Paper
Name Class Date

Christopher Williams, Evening Glow, Venice. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Christopher Williams originaluniqueart.com/en/artists/christopher-williams/
Artist’s dates
1873 – 1934
Original size
30 x 39 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Evening Glow, Venice — Christopher Williams

How big is it?

The original measures 30 × 39 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 61 at death.

Shaded: the lifetime of Christopher Williams (1873–1934) every dated painting, decade by decade

First works: up to 1911 Main working years: 1911–1919 Late works: from 1919

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/christopher-williams-evening-glow-venice-AQS7QD-en/

Colours

Measured from the image

    Main colour

    Walnut #7b411c

    Catalogued palette

    • #7B411C
    • #1C4450
    • #41362D
    • #13141C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Christopher Williams over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Singapore 8.3%
    3. 3 Belgium 1.7%
    4. 4 United Kingdom 1.7%
    5. 5 Hong Kong 1.7%
    6. 6 Russia 1.7%
    7. 7 United States of America 1.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Christopher Williams

    1. 1 The Remorse of Judas, 1911 11.4%
    2. 2 Paolo and Francesca, 1902 5.7%
    3. 3 Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), 1920 4.3%
    4. 4 Cader Idris and Bird Rock, 1913 4.3%
    5. 5 Claude Goldsmid Montefiore (1858–1938), DD, DLiH, Treasurer of the Froebel Educational Institute (1892–1920), Chairman (1917–1937), and Benefactor, who Purchased the Grove House Estate for the Incorporated Froebel Educational Institute in 1921, thus ...., 1925 2.9%
    6. 6 Ceridwen 2.9%
    7. 7 Borth y Gest, Evening, 1913 2.9%
    8. 8 Tangiers, 1914 2.9%
    9. 9 Tyrau Mawr, 1913 2.9%
    10. 10 Farm Buildings (Kenfig) Bathed in Sunlight beneath Luminous Clouds 2.9%
    11. 11 Evening Glow, Venice this painting 2.9%
    12. 12 A Fresh Morning, Llangranog 2.9%
    13. 13 Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926), 1923 1.4%
    14. 14 Thomas Francis Roberts (1860–1919), Principal (1891–1919), 1919 1.4%
    15. 15 Reflections, Venice, 1921 1.4%
    16. 16 Sunset Glow on Cader Idris, 1920 1.4%
    17. 17 Roland Williams (Hwfa Môn) (1823–1905), 1905 1.4%
    18. 18 Dame Margaret Lloyd George (1866–1941), 1921 1.4%
    19. 19 Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), 1926 1.4%
    20. 20 Rachel, 2020 1.4%

    Together these works take 60.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 109 works by this artist, of which 48 were looked at at least once. This painting ranks 11 of them, with 2.9% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Christopher Williams

    Born in Maesygwrath, United States of America

    Christopher Williams: A Life in Art

    Christopher David Williams (1873-1934) was a celebrated Welsh artist whose career spanned the late Victorian and early 20th centuries. He is particularly remembered for his evocative portraits, allegorical scenes, and landscapes that often reflected a strong sense of Welsh identity and the spirit of the Celtic Revival.

    Early Life and Education

    Born in Maesygwrath, Wales, Williams initially faced opposition from his father, Evan Williams, who envisioned a medical career for him. However, a transformative visit to the Walker Art Gallery in Liverpool in 1892, where he was deeply moved by Frederick Leighton’s Perseus and Andromeda, ignited his passion for art. This experience solidified his determination to pursue a life as an artist.

    Artistic Development and Influences

    Early Training: Williams began his formal artistic training at the Neath Technical Institute under Mr. Kerr in 1892-1893.

    Royal College of Art & Royal Academy Schools: He continued his studies at the Royal College of Art for three years, followed by further education at the Royal Academy Schools from 1896 to 1901.

    Key Influences: Frederick Leighton was a significant early influence, inspiring Williams’s academic approach and attention to detail. He also drew inspiration from Pre-Raphaelite aesthetics and the broader artistic currents of the Celtic Revival.

    Major Achievements and Recognition

    Royal Academy Exhibitions: Williams first exhibited at the Royal Academy in 1902 with Paolo and Francesca, followed by a portrait of his father in 1903. He went on to exhibit eighteen paintings there throughout his career.

    Royal Society of British Artists: In 1910, he was invited to join the Royal Society of British Artists, exhibiting thirty-seven paintings with them over the next decade.

    Royal Commission: A pivotal moment came in 1911 when King George V commissioned Williams to create a commemorative painting of the investiture of Edward, Prince of Wales at Caernarfon Castle. He completed two versions of this important work.

    Portraiture: Williams became highly sought after as a portraitist, creating likenesses of prominent figures such as David Lloyd George, Sir John Williams, and Sir Henry Jones.

    Themes and Style

    Williams’s work is characterized by:

    Portraiture: His portraits are known for their psychological depth and realistic rendering of his subjects.

    Celtic Revival: He frequently explored themes from Welsh mythology and folklore, particularly in paintings like Ceridwen and Branwen, inspired by the Mabinogion.

    Landscape Painting: Williams painted landscapes extensively throughout Wales, as well as during travels to Switzerland, Italy, France, Spain, Morocco, and Holland.

    Allegorical Scenes: He often incorporated allegorical elements into his work, imbuing it with symbolic meaning.

    Historical Significance and Legacy

    Christopher Williams played a significant role in promoting Welsh art and culture during his lifetime. He actively participated in the National Eisteddfod as an adjudicator and served on committees for the National Museum of Wales and the Honourable Society of Cymmrodorion. His work reflects a strong sense of national identity and contributed to the artistic flourishing of Wales in the early 20th century.

    His paintings are held in numerous public collections, including the National Museum of Wales, the Royal Collection, and the Glynn Vivian Art Gallery, ensuring his legacy continues to inspire and captivate audiences today. He was a brother-in-law to fellow artist Fred Appleyard, and father to astronomer Evan Gwyn Williams and artist Ivor Williams.

    Where to read more

    Find this online

    QR code linking to the download page for Evening Glow, Venice

    originaluniqueart.com/en/art/download/christopher-williams-evening-glow-venice-AQS7QD-en/

    Cite this artwork

    MLA
    Williams, Christopher. Evening Glow, Venice. n.d., https://originaluniqueart.com/en/art/christopher-williams-evening-glow-venice-AQS7QD-en/
    APA
    Williams, Christopher (n.d.). Evening Glow, Venice [Painting]. https://originaluniqueart.com/en/art/christopher-williams-evening-glow-venice-AQS7QD-en/
    Chicago
    Christopher Williams. Evening Glow, Venice. n.d. https://originaluniqueart.com/en/art/christopher-williams-evening-glow-venice-AQS7QD-en/
    Harvard
    Williams, Christopher (n.d.) Evening Glow, Venice. Available at: https://originaluniqueart.com/en/art/christopher-williams-evening-glow-venice-AQS7QD-en/

    Look closely

    Evening Glow, Venice — Christopher Williams

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 6 — do you agree?)
    4. Our catalogue files this work under: venetian cityscape, nighttime venice, grand canal scene. Do you agree? What would you add, or take away?
    5. Look back at Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I see an X-ray view of "Evening Glow, Venice" by Christopher Williams?

    "Evening Glow, Venice" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    What is the perceived brightness of "Evening Glow, Venice" by Christopher Williams?

    Overall, "Evening Glow, Venice" is recorded as deep_shadow. Perceived brightness describes how light or dark the work appears.

    Does "Evening Glow, Venice" have an augmented reality preview?

    "Evening Glow, Venice" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.