

    A Collection That Speaks Volumes

    The museum's holdings boast an impressive array of artistic expressions spanning centuries. Visitors can immerse themselves in fine and decorative arts—ranging from opulent sculptures to delicately crafted ceramics—each telling a story about its time and place. Particular acclaim is deserved for the Studio Ceramics Collection (1920-1940), which represents a pivotal moment in British ceramic history, showcasing innovative techniques and artistic visions born out of wartime austerity. These pieces offer invaluable insight into the creative spirit of an era defined by both hardship and remarkable ingenuity.

    Architectural Grandeur: The Old College

    Dominating Aberystwyth’s skyline is the Old College, a Grade I listed building that houses a significant portion of the museum's collections. Designed in Neo-Georgian style, its soaring arches and intricate stonework embody Victorian grandeur—a deliberate reflection of the university’s ambition to establish itself as a beacon of learning and artistic excellence. Exploring this architectural masterpiece alongside the artworks within provides an unforgettable experience, allowing visitors to contemplate the interplay between form and function throughout history.

    Notable Exhibitions & Ongoing Research

    Throughout its history, Aberystwyth University School of Art Museum & Galleries has hosted exhibitions that have captivated audiences worldwide. These events illuminate diverse artistic movements—from Impressionism to Surrealism—and stimulate critical discussion about art’s role in shaping cultural understanding. Furthermore, the museum actively engages in ongoing research projects aimed at furthering knowledge about Welsh art history and preserving its treasures for future generations. Collaborations with leading academics ensure that interpretations of artworks remain informed by scholarly rigor.

    Exploring Beyond the Walls: Online Access & Expanding Horizons

    Recognizing the importance of accessibility, Aberystwyth University School of Art Museum & Galleries offers visitors a captivating glimpse into its collection through an engaging online database. This digital resource allows enthusiasts from across the globe to explore artworks, delve deeper into their histories, and connect with curators—expanding the museum’s reach beyond its physical location and fostering a global community of art lovers.

    Featured Artists:

    Don't miss Clive Hicks-Jenkins! His paintings are a stunning portrayal of Welsh folklore and landscapes.

    Visit Aberystwyth University School of Art Museum & Galleries to discover the beauty and intellectual richness of Welsh artistic heritage.

    Explore More

    Where to read more

    Find this online

    QR code linking to the download page for Sunset Glow on Cader Idris

    originaluniqueart.com/en/art/download/christopher-williams-sunset-glow-on-cader-idris-AQS7RR-en/

    Cite this artwork

    MLA
    Williams, Christopher. Sunset Glow on Cader Idris. 1920, Aberystwyth University School of Art Museum And Galleries. https://originaluniqueart.com/en/art/christopher-williams-sunset-glow-on-cader-idris-AQS7RR-en/
    APA
    Williams, Christopher (1920). Sunset Glow on Cader Idris [Painting]. Aberystwyth University School of Art Museum And Galleries. https://originaluniqueart.com/en/art/christopher-williams-sunset-glow-on-cader-idris-AQS7RR-en/
    Chicago
    Christopher Williams. Sunset Glow on Cader Idris. 1920. Aberystwyth University School of Art Museum And Galleries. https://originaluniqueart.com/en/art/christopher-williams-sunset-glow-on-cader-idris-AQS7RR-en/
    Harvard
    Williams, Christopher (1920) Sunset Glow on Cader Idris. Aberystwyth University School of Art Museum And Galleries. Available at: https://originaluniqueart.com/en/art/christopher-williams-sunset-glow-on-cader-idris-AQS7RR-en/

    Look closely

    Sunset Glow on Cader Idris — Christopher Williams

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mountain landscape, lake reflection, sunset colors. Do you agree? What would you add, or take away?
    4. Look back at Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Sunset Glow on Cader Idris" available as a fine art print?

    To get a print of "Sunset Glow on Cader Idris" by Christopher Williams, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    What orientation does "Sunset Glow on Cader Idris" by Christopher Williams have?

    The format of "Sunset Glow on Cader Idris" is landscape. This is useful when planning where a reproduction will be placed.

    Is "Sunset Glow on Cader Idris" held in the country of its creator?

    No - the artwork is kept abroad. Christopher Williams was born in United States of America, and the original "Sunset Glow on Cader Idris" is held in a museum in United Kingdom.